CHAPTER I INTRODUCTION A. Background of the Study a Woman
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The Life and Times of Mary, Dowager Duchess of Sutherland
The Life and Times of Mary, Dowager Duchess of Sutherland The Life and Times of Mary, Dowager Duchess of Sutherland: Power Play By Catherine Layton The Life and Times of Mary, Dowager Duchess of Sutherland: Power Play By Catherine Layton This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Catherine Layton All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0550-2 ISBN (13): 978-1-5275-0550-6 TABLE OF CONTENTS List of Illustrations ................................................................................... viii Acknowledgements ..................................................................................... x Introduction ................................................................................................. 1 Chapter One ................................................................................................. 6 She Began Life Humbly Enough Chapter Two .............................................................................................. 19 Scenes from an Oxford Childhood Chapter Three ........................................................................................... -
Catalogue 16
CATALOGUE 16 CATALOGUE 16 4 E. Holly St., Suite 217, Pasadena, Ca 91103 · Tel. (626) 297-7700 · [email protected] www.WhitmoreRareBooks.com Books may be reserved by email: info @WhitmoreRareBooks.com and by phone: (626) 297-7700 We welcome you to come visit our gallery by chance or appointment at: 4 E. Holly St., Suite 217, Pasadena, Ca 91103 For our complete inventory, including many first editions, signed books and other rare items, please visit our website at: www.WhitmoreRareBooks.com Follow us on social media! @WRareBooks @whitmorerarebooks whitmorerarebooks The Writings of Benjamin Franklin - item 28 Catalogue 16 First Edition of Sebastian Brant’s Greatly Expanded Aesop With Numerous Woodcuts. 1. Aesop, Sebastian Brant Appologi sive Mythologi cum quibusdam Carminum et Fabularum additionibus Sebastiani Brant Basel: Jacob Wolff of Pforzheim, 1501. First edition thus. An early illustrated edition of Aesop’s Fables, augmented and edited by Sebastian Brant, and the first edition to include his additional 140 sections. Two parts in one volume, folio (leaves measuring 297 x 208 mm). Collates complete, retaining one of the two blank leaves (M6 lacking). Collation identical to the Fairfax-Murray copy: a-b8, c6-o8 (alternately), p-s6 (s6 blank and original); A-B8, C-D6, E8-K6 (alternately), L4, M5, (M6, final blank, lacking). With the famous woodcut portrait of Aesop on the verso of a1 and a smaller woodcut portrait of Brant on the verso of A1 in part two. A total of 335 woodcuts divided into 194 in part one and 141 in part two (inclusive of the portraits). -
Wilde's Comedies of Society
9 PETER RABY Wilde's comedies of Society Wilde's three Society comedies were produced by different managers: Lady Windermere's Fan by George Alexander at the St James's Theatre (20 February 1892), A Woman of No Importance by Herbert Beerbohm Tree (19 April 1893) and An Ideal Husband (3 January 1895) by Lewis Waller, both at the Theatre Royal, Haymarket. Had Henry James's Guy Domville not been a failure and left Alexander with a gap in his season, Wilde would have added Charles Wyndham and the Criterion Theatre to his list with The Importance of Being Earnest. In the months before his career collapsed in the witness box of the Queensberry libel trial, he was sketching out a new play of modern life for Alexander, the Gerald Lancing scenario which Frank Harris later fleshed out as Mr and Mrs Daventry; and negotiating with American producers such as Albert Palmer about a play ' "with no real serious interest" - just a comedy', and with Charles Frohman for a 'modern "School for Scandal"' style of play. This flurry of activity indicates both Wilde's perceived marketability on both sides of the Atlantic and his own growing confidence in a genre he had only taken up in 1891, in fact at Alexander's invitation. 'I wonder can I do it in a week, or will it take three?' he reportedly commented to Frank Harris. 'It ought not to take long to beat the Pineros and the Joneses.' Writing to Alexander in February 1891, Wilde offered a rather different attitude towards his progress on Lady Windermere's Van: 'I am not satisfied with myself or my work. -
Read Book # a Florentine Tragedy: La Sainte Courtisane / LLC5SF408Q75
ZUJWSL7MVDOH < PDF # A Florentine Tragedy: La Sainte Courtisane A Florentine Tragedy: La Sainte Courtisane Filesize: 8.49 MB Reviews This is the very best publication i actually have read until now. It really is packed with knowledge and wisdom I am happy to let you know that this is the very best publication i actually have read in my very own existence and could be he greatest pdf for ever. (Dr. Nelda Schuppe) DISCLAIMER | DMCA SJXUXO7G9N9I / Doc \ A Florentine Tragedy: La Sainte Courtisane A FLORENTINE TRAGEDY: LA SAINTE COURTISANE To read A Florentine Tragedy: La Sainte Courtisane PDF, make sure you refer to the link listed below and save the ebook or have access to other information which are highly relevant to A FLORENTINE TRAGEDY: LA SAINTE COURTISANE book. Createspace Independent Pub, 2015. Paperback. Condition: Brand New. 36 pages. 9.00x6.00x0.09 inches. This item is printed on demand. Read A Florentine Tragedy: La Sainte Courtisane Online Download PDF A Florentine Tragedy: La Sainte Courtisane B7UGWN9GBYQG \\ Kindle \ A Florentine Tragedy: La Sainte Courtisane Relevant Books [PDF] Oscar Wilde Miscellaneous: A Florentine Tragedy - A Fragment, and La Sainte Courtisane - A Fragment (Dodo Press) Access the web link beneath to read "Oscar Wilde Miscellaneous: A Florentine Tragedy - A Fragment, and La Sainte Courtisane - A Fragment (Dodo Press)" document. Read Book » [PDF] Diary of a Potion Maker (Book 1): The Potion Expert (an Unoicial Minecra Book for Kids Ages 9 - 12 (Preteen) Access the web link beneath to read "Diary of a Potion Maker (Book 1): The Potion Expert (an Unoicial Minecra Book for Kids Ages 9 - 12 (Preteen)" document. -
MODELING HEROINES from GIACAMO PUCCINI's OPERAS by Shinobu Yoshida a Dissertation Submitted in Partial Fulfillment of the Requ
MODELING HEROINES FROM GIACAMO PUCCINI’S OPERAS by Shinobu Yoshida A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2011 Doctoral Committee: Associate Professor Naomi A. André, Co-Chair Associate Professor Jason Duane Geary, Co-Chair Associate Professor Mark Allan Clague Assistant Professor Victor Román Mendoza © Shinobu Yoshida All rights reserved 2011 TABLE OF CONTENTS LIST OF FIGURES ...........................................................................................................iii LIST OF APPENDECES................................................................................................... iv I. CHAPTER ONE........................................................................................................... 1 INTRODUCTION: PUCCINI, MUSICOLOGY, AND FEMINIST THEORY II. CHAPTER TWO....................................................................................................... 34 MIMÌ AS THE SENTIMENTAL HEROINE III. CHAPTER THREE ................................................................................................. 70 TURANDOT AS FEMME FATALE IV. CHAPTER FOUR ................................................................................................. 112 MINNIE AS NEW WOMAN V. CHAPTER FIVE..................................................................................................... 157 CONCLUSION APPENDICES………………………………………………………………………….162 BIBLIOGRAPHY.......................................................................................................... -
The Oscar Wilde Collection Author Index 1
The Oscar Wilde Collection Author Index A.N.S. to Christopher Millard regarding the Archer, William. caricature of Sir William Wilde which appeared in "About the theatre. The English drama in German the periodical, Ireland's Eye. -- A talk with Dr. Meyerfield -- Oscar Wilde, Bernard August 29, 1974.; English; Wildeiana Box 7.8B. Shaw, Gordon Craig -- German managers and Reel: 39, Item No. 12 authors -- The kaiser and the theatre.". From an unknown newspaper, 1906. Clipping "According to the Pall Mall gazette, aestheticism has concerning German translations and productions of broken out again, and in the interval since the last Oscar Wilde's plays.; English; Wildeiana Box 2.17C. outbreak its devotees have grown mortal and stout.". Reel: 36, Item No. 55 December 18, 1890. Caricature from Moonshine (?).; English; Wildeiana Box 7.27A. Archer, William. Reel: 39, Item No. 40 "A drama and its story.". [Review for the German translation of A Duchess of "All London' at the Haymarket.". Padua, translated by Max Meyerfield]. In an In The Westminister budget, April 28, 1893, p. 17. unknown newspaper, 1904. Bibliographical material, (Review of the costume designs in the Haymarket 1880-1939.; English; Wildeiana Box 4.1J. Theatre production of A woman of no importance. Reel: 37, Item No. 28 With 3 illustrations of the actors).; English; Wildeiana Box 2.15A. Archer, William. Reel: 36, Item No. 47 "Lord Arthur Savile's crime.". From an unknown magazine, 1891? (Review of "The American lady who purchased our Oscar's Oscar Wilde's Lord Arthur Savile's crime and other tresses and banged the chignon with them.". -
Introduction the Fighting Nineties: the Age of the Critical Function
Cambridge University Press 978-1-107-10974-2 - Literature and the Politics of Post-Victorian Decadence Kristin Mahoney Excerpt More information Introduction The Fighting Nineties: The Age of the Critical Function In December 1928, the Leicester Galleries hosted an exhibition of the works of Max Beerbohm titled “Ghosts.” The exhibition included caricatures of Oscar Wilde, Lord Queensberry, John Lane, Walter Pater, Henry Harland, and Aubrey Beardsley. In the exhibition catalog, Beerbohm characteristi- cally apologizes for his own anachronism, feigning embarrassment at the irrelevance of his work to the modern moment. He lives in Italy now, he notes, and it’s very hard to keep up: “So very many people with faces and figures unknown to me have meanwhile become famous that I have abandoned all hope of being ‘topical.’”1 Nevertheless, he suggests that per- haps the visitors to the gallery won’t mind “looking at some people who flourished in past days.”2 He first addresses his fellow specters from the Victorian era: “Those of you who are as old as – or almost (and even that is saying much) as old as I – will perhaps like to have the chords of memory struck by the drawings on these walls.”3 But he continues to suggest that “eventheyoung...mayconceivablyfeelaslightthrill”whilecontemplat- ing the “ghosts” in the gallery.4 “I have noticed,” he writes, “that the young in this era have what those in my own era hadn’t: a not unfriendly interest in the more or less immediate past.”5 This “not unfriendly interest” in the late-Victorian period had been on the rise since the publication of Holbrook Jackson’s well-received The Eighteen-Nineties in 1913. -
Study Guide Show Synopsis a Beautiful, Wealthy, American Woman Travels to England Seeking to Marry a Titled Aristocrat
Study Guide Show Synopsis A beautiful, wealthy, American woman travels to England seeking to marry a titled aristocrat. The incomparable Oscar Wilde employs this deceptively simple plot to masterfully mock British society—and the Englishness of the English. In this classic comedy of manners, Wilde holds an unfiltered mirror up to the bourgeois life of Victorian England, while extolling the virtues of robust—and refreshing—American values. Cultures clash, long-held secrets are exposed, and A Woman of No Importance has the final word, as the master of biting wit satirizes the roles we play. Discussion Questions Before the Show After the Show 1. Have you ever seen a live play or a musical before? What 1. After watching the performances, what were some signs of is your favorite genre? satire in the play? Was it an effective use or not? 2. What do you think A Woman of No Importance is about? 2. What was the moral of the story? Which character was Have you read or watched any other of Oscar Wilde’s your favorite? Least favorite? work? If so, what are some common themes that are re- flected in his work? 3. Did any scenes resonate with you? Why or why not? 3. What is satire? Why is it so widely used among artists? 4. How were gender roles discussed in the performance? Do What impact does it have? you think Queen Victoria’s reign had an impact on the 4. A Woman of No Importance is centered around Victorian way women were treated during this time? England, so what issues do you will be discussed in the 5. -
CHAPTER I INTRODUCTION A. Background of the Study Man Is
CHAPTER I INTRODUCTION A. Background of the Study Man is born to be a social being who cannot live alone and need someone else to help them as well as they need partner to live their life. Marriage is one of the men’s efforts not to live alone. Man and woman who decide to make a commitment in a marriage bounding have a responsibility not only towards their selves but also their partner because they no longer two independent people but they become one who complete and dependent to each other. “Marriage is a bound of loyal vow between husband and wife in which there is a responsibility from the two” (Kertamuda, 2009: 13). Marriage has a good impact towards men’s health; it can make them live longer (Gottman, 2001: 5). It can be said so because there is someone who takes care of them and Campbell (in Duvall, 1984: 4) adds that marriage makes them to live positively. Long last marriage and harmonic family are all spouses dream and no one wants their marriage ends in divorce, but it is not easy to bring it into reality because husband and wife have the difference characteristics, point of view in viewing something, past experience, emotion level, and background which can arise some marital conflicts that will lead to the unhealthy marriage and the worst is it can be ended in divorce if it happens in a long time without any means to fix it up. That is why the spouses need value of marriage to avoid the marital problems because its functions are as the binding of marriage and strengthener when their marriage is weakening by the problems. -
Oscar Wilde Interviews and Recollections
Oscar Wilde Interviews and Recollections Volume 1 Also by E. H. Mikhail The Social and Cultural Setting of the I 8gos John Galsworthy the Dramatist Comedy and Tragedy Sean O'Casey: A Bibliography of Criticism A Bibliography of Modern Irish Drama I8gg-I970 Dissertations on Anglo-Irish Drama The Sting and the Twinkle: Conversations with Sean O'Casey (co-editor with John 0' Riordan) J. M. Synge: A Bibliography of Criticism Contemporary British Drama I950-I976 J. M. Synge: Interviews and Recollections (editor) W. B. Yeats: Interviews and Recollections (two volumes) (editor) English Drama I goo-I 950 Lady Gregory: Interviews and Recollections (editor) Oscar Wilde: An Annotated Bibliography of Criticism A Research Guide to Modern Irish Dramatists OSCAR WILDE Interviews and Recollections Volume I Edited by E. H. Mikhail Selection and editorial matter© E. H. Mikhail 1979 Softcover reprint of the hardcover 1st edition 1979 978-o-333-2.4040-3 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means without permission First published 1979 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in Delhi Dublin Hong Kong Johannesburg Lagos Melbourne New rork Singapore Tokyo British Library Cataloguing in Publication Data Oscar Wilde, interviews and recollections Vol. 1 1. Wilde, Oscar I. Mikhail, Edward Halim 828'.8'og PR5823 ISBN 978-1-349-03925-8 ISBN 978-1-349-03923-4 (eBook) DOI 10.1007/978-1-349-03923-4 This book is sold subject to the standard conditions of the Net Book Agreement To Isabelle Contents Acknowledgements XI Biographical Table XV Introduction XIX INTERVIEWS AND RECOLLECTIONS Oscar Wilde at Trinity College Dublin Sir Edward Sullivan Memories of Trinity Days Horace Wilkins 2 Oscar Wilde at Magdalen College Oxford Sir David Hunter- Blair 3 Oscar Wilde: an Oxford Reminiscence W. -
One Day, Oscar Wilde
One Day, Oscar Wilde Edited by Burçin Erol Department of English Language and Literature Hacettepe University and Embassy of Ireland Irish Writers Series: 4 © Hacettepe University, Department of English Language and Literature, 2016 Ankara, Turkey Printed by Bizim Büro Table of Contents Acknowledgements |5 Foreword |7 1. Why Wilde? From Oxford to Trinity: Collecting and Recollecting |9 Julia Rosenthal 2. Oscar Wilde in Turkish |27 Berrin Aksoy 3. Oscar Wilde the Poet |35 Huriye Reis 4. Art Versus Morality: Oscar Wilde’s Aestheticism in The Picture of Dorian Gray |49 Lerzan Gültekin 5. Art Criticism Veiled in Fiction: Oscar Wilde’s Views on Art and Literature in The Picture of Dorian Gray |63 Özlem Uzundemir 6. Oscar Wilde, Colonialism and The Picture of Dorian Gray |73 Laurence Raw 7. Dinner Parties and Power Games in A Woman of No Importance and The Importance of Being Earnest |81 Zeynep, Z. Atayurt Fenge 8. Subverted Nature of Oscar Wilde’s Fairy Tales |95 Neslihan Ekmekçioğlu Notes on Contributors |111 Acknowledgements I would like to thank all the colleagues and staff members in the Department of English Language and Literature who have helped in the process of putting together the chapters in this volume which were shorter presentations in the “One Day, Oscar Wilde Conference” organised at Hacettepe University. I owe special thanks to Assistant Professor Dr. Sinan Akıllı for his ever present support and for designing the cover of the present volume. I would like to express my gratitude to Barrie Maguire for allowing us to use his painting, the portrait of Oscar Wilde for the cover. -
Fallen Woman’ Motif in Two Plays by Oscar Wilde
8th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice | RSACVP 2017 | 6-9 April 2017 | Suceava – Romania Rethinking Social Action. Core Values in Practice The ‘Fallen Woman’ Motif in Two Plays by Oscar Wilde Nicoleta-Mariana IFTIMIE* https://doi.org/10.18662/lumproc.rsacvp2017.31 How to cite: Iftimie, N.M. (2017). The ‘Fallen Woman’ Motif in Two Plays by Oscar Wilde. In C. Ignatescu, A. Sandu, & T. Ciulei (eds.), Rethinking Social Action. Core Values in Practice (pp. 340-352). Suceava, Romania: LUMEN Proceedings https://doi.org/10.18662/lumproc.rsacvp2017.31 © The Authors, LUMEN Conference Center & LUMEN Proceedings. Selection and peer-review under responsibility of the Organizing Committee of the conference 8th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice | RSACVP 2017 | 6-9 April 2017 | Suceava – Romania The ‘Fallen Woman’ Motif in Two Plays by Oscar Wilde Nicoleta-Mariana IFTIMIE1* Abstract In order to place Oscar Wilde’s interpretation of gender stereotypes and gender roles in a proper context, we should view it against the doctrine of the ‘separation of spheres’, which was prevalent in Victorian England. According to this doctrine, a woman was restricted within the confines of the domestic or private sphere, being attributed the roles of wife and mother. Women who conformed to the ideal wife and mother stereotype were also eulogized on stage, while those who departed from the norm were regarded as outcasts and were shut off from fashionable society. The ‘fallen woman’ motif is apparent in Wilde’s society comedies. The characters that seem to embody this stereotype are Mrs.