DOCSLIB.ORG

Dorian Gray and the Wilde Senses: a Corpus Stylistic Analysis of Oscar Wilde’S the Picture of Dorian Gray

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dorian Gray and the Wilde Senses: a Corpus Stylistic Analysis of Oscar Wilde’S the Picture of Dorian Gray Dorian Gray and the Wilde Senses by Signe Juel Nordentoft A Corpus Stylistic Analysis of The Picture of Dorian Gray Dorian Gray and the Wilde Senses: A Corpus Stylistic Analysis of Oscar Wilde’s The Picture of Dorian Gray Signe Juel Nordentoft Aalborg University Supervisor: Associate Professor, PhD. Marie Møller Jensen June 2nd, 2020 Nordentoft Abstract Oscar Wilde’s novel The Picture of Dorian Gray (1891c) offers an intriguingly sensuous read- ing experience. In the study reported here, two approaches within corpus stylistics were com- bined with cognitive stylistics and foregrounding theory, pursuing three aims. Firstly, the goal was to investigate stylistic characteristics of the novel via a bottom-up corpus-driven method- ological approach. Secondly, the colour motif was analysed in a top-down corpus-assisted ap- proach. Thirdly, the two approaches were compared in terms of results yielded, and difficulties and advantages encountered. Throughout both analyses, the corpus methods yielded the quan- titative data used as a stepping stone for the qualitative analysis, founded in cognitive stylistics and foregrounding theory. The corpus-driven analysis yielded innovative and rather dissimilar results, pointing towards multiple stylistic effects: the creation of dramatic effect; an effect of auditory stimulation; defamiliarization processes of beautiful entities; and a foregrounding of subjective intuitive feeling. The corpus-assisted analysis yielded focused results regarding the way in which the colour motif comes to be perceived as foregrounded. First of all, this analysis revealed that colour adjectives are used significantly more frequently in The Picture of Dorian Gray than in the three reference corpora consisting of Wilde’s works, Gothic literature, and literary works of Wilde’s contemporaries. It also revealed that the use of hyphenated compound adjectives is a unique characteristic of the novel and that a motif of possessions is attached to the colour motif, foregrounding dead objects in the text. Moreover, it was found that the novel’s style is poetic and rich in the sense that the textual level is embellished and heavily adorned, making for an aesthetically powerful reading experience. The impression of a strong sensuous aspect was substantiated by the analysis, in which it was found that the text creates visual and tactile stimuli in the mind of the reader. In the comparison of the two approaches, it was found that the corpus-driven approach offers quite a few disadvantages, including a fragmented ar- gumentation, disparate outcomes, and a detachment from the co-text. These issues have to be i Nordentoft amended by the stylistician at some cost of time but resulting in an analysis with high validity and originality. In the comparison, it was also found that the corpus-assisted approach had a clear advantage in its intrinsic focus, making for a targeted and unified argumentation but at the cost of possible spontaneity and serendipity. Consequently, it can be argued that in stylistics a combination of methods can be beneficial, though no exact estimate of the optimal distribu- tion of the approaches can be offered. ii Nordentoft Table of contents Abstract ....................................................................................................................................... i Table of contents ...................................................................................................................... iii List of Tables and Figures.......................................................................................................... v Acknowledgements .................................................................................................................. vii 1. Introduction ........................................................................................................................ 1 2. Theory ................................................................................................................................. 5 2.1. Stylistics .......................................................................................................................... 5 2.1.1. Stylistics from Antiquity to present time .................................................................. 7 2.1.2. A theory of stylistics ............................................................................................... 10 2.2. Cognitive stylistics ........................................................................................................ 11 2.2.1. Schema theory and the idealized cognitive model ................................................. 13 2.3. Foregrounding theory .................................................................................................... 16 2.3.1. Defamiliarization .................................................................................................... 17 2.3.2. Entrenchment and salience ..................................................................................... 18 2.5. Corpus stylistics ............................................................................................................ 21 2.6. Quantitative and qualitative approaches ....................................................................... 24 3. Methods................................................................................................................................ 27 3.1. Corpus-driven and corpus-assisted approaches ............................................................. 27 3.2. Corpus design ................................................................................................................ 31 3.2.2. The corpora ............................................................................................................. 37 3.3. Software – AntConc, TagAnt, and corpus annotation .................................................. 43 3.4. Corpus stylistics statistics and hypothesis testing ......................................................... 47 4. Corpus driven analysis ......................................................................................................... 54 4.1. Detecting patterns in a keyness analysis of tags ........................................................... 54 4.2. Keyword analysis .......................................................................................................... 58 4.3. Key verbs and their co-text ........................................................................................... 59 4.4. Key adjectives and their co-text .................................................................................... 65 4.5. Striking keywords – ‘Thing’, ‘Things’, and ‘Something’ ............................................. 68 4.6. Conclusion of the corpus-driven analysis ..................................................................... 71 iii Nordentoft 5. Corpus assisted analysis ....................................................................................................... 73 5.1. Testing the hypothesis – A quantitative analysis .......................................................... 73 5.1.1. Null hypothesis significance test ............................................................................ 78 5.1.2. Hyphenated compound colour adjectives ............................................................... 83 5.1.3. The word ‘Gilt’ – Describing materialism ............................................................. 89 5.2. Conclusion of the corpus-assisted analysis ................................................................... 93 6. Discussion and conclusion ................................................................................................... 95 6.1. Comparing the results of the corpus-driven and corpus-assisted analyses ................... 95 6.2. Fischer-Starcke’s criteria – Evaluating the results ........................................................ 98 6.3. Comparing the corpus-driven and the corpus-assisted approaches ............................. 103 7. References .......................................................................................................................... 106 8. Corpora references ............................................................................................................. 115 9. Appendices ......................................................................................................................... 122 Appendix A: Anthony’s Tree Tagger Set .......................................................................... 122 Appendix B: p value calculation ........................................................................................ 123 Appendix C: Keyword analysis.......................................................................................... 124 Keywords in PDG compared to Wilde ........................................................................... 124 Keywords in PDG compared to GothLit ........................................................................ 128 Keywords in PDG compared to ContempLit .................................................................. 134 iv Nordentoft List of Tables and Figures Table 1. Wilde corpus contents…................................................................................ 38 Table 2. GothLit corpus contents…............................................................................. 39-40 Table 3. ContempLit corpus contents….....................................................................
Load more

Recommended publications
  • Read Book # a Florentine Tragedy: La Sainte Courtisane / LLC5SF408Q75
    ZUJWSL7MVDOH < PDF # A Florentine Tragedy: La Sainte Courtisane A Florentine Tragedy: La Sainte Courtisane Filesize: 8.49 MB Reviews This is the very best publication i actually have read until now. It really is packed with knowledge and wisdom I am happy to let you know that this is the very best publication i actually have read in my very own existence and could be he greatest pdf for ever. (Dr. Nelda Schuppe) DISCLAIMER | DMCA SJXUXO7G9N9I / Doc \ A Florentine Tragedy: La Sainte Courtisane A FLORENTINE TRAGEDY: LA SAINTE COURTISANE To read A Florentine Tragedy: La Sainte Courtisane PDF, make sure you refer to the link listed below and save the ebook or have access to other information which are highly relevant to A FLORENTINE TRAGEDY: LA SAINTE COURTISANE book. Createspace Independent Pub, 2015. Paperback. Condition: Brand New. 36 pages. 9.00x6.00x0.09 inches. This item is printed on demand. Read A Florentine Tragedy: La Sainte Courtisane Online Download PDF A Florentine Tragedy: La Sainte Courtisane B7UGWN9GBYQG \\ Kindle \ A Florentine Tragedy: La Sainte Courtisane Relevant Books [PDF] Oscar Wilde Miscellaneous: A Florentine Tragedy - A Fragment, and La Sainte Courtisane - A Fragment (Dodo Press) Access the web link beneath to read "Oscar Wilde Miscellaneous: A Florentine Tragedy - A Fragment, and La Sainte Courtisane - A Fragment (Dodo Press)" document. Read Book » [PDF] Diary of a Potion Maker (Book 1): The Potion Expert (an Unoicial Minecra Book for Kids Ages 9 - 12 (Preteen) Access the web link beneath to read "Diary of a Potion Maker (Book 1): The Potion Expert (an Unoicial Minecra Book for Kids Ages 9 - 12 (Preteen)" document.
    [Show full text]
  • MODELING HEROINES from GIACAMO PUCCINI's OPERAS by Shinobu Yoshida a Dissertation Submitted in Partial Fulfillment of the Requ
    MODELING HEROINES FROM GIACAMO PUCCINI’S OPERAS by Shinobu Yoshida A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2011 Doctoral Committee: Associate Professor Naomi A. André, Co-Chair Associate Professor Jason Duane Geary, Co-Chair Associate Professor Mark Allan Clague Assistant Professor Victor Román Mendoza © Shinobu Yoshida All rights reserved 2011 TABLE OF CONTENTS LIST OF FIGURES ...........................................................................................................iii LIST OF APPENDECES................................................................................................... iv I. CHAPTER ONE........................................................................................................... 1 INTRODUCTION: PUCCINI, MUSICOLOGY, AND FEMINIST THEORY II. CHAPTER TWO....................................................................................................... 34 MIMÌ AS THE SENTIMENTAL HEROINE III. CHAPTER THREE ................................................................................................. 70 TURANDOT AS FEMME FATALE IV. CHAPTER FOUR ................................................................................................. 112 MINNIE AS NEW WOMAN V. CHAPTER FIVE..................................................................................................... 157 CONCLUSION APPENDICES………………………………………………………………………….162 BIBLIOGRAPHY..........................................................................................................
    [Show full text]
  • The Oscar Wilde Collection Author Index 1
    The Oscar Wilde Collection Author Index A.N.S. to Christopher Millard regarding the Archer, William. caricature of Sir William Wilde which appeared in "About the theatre. The English drama in German the periodical, Ireland's Eye. -- A talk with Dr. Meyerfield -- Oscar Wilde, Bernard August 29, 1974.; English; Wildeiana Box 7.8B. Shaw, Gordon Craig -- German managers and Reel: 39, Item No. 12 authors -- The kaiser and the theatre.". From an unknown newspaper, 1906. Clipping "According to the Pall Mall gazette, aestheticism has concerning German translations and productions of broken out again, and in the interval since the last Oscar Wilde's plays.; English; Wildeiana Box 2.17C. outbreak its devotees have grown mortal and stout.". Reel: 36, Item No. 55 December 18, 1890. Caricature from Moonshine (?).; English; Wildeiana Box 7.27A. Archer, William. Reel: 39, Item No. 40 "A drama and its story.". [Review for the German translation of A Duchess of "All London' at the Haymarket.". Padua, translated by Max Meyerfield]. In an In The Westminister budget, April 28, 1893, p. 17. unknown newspaper, 1904. Bibliographical material, (Review of the costume designs in the Haymarket 1880-1939.; English; Wildeiana Box 4.1J. Theatre production of A woman of no importance. Reel: 37, Item No. 28 With 3 illustrations of the actors).; English; Wildeiana Box 2.15A. Archer, William. Reel: 36, Item No. 47 "Lord Arthur Savile's crime.". From an unknown magazine, 1891? (Review of "The American lady who purchased our Oscar's Oscar Wilde's Lord Arthur Savile's crime and other tresses and banged the chignon with them.".
    [Show full text]
  • Introduction the Fighting Nineties: the Age of the Critical Function
    Cambridge University Press 978-1-107-10974-2 - Literature and the Politics of Post-Victorian Decadence Kristin Mahoney Excerpt More information Introduction The Fighting Nineties: The Age of the Critical Function In December 1928, the Leicester Galleries hosted an exhibition of the works of Max Beerbohm titled “Ghosts.” The exhibition included caricatures of Oscar Wilde, Lord Queensberry, John Lane, Walter Pater, Henry Harland, and Aubrey Beardsley. In the exhibition catalog, Beerbohm characteristi- cally apologizes for his own anachronism, feigning embarrassment at the irrelevance of his work to the modern moment. He lives in Italy now, he notes, and it’s very hard to keep up: “So very many people with faces and figures unknown to me have meanwhile become famous that I have abandoned all hope of being ‘topical.’”1 Nevertheless, he suggests that per- haps the visitors to the gallery won’t mind “looking at some people who flourished in past days.”2 He first addresses his fellow specters from the Victorian era: “Those of you who are as old as – or almost (and even that is saying much) as old as I – will perhaps like to have the chords of memory struck by the drawings on these walls.”3 But he continues to suggest that “eventheyoung...mayconceivablyfeelaslightthrill”whilecontemplat- ing the “ghosts” in the gallery.4 “I have noticed,” he writes, “that the young in this era have what those in my own era hadn’t: a not unfriendly interest in the more or less immediate past.”5 This “not unfriendly interest” in the late-Victorian period had been on the rise since the publication of Holbrook Jackson’s well-received The Eighteen-Nineties in 1913.
    [Show full text]
  • A Florentine Tragedy, Or Woman As Mirror
    Cambridge Opera Journal, 18, 1, 33–58 2006 Cambridge University Press doi:10.1017/S0954586706002096 A Florentine Tragedy, or woman as mirror SHERRY D. LEE Abstract: Alexander Zemlinsky’s one-act opera A Florentine Tragedy (1917), based on Oscar Wilde’s play of the same title, features an erotic triangle – a woman, her husband and her lover – that erupts into violence, murder and a shocking dramatic reversal at the end. Throughout the drama, the character of the woman is a passive mirror in whose eyes the male characters see their own idealised images. The marginalised subject-position of the woman, however, reveals the pivotal role of the feminine in the narcissistic constructions of male desire and the male self. At the same time, however, this reading enables an interpretation of the drama as a project for conceptualising another marginal subjectivity: that of the homosexual male. Drawing on Eve Sedgwick’s and Kaja Silverman’s theories, the article explores first the complex dynamics of the triangle at the centre of the drama, and then the implications of a Freudian triangular model of male homosexual subjectivity as constituted through narcissistic object-choice. The homoerotic subtext of Wilde’s play is revealed partly through the ambiguities of the woman’s position in her connections with each of the men, a role that is seen more clearly in terms of their bonds with each other. This subtext is also implicit in the typically Wildean eroticisation of commerce and commercialisation of eros, through which the men engage in relations highly nuanced by erotically inflected language.
    [Show full text]
  • Oscar Wilde (1854-1900)
    OSCAR WILDE (1854-1900) Oscar Fingal O’Flahertie Wills Wilde was born in Dublin on 16 October 1854 to one of Ireland’s most distinguished professional, nationalist families of Protestant descent. His father was William Robert Wills Wilde (1815-1876), an eminent eye doctor, travel writer, and amateur ethnographer. He became Surgeon-Oculist-in-Ordinary to Queen Victoria in 1863 and was knighted a year later. Wilde’s mother, best known by the pseudonym “Speranza” (‘Hope’) (1821- 1896), came to prominence in the late 1840s, when her inflammatory political poetry and letters, published in the Nation, affiliated her with the Young Ireland movement. W. & D. Downey. Mr. Oscar Wilde. 1889. Photograph. The Clark Library, UCLA, Los Angeles. At Trinity College Dublin, Wilde studied Classics with John Pentland Mahaffy (1839-1919), whose Social Life in Greece from Homer to Menander (1874) took a surprisingly liberal view of homosexuality in ancient Greece. Wilde won a Demyship in Classics to Magdalen College, Oxford, where he excelled in Literæ Humaniores (“Greats”), graduating with a Double First in 1878. At Magdalen, he made several important contacts, including Lord 1 Ronald Sutherland-Gower (1845-1916), who most probably introduced Wilde to the homosexual subcultures of Oxford and London. During this period, Wilde’s interests were oriented toward Roman Catholicism, particularly through his friend, David Hunter-Blair (1853-1939), a recent convert to Rome. In 1877, he travelled with Mahaffy to Greece. On his return through Italy, Wilde was granted an audience with Pope Pius IX at the Vatican. At Oxford Wilde became deeply acquainted with the writings by John Ruskin (1819- 1900), who served as Slade Professor of Art at the university from 1869 to 1879, as well as Walter Pater's (1839-1894) Studies in the History of the Renaissance (1873) and John Addington Symonds's (1840-1893) Studies of the Greek Poets (2 vols.1873, 1876) and Renaissance in Italy (7 vols.
    [Show full text]
  • Oscar Wilde and Lord Alfred Douglas: a Tragedy of Requited Love
    Masarykova univerzita Filozofická fakulta Katedra anglistiky a amerikanistiky Magisterská diplomová práce Jméno Autora 20 Autora Jméno 2013 Michal Šilar Hřbet 0 12 12 Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Michal Šilar Oscar Wilde and Lord Alfred Douglas: A Tragedy of Requited Love Master’s Diploma Thesis Supervisor: Dr. Michael M. Kaylor, M.A., Ph. D. 2013 1 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. 2 I would like to thank my supervisor - Dr. Michael M. Kaylor, M.A., Ph.D. – for his generous advice and comments which helped to shape this work. 3 Table of Contents Introduction………………………………………………………………………………………………………….6 A Note on the Sources……………………………………………………………………………………………9 I. Deconstructing Oscar………………………………………………………………………10 The Greek Things…………………………………………………………………………………………………10 Women……………………………………………………………………………………………………………….13 Walter Pater………………………………………………………………………………………………………..15 Marriage……………………………………………………………………………………………………………..19 II. Meet Dorian Gray………………………………………………………………………….24 Homme Fatale……………………………………………………………………………………………………..24 The Lord of Language………………………………………………………………………………………….29 Love at Second Sight…………………………………………………………………………………………...33 A Woman of No Importance and A Man of Great Importance…………………………………..37 III. Through Thick and Thin………………………………………………………………..46 The Imminent Danger………………………………………………………………………………………….46 The Green Carnation…………………………………………………………………………………………….49
    [Show full text]
  • CHAPTER I INTRODUCTION A. Background of the Study a Woman
    CHAPTER I INTRODUCTION A. Background of the Study A Woman of No Importance is one of popular melodramas in the nineteenth century. This play was written by Oscar Wilde a famous figure of the late-nineteenth century literature. It consists of four acts, played by nine actors with the main theme is the secrets upper-classes society. It is about secret, decision, truth, and prides that become the important thing to everyone. A Woman of No Importance premiered on 19 April 1893 at London’s Haymarket Theatre being success on the first performance. Oscar Wilde, the writer of this play was born on October 16, 1854 in Dublin, Ireland and died in Paris 30 November 1900. He was the second son of Sir William and Lady Jane Wilde. Sir William was a famous surgeon, but he embroiled a sensation scandal, raped his former patient in 1864. Then, Jane Wilde was a poet and loved made a sensation like her son. Oscar Wilde spent his early youth in his native country. For three years he attended in Trinity College in Dublin. In 1878 he moved to London and completed his university education at Oxford in classical studies. He wrote several books after traveling from Italy and Grace. His first book was a volume of poems (1881), and followed his first play too Vera, or 1 2 the Nihilists was performed in the United States in 1891. But, his first play was not well received, nor his volume of poem. And in 1884, he married and has two children. He also became an editor of Woman’s World, one of reputable publication.
    [Show full text]
  • Oscar Wilde and Modern Culture
    Bristow INTRO:Layout 1 11/19/08 7:28 PM Page 1 JOSEPH BRISTOW A Reuter telegram from Paris states that Oscar Wilde died there yester- day afternoon from meningitis. The melancholy end to a career which once promised so well is stated to have come in an obscure hotel of the Latin Quarter. Here the once brilliant man of letters was living, exiled from his country and from the society of his countrymen. The verdict that a jury passed upon his conduct at the Old Bailey in May 1895, de- stroyed for ever his reputation, and condemned him to ignoble obscu- rity for the remainder of his days. When he had served his sentence of two years’ imprisonment, he was broken in health as well as bankrupt in fame and fortune. Death has soon ended what must have been a life of wretchedness and unavailing regret. —Unsigned obituary, London Times, 1 December 1900 ust before the end of the nineteenth century, Oscar Wilde died in trying Jcircumstances, as unsympathetic obituaries in the British press were prompt to note. To the London Times, Wilde’s demise from an infection of brain tissue at age forty-six did not come soon enough. How could a man who suffered such degradation continue a life that was anything other than shameful and remorse- ful? How could this once-fêted author ever have stood again before the public with any measure of dignity? From this perspective, the attack of meningitis is portrayed as a blessing that put Wilde, once and for all, out of his misery.
    [Show full text]
  • Get PDF De Profundis
    4KINVIGINWTJ » Kindle » De Profundis Find PDF DE PROFUNDIS CreateSpace Independent Publishing Platform. Paperback. Book Condition: New. This item is printed on demand. Paperback. 50 pages. Dimensions: 9.0in. x 6.0in. x 0.1in.De Profundis (Latin: from the depths) is an epistle written by Oscar Wilde during his imprisonment in Reading Gaol, to Lord Alfred Douglas. During its first half Wilde recounts their previous relationship and extravagant lifestyle which eventually led to Wildes conviction and imprisonment for gross indecency. He indicts both Lord Alfreds vanity and his own weakness in acceding... Download PDF De Profundis Authored by Mr Oscar Wilde Released at - Filesize: 6.65 MB Reviews A must buy book if you need to adding benefit. Better then never, though i am quite late in start reading this one. I am very happy to inform you that this is basically the very best book we have study during my own life and could be he finest ebook for possibly. -- Rodger Hane Absolutely among the finest ebook I have actually read through. I could possibly comprehended everything out of this composed e pdf. I am easily will get a satisfaction of studying a composed ebook. -- Stephan Towne TERMS | DMCA GHRDX8XKVFU6 » Doc » De Profundis Related Books Letters to Grant Volume 2: Volume 2 Addresses a Kaleidoscope of Stories That Primarily, But Not Exclusively, Occurred in the United States. It de Child and Adolescent Development for Educators with Free Making the Grade TJ new concept of the Preschool Quality Education Engineering the daily learning book of: new happy learning young children (3-5 years) Intermediate (3)(Chinese Edition) Oscar Wilde, His Life and Confessions, Volume 1 Oscar Wilde Miscellaneous: A Florentine Tragedy - A Fragment, and La Sainte Courtisane - A Fragment (Dodo Press).
    [Show full text]
  • OSCAR WILDE an Annotated Bibliography of Criticism
    OSCAR WILDE An Annotated Bibliography of Criticism Also by E.H. Mikhail The Social and Cultural Setting of the 1890s John Galsworthy the Dramatist Comedy and Tragedy Sean O'Casey: A Bibliography of Criticism A Bibliography of Modern Irish Drama 1899-1970 Dissertations on Anglo-Irish Drama The Sting and the Twinkle: Conversations with Sean O'Casey (co-editor with john O'Riordan) J.M. Synge: A Bibliography of Criticism Contemporary British Drama 19 50-1976 J.M. Synge: Interviews and Recollections (editor) W.B. Yeats: Interviews and Recollections (editor) English Drama 1900-1950 Lady Gregory: Interviews and Recollections (editor) OSCAR WILDE An Annotated Bibliography of Criticism E. H. MIKHAIL E. H. Mikhail 1978 Softcover reprint of the hardcover 1st edition 1978 978-0-333-23239-2 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1978 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in Delhi Dublin Hong Kong]ohannesburg Lagos Melbourne New York Singapore Tokyo Typeset by CAMBRIAN TYPESETTERS British Library Cataloguing in Publication Data Mikhail, Edward Halim Oscar Wilde. 1. Wilde, Oscar - Bibliography 016.828'8'09 Z8975 ISBN 978-1-349-03579-3 ISBN 978-1-349-03577-9 (eBook) DOI 10.1007/978-1-349-03577-9 This book is sold subject to the standard conditions of the Net Book Agreement Contents Acknowledgements vii Introduction ix BIBLIOGRAPHIES [Including catalogues, indexes, and collections] 1 (a) Bibliographies Wholly Devoted
    [Show full text]
  • A Deconstructive Analysis of Man's Hegemony Over
    A DECONSTRUCTIVE ANALYSIS OF MAN’S HEGEMONY OVER WOMAN IN LOVE IN OSCAR WILDE’S DRAMA A FLORENTINE TRAGEDY A FINAL PROJECT Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English by TEGUH TRI IMANA 2250402029 ENGLISH DEPARTMENT LANGUAGES AND ARTS FACULTY SEMARANG STATE UNIVERSITY 2007 APPROVAL The final project was approved by the Board of Examiners of the English Department of the Faculty of Languages and Arts of Semarang State University on………………… Board of Examiners 1. Chairman, Drs. Nur Rohmat NIP.130604160 2. Secretary, Dr. Dwi Anggani L. B., M.Pd. NIP. 131813665 3. First Examiner, Drs. Januarius Mujianto, M.Hum. NIP. 131281221 4. Second Examiner as Second Advisor, Henrikus Joko Yulianto, S. S, M. Hum. NIP. 132233485 5. Third Examiner as First Advisor, Subur L. Wardoyo, M.A, Ph.D. NIP. 132158715 Approved by Dean of the Faculty of Languages and Arts, Prof. Dr. Rustono, M. Hum NIP. 131281222 PERNYATAAN Dengan ini saya: Nama : Teguh Tri Imana NIM : 2250402029 Prodi/Jurusan : Sastra Inggris , Jurusan Bahasa dan Sastra Inggris FBS UNNES menyatakan dengan sesungguhnya bahwa final project yang berjudul: A DECONSTRUCTION ANALYSIS OF MAN’S HEGEMONY OVER WOMAN IN LOVE IN OSCAR WILDE’S DRAMA A FLORENTINE TRAGEDY yang saya tulis dalam rangka memenuhi salah satu syarat memperoleh gelar sarjana ini benar-benar merupakan karya saya sendiri yang saya hasilkan setelah melalui penelitian, pembimbingan, diskusi, dan pemaparan/ujian. Semua kutipan, baik yang langsung maupun tidak langsung, baik yang diperoleh dari sumber keperpustakaan, maupun sumber lainnya, telah disertai keterangan mengenai identitas sumbernya dengan cara sebagaimana yang lazim dalam penulisan karya ilmiah.
    [Show full text]