2008-2009 Winners Release General E-Mail
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tokyo String Quartet
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Tokyo String Quartet PETER OUNDJIAN, Violinist KAZUHIDE ISOMURA, Violist KIKUEI IKEDA, Violinist SADAO HARADA, Cellist THURSDAY EVENING, SEPTEMBER 29, 1988, AT 8:00 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN A Program Celebrating Rackham's 50th Anniversary Quartet in B-flat major, Op. 18, No. 6 .......................... BEETHOVEN Allegro con brio Adagio ma non troppo Scherzo La Malinconia: adagio, allegretto quasi allegro Quartet No. 3 ................................................... BARTOK Prima parte: moderate Seconda parte: allegro Ricapitulazione della prima parte: moderate Coda: allegro molto (in one continuous movement) INTERMISSION Quartet in D minor, D. 810 ("Death and the Maiden") .............. SCHUBERT Allegro Andante con moto (variations) Scherzo: allegro molto Presto John D'Arms, Dean of the Graduate School, invites all concertgoers to join him in the lobby after the concert for a champagne toast to the 50th birthday of the Rackham Building. The Tokyo String Quartet appears by arrangement with /CM Artists, Ltd., New York. Halls Cough Tablets, courtesy of Warner-Lambert Company, are available in the lobby. Second Concert of the 110th Season Special Concert PROGRAM NOTES Quartet in B-flat major, Op. 18, No. 6 .............. LUDWIG VAN BEETHOVEN (1770-1827) Beethoven's Opus 18 consists of six string quartets that were written mostly in 1799, though they were not published until 1801. This was a successful and contented period for the young composer, who was not yet troubled by any signs of his impending tragic deafness and was achieving a respected reputation as a pianist and composer in musical and aristocratic circles in Vienna. A composer writing in this medium at that time could not fail to have been constantly aware of the great masterpieces of eighteenth-century quartet literature that had been produced by Mozart and Haydn. -
New Jersey Symphony Orchestra Presents Beethoven's Violin Concerto with Pinchas Zukerman
New Jersey Symphony Orchestra Press Contact: Victoria McCabe, NJSO Senior Manager of Public Relations & Communications 973.735.1715 | [email protected] www.njsymphony.org/pressroom FOR IMMEDIATE RELEASE New Jersey Symphony Orchestra presents Beethoven’s Violin Concerto with Pinchas Zukerman Part of the 2017 NJSO Winter Festival Zukerman—Artistic Director of three-week Winter Festival—solos in Beethoven’s sole violin concerto Concerts also feature Saint-Saëns’ Symphony No. 3, “Organ,” Barber’s Overture to The School for Scandal Christian Vásquez conducts NJSO Accents: Organ tour and recital at Newark’s Cathedral Basilica of the Sacred Heart, Classical Conversations, mentoring talkback Fri, Jan 20, at Richardson Auditorium in Princeton Sat, Jan 21, at NJPAC in Newark Sun, Jan 22, at Mayo Performing Arts Center in Morristown NEWARK, NJ (December 13, 2016)—The New Jersey Symphony Orchestra presents Beethoven’s Violin Concerto with Pinchas Zukerman, the second program of the three-weekend 2017 Winter Festival, January 20–22 in Princeton, Newark and Morristown. Christian Vásquez conducts a program that also features Saint-Saëns’ Symphony No. 3, “Organ,” and Barber’s Overture to The School for Scandal. Performances take place on Friday, January 20, at 8 pm at the Richardson Auditorium in Princeton; Saturday, January 21, at 8 pm at the New Jersey Performing Arts Center in Newark; and Sunday, January 22, at 3 pm at the Mayo Performing Arts Center in Morristown. In a preview of the 2017 Winter Festival crafted around Zukerman, The Asbury Park Press anticipates the performances by the “violinist extraordinaire,” writing: “Zukerman is something of a legend in the classical music world, with a nearly 2017 NJSO Winter Festival: Zukerman & Beethoven’s Violin Concerto – Page 2 half-century career as soloist and conductor. -
Fall/Winter 2002/2003
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Fall/ Winter 2002 Bernstein's Mahler: A Personal View @ by Sedgwick Clark n idway through the Adagio £male of Mahler's Ninth M Symphony, the music sub sides from an almost desperate turbulence. Questioning wisps of melody wander throughout the woodwinds, accompanied by mut tering lower strings and a halting harp ostinato. Then, suddenly, the orchestra "vehemently burst[s] out" fortissimo in a final attempt at salvation. Most conductors impart a noble arch and beauty of tone to the music as it rises to its climax, which Leonard Bernstein did in his Vienna Philharmonic video recording in March 1971. But only seven months before, with the New York Philharmonic, His vision of the music is neither Nearly all of the Columbia cycle he had lunged toward the cellos comfortable nor predictable. (now on Sony Classical), taped with a growl and a violent stomp Throughout that live performance I between 1960 and 1974, and all of on the podium, and the orchestra had been struck by how much the 1980s cycle for Deutsche had responded with a ferocity I more searching and spontaneous it Grammophon, are handily gath had never heard before, or since, in was than his 1965 recording with ered in space-saving, budget-priced this work. I remember thinking, as the orchestra. Bernstein's Mahler sets. Some, but not all, of the indi Bernstein tightened the tempo was to take me by surprise in con vidual releases have survived the unmercifully, "Take it easy. Not so cert many times - though not deletion hammerschlag. -
2017–2018 Season Artist Index
2017–2018 Season Artist Index Following is an alphabetical list of artists and ensembles performing in Stern Auditorium / Perelman Stage (SA/PS), Zankel Hall (ZH), and Weill Recital Hall (WRH) during Carnegie Hall’s 2017–2018 season. Corresponding concert date(s) and concert titles are also included. For full program information, please refer to the 2017–2018 chronological listing of events. Adès, Thomas 10/15/2017 Thomas Adès and Friends (ZH) Aimard, Pierre-Laurent 3/8/2018 Pierre-Laurent Aimard (SA/PS) Alarm Will Sound 3/16/2018 Alarm Will Sound (ZH) Altstaedt, Nicolas 2/28/2018 Nicolas Altstaedt / Fazil Say (WRH) American Composers Orchestra 12/8/2017 American Composers Orchestra (ZH) 4/6/2018 American Composers Orchestra (ZH) Anderson, Laurie 2/8/2018 Nico Muhly and Friends Investigate the Glass Archive (ZH) Angeli, Paolo 1/26/2018 Paolo Angeli (ZH) Ansell, Steven 4/13/2018 Boston Symphony Orchestra (SA/PS) Apollon Musagète Quartet 2/16/2018 Apollon Musagète Quartet (WRH) Apollo’s Fire 3/22/2018 Apollo’s Fire (ZH) Arcángel 3/17/2018 Andalusian Voices: Carmen Linares, Marina Heredia, and Arcángel (SA/PS) Archibald, Jane 3/25/2018 The English Concert (SA/PS) Argerich, Martha 10/20/2017 Orchestra dell’Accademia Nazionale di Santa Cecilia (SA/PS) 3/22/2018 Itzhak Perlman / Martha Argerich (SA/PS) Artemis Quartet 4/10/2018 Artemis Quartet (ZH) Atwood, Jim 2/27/2018 Louisiana Philharmonic Orchestra (SA/PS) Ax, Emanuel 2/22/2018 Emanuel Ax / Leonidas Kavakos / Yo-Yo Ma (SA/PS) 5/10/2018 Emanuel Ax (SA/PS) Babayan, Sergei 3/1/2018 Daniil -
Rehearing Beethoven Festival Program, Complete, November-December 2020
CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Sun, Feb 07, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 09:23 Mendelssohn String Symphony No. 02 in D English String 01460 Nimbus 5141 083603514129 Orchestra/Boughton 00:12:2347:12 Stenhammar Piano Concerto No. 1 in B flat Widlund/Royal 00391 Chandos 9074 095115907429 minor Stockholm Philharmonic/Rozhdest vensky 01:01:0517:24 Bach Concerto in D for 3 Violins, Peabody/Rood/Sato/P 01652 ESS.A.Y 1002 N/A BWV 1064 hilharmonia Virtuosi/Kapp 01:19:2909:47 Sibelius The Swan of Tuonela Philadelphia 01095 RCA 6528 07863565282 Orchestra/Ormandy 01:30:4629:00 Mozart Clarinet Concerto in A, K. 622 Marcellus/Cleveland 03728 Sony 62424 074646242421 Orchestra/Szell Classical 02:01:1621:57 Karlowicz Serenade for Strings, Op. 2 Polish National 02170 Harmonia 278 1088 314902505612 Radio-TV Mundi 2 Orchestra/Wit 02:24:13 11:08 Weber Invitation to the Dance, Op. 65 Orchestra of the 03176 Philips 420 812 028942081222 Vienna People's Opera/Bauer-Theussl 02:36:5123:25 Mendelssohn String Quartet in F minor, Op. Talich Quartet 06241 Calliope 9313 794881725922 80 03:01:4631:57 Beethoven String Quartet No. 8 in E minor, Smetana Quartet 00270 Denon 7033 N/A Op. 59 No. 2 03:35:1310:56 Schubert Impromptu in F minor, D. 935 Mitsuko Uchida 04691 Philips 456 245 028945624525 No. 1 03:47:0912:16 Corelli Concerto Grosso in B flat, Op. Cantilena/Shepherd 00794B Chandos 8336/7/8 N/A 6 No. 5 04:00:5514:27 Mozart Horn Concerto No. -
Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test
From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This month, WTTW is excited to premiere a new series for Chicago trivia buffs and Renée Crown Public Media Center curious explorers alike. On March 26, join us for The Great Chicago Quiz Show hosted by 5400 North Saint Louis Avenue Chicago, Illinois 60625 WTTW’s Geoffrey Baer, who each Friday night will welcome local contestants whose knowledge of trivia about our city will be put to the test. And on premiere night and after, visit Main Switchboard (773) 583-5000 wttw.com/quiz where you can play along at home. Turn to Member and Viewer Services page 4 for a behind-the-scenes interview with Geoffrey and (773) 509-1111 x 6 producer Eddie Griffin. We’ll also mark Women’s History Month with American Websites wttw.com Masters profiles of novelist Flannery O’Connor and wfmt.com choreographer Twyla Tharp; a POV documentary, And She Could Be Next, that explores a defiant movement of women of Publisher color transforming politics; and Not Done: Women Remaking Anne Gleason America, tracing the last five years of women’s fight for Art Director Tom Peth equality. On wttw.com, other Women’s History Month subjects include Emily Taft Douglas, WTTW Contributors a pioneering female Illinois politician, actress, and wife of Senator Paul Douglas who served Julia Maish in the U.S. House of Representatives; the past and present of Chicago’s Women’s Park and Lisa Tipton WFMT Contributors Gardens, designed by a team of female architects and featuring a statue by Louise Bourgeois; Andrea Lamoreaux and restaurateur Niquenya Collins and her newly launched Afro-Caribbean restaurant and catering business, Cocoa Chili. -
2017-2018 | Hh So.Org
AMERICAN MOS IC TH SEASON | 2017-2018 | HHSO.ORG 36 SYMPHONYHHSO OF THE LOWCOUNTRY AMERICAN HHSO HHSO.ORG MOS IC “The American musical experience offers music, traditions and cultures of the world, like a mosaic, to create a soundscape that defines our nation. It is music that captures tragedy and triumph, struggle and freedom, and conveys the essence of the American ethos. The Hilton Head Symphony Orchestra devotes its 2017-2018 Season to the American Mosaic with both new and familiar works for orchestra composed by the greatest generation of American composers as well as many of the most beloved works in the orchestral repertoire. The music of Beethoven, 2017-2018 2017-2018 SYMPHONY OF Brahms, Tchaikovsky and Ravel rubs shoulders THE LOWCOUNTRY with Gershwin, Copland, Bernstein and Barber as our orchestra celebrates richly diverse musical styles that are as evocative as they are sumptuous. Join us, as we come together to bring beauty and harmony to the Lowcountry.” John Morris Russell Music Director and Conductor *The conductor will give a pre-concert talk before each classical concert. SPECIAL PERFORMANCE: MOZART FEST AND GALA 36TH SEASON 36TH EMANUEL AX IN CONCERT MONDAY, SEPTEMBER 18, 2017 • 7:30PM John Morris Russell Conductor • Emanuel Ax Piano Mozart Piano Concerto No. 19 • Mozart Piano Concerto No. 27 EMANUEL AX World-renowned pianist, Emanuel Ax is considered one Emanuel Ax has been an exclusive Sony Classical of the finest concert pianists of the 21st century. He is a recording artist since 1987. Recent releases include Grammy award-winning, Polish-born naturalized Ameri- Strauss's Enoch Arden narrated by Patrick Stewart; can classical pianist, an internationally acclaimed per- discs of two-piano music by Johannes Brahms and former, a teacher on the faculty of The Juilliard School Sergei Rachmaninov with Yefim Bronfman; and soon to and the main duo recital partner of cellist Yo-Yo Ma. -
Fall 2015 KONSTANTIN SOUKHOVETSKI RETURNS TO
Fall 2015 KONSTANTIN SOUKHOVETSKI RETURNS TO STAR AT THE MUSICAL FEAST! Were you there in the fall of October 2002 when a black-cloaked figure strode out onto the stage at First Presbyterian Church --- whirled around, revealing a bright red lining --- tossed the cloak onto the stage --- then sat down at the keyboard and dazzled the HHSO audience with a brilliant rendition of Franz Liszt’s devilishly difficult Totentanz? If you were, you probably already have your tickets to the HHIPC’s benefit A Musical Feast, which we are happy to say is now sold out. Russian born, Konstantin came to the United States in the late 90s to attend The Juilliard School. While at Juilliard, his teacher Jerome Lowenthal suggested he apply to Pianofest in the Hamptons, a boutique summer festival for 12 top-tier pianists. He was accepted, loved the non-competitive atmosphere and being with other young musicians. Thus, he returned there the next six summers. The house in which they live has a Steinway grand in every room including the kitchen! The pianists practice, cook, play games, and hit the beach together, forming close personal friendships. In 2011, he was asked to be the artist-in-residence at Pianofest where he came up with the innovative idea of filming the first-ever reality show about classical music. This show – “The Real Pianists of the Hamptons” -- just completed its third season and is intended to show how classical music can be hip. Take a look at the show on YouTube or Facebook. We’re sure Konstantin will tell you more about it during the question and answer session. -
Last Name First Name Title Ensemble/Company/Organization Name City State/Region Country Adams Piers Recorder Red Priest Lewes
Last Name First Name Title Ensemble/Company/Organization Name City State/Region Country United Adams Piers Recorder Red Priest Lewes Kingdom Adams Scott Editor International Music Company New York New York Annette A Aguilar & StringBeans Latin Jazz Aguilar Annette A Musician/Bandleader/Educator Brazilian New York New York Aguirre Ruth Doctoral Candidate Teachers College, Columbia University New York New York Aizawa Reiko Pianist Horszowski Trio New York New York Aliyarova Nargiz President, Pianist National Music & Global Culture Society New York New York Allrich Akua Vocalist Akua Allrich Upper Marlboro Maryland Alpert Mark Senior Vice President Judson Management Group, Inc. New York New York Amawat Sallynee Baroque Violinist Infusion Baroque Montreal Quebec Canada Anderson Rebecca Violinist Vera Quartet Philadelphia Pennsylvania Andrews Michael Executive Artistic Director South Beach Chamber Ensemble Miami Beach Florida Ash Ryan Cellist Beo String Quartet Pittsburgh Pennsylvania Aslan Pablo Bassist Pan Asian Chamber Jazz Ensemble New York New York Averick Pamela Averick Financial New York New York Bahn Lina MoVE Modern Violin Ensemble Thornton School, University of Southern California Los Angeles California Baldwin David Executive/Artistic Director Fontana Chamber Arts Kalamazoo Michigan Ball Nathan Director of Performance Promotion Theodore Presser Company King of Prussia Pennsylvania Banerdt Rhiannon Violinist Ulysses New York New York Barker Louis University of Iowa Iowa City Iowa Barnes Kate Booking Agent/Artist Manager MKI Artists -
Kirshbaum Demler & Associates
PINCHAS ZUKERMAN, Violin / Conductor With a celebrated career encompassing five decades, Pinchas Zukerman reigns as one of today's most sought after and versatile musicians - violin and viola soloist, conductor, and chamber musician. He is renowned as a virtuoso, admired for the expressive lyricism of his playing, singular beauty of tone, and impeccable musicianship, which can be heard throughout his discography of over 100 albums. A devoted teacher and champion of young musicians, he has served as chair of the Pinchas Zukerman Performance Program at the Manhattan School of Music for twenty- five years. He singularly pioneered the use of distance-learning technology with the first technological installment at the Manhattan School and has established an advanced training program for gifted young artists as part of the National Arts Centre in Ottawa. He has taught prominent music educational programs in London, Israel, and China, among others, and was appointed as the first instrumentalist mentor in music of the prestigious Rolex Mentor and Protégé Arts Initiative. The 2018-2019 season marks Pinchas Zukerman’s tenth season as Principal Guest Conductor of the Royal Philharmonic Orchestra in London and his fourth as Artist-in-Association with the Adelaide Symphony Orchestra in Australia. He leads the RPO on a tour of the United Kingdom and Ireland, conducting works by Mozart and Vaughan Williams and performing as soloist in Beethoven’s Violin Concerto. Zukerman joins the Rotterdam Philharmonic Orchestra in performances of Bruch’s Violin Concerto in G Minor, on tour in Germany, the Netherlands, and Switzerland. He appears as soloist and conductor with the National Arts Centre Orchestra in Ottawa and the symphony orchestras of Toronto and Indianapolis. -
825646079209.Pdf
JEAN-MARIE LECLAIR 1697 –1764 Sonata No.5 in E minor, Op.3 no.5 for two violins 1 I Allegro ma poco 3.45 2 II Gavotte: Andante grazioso 3.01 3 III Presto 3.08 HENRYK WIENIAWSKI 1835 –1880 Études-Caprices, Op.18 4 No.1 in G minor 3.44 5 No.2 in E flat major 4.29 6 No.4 in A minor 1.40 GEORGE FRIDERIC HANDEL 1685 –1759 7 Passacaglia in G minor transcr. Johan Halvorsen* 6.56 LOUIS SPOHR 1784 –1859 Duo concertante in D major, Op.67 no.2 8 I Allegro 8.02 9 II Larghetto 5.33 10 III Rondo: Vivace 6.22 46.44 ITZHAK PERLMAN violin PINCHAS ZUKERMAN violin/viola* 2 Itzhak Perlman and Pinchas Zukerman Photo: © Don Hunstein / Warner Classics 3 DUETS FOR TWO VIOLINS: LECLAIR, SPOHR, WIENIAWSKI WITH PINCHAS ZUKERMAN The violin duet repertoire remains somewhat marginal, which explains the rarity of recitals such as this one, in which two star violinists appear opposite one another. Most works in the genre were written by virtuosos such as Leclair, Viotti, Spohr, Wieniawski and Ysaÿe, but composers of the calibre of Telemann, Michael Haydn, Prokofiev, Shostakovich, Honegger and Bartók also took up the challenge. Given the restrictions imposed by having to combine the sound of two identical instruments whose primary role is more melodic than polyphonic, composers have tended to focus on thematic development, harmony and rhythm, resulting in highly imaginative explorations of the instrument’s technical potential. Jean-Marie Leclair (1697–1764), founder of the French violin school, wrote his 12 duets in an elegant idiom that brought together the best of the French and Italian styles.