The Oscar Wilde Collection Author Index 1
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104 Papers of the Bibliographical Society of Canada 39/2 Been
104 Papers of the Bibliographical Society of Canada 39/2 been fruitfully informed by recent theoretical and sociological accounts of the eighteenth-century reader, as well as by other studies of individual readers. While I have registered some minor disappointments with these essays, they result from the inevitable limitations of the discrete essay format and of the book's brevity. This limitation is in itself valuable, in that it points to the need for scholarship focussed squarely on the print culture of eighteenth-century Scotland, as opposed to studies such as Robert Crawford's Devolving English Literature and Leith Davis's Acts of Union: Scotland and the Literary Negotiation of the British Nation, z7o7-183o, which have made us aware of Scottish contributions to the formation of British cultural institutions. It is to be hoped that Volume II: z7o7-18oo of the projected four-volume History of the Book in Scotla~nd will further address this gap. In the interim, this handsome, well-written collection and catalogue is admirable in what it does accomplish, in putting both the Scottish culture of the book, and Canadian contributions to the study of that culture, into the hands of readers. BETT"Y A. SCHELLENBERG Simon Fraser Unziversity James G. Nelson. Publisher to the Decadents: Leonard Smithers in the Careers of Aubrey Beardsley, Wilde, Dowson. University Park: Pennsylvania State University Press, zooo. xvi, 431PP-; $35.oo (hardcover). ISBN o-271-oI974-3. Literary scholars of the r890s era know about Leonard Smithers, and one of the things they know is that he was a publisher of low octane pornography in limited editions, or as Oscar Wilde observed, "one for the author, one for [him]self, and one for the police." On another occasion, Wilde wrote that Smithers "is so fond of suppressed books that he suppresses his own."' James G. -
An Ideal Husband
PRODUCTION CO-SPONSOR: SUPPORT FOR THE 2018 SEASON OF THE AVON THEATRE IS GENEROUSLY PROVIDED BY THE BIRMINGHAM FAMILY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP AND BY DR. ROBERT & ROBERTA SOKOL 2 CLASSICLASSIC FILMS OscarWildeCinema.com TM CINEPLEX EVENTS OPERA | DANCE | STAGE | GALLERY | CLASSIC FILMS For more information, visit Cineplex.com/Events @CineplexEvents EVENTS ™/® Cineplex Entertainment LP or used under license. CE_0226_EVCN_CPX_Events_Print_AD_5.375x8.375_v4.indd 1 2018-03-08 7:41 AM THE WILL TO BE FREE We all want to be free. But finding true freedom within our communities, within our families and within ourselves is no easy task. Nor is it easy to reconcile our own freedom with the political, religious and cultural freedoms of others. Happily, the conflict created by our search for freedom makes for great theatre... Shakespeare’s The Tempest, in which I’m delighted to direct Martha Henry, is a play about the yearning to be released from CLASSICCLASSI FILMS imprisonment, as revenge and forgiveness vie OscarWildeCinema.com TM for the upper hand in Prospero’s heart. Erin Shields’s exciting new interpretation of Milton’s Paradise Lost takes an ultra- contemporary look at humanity’s age-old desire for free will – and the consequences of acting on it. I’m very proud that we have the internationally renowned Robert Lepage with us directing Shakespeare’s Coriolanus, a play about early Roman democracy. It is as important to understanding the current state of our democratic institutions as is Shakespeare’s play about the end of the Roman Republic, Julius Caesar. Recent events have underlined the need for the iconic story To Kill a Mockingbird to be told, as a powerful reminder that there can be no freedom without justice. -
THE EASTERN OPERATION of COUCHING for CATARACT Copyright
Br J Ophthalmol: first published as 10.1136/bjo.2.2.nil1 on 1 February 1918. Downloaded from THE EASTERN OPERATION OF COUCHING FOR CATARACT copyright. http://bjo.bmj.com/ on September 29, 2021 by guest. Protected From a picture in the possession of Mr. R. R. Jamnes, dating from the Siege of Delhi. Br J Ophthalmol: first published as 10.1136/bjo.2.2.nil1 on 1 February 1918. Downloaded from copyright. http://bjo.bmj.com/ SIR WILLIAM ROBERT WILLS WILDE on September 29, 2021 by guest. Protected (1815-1876) Br J Ophthalmol: first published as 10.1136/bjo.2.2.nil1 on 1 February 1918. Downloaded from THE BRITISH JOURNAL OF OPHTHALMOLOGY FEBRUARY, 1918 BRITISH MASTERS OF OPHTHALMOLOGY SERIES 5.-SIR WILLIAM ROBERT WILLS WILDE (I815-I876) copyright. BY J. B. STORY, F.R.C.S.I., BUBLIN. SIR WILLIAM WILDE was born at Castlerea, Co.. Roscommon, in 1815. Like many other distinguished men he was of mixed race, his grandfather being an Englishman from Durham, who came to http://bjo.bmj.com/ Roscommon as agent to a local landlord, and his grandmother and mother being Irishwomen, natives of Connaught. He was educated at the Royal School, Banagher, and the Diocesan School, Elphin. It was in boyhood and during school life that he acquired the intense love of fishing and the keen interest in Irish legends and popular superstitions and antiquities which became on September 29, 2021 by guest. Protected so prominent a feature in his later life. Wandering over the district and speaking Irish fluently with its inhabitants he was a frequent and welcome visitor at patterns and cockfights, at weddings and funerals, where he noted the superstitions and ceremonies connected with the various feasts, and he repeatedly examined the cahirs, the caves, and the ruined forts in the vicinity of Castlerea and in the plains of Rathcrogan. -
Christabel Lady Aberconway
CHRISTABEL LADY ABERCONWAY She was born into a distinguished family of Irish Macnaghtens in 1890. I was born into a family of Scottish/Australian McNaughtons fifty years later. It seemed unlikely we would ever meet. But we had some common interests and eventually did meet—in London in the Swinging Sixties. My mother, Lilian May Besant, and my father, Charles Dudley McNaughton, built a double-brick house in Burwood, eight miles from the center of Melbourne, Australia, and moved in when they married in December 1935. When my sister, Eril Margaret, was born on 8 April 1938, she occupied the second bedroom at the back of the house. After I arrived on 22 July 1940 a third bedroom was added by building a “sleep-out” of fibro-cement behind Eril’s room, punching a door through her brick wall and putting a second door from the sleep-out onto the back verandah. Our rooms were not large. Eril had to put up with traffic from inside the house to my room. The sleep-out became a refuge for some difficult-to-place furniture, including my mother’s large foot-operated Singer sewing machine, a large dark-stained secretaire that belonged to my father, and a large sailing-ship print. My father died of a brain tumor in 1944 and when my step-father joined us in 1946, his cedar chest of drawers landed in my room. I lived in this room through high school, college and a two-year master’s degree and never thought about redecorating. The brick wall between our two bedrooms was painted on my side once or twice, and the curtains on the narrow strip of windows to the south were replaced. -
Download Biography (.Pdf)
Gordon Getty, Composer American composer Gordon Getty has made a lifetime of contributions to the world of classical music. He was awarded the prestigious European Culture Prize in 2019 recognizing his extraordinary legacy. Getty’s music has been performed in such prestigious venues as New York’s Carnegie Hall and Lincoln Center, London’s Royal Festival Hall, Vienna’s Brahmssaal, Moscow’s Tchaikovsky Hall and Bolshoi Theatre, and Beijing’s National Centre for the Performing Arts (“The Egg”), as well as at the Aspen, Spoleto and Bad Kissingen Festivals, and Festival Napa Valley. Plump Jack, Getty’s first opera drawing on the adventures of Shakespeare’s Sir John Falstaff, was premiered by the San Francisco Symphony and has been revived by the Los Angeles Chamber Orchestra, BBC Philharmonic, London Philharmonia, and Munich Radio Orchestra among other ensembles. Usher House, based on the story by Edgar Allan Poe, received its premiere in Cardiff with the Welsh National Opera. The Canterville Ghost, based on the Oscar Wilde story, premiered with Germany’s Leipzig Opera. These last two were later united in a double bill dubbed “Scare Pair” and presented in New York with the Center for Contemporary Opera and in Los Angeles by LA Opera. Joan and the Bells, a cantata portraying the trial and execution of Joan of Arc, has been widely performed, notably at Windsor Castle with Mikhail Pletnev conducting. Getty’s ballet Ancestor Suite was given its premiere staging by the Bolshoi Ballet with the Russian National Orchestra at the Bolshoi Theatre in Moscow, and has been reprised in Beijing, Shanghai, and several American cities. -
![[Z5EQ]⋙ a Florentine Tragedy and La Sainte Courtisane by Oscar Wilde](https://docslib.b-cdn.net/cover/8465/z5eq-a-florentine-tragedy-and-la-sainte-courtisane-by-oscar-wilde-608465.webp)
[Z5EQ]⋙ a Florentine Tragedy and La Sainte Courtisane by Oscar Wilde
A Florentine Tragedy and La Sainte Courtisane Oscar Wilde Click here if your download doesn"t start automatically A Florentine Tragedy and La Sainte Courtisane Oscar Wilde A Florentine Tragedy and La Sainte Courtisane Oscar Wilde A Florentine Tragedy and La Sainte Courtisane Download A Florentine Tragedy and La Sainte Courtisane ...pdf Read Online A Florentine Tragedy and La Sainte Courtisane ...pdf Download and Read Free Online A Florentine Tragedy and La Sainte Courtisane Oscar Wilde From reader reviews: Georgia Martinez: Hey guys, do you really wants to finds a new book to see? May be the book with the concept A Florentine Tragedy and La Sainte Courtisane suitable to you? The book was written by famous writer in this era. Often the book untitled A Florentine Tragedy and La Sainte Courtisaneis one of several books this everyone read now. This book was inspired many people in the world. When you read this reserve you will enter the new dimension that you ever know ahead of. The author explained their concept in the simple way, so all of people can easily to recognise the core of this book. This book will give you a lots of information about this world now. So you can see the represented of the world with this book. Jodi Saldana: The guide untitled A Florentine Tragedy and La Sainte Courtisane is the e-book that recommended to you to learn. You can see the quality of the e-book content that will be shown to a person. The language that creator use to explained their ideas are easily to understand. -
Read Book # a Florentine Tragedy: La Sainte Courtisane / LLC5SF408Q75
ZUJWSL7MVDOH < PDF # A Florentine Tragedy: La Sainte Courtisane A Florentine Tragedy: La Sainte Courtisane Filesize: 8.49 MB Reviews This is the very best publication i actually have read until now. It really is packed with knowledge and wisdom I am happy to let you know that this is the very best publication i actually have read in my very own existence and could be he greatest pdf for ever. (Dr. Nelda Schuppe) DISCLAIMER | DMCA SJXUXO7G9N9I / Doc \ A Florentine Tragedy: La Sainte Courtisane A FLORENTINE TRAGEDY: LA SAINTE COURTISANE To read A Florentine Tragedy: La Sainte Courtisane PDF, make sure you refer to the link listed below and save the ebook or have access to other information which are highly relevant to A FLORENTINE TRAGEDY: LA SAINTE COURTISANE book. Createspace Independent Pub, 2015. Paperback. Condition: Brand New. 36 pages. 9.00x6.00x0.09 inches. This item is printed on demand. Read A Florentine Tragedy: La Sainte Courtisane Online Download PDF A Florentine Tragedy: La Sainte Courtisane B7UGWN9GBYQG \\ Kindle \ A Florentine Tragedy: La Sainte Courtisane Relevant Books [PDF] Oscar Wilde Miscellaneous: A Florentine Tragedy - A Fragment, and La Sainte Courtisane - A Fragment (Dodo Press) Access the web link beneath to read "Oscar Wilde Miscellaneous: A Florentine Tragedy - A Fragment, and La Sainte Courtisane - A Fragment (Dodo Press)" document. Read Book » [PDF] Diary of a Potion Maker (Book 1): The Potion Expert (an Unoicial Minecra Book for Kids Ages 9 - 12 (Preteen) Access the web link beneath to read "Diary of a Potion Maker (Book 1): The Potion Expert (an Unoicial Minecra Book for Kids Ages 9 - 12 (Preteen)" document. -
MODELING HEROINES from GIACAMO PUCCINI's OPERAS by Shinobu Yoshida a Dissertation Submitted in Partial Fulfillment of the Requ
MODELING HEROINES FROM GIACAMO PUCCINI’S OPERAS by Shinobu Yoshida A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2011 Doctoral Committee: Associate Professor Naomi A. André, Co-Chair Associate Professor Jason Duane Geary, Co-Chair Associate Professor Mark Allan Clague Assistant Professor Victor Román Mendoza © Shinobu Yoshida All rights reserved 2011 TABLE OF CONTENTS LIST OF FIGURES ...........................................................................................................iii LIST OF APPENDECES................................................................................................... iv I. CHAPTER ONE........................................................................................................... 1 INTRODUCTION: PUCCINI, MUSICOLOGY, AND FEMINIST THEORY II. CHAPTER TWO....................................................................................................... 34 MIMÌ AS THE SENTIMENTAL HEROINE III. CHAPTER THREE ................................................................................................. 70 TURANDOT AS FEMME FATALE IV. CHAPTER FOUR ................................................................................................. 112 MINNIE AS NEW WOMAN V. CHAPTER FIVE..................................................................................................... 157 CONCLUSION APPENDICES………………………………………………………………………….162 BIBLIOGRAPHY.......................................................................................................... -
Victorian Morality and Its Victims: Oscar Wilde and His Characters
International Journal of English and Literature (IJEL) ISSN 2249-6912 Vol. 3, Issue 1, Mar 2013, 117- 122 © TJPRC Pvt. Ltd. VICTORIAN MORALITY AND ITS VICTIMS: OSCAR WILDE AND HIS CHARACTERS IN AN IDEAL HUSBAND ANITA AHMADI 1 & MITTAPALI RAJESHWAR 2 1Research Scholar, Department of English literature, Kakatiya University, Warangal, Andhra Pradesh, India 2Professor of Department of English literature, Kakatiya University, Warangal, Andhra Pradesh, India ABSTRACT Oscar Wilde as a father of aesthetic movement changed the minds and life style of people of 19 th century. He aimed to integrate beauty and art to expose the art of life as promoter of “Art for Art’s Sake”. Really, he influenced London society by his great domination as a great artist with extraordinary descriptive power. So he tried to criticize traditions, beliefs, customs, behaviors, rituals, and social codes of 19 th century in upper class family in which they are well- known as Victorian morality in Victorian Era. According to him people are victims of restrictions in their life then they couldn’t take enough pleasure of it. So they have to sacrifice their desires and aspirations to rescue the frame of their family customs. Thus, Wilde tried to present all conduct contrasts among contemporary people in his literary great works. Actually he depicted his thoughts against Victorian morality in one of his prominent works; An Ideal Husband (1895). An Ideal Husband is Wilde’s third play which revolves around blackmail and political corruption and touches on the themes of public and private honor. It is one of the most serious of Wilde’s social comedies and it contains very strong political overtones, ironically and cynically examining the contemporary political landscape. -
The Canterville Ghost
THE CANTERVILLE GHOST www.transeduca.com Upper Secondary School THE CANTERVILLE GHOST 2 BEFORE GOING TO THE THEATRE Welcome to The Canterville Ghost! Are you ready to go to the theatre? We are sure you will have a lot of fun! Before going to the theatre, please answer the following questions. Good luck! As you may know, The Canterville Ghost was written by Oscar Wilde. What do you know about Oscar Wilde? In groups of four, do some research on internet about the author. Find the correct answer to the following questions. Then share them with the whole class. 1. Oscar Wilde lived during the Victorian Era of the late 19th century. Can you list three interesting things about Victorian society? a)……………………………………………………………………………………………………………………………………………………………………………………………………… ………………………………………………………………………………………………………………………………………………………………………………………………………....... ....………………………………………………………………………………………………………………………………………………………………………………………………………… …………………………………………………………………………………………………………………………………………………………………………………………………….......... b)……………………………………………………………………………………………………………………………………………………………………………………………………… ………………………………………………………………………………………………………………………………………………………………………………………………………....... ....………………………………………………………………………………………………………………………………………………………………………………………………………… …………………………………………………………………………………………………………………………………………………………………………………………………….......... c)………………………………………………………………………………………………………………………………………………………………………………………………………… ……………………………………………………………………………………………………………………………………………………………………………………………………........ ...………………………………………………………………………………………………………………………………………… -
Introduction the Fighting Nineties: the Age of the Critical Function
Cambridge University Press 978-1-107-10974-2 - Literature and the Politics of Post-Victorian Decadence Kristin Mahoney Excerpt More information Introduction The Fighting Nineties: The Age of the Critical Function In December 1928, the Leicester Galleries hosted an exhibition of the works of Max Beerbohm titled “Ghosts.” The exhibition included caricatures of Oscar Wilde, Lord Queensberry, John Lane, Walter Pater, Henry Harland, and Aubrey Beardsley. In the exhibition catalog, Beerbohm characteristi- cally apologizes for his own anachronism, feigning embarrassment at the irrelevance of his work to the modern moment. He lives in Italy now, he notes, and it’s very hard to keep up: “So very many people with faces and figures unknown to me have meanwhile become famous that I have abandoned all hope of being ‘topical.’”1 Nevertheless, he suggests that per- haps the visitors to the gallery won’t mind “looking at some people who flourished in past days.”2 He first addresses his fellow specters from the Victorian era: “Those of you who are as old as – or almost (and even that is saying much) as old as I – will perhaps like to have the chords of memory struck by the drawings on these walls.”3 But he continues to suggest that “eventheyoung...mayconceivablyfeelaslightthrill”whilecontemplat- ing the “ghosts” in the gallery.4 “I have noticed,” he writes, “that the young in this era have what those in my own era hadn’t: a not unfriendly interest in the more or less immediate past.”5 This “not unfriendly interest” in the late-Victorian period had been on the rise since the publication of Holbrook Jackson’s well-received The Eighteen-Nineties in 1913. -
Oscar Wilde Against the Marquess of Bannard, 1899
CHAPTER 5 ‘I HAVE GOT AS FAR AS THE HOUSE OF DETENTION’ LEFT: The Boulevard from Quelques On 5 April 1895, the jury at the Old Bailey returned a verdict of ‘not aspects de la vie de Paris, by Pierre guilty’ in the libel trial brought by Oscar Wilde against the Marquess of Bannard, 1899. On his release from prison Queensberry. The verdict indicated that Queensberry had been justified in in May 1897, Oscar Wilde settled for a calling Wilde a sodomite in the public interest. The packed court room time in Berneval-sur-Mer, claiming: ‘If I had cheered and the judge passed Queensberry’s counsel, Edward Carson, live in Paris I may be doomed to things I a note congratulating him on his ‘searching crossXam’ and having ‘escaped don’t desire. I am afraid of big towns.’ Less the rest of the filth’. Within minutes of the collapse of the case, the trial than a year later, however, a letter to the papers had been sent to the Director of Public Prosecutions. publisher Leonard Smithers from Naples The press almost universally crowed at the result: announced ‘I shall be in Paris on Sunday next. It is my only chance of working. I There is not a man or woman in the English-speaking world possessed of the miss an intellectual atmosphere, and I am treasure of a wholesome mind…not under a deep debt of gratitude to the tired of Greek bronzes...My life has gone to Marquess of Queensberry for destroying the High Priest of the Decadents.