A Residual Infrastructure. the Rise and Obsolescence of Big Satellite Television Dishes in Colombia

Total Page:16

File Type:pdf, Size:1020Kb

A Residual Infrastructure. the Rise and Obsolescence of Big Satellite Television Dishes in Colombia A RESIDUAL INFRASTRUCTURE. THE RISE AND OBSOLESCENCE OF BIG SATELLITE TELEVISION DISHES IN COLOMBIA BY FABIAN M. PRIETO-ÑAÑEZ DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications and Media in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Doctoral Committee: Assistant Professor Amanda Ciafone, Chair Professor James Hay Professor Cameron McCarthy Associate Professor Anita Say Chan To Cata, ii ABSTRACT The first satellite dish arrived in the South American country of Colombia in 1970. Two decades later, hundreds of them covered the roofs of apartment buildings, community centers, and town halls all around the country. This dissertation follows the trajectory of big satellite dishes by looking at a network that connects amateurs in the United States and traders in Miami and Medellín to populations living in urban and rural Colombia. In a timescale of forty years, big satellite dishes changed not only technologically, but also in how government agents, businesses, and users conceived of them. Grounded in infrastructure studies of media and Latin American communication and science and technology studies, this dissertation looks at three particular aspects: the role of informal infrastructures in the development of technological modernity, the labor and knowledge of local technicians needed in transitions in media technologies, and the participation of media infrastructures in the production of culture. Despite considered stable and finished, infrastructure design and maintenance reveal an important set of values connecting culture and technology. In the case of television, the dissertation explores a network of actors, objects and practices that impacted urban and rural spaces and shaped understanding of intellectual property in a Latin American Country. iii ACKNOWLEDGMENTS In December 2012, Dr. Anita Chan contacted me to join a group of Faculty and graduate students at the University of Illinois at Urbana-Champaign. That opportunity had changed my life in many ways, from learning about life in the Midwest to navigate the academic culture in the United States. I owe Dr. Chan this chance to meet a great group of people who during these years have supported me in many ways. First, I want to thank my committee members, Dr. Anita Chan, James Hay and Cameron McCarthy, and my advisor Dr. Amanda Ciafone. Each of them helped me to develop many ideas during the courses I took with them, and during the different conversations and feedback to presentation I had the opportunity to make at the Institute of Communication Research. I’m in debt with Dr. Ciafone support on my ideas, and in revising my writing in many opportunities. The Learning to see systems group, in which I participated during my first two years had a big impact in encouraging me to navigate different approaches to learning about the values of infrastructure. I want to thank Kevin Hamilton and Terri Weissman for their great advice and support at those early stages of my PhD. The Center of Latin American and Caribbean studies, CLACS funded my research twice. Angelina Cotler and Kasia Szremski, as associate directors helped me to accomplish my research through the institute. In the socialization of the results, I had the great opportunity to had feedback from Ellen Moodie, from the anthropology department, as well as from many CLACS researchers. As a member of the Society for Social Studies of Science, I had the opportunity to had Lilly Irani as a mentor during 2015. Not only her feedback on my early projects were great, but iv also she encouraged me to publish a “think piece” in the Annals of the history of computing. There, Bradley Fidler edited my piece, and gave a great advice on how to write for broader publics in the US. I want to them both. Also, as a member of the Society of the History of Technology, I met Colin Garvey, Alana Stati, Karsten Marhold, Ignasi Meda-Calvet, and Honghong Tinn who also helped me in thinking about my project. More recently, I had the opportunity to meet a group of scholars interested in ideas of maintenance and repair, who did not only inspire my work, but also became close peers. I want to thank Liliana Gil Sousa, Matthew Hockenberry, Andrew Russell and Lee Vinsel for opening a space for at The Maintainers. In my visits to Colombia, I had the opportunity to meet Lyda Deaza, who presented a paper at the IAMCR conference in Cartagena in 2017. Lyda inspired me to learn more about community television and to think about the history of these systems. Lyda also introduced me to Juan Manuel and Lorena Guerrero, who work at CIMAVISION, a community television channel nearby Bogota. Her father Juan Manuel kindly had a conversation with us, when he remembered his work as a satellite dish distributor in Bogota during the 1990s. Santiago Reyes, also helped me to navigate sources regarding the use of satellite dishes in different neighborhoods in Bogota. Adriana Hernández, from Biblioteca Luis Angel Arango helped me to create an environment for researching local sources. To all them, I want to express my gratitude. Sandra Sanchez and Jimena Zuluaga from Universidad de los Andes also helped me in a lot of ways. Mi gratitude also goes to my mentors and friends, Manuel Franco Avellaneda, Julio Arias Vanegas, Jaime Borja, Armando Castiblanco, Diego García, Franz Hensel, Diego Mazorra, Tania Perez-Bustos, Paula Ronderos, and Oscar Saldarriaga, Alvaro Santoyo and Monika Therrien, who also heard and commented about my research in my visits to Colombia. v In fall 2018 I participated in the Transregional Academies organized by the Forum Transregionale Studien (Berlin) and the Max Weber Foundation (Bonn) in Singapore. From this exchange I had the opportunity to meet great persons who discussed an early stage of my dissertation. I want to thank Norman Aselmayer, Jonathan Balls, Sarah Beringer, Somayeh Chitchian, Carrie Cushman, Meghan Downes, Mushahid Hussain, Dina Krichker, Busarin Lertchavalitsakul, Saikat Maitra, Jasnea Sarma, Mirza Zulfiqur Rahman, and Brijesh Chandra Tripathi for their ideas and conversation. My friends at University of Illinois had a central role in supporting me during these years. Thanks to David Aristizábal, Michael Atienza, Angela Barragan, Dilara Caliskan, Paulina Camacho, Ga Young Chun, Rodolfo Esparza, Brenda García, Grazzia Grimaldi, Ozan Kahraman, Lilah Leopold, Esteban Lopez-Ochoa, Ian Mondragon, Liz Moreno DooJae Park, Sergio Poo, Nari Shin, Jeongsu Shin, Cesar Uribe, and Hong-An (Ann) Wu. And special thanks to Ian Middleton, who helped me to discover my interest in satellite dishes, and Lina Zambrano for supporting that idea. The Institute of Communication Research will always be a mark in my academic life. Prof. Clifford Christians and James Hay always encouraged me to learn from the history of ICR. I want to thank Theresa Harris for all her help during these six years. I became close friends with other PhD students, and as such they supported my project at different levels. I want to thank my friends Susmita Das, Megan McSwain, Claudia Lagos, Diana León-Boys, David Carrillo, Anirban Mukhopadhyay, Jorge Rojas-Alvarez, and Anqi Peng. A special thank for supporting me at the last stage of my research to Yiran Gao, Jingyi Gu and Yeahin Pyo. For their kindness, understanding and for sharing these six years with me I want to thank my friends Youngkwan Ban and Chamee vi Yang. My family keep supporting me at a distance. I want to thank Maria Alejandra and Ana María Hernandez, and Maria Fernanda and Victoria Cabal. My sisters Maria Fernanda, Juliana and Daniela motivated me to continue my work, through my visits to Colombian and their messages through the internet. I could not express more satisfaction that having my parents visiting me at the last stage of my dissertation, and personally tell them how important they have been in my life. I dedicate this dissertation to Catalina, who encouraged me to continue my academic path. As always, she has inspired me to walk together and explore other territories. Thanks also to Rita Filomena, who supported me during the writing process. vii TABLE OF CONTENTS INTRODUCTION ......................................................................................................................... 1 CHAPTER 1: SATELLITE TELEVISION AS AN INTERNATIONAL PROJECT .......... 22 CHAPTER 2: SATELLITE DISHES IN THE CARIBBEAN ............................................. 60 CHAPTER 3: BUILDING AN INFORMAL INFRASTRUCTURE ................................... 95 CHAPTER 4: THE PUBLIC DISPLAY OF SATELLITE DISHES ................................. 130 CHAPTER 5: THE FORMALIZATION OF SATELLITE DISHES................................. 169 EPILOGUE. SATELLITE CULTURES ................................................................................... 205 REFERENCES .......................................................................................................................... 212 viii INTRODUCTION The first satellite dish arrived in the South American country of Colombia in 1970. Two decades later, hundreds of them covered the roofs of apartment buildings, community centers, and town halls all around the country. All of them had one characteristic: they were huge, and they promised to connect people to international networks of communication. In its first version, the Colombian government invested millions of dollars in modernizing telecommunications, later locally designed “parabolic antennas”
Recommended publications
  • “Authentic” News: Voices, Forms, and Strategies in Presenting Television News
    International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation.
    [Show full text]
  • Convocatoria Doctv Colombia.Pdf
    C O L O M B I A Contenido Presentación 5 I Información general 7 1. Invitación a concursar 7 2. Objetivos generales 7 3. Objetivos específicos 7 4. Cronograma 8 5. Recursos de la Convocatoria 8 6. Condiciones de la convocatoria 8 7. Zona de cubrimiento de los concursos regionales 10 8. Quiénes pueden participar 10 9. Quiénes no pueden participar 10 10. Requisitos formales para participar 11 11. Consulta de los términos de la convocatoria 12 II Envío de proyectos, etapas de evaluación y selección 13 1. Envío de proyectos 13 2. Los Comités Evaluadores 14 3. Criterios de evaluación 14 4. Etapas de evaluación 14 4 5. De la declaratoria de desierto 16 6. Causales de rechazo de proyectos 16 III Disposiciones generales 17 1. Compromisos de los ganadores de los concursos. 17 2. Condiciones generales del contrato de coproducción 18 3. Definiciones, denominaciones y entendimiento de los términos utilizados en la presente convocatoria. 23 IV Anexos 25 Anexo 1 26 Anexo 2 27 Anexo 3 28 Anexo 4 29 Anexo 5 30 Presentación “Un país sin documentales es como una familia sin álbum de fotos” Patricio Guzmán Cuando en el año 2005 el Ministerio de Cultura y la Comisión Nacional de Televisión se unieron para organizar en nuestro país el Primer Programa de Fomento a la Producción y Teledifusión del Documental Iberoamericano –DOCTV IB–, eran conscientes del reto que significaba poner en marcha un programa de fomento al documental iberoamericano con una única metodología para 13 países que comparten idioma, cultura, y problemas, pero cuyas narrativas y estilos audiovisuales no resultan similares.
    [Show full text]
  • Radio and Television Correspondents' Dinner” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
    The original documents are located in Box 6, folder “3/25/76 - Radio and Television Correspondents' Dinner” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. THE WHITE HOUSE WASHINGTON March 19, 1976 MEMORANDUM TO: RED CAVANEY P~ER SORUM FROM: S AN PORTER . SUBJECT: Mrs; Ford Attendance at the Radio and TV Correspondent's Dinner (Fay Wells), Washington Hilton Hotel, March 26th Mrs. Ford will attend the Radio and TV Correspondent's Dinner as a guest of Fay Wells of Storer Broadcasting Company. Mrs. Ford has attended this dinner as Fay's guest for many years and has been very fond of Fay through the years . She will travel to the dinner with the President (the cocktail period is 6:30-8:00 in the Georgetown Suite). Mrs. Ford then will break from the President and will join Fay and her guests in the Jefferson Room for dinner (I understand the President will be eating in the Ballroom) .
    [Show full text]
  • Informe De Evaluación Convocatoria Regional N°2 De 2019
    INFORME DE EVALUACIÓN CONVOCATORIA REGIONAL N°2 DE 2019 EVALUACION CONVOCATORIA REGIONAL No 2 DE 2019 - LA HISTORIA NO CONTADA DE LA INDEPENDENCIA EXPERIENCIA APOYO A LA APOYO A LA PROPUESTA PROPUESTA EQUIPO INDUSTRIA INDUSTRIA PROPONENTE OPERATIVA (200 CREATIVA TOTAL TRABAJO (150 NACIONAL REGIONAL (100 ptos) (450 ptos) ptos) (100 ptos) ptos) CORPORACION LUMEN 2000 COLOMBIA 125 414 30 100 0 669 WSC TELEVISION 35 245 60 100 0 440 MR COMUNICACIONES SAS 40 203 20 100 0 363 CABEZA RODANTE PRODUCCIONES SA 120 330 130 100 50 730 MAVECOL COMUNICACIONES LTDA 70 187 130 100 50 537 PRIME PRODUCCIONES SA 150 449 70 100 0 769 INFORME DE EVALUACIÓN CONVOCATORIA REGIONAL N°2 DE 2019 4.3.1 DOCUMENTOS DE VERIFICACIÓN DE REQUISITOS TÉCNICOS (HABILITANTE) 4.3.1. RELACIÓN DE EXPERIENCIA O CONTRATOS EJECUTADOS NOMBRE Y TIPO PROYECTO AL QUE DOCUMENTACION FOLIOS- NOMBRE DEL NOMBRE DEL SUSCRIPCION DE CUMPLIMIENTO DE No. ANEXO 5 No. Cert OBJETO DEL CONTRATO VALOR DEL CONTRATO PLAZO OBSERVACIONES SUMA VALORES RESULTADO DE PROPONENTE SE PRESENTA ENTREGADA CERTIFICAICONES CONTRATANTE CONTRATISTA CONTRATO FIRMA DEL SOPORTE Preproduccion,produccion y posproduccion CORPORACION CORPORACION LUMEN de la serie de ficcion web EL REBUSQUE 3 meses y 14 Director General 58(Original) 1 UNIVERSITARIA $ 30.000.000 5 de febrero 2018 2000 COLOMBIA temporadas 1 y 2 de 2 y 3 capitulos con una dias Administrativo MINUTO DE DIOS duracion de 24 minutos. Realizar bajo la modalidad de produccion por encargo la prerproduccion, produccion CORPORACION LUMEN 26/01/2018- Jefe Oficina Asesora
    [Show full text]
  • Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
    stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD
    [Show full text]
  • Colombia's Political Football: President Santos' National Unity Project and the 2014 Football World Cup
    This is a repository copy of Colombia’s political football: President Santos’ National Unity Project and the 2014 Football World Cup. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/138452/ Version: Accepted Version Article: Watson, P.J. orcid.org/0000-0001-6112-8751 (2018) Colombia’s political football: President Santos’ National Unity Project and the 2014 Football World Cup. Bulletin of Latin American Research, 37 (5). pp. 598-612. ISSN 0261-3050 https://doi.org/10.1111/blar.12634 This is the peer reviewed version of the following article: WATSON, P. J. (2018), Colombia's Political Football: President Santos' National Unity Project and the 2014 Football World Cup. Bull Lat Am Res, 37: 598-612, which has been published in final form at https://doi.org/10.1111/blar.12634. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request.
    [Show full text]
  • Satelite Nss 806
    SATELITE NSS 806 Polarización: Circular izquierda Canal Frecuencia SR FEC Modo Definición Modulación Servicio 4009 19200 2/3 DVB-S2 8PSK Record Record HD HD 210 Record News SD 510 4027 9600 2/3 DVB-S2 8PSK Record Record HD HD 273 Record nacional SD 641 4178 30000 2/3 DVB-S2 8PSK Rey de Salem HD 311 NASA TV UHD SD 831 Fashionone 4k 911 SATELITE NSS 805 Polarización: Circular horizontal Canal Frecuencia SR FEC Modo Definición Modulación Servicio ATV sur 3747 1600 3/5 DVB-S2 SD QPSK AngelTV Am. 3872 9333 3/5 DVB-S2 SD 8PSK 3910 5832 5/6 DVB-S2 QPSK TVCi SD 631 TV Mundial SD 273 TV Mundial SD 611 TV Mundial SD 711 Guatemalan 4084 10560 3/5 DVB-S2 8PSK mux Fiesta 103.7 FM SD 631 Radio Ranchera SD 273 Tropicálida SD 611 Galaxia La Picosa SD 711 Alfa SD Sonora es la Noticia SD Repretel 4111 4000 3/5 DVB-S2 8PSK Monumental SD Z FM SD Momentos Reloj SD Radio Disney 101.1 SD La Mejor FM Costa Rica SD Ponte Exa FM SD Latina 4142 5000 3/4 DVB-S2 8PSK Latina SD 49 Edupol 3 SD 301 Edupol 4 SD 401 Polarización: Circular vertical Canal Frecuencia SR FEC Modo Definición Modulación Servicio Maranata 4093 3617 DVB-S RTP 4101 2320 8/9 DVB-S2 QPSK Internacional RDP Internacional SD America SATELITE SES 6 Polarización: Circular izquierda Canal Frecuencia SR FEC Modo Definición Modulación Servicio AgroBrasil TV 3627 2787 3/5 DVB-S2 SD 8 PSK Canal 21 3630 2222 3/4 DVB-S SD TV nazaré 3644 2532 3/4 DVB-S SD TV grande rio 3652 4000 5/6 DVB-S SD WOBI 3682 3030 5/6 DVB-S SD 8PSK 3803 27500 7/8 DVB-S Cubavisión internacional SD 105 RT America SD 1425 Globecast RT
    [Show full text]
  • Meeting of Television Professionals to Promote Dialogue and to Encourage Cooperative Action on the Middle East
    MEETING OF TELEVISION PROFESSIONALS TO PROMOTE DIALOGUE AND TO ENCOURAGE COOPERATIVE ACTION ON THE MIDDLE EAST Report of a conference organized by Search for Common Ground with support from the Hollings Center in Istanbul, Turkey February 3-5, 2006 “We as journalists are part of this conflict. We try not to be…. We try for objectivity, but I don’t think we’ve been successful.” – Correspondent for Arab Satellite Station “The problem we have before us is not language or reporting; it is the problem of conflicting narratives… We don’t listen to each other; we don’t absorb each other’s story…. We have to meet somewhere on the road and strike a compromise.” – Israeli Anchor “This is a problem of a dialogue between two deaf people.” – Palestinian Independent TV Executive “It’s very important that tomorrow I will have friends from Palestinian TV and the Gulf. We are all doing the same news daily.” – Israeli Television Executive BACKGROUND The media's traditional approach to controversial and sensitive issues is to explore the extent and range of disagreement, but this rarely results in common understanding or provides a solution to a problem. In fact, the media often seems to exploit a contentious issue for its entertainment value, sometimes leaving readers and audiences with the impression that nothing positive can be achieved and that the extremes of opinion being presented are representative of the majority. In contrast, Common Ground methodologies encourage the exploration of possible areas of agreement between opposing sides of a discussion, try actively to subvert prejudices and stereotyping, to promote the dignity of all sides, and to encourage a positive vision.
    [Show full text]
  • Plan Estratégico 2020 – 2023
    PLAN ESTRATÉGICO 2020 – 2023 1 JUNTA ADMINISTRADORA REGIONAL 2020 MIEMBROS DELEGADOS CLARA LUZ ROLDAN GONZÁLEZ ELSA YOLIMA BOLAÑOS RAMOS Gobernadora del Valle del Cauca Miembro Delegado de la Gobernadora Jefe Oficina de Comunicaciones GIOVANNI RAMÍREZ CABRERA CONSUELO BRAVO Gerente INFIVALLE Representante por Gobernación del Valle KAREN ABUDINEN MARIA CECILIA LONDOÑO SALAZAR Ministra de Tecnologías de la Miembro Delegado del Ministerio de las TIC Información y las Comunicaciones LEIRA GISELLE RAMÍREZ GODOY Secretaria De Cultura del Valle del Cauca 2 PERSONAL DIRECTIVO DE TELEPACIFICO Ricardo Bermúdez Cerón Gerente General Marino Aguado Varela Director de Producción Maria Fernanda Campuzano Directora de Programación John Carlos Hurtado Gamboa Director Técnica y Sistemas Claudia Patricia Salazar Directora Administrativa Martha Cecilia Jaramillo Duque Directora Financiera Julián Mauricio Dorado Director Comercial y de Mercadeo Bianney Arias Quejada Jefe Oficina Asesora de Planeación y Desarrollo Yurany Andrea Quiñonez Jefe Oficina Asesora Jurídica Martha Cecilia Londoño Jefe Oficina Asesora de Control Interno 3 EQUIPO COORDINADOR DE LA FORMULACIÓN DEL PLAN ESTRATÉGICO Oficina Asesora de Planeación y Desarrollo Bianney Arias Quejada Jefe Oficina de Planeación y Desarrollo Yanny Barrera Rincón Ingeniera contratista 4 PRESENTACIÓN DE LA GERENCIA En el contexto del Covid-19, la Entidad tuvo que repensar y replantear algunas de las apuestas que se tenían previstas dentro del proceso de la formulación del Plan Estratégico 2020-2023 de TELEPACÍFICO, y que implicaron valorar y dar mayor énfasis a ciertas variables, para responder a las necesidades actuales. Se realizaron varios ajustes de tipo presupuestal, administrativos, y fundamentalmente ajustes en la parrilla de programación del canal incluyendo nuevos espacios, rediseño de proyectos, etc.), y ajustes en la forma en que llegamos a la audiencia con el uso y aprovechamiento de nuestras pantallas y de las plataformas digitales.
    [Show full text]
  • Ddeeesss Vvaaacccaaannnccceeess Ddyyynnnaaammmiiiqqquuueeesss
    72bis, rue Maréchal Lyautey 78100 Saint-Germain-en-Laye Bimensuel ● numéro 487 ● vendredi 28 avril 2006 01 30 87 08 28 La Ville sur l’internet: www.saintgermainenlaye.fr NON DDeess vvaaccaanncceess ÀL’AUTOROUTE DANS ddyynnaammiiqquueess !! LA FORÊT ! Participez à la réunion publique ouverte à tous le mercredi 3 mai au théâtre Alexandre-Dumas et signez la pétition contre les tra- cés qui massacreraient la forêt de Saint-Germain. Pages 7 et 20 “Carte royale” Aux petits soins pour les seniors Centre de loisirs “La Forestine”. Avec la “Carte royale”, les personnes âgées de 65 ans et plus auront accès aux clubs de la Ville et à de nombreuses animations. Page 4 Cœur de Ville Achetez une place dans le nouveau parking Quatre-vingt-dix places sont en vente dans le parking en construction sous la place du Marché-Neuf. Tennis de table au gymnase du COSEC. Hockey au gymnase du COSEC. Page 8 Pendant les vacances de Pâques, les jeunes Saint-Germanois Police nationale n’ont pas eu le temps de s’ennuyer. Les stages de découvertes Un nouveau sportives de la Ville ont affiché complet ! commissaire Pages 10 ett 11 Jean-Michel Fouchou-Lapeyrade est le nou- veau commissaire central et chef de district de Saint-Germain-en-Laye. Page 5 SAINT-GERMAIN-EN-LAYE Football A VENDRE APPARTEMENTS Le PSG en finale LIBRES OU OCCUPÉS Dans un magnifique parc Belles vues dégagées de la Coupe de France 40/42Ter rue des Ursulines 18/20 rue Félicien David Les footballeurs du Paris Saint-Germain af- du studio au 5 pièces duplex du studio au 6 pièces duplex fronteront Marseille le samedi 29 avril au Stade de France.
    [Show full text]
  • La Gran Encuesta De La Televisión En Colombia
    Bogotá D.C., Marzo de 2008 What do we see? Preparado para: La GranEncuesta delaTelevisiónenColombia Nobody’s Unpredictable Nobody’s Est. Nº 8718 Tabla de contenido Fic ha Técn ica Hábitos de consumo de televisión Consumo de TV entre semana (De lunes a Viernes) Consumo de TV en fines de semana (Sábados y Domingos) Características de los Televisores en el Hogar Nuevo Estándar de Televisión Nuevos Canales Privados de Televisión Conclusiones CNTV- 2 Ficha Técnica Ficha Técnica Con el fin de obtener datos necesarios para la ejecución de las políticas del servicio, su regulación, formulación de planes y programas y el diseño de una estrategia pedagógica para la formación de televidentes críticos: Objetivo 9 Conocer de qué manera el público accede al servicio de televisión, y algunos de sus hábitos a la hora de ver televisión 9 Determinar el número y características generales de los televisores en el hogar 9 Explorar por los contenidos que los televidentes ven y los que quieren ver Gru po Objeti vo HbHombresymujeres mayores de 12 años deedddad,niliveles socioeconóiómicos alto (tt(estratos 6 y 5), medio (estrato 4 y 3) y bajo (estrato 2 y 1), residentes en 7 regiones del país. Entrevista personal con aplicación de un cuestionario estructurado en hogares. Muestra Técnica probabilística (en la mayoría de sus etapas), de conglomerados desiguales; estratificada, de marco de áreas y multietápica. Cubrimiento 75 municipios a nivel nacional, dividiendo el país geográficamente en 7 regiones (de TV). Muestra 3.755 entrevistas reales; 3.758 entrevistas ponderadas 2.4% para fenómenos presentes en la población en una proporción mínima del 35%, al 95% de Margen de error confiabilidad (para el total de la muestra) Trabajo de campo 2 al 21 de febrero de 2008 Realizado por: Ipsos – Napoleón Franco Encargado y Comisión Nacional de Televisión financiado por: CNTV- 4 Ficha Técnica CARIBE 20% Tamaño de municipio Género ANTIOQUIA Más de 550 mil 47% 14% En tre 200 m il y 550 m il 18% NOR- Entre 50 mil y 199.999 14% ORIENTE Menos de 50 mil 22% CAFÉ 53% 47% 6% 8% PACÍFICA N.S.E.
    [Show full text]
  • Barbara Cochran
    Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C.
    [Show full text]