Introduction the Fighting Nineties: the Age of the Critical Function
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BA THESIS Alex Lorenzů
Charles University in Prague Faculty of Arts Department of Anglophone Literatures and Cultures BA THESIS Alex Lorenzů Literary, Cultural and Historical Influences in the Works and Beliefs of Oscar Wilde Literární, kulturní a historické vlivy v díle a přesvědčeních Oscara Wildea Prague 2012 Supervisor: PhDr. Zdeněk Beran Acknowledgements I would like to thank PhDr. Zdeněk Beran for his thorough consultation of the ideas behind my thesis and the approaches to them, as well as for his support during the writing process. Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného či stejného titulu. V Praze dne 15. 8. 2012 …....................................... Alex Lorenzů Souhlasím se zapůjčením bakalářské práce ke studijním účelům. Abstract The thesis deals with the cultural and literary influences that can be traced in the works of Oscar Wilde. Its aim is to map out and elucidate some of the important motifs of the author's work and aesthetics in their own context as well as in the wider cultural-historical one. The methods used will be comparison of relevant materials, analysis of certain expressions typical of the author with their connotations, explaining the intertextual allusions in Wilde's work, and historical sources. The requisite attention will also be paid to Wilde as a representative of a subversive element of Victorian society and how this relates to his sexuality; that is to say, exploring the issue of the tabooing of non-heterosexuality, which may have been a decisive factor in Wilde's criticism of the conventions of his era and to his search of positive role-models in the ancient tradition both for his art and for his personal philosophy. -
Wallace Nethery Papers
http://oac.cdlib.org/findaid/ark:/13030/kt9v19s0q2 No online items Finding Aid for the Wallace Nethery Papers 1931-2000 Processed by Jamie Henricks. William Andrews Clark Memorial Library University of California, Los Angeles 2520 Cimarron Street Los Angeles, CA 90018 Phone: (323) 731-8529 Fax: (323) 731-8617 Email: [email protected] URL: http://www.humnet.ucla.edu/humnet/clarklib/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the Wallace MS.2007.017 1 Nethery Papers 1931-2000 Descriptive Summary Title: Wallace Nethery Papers, Date (inclusive): 1931-2000 Collection number: MS.2007.017 Creator: Nethery, Wallace 1910-1996 Extent: 4 boxes (1.5 linear feet) Repository: University of California, Los Angeles. Library. William Andrews Clark Memorial Library Los Angeles, California 90095-1490 Abstract: This collection contains material created and collected by Wallace and Corry Nethery. Correspondence, drafts, research notes, and ephemera are included for a number of Nethery's books. Materials related to Nethery's work as a librarian at the University of Southern California are included as well. Photocopies of letters to, from, and about Elisabeth Jungmann are numerous. The subject matter for most of the books and papers relate to Max Beerbohm, Charles and Mary Lamb, Elisabeth Jungmann, and miniature books. Materials are in English, German, and Dutch. Physical location: This collection is stored at the Southern Regional Library Facility. Please contact Clark Library staff at least 2 weeks in advance if you would like to view the materials in this collection. Language of Material: Collection materials in English Access Collection is open for research. -
The Century Guild Hobby Horse Mitchell, Rebecca
The Century Guild Hobby Horse Mitchell, Rebecca DOI: 10.1086/696259 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Mitchell, R 2018, 'The Century Guild Hobby Horse' Papers of the Bibliographical Society of America, vol. 112, no. 1, pp. 75-104. https://doi.org/10.1086/696259 Link to publication on Research at Birmingham portal Publisher Rights Statement: Version accepted for publication by Papers of the Bibliographical Society of America on 11/09/2015. Final version of record available at: https://www.journals.uchicago.edu/doi/10.1086/696259 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
MAX BEERBOHM AS a LITERARY CRITIC by BEVERLY JOAN
MAX BEERBOHM AS A LITERARY CRITIC by BEVERLY JOAN NORBY B.A., University of British Columbia, 1949 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1967 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by h.i>s representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ENGLISH The University of British Columbia Vancouver 8, Canada Date October, 1967 ABSTRACT The purpose of this thesis has been to define Max Beerbohm's critical literary principles, to evaluate his con• tribution to aesthetic criticism and thereby to determine his place in the critical tradition. The methods of investi• gation have been: to study the formative influences on the development of his critical principles and to evaluate the results of their application in Max's essays and dramatic criticisms. From this study it is evident that as a man and as an artist Max was "formed" during the Eighteen-nineties. By nature he was an intellectual dandy who always preferred strong, narrow creative personalities like himself. He was detached, fastidious, witty, and humane, and he was noted for his wisdom and sound common sense, even as a very young man. -
The Picture of Dorian Gray Symbols and Motifs Worksheet
The Picture of Dorian Gray Symbols and Motifs Worksheet SYMBOL – A literal object, person, place etc. that represents a figurative idea/concept/emotion. MOTIF – a recurring image or concept that reiterates an idea/concept/emotion. Read the information about each element (supplied below) and summarise the important points (and add your own) to fill in this table. Symbol/Motif What it Significance to our represents understanding of the novel E.g. The painting Beauty, vanity, The presence of the painting is a the passing of time constant reminder of the true result and conscience. of Dorian’s actions. It allows him to act without thought of the consequences and to only worry about his own pleasure, but he cannot hide from it forever. Eventually the painting’s mere existence comes to torture Dorian. Flowers The book The opium dens James Vane Red and white SOURCE 1: Course Hero The Painting By far the most important symbol in the novel is Basil's portrait of Dorian. The centrepiece of the plot, the portrait interacts with Dorian throughout the narrative. When Dorian does something immoral, the results show up on the painting, while Dorian's own face stays unmarked and beautiful. This painting is Basil's best work, but must, because of its magical power, remain unseen by everyone except Dorian. Basil and Henry saw the portrait when it was first complete. Though it is rarely seen, this picture looms symbolically and metaphorically over the entire book. The picture takes the Victorian ideal of art to its logical extreme. If art is useful because it teaches a moral lesson, how perfect must this painting be since it is an immediate barometer of ethical changes? Basil's final glimpse of his masterpiece occurs when he says that to know Dorian he must see his soul. -
Read Book # a Florentine Tragedy: La Sainte Courtisane / LLC5SF408Q75
ZUJWSL7MVDOH < PDF # A Florentine Tragedy: La Sainte Courtisane A Florentine Tragedy: La Sainte Courtisane Filesize: 8.49 MB Reviews This is the very best publication i actually have read until now. It really is packed with knowledge and wisdom I am happy to let you know that this is the very best publication i actually have read in my very own existence and could be he greatest pdf for ever. (Dr. Nelda Schuppe) DISCLAIMER | DMCA SJXUXO7G9N9I / Doc \ A Florentine Tragedy: La Sainte Courtisane A FLORENTINE TRAGEDY: LA SAINTE COURTISANE To read A Florentine Tragedy: La Sainte Courtisane PDF, make sure you refer to the link listed below and save the ebook or have access to other information which are highly relevant to A FLORENTINE TRAGEDY: LA SAINTE COURTISANE book. Createspace Independent Pub, 2015. Paperback. Condition: Brand New. 36 pages. 9.00x6.00x0.09 inches. This item is printed on demand. Read A Florentine Tragedy: La Sainte Courtisane Online Download PDF A Florentine Tragedy: La Sainte Courtisane B7UGWN9GBYQG \\ Kindle \ A Florentine Tragedy: La Sainte Courtisane Relevant Books [PDF] Oscar Wilde Miscellaneous: A Florentine Tragedy - A Fragment, and La Sainte Courtisane - A Fragment (Dodo Press) Access the web link beneath to read "Oscar Wilde Miscellaneous: A Florentine Tragedy - A Fragment, and La Sainte Courtisane - A Fragment (Dodo Press)" document. Read Book » [PDF] Diary of a Potion Maker (Book 1): The Potion Expert (an Unoicial Minecra Book for Kids Ages 9 - 12 (Preteen) Access the web link beneath to read "Diary of a Potion Maker (Book 1): The Potion Expert (an Unoicial Minecra Book for Kids Ages 9 - 12 (Preteen)" document. -
MODELING HEROINES from GIACAMO PUCCINI's OPERAS by Shinobu Yoshida a Dissertation Submitted in Partial Fulfillment of the Requ
MODELING HEROINES FROM GIACAMO PUCCINI’S OPERAS by Shinobu Yoshida A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2011 Doctoral Committee: Associate Professor Naomi A. André, Co-Chair Associate Professor Jason Duane Geary, Co-Chair Associate Professor Mark Allan Clague Assistant Professor Victor Román Mendoza © Shinobu Yoshida All rights reserved 2011 TABLE OF CONTENTS LIST OF FIGURES ...........................................................................................................iii LIST OF APPENDECES................................................................................................... iv I. CHAPTER ONE........................................................................................................... 1 INTRODUCTION: PUCCINI, MUSICOLOGY, AND FEMINIST THEORY II. CHAPTER TWO....................................................................................................... 34 MIMÌ AS THE SENTIMENTAL HEROINE III. CHAPTER THREE ................................................................................................. 70 TURANDOT AS FEMME FATALE IV. CHAPTER FOUR ................................................................................................. 112 MINNIE AS NEW WOMAN V. CHAPTER FIVE..................................................................................................... 157 CONCLUSION APPENDICES………………………………………………………………………….162 BIBLIOGRAPHY.......................................................................................................... -
The Oscar Wilde Collection Author Index 1
The Oscar Wilde Collection Author Index A.N.S. to Christopher Millard regarding the Archer, William. caricature of Sir William Wilde which appeared in "About the theatre. The English drama in German the periodical, Ireland's Eye. -- A talk with Dr. Meyerfield -- Oscar Wilde, Bernard August 29, 1974.; English; Wildeiana Box 7.8B. Shaw, Gordon Craig -- German managers and Reel: 39, Item No. 12 authors -- The kaiser and the theatre.". From an unknown newspaper, 1906. Clipping "According to the Pall Mall gazette, aestheticism has concerning German translations and productions of broken out again, and in the interval since the last Oscar Wilde's plays.; English; Wildeiana Box 2.17C. outbreak its devotees have grown mortal and stout.". Reel: 36, Item No. 55 December 18, 1890. Caricature from Moonshine (?).; English; Wildeiana Box 7.27A. Archer, William. Reel: 39, Item No. 40 "A drama and its story.". [Review for the German translation of A Duchess of "All London' at the Haymarket.". Padua, translated by Max Meyerfield]. In an In The Westminister budget, April 28, 1893, p. 17. unknown newspaper, 1904. Bibliographical material, (Review of the costume designs in the Haymarket 1880-1939.; English; Wildeiana Box 4.1J. Theatre production of A woman of no importance. Reel: 37, Item No. 28 With 3 illustrations of the actors).; English; Wildeiana Box 2.15A. Archer, William. Reel: 36, Item No. 47 "Lord Arthur Savile's crime.". From an unknown magazine, 1891? (Review of "The American lady who purchased our Oscar's Oscar Wilde's Lord Arthur Savile's crime and other tresses and banged the chignon with them.". -
Max Beerbohm Prints
Max Beerbohm Caricatures A Finding Aid to the Collection in the Helen Farr Sloan Library & Archives, Delaware Art Museum Acquisition Information Gift of Helen Farr Sloan Extent 5 items Access Restrictions Unrestricted Contact Information Helen Farr Sloan Library & Archives Delaware Art Museum 2301 Kentmere Parkway Wilmington, DE 19806 (302) 571-9590 [email protected] Preferred Citation Max Beerbohm Caricatures, Helen Farr Sloan Library & Archives, Delaware Art Museum 1 Biography of Max Beerbohm Max Beerbohm was born in London, England on Aug. 24, 1872. He was educated at Charterhouse and Merton College, Oxford. He was a critic, essayist and caricaturist. He contributed to the famous Yellow Book while still an undergraduate at Oxford. As a half brother of the actor-manager Herbert Beerbohm Tree, Max was a brilliant dramatic critic of the Saturday Review from 1898 to 1910, succeeding George Bernard Shaw. In 1910 he married an American actress, Florence Kahn and went to live in Rapallo, Italy (except for the duration of the two World Wars). A charming, witty, and elegant man, Beerbohm was a brilliant parodist and the master of a polished prose style. His works include A Christmas Garland (1912), a collection of parodies on such authors as Joseph Conrad and Thomas Hardy; Zuleika Dobson (1911), an amusing satire on Oxford; Seven Men (1919), stories; and And Even Now (1920) and Mainly on the Air (1947), essays. Beerbohm was accomplished at drawing, and he published several volumes of excellent caricatures, including The Poet’s Corner (1904) and Rossetti and His Circle (1922). He was knighted in 1939 on his return from Italy, where he had lived from 1910. -
The Yellow Book Vol, I
The Yell ow Book An Illustrated (Quarterly Volume I April 1894 London: Elkin Mathews &f John Lane Contents Letterpress I. The Death of the Lion . By Henry James . Tagc 7 II. Tree-Worship Richard Le Gallienne . 57 III. of Cosmetics . A Defence Max Beerbohm . 65 IV. Arthur Christopher Benson 83 V. Irremediable Ella D Arcy ... 87 VI. The Frontier . William Watson . .113 VII. Night on Curbar Edge VIII. A Sentimental Cellar George Saintsbury . 119 IX. Stella Maris . Arthur Symons . .129 X. Mercedes Henry Harland . -135 XI. A Broken Looking-Glass XII. Alere Flammam Edmund Gosse . XIII. A Dream of November 153 XIV. The Dedication Fred M. Simpson . .159 XV. A Lost Masterpiece . George Egerton . .189 XVI. Reticence in Literature Arthur Waugh . 201 XVII. Modern Melodrama Hubert Crackanthorpe . 223 XVIII. London , Davidson . XIX. Down-a-down John -233 XX. The of Love-Story Luigi Richard Garnett, LL.D. 235 Tansillo . Oliver Hobbes John ] XXI. The Fool s Hour and George Moore } Pictures The Yellow Book Vol, I. April, 1894. Pictures By Sir Frederic Leighton, I. A Study . P.R.A. Frontispiece e II. L Education Sentimentale Aubrey Beardsley . P"S 55 III. Le Puy en Velay . Joseph Pennell . 63 IV. The Old Oxford Musicusic } Walter Sickert . .85 Hall . Will Rothenstein . .in V. Portrait of a Gentleman . VI. The Reflected Faun Laurence Housman . 117 VII. Night Piece . Aubrey Beardsley . .127 Sir Frederic Leighton, VIII. A Study . P.R.A. 133 IX. Portrait of a Lady . Will Rothenstein . .151 X. Portrait of Mrs. Patrick] Aubrey Beardsley 157 Campbell . j XI. The Head of Minos J. -
Durham E-Theses
Durham E-Theses The century guild hobby horse and Oscar Wilde: a study of British little magazines, 1884-1897 Tildesley, Matthew Brinton How to cite: Tildesley, Matthew Brinton (2007) The century guild hobby horse and Oscar Wilde: a study of British little magazines, 1884-1897, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2449/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The Century Guild Hobby Horse and Oscar Wilde: A Study of British Little Magazines, 1884-1897. Matthew Brinton Tildesley. The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Fabian Child: English and American Literature and Socialist Reform, 1884-1915 Permalink https://escholarship.org/uc/item/2q169884 Author Hollander, Amanda Farrell Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Fabian Child: English and American Literature and Socialist Reform, 1884-1915 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Amanda Farrell Hollander 2015 © Copyright by Amanda Farrell Hollander 2015 ABSTRACT OF THE DISSERTATION The Fabian Child: English and American Literature and Socialist Reform, 1884-1915 by Amanda Farrell Hollander Doctor of Philosophy in English University of California, Los Angeles, 2015 Professor Joseph E. Bristow, Chair “The Fabian Child: English and American Literature and Socialist Reform, 1884-1915” intervenes in current scholarship that addresses the impact of Fabian socialism on the arts during the fin de siècle. I argue that three particular Fabian writers—Evelyn Sharp, E. Nesbit, and Jean Webster—had an indelible impact on children’s literature, directing the genre toward less morally didactic and more politically engaged discourse. Previous studies of the Fabian Society have focused on George Bernard Shaw, H. G. Wells, and Beatrice Webb and Sidney Webb to the exclusion of women authors producing fiction for child readers. After the Fabian Society’s founding in 1884, English writers Sharp and Nesbit, and American author Webster published prolifically and, in their work, direct their socialism toward a critical and deliberate reform of ii literary genres, including the fairy tale, the detective story, the boarding school novel, adventure yarns, and epistolary fiction.