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The Power of Color: Anatolian Kilims Sumru Belger Krody Senior Curator, George Washington University Museum and the Textile Museum
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2016 The oP wer of Color: Anatolian Kilims Sumru Belger Krody George Washington University Museum and The Textile Museum Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Krody, Sumru Belger, "The oP wer of Color: Anatolian Kilims" (2016). Textile Society of America Symposium Proceedings. 973. http://digitalcommons.unl.edu/tsaconf/973 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Crosscurrents: Land, Labor, and the Port. Textile Society of America’s 15th Biennial Symposium. Savannah, GA, October 19-23, 2016. 287 The Power of Color: Anatolian Kilims Sumru Belger Krody Senior Curator, George Washington University Museum and The Textile Museum The kilims of Anatolia are great contemplative and minimalist works of art as stated by a kilim enthusiast.1 Created by women who had a magnificent eye for design and an awesome sense of color, these textiles are prized for the purity and harmony of their color, the integrity of their powerful overall design, their masterfully controlled weave structure, and their fine texture. The kilims are large tapestry-woven textiles. The visually stunning and colorful Anatolian kilims communicate the aesthetic choices of the village and nomadic women who created them. -
Warp and Weft Twining, and Tablet Weaving Around the Pacific Tomoko Torimaru [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2018 Warp and weft twining, and tablet weaving around the Pacific Tomoko Torimaru [email protected] Kathryn Rousso [email protected] Laura Filloy Nadal Museo Nacional de Antropología, INAH, Mexico, [email protected] Alejandro de Ávila B [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Torimaru, Tomoko; Rousso, Kathryn; Filloy Nadal, Laura; and de Ávila B, Alejandro, "Warp and weft twining, and tablet weaving around the Pacific" (2018). Textile Society of America Symposium Proceedings. 1114. https://digitalcommons.unl.edu/tsaconf/1114 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Textile Society of America Symposium Proceedings 2018 Presented at Vancouver, BC, Canada; September 19 – 23, 2018 https://digitalcommons.unl.edu/tsaconf/ Copyright © by the author(s). doi 10.32873/unl.dc.tsasp.0054 Warp and weft twining, and tablet weaving around the Pacific Tomoko Torimaru, Kathryn Rousso, Laura Filloy, Alejandro de Ávila B [email protected] [email protected] [email protected] [email protected] Abstract Warp and weft twining predates loom-woven textiles in the archaeological record. -
Oriental Rugs from Persia, Afghanistan, Turkey
Modified By The Rug Guru Oriental Rugs From Persia, Afghanistan, Turkey ... Turkmen Rugs Geography West Turkestan is an area of some 700,000 square kilometres with the Caspian Sea to the west, the Mangyshlak Peninsula to the northeast and the Kapet-Dagh Mountains and the outskirts of the Hindukush forming a semicircle to the south. West of what since 1924 has been the border of the Soviet Socialist Republic of Turkmenistan are Afghanistan and the Iranian province of Khorassan. At the eastern side is the huge Chinese province of Xinjiang (Sinkiang). Usually referred to in the context of weaving literature as East Turkestan. Thus viewed in simple geographic terms, it is easier to understand the nature of this Eurasian basin, part of the ancient world's dry belt. To the western side of the region is the Karakum desert and to the east, between the Amu- Darya and Syr-Darya rivers, is the Kyzylkum desert. To the south, that there was earlier the Soviet Socialist Republic of Uzbekistan, now this independent state, are the important trading centres of Bukhara and Samarkand. The latter having been a major post along the ancient Silk Road, which ran from China through East Turkestan and on westwards, via Tashkent in Uzbekistan, Mary (Merv) in Turkmenistan and Khorasan. Many different ethnic groups have occupied this region for millennia and among those associated with weaving, in addition to the Turkmen's themselves, are the Uzbeks, Karakalpaks and Kirgiz. Historical Research Serious research into the weaving culture of the Turkmen's must, of course, encompass more than aesthetic appreciation. -
Be Goodwill Ambassadors of J&K: LG to Tourists
10thyear of publication SRINAGAR OBSERVER Tayla Valeminck returns for New Zealand tour Ensure no LPG kits are uses in school buses, Director Tourism Kmr, DDC B’gam visit Doodhpathri Young pacer Tayla Vlaeminck will be making her much-awaited vans: Traffic Police Srinagar The Director Tourism Kashmir, G. N Itoo along with District comeback in New Zealand by the end of next month after returning Traffic Police Srinagar has asked parents and school administration to ensure Development Commissioner (DDC) Budgam, Shahbaz Ahmed to the national squad following a long injury layoff. Star allrounder no LPG kits are used in school buses or vans.According to the statement, “ It Mirza today visited tourist resort Doodhpathri, to review the Ellyse Perry also marks her return to international cricket after finally has been reported that some school buses / van operators ferrying school preparedness amid upcoming tourist season. The Director recovering from a serious hamstring injury as Australia announced a children are using LPG Kits in their buses / vans as | Page 03 during the visit convened a meeting of concerned officers to 17-member squad for the series. | Page 08 review the status of implementation of Draft | Page 07 WEDNESDAY, 24 FEBRUARY 2021 11, Rajab 1442 Hijri Published from Srinagar RNI No:JKENG/2012/43267 Vol:10 Issue No: 46 Pages:8 Rs.5.00 epaper: www.srinagarobserver.com Terrorism one of gravest threats to Be goodwill humankind: Jaishankar Agencies gravest threats to humankind,” he said in a virtual address. Geneva: Describing terrorism as one of “As a long-standing victim, India has ambassadors of the gravest threats to humankind, Exter- been at forefront of global action against nal Affairs Minister S Jaishankar said on terrorism. -
Anatomy of Persian & Oriental
dÌ¿z»ZÀ¼ÁdÌ¿¹Â¸ »Öf{Ä],§d§Z]ÁxËZe0 ½ZÌ¿YËYįdY¾ËYº¸»|« |ÁĬÀ»¹Y|¯Y§d§Z]į «YÁ{ |¿YÃ{¯Á/Y§d§Z]į|Àf/ÅÖ»Y«Y¾Ì·ÁYĸ¼mY YÌ]{ÁZf/{Ö§Z]§»Y{,Á»Y½ZÌ¿YËY{§Ä]vÀ»/v^e dYÄÀÌ»¾ËY{Ä]neÁÔeµZ www.Rug.VestaNar.com Nasir al-Mulk Nasir al-Mulk is a famous historic mosque in the center of Shiraz, located near the Shah Cheragh shrine. It was constructed in the Qajar Dynasty in 1876 by Lord Mirza Hasan Ali Nasir al Mulk. The mosque is known for its extensive use in colored glass in its façade. The construction of the mosque uses other traditional structural elements as well such as “panj kasehi” (five concaves). These days, the mosque is more of a tourist attraction than a place for prayer. Like all mosques in Iran, you must remove your shoes before entering and the floor is lined with Persian rugs from wall to wall. We found out that underneath the rugs is actually a beautiful marble floor as well. www.Rug.VestaNar.com ½YËY¥Z^f{§½Z³|ÀÀ¯{ZÁ½Z³|ÀÀ¯|Ì·ÂeÄË{ZveYÄ»Z¿¶§ ¿Yc¸y{ ¹ÔY¾Ì^»¾Ë{½YÁY§ÄmÂeÄ]¶^«Ä·Z¬»{ÁÄË¿Y¾ÌÌaÃZ¼{ ºË{¯ÃZYZÆ¿Z¿YÖËZÌ¿{¶ËZ»Ä] ½M«cZËMYÖy]ÄÀËY¾¼ dY]Y]ºË¯½M«{cyMÁZÌ¿{cZ¼¸¯Y°e{Y| eį|Äf¨³ Á ºË{ÁMµZj»|ÅZ½YÂÀÄ]dYÄf§³Y«|̯Pe{»cyMÄ]ÄmÂeZÀ¯{ZÌ¿{Ä]ÄmÂeZÆ¿M{įYºË¯ įd¨³ºÌÅYÂy\¸»Ä»Y{Y{®ÀËY Ã|Á|À¿Z» dYÃ{Y{½ZÅZÀ³ÁÖZ »YÕZÌ]]cyMºÅZÌ¿{ºÅÕÁyYÁÕÂÌ¿{[Y~Ã|ÁºË¯½M«{|¿ÁY|y |ÀÀ¯Ö»\ËzeY|mZ»Ä¯Ö¿Z¯Á{ÂÖ»|mZ»{¹{»ÂuY¿Z»Ä¯Ö¯]cyMÁZÌ¿{{[Y~ ì]ÃÂÄËM 3 4 3 3 Ê5§º7 Æ4 3·Á3 É1 7 yZ5 Ì3 7¿|·YÊG 5§º7 Æ4 3·¾Ì3 ¨5 5WZy3 ÓF 5SZÅÂ3 ¸4 y4 |7 3˽7 Oº7 Æ4 3·½Z3 ¯Z3 »3 ®3 X5 3·ÁOZÆ3 5]Y3 yÊ3 5§Ö 3 3 Á3 Ä4 ¼4 YZ7 ÆÌ3 5§3 ¯3 ~7 4˽7 O5×YF |3 mZ5 3 »3 3 À3 »3 ¾7 ¼F »5 º4 3¸7 O¾7 »3 Á3 ºÌ1 -
Data Collection Survey on Tourism and Cultural Heritage in the Islamic Republic of Iran Final Report
THE ISLAMIC REPUBLIC OF IRAN IRANIAN CULTURAL HERITAGE, HANDICRAFTS AND TOURISM ORGANIZATION (ICHTO) DATA COLLECTION SURVEY ON TOURISM AND CULTURAL HERITAGE IN THE ISLAMIC REPUBLIC OF IRAN FINAL REPORT FEBRUARY 2018 JAPAN INTERNATIONAL COOPERATION AGENCY (JICA) HOKKAIDO UNIVERSITY JTB CORPORATE SALES INC. INGÉROSEC CORPORATION RECS INTERNATIONAL INC. 7R JR 18-006 JAPAN INTERNATIONAL COOPERATION AGENCY (JICA) DATA COLLECTION SURVEY ON TOURISM AND CULTURAL HERITAGE IN THE ISLAMIC REPUBLIC OF IRAN FINAL REPORT TABLE OF CONTENTS Abbreviations ............................................................................................................................ v Maps ........................................................................................................................................ vi Photos (The 1st Field Survey) ................................................................................................. vii Photos (The 2nd Field Survey) ............................................................................................... viii Photos (The 3rd Field Survey) .................................................................................................. ix List of Figures and Tables ........................................................................................................ x 1. Outline of the Survey ....................................................................................................... 1 (1) Background and Objectives ..................................................................................... -
Areathe Offical Publication of the Oriental Rug Importers Association, Inc
AREATHE OFFICAL PUBLICATION OF THE ORIENTAL RUG IMPORTERS ASSOCIATION, INC. DESIGN FOCUS Brian Murphy SPRING 2016 spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 HERMITAGE COLLECTION TRULY ORIGINAL RUGS, PILLOWS AND THROWS Visit us at High Point | April 16-20, IHFC D320 LOLOIRUGS.CO M/HERMITAGE spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 jamison 53304 jamison 53308 maddox 56503 Invite your customers to experience island-inspired living at its fi nest through the refi ned yet casual Tommy Bahama area rug collection. OWRUGS.COM/ Tommy spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 INTRODUCING THE CHELSEA COLLECTION AN EXCLUSIVE FINE WOOL AND SILK CARPET PRODUCTION N e w J e r s e y D e l h i S h a n g h a i D u b a i M e l b o u r n e spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 spring 2016 final.qxp_001 FALL 2006.qxd 3/16/16 11:57 AM Page 6 From the President’s Desk Dear Colleagues and Friends, will enhance the image of the oriental and orien- tal style rug and spark a new awareness and Judging from reports, the most recent January appreciation of a wide variety of rugs from all rug trade shows were well attended and sales were producing countries. So while congratulations are solid. Dealers in attendance reported they had a in order for members who had been and now will good 2015, finishing the year with be actively importing rugs from strong sales. -
Role of Persians at the Mughal Court: a Historical
ROLE OF PERSIANS AT THE MUGHAL COURT: A HISTORICAL STUDY, DURING 1526 A.D. TO 1707 A.D. PH.D THESIS SUBMITTED BY, MUHAMMAD ZIAUDDIN SUPERVISOR: PROF. DR. MUNIR AHMED BALOCH IN THE AREA STUDY CENTRE FOR MIDDLE EAST & ARAB COUNTRIES UNIVERSITY OF BALOCHISTAN QUETTA, PAKISTAN. FOR THE FULFILMENT OF THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY 2005 DECLARATION BY THE CANDIDATE I, Muhammad Ziauddin, do solemnly declare that the Research Work Titled “Role of Persians at the Mughal Court: A Historical Study During 1526 A.D to 1707 A.D” is hereby submitted for the Degree of Doctor of Philosophy and it has not been submitted elsewhere for any Degree. The said research work was carried out by the undersigned under the guidance of Prof. Dr. Munir Ahmed Baloch, Director, Area Study Centre for Middle East & Arab Countries, University of Balochistan, Quetta, Pakistan. Muhammad Ziauddin CERTIFICATE This is to certify that Mr. Muhammad Ziauddin has worked under my supervision for the Degree of Doctor of Philosophy. His research work is original. He fulfills all the requirements to submit the accompanying thesis for the Degree of Doctor of Philosophy. Prof. Dr. Munir Ahmed Research Supervisor & Director Area Study Centre For Middle East & Arab Countries University of Balochistan Quetta, Pakistan. Prof. Dr. Mansur Akbar Kundi Dean Faculty of State Sciences University of Balochistan Quetta, Pakistan. d DEDICATED TO THE UNFORGETABLE MEMORIES OF LATE PROF. MUHAMMAD ASLAM BALOCH OF HISTORY DEPARTMENT UNIVERSITY OF BALOCHISTAN, QUETTA PAKISTAN e ACKNOWLEDGMENT First of all I must thank to Almighty Allah, who is so merciful and beneficent to all of us, and without His will we can not do anything; it is He who guide us to the right path, and give us sufficient knowledge and strength to perform our assigned duties. -
2006 MNA Navajo Textile Report
THE NAVAJO TEXTILE COLLECTION AT THE MUSEUM OF NORTHERN ARIZONA BY LAURIE D. WEBSTER, PH.D. JANUARY 2006 1 TABLE OF CONTENTS Introduction 3 The Navajo Textile Collection at the Museum of Northern Arizona 4 Classic Period Textiles (to ca. 1870) 4 Late Classic Period Textiles (ca. 1868-1880) 4 Transition Period Blankets and Rugs (ca. 1880-1890) 5 Specialized Styles of the Nineteenth Century 7 Chief-style Blankets and Rugs 7 Women's Wearing Blankets 8 Women's Two-Piece Dresses 8 Rio Grande Influence ("Slave Blankets") 9 Moqui Pattern Blankets and Rugs 10 Wedge Weave Blankets 11 Germantown Blankets and Rugs 11 Overview of Textiles from the Early Rug Period (ca. 1890-1920) 12 Overview of Textiles from the Early Modern Period (ca. 1920-1940) 13 Overview of Textiles from the Modern Period (ca. 1940-present) 14 Regional Styles 14 Hubbell Revival Weavings 14 Ganado/Klagetoh Rugs 15 Early Crystal Rugs 16 Two Grey Hills Rugs 16 Teec Nos Pos Rugs 16 Red Mesa Outline Rugs 17 Early and Modern Chinle Rugs 17 Modern Crystal Rugs 18 Wide Ruins/Pine Springs Rugs 19 Burntwater Rugs 19 Nazlini Rugs 20 Sawmill Rugs 20 Other Specialized Styles and Miscellaneous Weavings 20 Storm Pattern Rugs 20 Modern Revival Rugs 21 Rugs with Compound Designs 21 Yei and Yeibichai Weavings 21 Sandpainting Rugs and Tapestries 22 Pictorial Weavings 23 Raised Outline Rugs 24 Tufted Rugs 24 Twill-woven Rugs and Saddle Blankets 25 Two-Faced Rugs and Saddle Blankets 26 Tailored and Non-Tailored Garments 26 Belts and Garters 26 Miscellaneous Textiles 27 Important Sub-Collections of Navajo Textiles at MNA 28 2 Summary and Recommendations 33 References Cited 36 Appendix I: List of Navajo Textiles at the Museum of Northern Arizona 37 Appendix II: Navajo Textiles in Good or Excellent Condition for Rotating Exhibit 61 3 INTRODUCTION The Museum of Northern Arizona is home to one of the largest and most important collections of Navajo textiles in the world. -
Identification Manual
ORIENTAL & FINE AREA RUG CLEANING IDENTIFICATION MANUAL “TRY NOT TO BECOME A MAN OF SUCCESS, BUT RATHER A MAN OF VALUE.” – ALBERT EINSTEIN RUG TYPES AND CONSTRUCTION The construction of any hand-woven or machine-woven rug begins with the interlacing of warp (vertical) and weft (horizontal) yarns, which are known as the foundation. This creates the basic structure of the rug, to which the pile yarns may be added with hand knotting or mechanical insertion. Foundation yarns used in rugs are: wool, silk, cotton, jute, polyester and polypropylene. Foundation yarns include: Warp – cotton, wool, silk, linen, polyester, slit-film polypropylene. Weft – cotton, wool, silk, jute, spun polypropylene. Stuffer – cotton (one or several). Differences between Hand-Made and Machine-Made Rugs Items to Inspect: Machine Made: Hand Made: Warp Yarns Warps visible on the back Knots visible, pattern distinct Weft Yarns Double “shots” if Gripper Visible on back, single and Axminster double weft End Finish Fringe sewn or stitched on Extension of warp yarns unless repaired Edge Finish Edges are machine serged or Edges hand sewn or stitched “overcast” WARPS NAP OR PILE KNOTS (SHOWN IS THE EDGE WEFT ASSYMETRIC BINDING “PERSIAN” OR “SENNEH” KNOT KNOW) WARP WEFTS KILIM END FINISH OVERCASTING OR KILIM KILIM FRINGE 1 Basic Rug ID Chart: Hand Woven: Hand Knotted Iran, India, Pakistan, Oriental China,Tibet, Nepal, Visible Weft Turkey, Afghanistan, Overcast by Hand Africa, Spain Fringe Extension of Warp Pattern on Back is Distinct Flat Weave Not Perfectly Symmetrical Dhurrie, -
Winter 2020 Cover.Qxp 001 FALL 2006.Qxd 11/25/19 6:08 PM Page 1
winter 2020 cover.qxp_001 FALL 2006.qxd 11/25/19 6:08 PM Page 1 AREA Winter 2020 We’ve made it our business to protect yours… Our mission is to protect our brick & mortar accounts by not offering our rugs to online retailers. What protection do you get from your rug vendors? Los Angeles . High Point . Las Vegas . Atlanta . Dallas www.jauntyinc.com CELEBRATING 40 YEARS OF FINE ARTISANAL HANDCRAFTED RUGS ATLANTA LAS VEGAS NEW YORK HIGH POINT KALATY.COM ATLANTA LAS VEGAS AMERICASMART WORLD MARKET CENTER 4-G-14 KINGSLEY B-455 JANUARY 14 - 17 COLLECTION JANUARY 26 - 30 The Heirloom Collection. Available in 8 designs. DALLAS, WTC 506 | ATLANTA, BLDG #1, 4-D-2 | LAS VEGAS, B-480 E A R S O Y OF 4 D G E N D I I T C A A R T B I O E N L E • C E Q C I U V A R L E I ears S T Y • • S T Y L E Introducing the LILIHAN Collection EXCLUSIVELY RUGS. BY DESIGN. LAS VEGAS C395 | OWRUGS.COM HRI Sunbrella vegas2.qxp_Spread 11/13/19 8:08 AM Page 1 Harounian Rugs International Performance Rugs featuring Sunbrella® is a registered trademark of Glen Raven, Inc. www.hrirugs.com | [email protected] | 800-682-3330 High Point Las Vegas New York HRI Sunbrella vegas2.qxp_Spread 11/13/19 8:08 AM Page 2 Las Vegas Market | World Market Center Building B - Suite B433 | January 26-30, 2020 winter 2020 3.qxp_001 FALL 2006.qxd 11/25/19 5:42 PM Page 6 FROM THE PRESIDENT’S DESK Dear Colleagues, “All good things come to an end” which art and architecture drive trends in interior But as I write my last letter as president of this design and that the new products developed by our wonderful organization—The Oriental Rug Importers members continue to be on the leading edge of home Association (ORIA)—I realize that all good things do décor. -
Don't Worry, We've Got You Covered.
RUG GUIDE (Don’t worry, we’ve got you covered.) CHOOSING YOUR RUG BEGINS AT HOME The first step to selecting your perfect rug is simple: decide where the rug will go and how you will use it. Let us walk you through the rest. From sizing to styling, the rug experts at Green Front have compiled this detailed guide to achieving the perfect rug pairing for your space! Rugs have always set Green Front apart. Our collection of hand-knotted pieces features rugs from India, Pakistan, Morocco, Turkey, and around the world. Green Front sources these hand-knotted masterpieces by establishing close personal relationships with the artisans who craft them. We are proud to offer the largest rug selection in North America, each piece arriving with its own unique origin story. Don’t forget, rules were made to be broken. These are just recommendations. Get creative! If you like it, get it! SIZING IT UP UNSURE ABOUT SIZE? When in doubt, live large and THINGS TO KEEP IN MIND: go with a more sizable rug that’s in scale and proportion with your room. A rug may be the perfect color or design, • THE RUGS NEEDS TO FIT THE ROOM: Allow roughly 18 inch- but if it's not the right size for your room, your rug could es of hardwood or existing flooring to show between the edge still leave something to be imagined in the space. of the rug and the wall. COMMON MISTAKE: Choosing a rug that is too small - it • SHOPPING TIP: Our rugs are hand knotted, causing a slight will look like a postage stamp sized afterthought in your discrepancy in exact sizing.