How to Make a Wooden Engraving Pantograph

Total Page:16

File Type:pdf, Size:1020Kb

How to Make a Wooden Engraving Pantograph instructables How to Make a Wooden Engraving Pantograph by captainreg A pantograph is a simple series of levers of a set length that can be used to enlarge or reduce and existing shape. Very often used for drawing, this version is a small & cheap DIY version of the typically larger and more expensive engraving pantographs that can be bought. The engraving pantograph diers in design from a drawing pantograph (often used with pencils) in that for a drawing pantograph, either the tracing point or the pencil (depending on if you are enlarging or reducing) will coincide with one of the pivot locations. As we are using this for engraving with a Rotary Tool for engraving, this would make it much more complex, so to avoid this, I have moved the position of the Rotary Tool away from the pivot allowing us to use a very simple pivot. This changes the geometry of the levers slightly but makes the pivot design and mounting the Rotary Tool much simpler whilst still getting the same result. A pantograph can be used to either enlarge or reduce, for this design I have chosen to make it reduce only, for a number of reasons; 1. Due to the simple pivots I'm using, accuracy won't be as good as it could be and when enlarging and errors are magnied, which depending on how loose the pivots are, might be visible in the enlarged engraving. 2. For enlarging, the accuracy you have to move the tracing point with is also increased by the magnication factor, for reducing, any inaccuracies are halved. 3. We use mechanical advantage of the levers, by reducing we move our tracing point twice the distance that the engraver will move, this eectively doubles the force, which is important as as the engraving tool cuts, you must manually resist any cutting forces it generates. Supplies: I've listed here what I used but most of this can be adjusted to suit what you have to hand. 1. Timber 20x30mm 1.2m long 2. 4mm Wood Screw 50mm long 3. M6 Countersunk or Hexagon head bolts 4. M6 Washers 5. 3mm Hardboard 75mm x 75mm 6. TImber 75mm x 75mm x 50mm 7. A rotary tool How to Make a Wooden Engraving Pantograph: Page 1 Step 1: Step 2: Cutting the Wood How to Make a Wooden Engraving Pantograph: Page 2 Each of the four pieces of wood need to have holes Pivot number and also the distance between each pivot. drilled certain distances apart, the position and accuracy The exact length of the pieces isn't important, I chose to of these holes will aect the nal operation of the cut each to length, half the width past each pivot hole so pantograph. the the holes visually sit centrally in each end i.e. equally from all sides. I found it helpful to mark and label each piece with the So for example, looking the P1 - P4 piece, the distance P1 - P3 330mm between these two pivots is 300mm but I've added 15mm to each end, hence the cut length of 330mm P2 - P4 270mm P1 - P4 330mm P2 - P3 180mm Step 3: Drill the Holes The screws/bolts that I'm using are M6 so I drilled the pivot holes with a 6mm drill bit. These hole locations and sizes need to be as accurate as possible so I used a Pillar Drill although it would be possible to do it by hand with a hand drill. How to Make a Wooden Engraving Pantograph: Page 3 Step 4: Assemble the Pivots As the joints need to be able to pivot you can't tighten the nuts and bolts that are used to make the pivots. So I used a type of locking nut, called a Nyloc, so that I can tighten each one up just enough so it isn't oppy but not so much that the joints can't rotate. The Nyloc then stops the nuts being loose and undoing themselves as you use the pantograph. Step 5: Countersink or Counterbore Depending on the type of screws or bolts you use, you had hexagon headed bolts to hand, I had to counter will need to either countersink or counterbore the bore, which is more dicult and the tool will not underside to make the bolts/screw heads sit ush. naturally want to self-centre in the existing hole so you will have to have a drill press as a minimum. It is easier to countersink as you can do this with a common countersink bit with a handheld drill. As I only How to Make a Wooden Engraving Pantograph: Page 4 Step 6: Test This is a great time for a quick test before you carry on. tracing point (shown here at the 9 inch mark), the The pantograph should be able to move freely but engraving point should move (in my case) half what you without being to oppy. Before I drilled the hole for the move the tracing point. So if I was to move the tracing Rotary Tool, I did a quick check to make sure I had the point to be at the 10 inch mark on the ruler, the ratio that I wanted. By keeping the ruler steady at the 3 engraving point should be at 9.5 inches. inch mark, you should see that when you move the Step 7: Dust Exit When engraving, the dust created must have a way to escape otherwise it will build up around the cutting tool, eventually clogging it. I used a handsaw to cut a 'V' notch on the underside where the Rotary Tool mounts to allow and dust to escape either side. How to Make a Wooden Engraving Pantograph: Page 5 Step 8: Mounting Block This step may very depending on the type of tool you I then used a large hole saw or spade bit to drill a hole want to t. My Rotary Tool has a large plastic thread on through. For me this needed to be large enough to t the end so I made the mounting block design to suit this. the nut that normally screws onto the end of the tool. Firstly, t the engraving tool you want to use and I took a piece of 3mm hardboard and cut it to the same measure how far it sticks out of the machine, this will size as the rest of the mounting block. I drill a hole in the determine how tall (or deep) you mounting block needs centre as close to the size of the outside of thread on the to be. When the whole thing is assembled, the cutting Rotary Tool. For me this was just a bit smaller than the point of the tool needs to be able to stick out of the thread, so it actually screwed onto the tool, I then bottom of the mounting block as much as you want to screwed the normal nut back onto the end to clamp it engrave. tight. I cut a notch from a block of wood that was wide than I drilled 4 small holes in each corner so I could screw this the pieces I used to make the pantograph so that one of hardboard to the top of the mounting block. the pantograph arms ts in this slot. Step 9: Pivot Point The pantograph needs a solid point to pivot about, as I used a 'quick clamp' to rmly clamp this to my bench. this was a temporary set up I made one from an ocut Depending on the size & shape of what you want to from the same wood I used to make the pantograph engrave you might need to adjust the position of the arms. I put a Nut & Bolt through as a pivot, in the exact pivot so the hole thing is on your work bench. same way as I did for all the other joints. How to Make a Wooden Engraving Pantograph: Page 6 Step 10: Tracing Point As accurately as you can, drill a hole slightly smaller than Make sure the screw is long enough to pass through the your screw, so the screw threads can bite into the wood, wood and to just almost touch the shape to the traced. but not so small that the screw will split the wood. You You can screw the screw in or out to adjust this. must drill a pilot hole, as so close to the end of the wood, it will almost always split. I used a 4mm wood screw. Step 11: Give It a Go! How to Make a Wooden Engraving Pantograph: Page 7 I found something to hand that was about the right size and had a clear outline, turned on the tool and traced the tip of the tracing screw around the outline of the shape. I was fairly happy with the outcome for a rst test, turns out my tool was blunt, hence the black burn marks, that, and I wasn't moving it fast enough. That aside, the actual accuracy was a pleasant surprise considering how crude the pivots are. How to Make a Wooden Engraving Pantograph: Page 8.
Recommended publications
  • Research Status and Development Trend of Pantograph Contact Strip Materials
    MATEC Web of Conferences 67, 06040 (2016) DOI: 10.1051/matecconf/20166706040 SMAE 2016 Research Status and Development Trend of Pantograph Contact Strip Materials SHANG Feng1,2,a SUN Wei1,b QIAO Bin1,2,c HE Yi-qiang1,d and LI Hua-qiang1,e 1School of Mechanical Engineering, Huaihai Institute of Technology, Lianyungang Jiangsu 222005, China 2 Jiangsu Key Laboratory of Large Engineering Equipment Detection and Control,Xuzhou Institute of Technology, Xuzhou Jiangsu 221111, China [email protected],[email protected],[email protected], [email protected],[email protected] Abstract.The pantograph contact strip is a sliding current collecting component used in electric locomotive. Its performance is an important factor restricting the development of electrified railways toward high speed. This paper makes an introduction of the new developing composite material strips, points out the advantages and disadvantages of various materials, their limiting factors during using or bottlenecks in R&D and production, and gives prospect to the future development of pantograph contact strip materials in the end. 1 Introduction As a component of current collection by friction, the pantograph contact strip is required to have good anti-friction, wear resistance and self-lubrication, as well as good conductivity and impact resistance. Since electric locomotives were put into operation, theory research and application study on pantograph contact strip materials have never ceased. Developed countries like Japan, Germany and France have made important achievements in the study of pantograph contact strips [1]. Currently, pantograph contact strip materials have developed from the original pure metal contact strip and powder metallurgy contact strip to the current mostly applied pure carbon contact strip and metal-impregnated carbon contact strip.
    [Show full text]
  • The Mechanism and Kinematics of a Pantograph Milling Machine
    Available online a t www.scholarsresearchlibrary.com Scholars Research Library European Journal of Applied Engineering and Scientific Research, 2013, 2 (3):1-5 (http://scholarsresearchlibrary.com/archive.html) ISSN: 2278 – 0041 The Mechanism and Kinematics of a Pantograph Milling Machine Mahendra Verma, Abrar Ahmad, Niyazul S Haque, Sahil L Mallick, Ishank Mehta, R. K. Tyagi Amity School of Engineering & Technology, Amity University, Noida, India _____________________________________________________________________________________________ ABSTRACT The paper is paying attention on a 2-Revolute & 1-Prizmatic (RRP) kind of manipulator kinematically. The manipulator is based on a parallelogram linkage mechanism and translates along horizontal directions and z-axis motion i.e. vertical movement is provided by effective stylus length. At the end-effecter a palm router installed with milling cutter is mounted. Compared to conventional milling machine it can traverse the de-scaled profile traversed by stylus. The forward kinematic equations have been formulated. The simulation results by solid works software approximately matches the computation formulation derived in this paper. A prototype is made-up to perform milling operation on any contour. Key words: Pentograph milling machine, mechanism, computational analysis, Theoretical formulation, kinematic analysis _____________________________________________________________________________________________ INTRODUCTION Traditional milling machine were able to mill only on a plain surface or we can say only along the straight paths and could not generate the replica of already existing object. This kind of manipulator has large workspace, high sleight and good maneuverability; it can be widely used in field of painting, welding, assembly and wood/metal engraving [11] . However due to its cantilever type structure, the manipulator is inherently not very rigid and thus the link connecting the assembly to the bed is the most vulnerable to failure due to bending load.
    [Show full text]
  • The Portrait Or Medallion Lathe and Some Methods of Rose-Turning
    THE PORTRAIT OR MEDALLION LATHE AND SOME METHODS OF ROSE-TURNING. Portrait or Medallion Lathes were very popular in the 18th century and Peter the Great of Russia had a superb collection of them. Here is one that copies cylindrical carving. It operates rather like the early cylindrical gramophone. The master is mounted on the back of the lathe spindle and the workpiece is mounted on the front. Portrait lathe by A. Nartov photo courtesy of the Hermitage Museum, St.Petersburg A stylus follows the profile of the cylindrical master under very light spring pressure. The stylus slides along a bar under the control of a fine leadscrew linked by gear trains to the lathe spindle and the cutting head. The cutting head slides along a second bar under control of its own leadscrew and a pantograph Medallion Rest by Birch arrangement links the two bars. Whilst one-to-one copying is simpler, the quality of the workpiece is finer when it is reduced in ratio to the master; so, if for example, the reduction is two-to-one, the gear train and the leadscrew for the stylus should be at two-to-one ratio with the gear train and leadscrew to the cutting head so that the length of the piece is in the same proportion to its diameter and its length as is the master. Simple Medallion Rests were made to be attached to ornamental turning lathes; this one was made by George Birch of Manchester. Engraving of Portrait lathe from Manuel du Tourneur, Paris 1816 Rose Chuck: a chuck with two horizontally opposed slides under the control of a rosette for cutting wavy lines on surfaces.
    [Show full text]
  • Fabrication of Portable Pantograph for Wood Engraving
    8 XI November 2020 https://doi.org/10.22214/ijraset.2020.32119 International Journal for Research in Applied Science & Engineering Technology (IJRASET) ISSN: 2321-9653; IC Value: 45.98; SJ Impact Factor: 7.429 Volume 8 Issue XI Nov 2020- Available at www.ijraset.com Fabrication of Portable Pantograph for Wood Engraving Nithin Gowda1, Jayanth H2 1Final Year Student, B.E, 2Assistant Professor, Department of Mechanical Engineering, Dr Ambedkar Institute of Technology Abstract: In study of theory of machine four bar mechanism is very important. Pantograph is one of the examples of four bar mechanism. Generally it is nothing but the parallelogram used for the copying the profile. A pantograph is a simple yet powerful tool which can broaden the scope of artwork and crafting. We can copy images to a reduced or enlarged scale with a pantograph depending on how the parts are measured and assembled .The pantograph in the illustration would produce a copy of the original. In this topic we “design, develop and analyze the portable pantograph for engraving required shapes or design on wood.” Our pantograph is light weight and portable. Also copy with that different scaling of the letters is main work of this pantograph. This is low cost machine with compare to conventional pantograph. It may be old mechanism but still it has vast scope. In present days it has many beneficial uses. The physical model of pantograph consist of four links namely link A, link B, link C and link D. The links are connected with pins. The motor is mounted on link C at the centre.
    [Show full text]
  • 1700 Animated Linkages
    Nguyen Duc Thang 1700 ANIMATED MECHANICAL MECHANISMS With Images, Brief explanations and Youtube links. Part 1 Transmission of continuous rotation Renewed on 31 December 2014 1 This document is divided into 3 parts. Part 1: Transmission of continuous rotation Part 2: Other kinds of motion transmission Part 3: Mechanisms of specific purposes Autodesk Inventor is used to create all videos in this document. They are available on Youtube channel “thang010146”. To bring as many as possible existing mechanical mechanisms into this document is author’s desire. However it is obstructed by author’s ability and Inventor’s capacity. Therefore from this document may be absent such mechanisms that are of complicated structure or include flexible and fluid links. This document is periodically renewed because the video building is continuous as long as possible. The renewed time is shown on the first page. This document may be helpful for people, who - have to deal with mechanical mechanisms everyday - see mechanical mechanisms as a hobby Any criticism or suggestion is highly appreciated with the author’s hope to make this document more useful. Author’s information: Name: Nguyen Duc Thang Birth year: 1946 Birth place: Hue city, Vietnam Residence place: Hanoi, Vietnam Education: - Mechanical engineer, 1969, Hanoi University of Technology, Vietnam - Doctor of Engineering, 1984, Kosice University of Technology, Slovakia Job history: - Designer of small mechanical engineering enterprises in Hanoi. - Retirement in 2002. Contact Email: [email protected] 2 Table of Contents 1. Continuous rotation transmission .................................................................................4 1.1. Couplings ....................................................................................................................4 1.2. Clutches ....................................................................................................................13 1.2.1. Two way clutches...............................................................................................13 1.2.1.
    [Show full text]
  • Final Draft STR No 0049 Rev 2 of Pantograph(2).Pdf
    Page 1 of 4 Issued on XX.XX.2020 STR No. RDSO/2008/EL/STR/0049 Rev. ‘2’ GOVERNMENT OF INDIA MINISTRY OF RAILWAYS SCHEDULE TECHNICAL REQUIREMENT (STR) FOR MANUFACTURE OF PANTOGRAPHS FOR ELECTRIC LOCOMOTIVES Issue Date: XX.XX.2020 ELECTRICAL DIRECTORATE RESEARCH DESIGNS AND STANDARDS ORGANISATION MANAK NAGAR LUCKNOW Prepared by Checked by Issued by Page 2 of 4 Issued on XX.XX.2020 STR No. RDSO/2008/EL/STR/0049 Rev. ‘2’ SCHEDULE OF TECHNICAL REQUIREMENTS FOR PANTOGRAPHS FOR ELECTRIC LOCOMOTIVES 1.0 General: 1.1 This schedule of technical requirements covers the minimum requirement of M&P and testing facilities for development and manufacturing of pantographs for use on 25 kV AC Electric Locomotive. 1.2 List of M&P required shall be as per Annexure-I. 1.3 Measuring/checking instruments/Gauges / Jig & fixture: List of facilities for measurement and gauges required in Vendor’s premises shall be as per Annexure-II. The accuracy and capacity of the measuring equipment shall be adequate to meet the requirements. 1.4 The measuring equipments / Gauges shall be duly calibrated and the validity of calibration should be verified by checking the calibration certificate issued by the Government Approved/ NABL accredited Calibration Agency from whom it was calibrated. 2.0 OTHER FACILITIES: 2.1 Trollies for transportation of material & finished product. 2.2 Vendor should have separate area for finished product. 2.3 Air Compressor of adequate capacity. Prepared by Checked by Issued by Page 3 of 4 Issued on XX.XX.2020 STR No. RDSO/2008/EL/STR/0049 Rev.
    [Show full text]
  • Network Rail a Guide to Overhead Electrification 132787-ALB-GUN-EOH-000001 February 2015 Rev 10
    Network Rail A Guide to Overhead Electrification 132787-ALB-GUN-EOH-000001 February 2015 Rev 10 Alan Baxter Network Rail A Guide to Overhead Electrification 132787-ALB-GUN-EOH-000001 February 2015 Rev 10 Contents 1.0 Introduction ���������������������������������������������������������������������������������������������������������������������1 2.0 Definitions �������������������������������������������������������������������������������������������������������������������������2 3.0 Why electrify? �������������������������������������������������������������������������������������������������������������������4 4.0 A brief history of rail electrification in the UK �����������������������������������������������������5 5.0 The principles of electrically powered trains ������������������������������������������������������6 6.0 Overhead lines vs. third rail systems ����������������������������������������������������������������������7 7.0 Power supply to power use: the four stages of powering trains by OLE 8 8.0 The OLE system ������������������������������������������������������������������������������������������������������������10 9.0 The components of OLE equipment ��������������������������������������������������������������������12 10.0 How OLE equipment is arranged along the track ������������������������������������������17 11.0 Loading gauges and bridge clearances ��������������������������������������������������������������24 12.0 The safety of passengers and staff ������������������������������������������������������������������������28
    [Show full text]
  • Analysis of Deployable Strut Roof Structures
    Analysis of Deployable Strut Roof Structures By Maxwell H. Wolfe B.S. Civil Engineering Northeastern University, 2012 SUBMITTED TO THE DEPARTMENT OF CIVIL AND ENVIRONMENTAL ENGINEERING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ENGINEERING IN CIVIL AND ENVIRONMENTAL ENGINEERING AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY ARCHNES JUNE 2013 MASSACHUSETTS INSeWi OF TECHNOLOGY © Maxwell Wolfe JUL All Rights Reserved 0 8 2013 The author hereby grants to MIT permission to reproduce LIBRA RIES and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. I /l Signature of Author: Department of Civil and Environmental Engineering May 10, 2013 Certified by: Jerome J. Connor Professor of Civil and Environmental Engineering Thesis Sugervisor Accepted by: leidi P. Nepf Chair, Departmental Committee for Graduate Students 2 Analysis of Deployable Strut Roof Structures By Maxwell H. Wolfe Submitted to the Department of Civil and Environmental Engineering on May 10, 2013 in partial fulfillment of the requirements for the degree of Master of Engineering in Civil and Environmental Engineering Abstract Deployable structures are structures that can change shape from a compact to an expanded form. Thus, their advantage over conventional structures is adaptability, whether in the sense of adapting to changing environmental conditions or being adapted for repeated transportation and deployment. These features make deployable structure highly desirable for a wide range of applications in the aerospace, military, and architectural fields. However, these structures are often only designed as small scale "products", rather than structures requiring full analysis and design procedures.
    [Show full text]
  • Electrodeposition Research
    NAT'L INST OF STANDARDS & TECH R.I.C. All 101 888778 /National Bureau of Standards circular QC100 .U555 V529;1953 C.1 NBS-PUB-R 1947 •'>1 A 1 .. _ 1- • .. yil Ur U . ^ 4 1 'U tt mm, Co mm ere ureat) ;o UNITED STATES DEPARTMENT OF COMMERCE • Sinclair Weeks, Secretary NATIONAL BUREAU OF STANDARDS • A. V. Astin, Director Electrodeposition Research Proceedings of the NBS Semicentennial Symposium on Electrodeposition Research Held at the NBS on December 4-6, 1951 National Bureau of Standards Circular 529 Issued May 22, 1953 For sale by the Superintendent of Documents, U. S. Government Printing Office Washington 25, D. C. - Price 31-50 Buckram National Bureau of Standards AUG 2 8 1953 Sli5£ QC 100 0555 Foreword Electrodeposition processes have become an integral and important part of many industries—for example, the printing, metal refining, extractive metallurgy, hardware, automobile, and electronic indus- tries. This has come about largely as a result of extensive research in the field of electrodeposition, especially during the past 25 years. To encourage further research in this field, to present current re- search results and problems, and to facilitate the exchange of informa- tion, the National Bureau of Standards held the Symposium on Electrodeposition Research as the last of a series of twelve symposia conducted during the Bureau’s semicentennial in 1951. The papers presented at the Symposium are published in this volume. These papers represent a cross section of research currently being conducted in electrodeposition by industrial, university, and government labora- tories in Europe and the United States.
    [Show full text]
  • Current Collection Technical Guide
    TRANSPORTATION CURRENT COLLECTION TECHNICAL GUIDE l Contact strips rd l 3 rail shoes 1 INTRODUCTION: WHat IS CURRENT COLLECTION? p.3 2 CURRENT COLLECTION USING PantoGRAPH SYstEMS p.4 Grade selection for Overhead Current Collection p.5 l Voltage families p.5 l How to select the correct grade for a carbon strip? p.6 ontents l Current to be collected p.6 C l Operating linear current density p.6 l Current at standstill p.7 l Mersen grades for overhead Current Collection p.8 l Why is there a limit to copper content? p.9 l Why the need for low temperature? p.9 Contact strip designs p.10 Contact strip Service Life time p.11 3 CURRENT COLLECTION USING THIRD OR FOUrtH RAIL p.12 Characteristics of Current Collection Device (CCD) shoes p.13 Mersen grades for CCD shoes p.13 CCD shoe designs p.14 4 UNDErstanDING CURRENT COLLECTION GRADES p.15 Overview of Current Collection grade manufacture p.15 The advantages of carbon for Current Collection p.16 Major factors influencing the performance of contact strips or CCD shoes p.17 Typical examples of contact strips in service. p.18 5 MERSEN’S OFFER for CURRENT COLLECTION p.20 Our range of solutions p.20 What we guarantee our customers p.20 A continuous innovative approach p.21 6 APPENDICES p.22 How to order contact strips or CCD shoes? p.22 Contact strip for pantographs - Check list p.23 CCD shoes - Check list p.25 Carbon sections p.27 Carrier profiles p.28 The specifi cations or data contained in present catalogue are only given for information and do not create any undertakings whatsoever.
    [Show full text]
  • Copper in Electrical Contacts Copper in Electrical Contacts David Chapman
    Copper in Electrical Contacts Copper in Electrical Contacts David Chapman Copper Development Association Publication No 223 European Copper Institute Publication No Cu0169 July 2015 This publication is a revision by David Chapman of CDA Technical Note TN23 issued in December 1980. This was an edited version of an original script commissioned by Copper Development Association from H W Turner and C Turner of ERA Technology Ltd, Leatherhead Surrey. Copper Development Association is a non-trading organisation that promotes and supports the use of copper based on its superior technical performance and its contribution to a higher quality of life. Its services, which include the provision of technical advice and information, are available to those interested in the utilisation of copper and copper alloys in all their aspects. The Association also provides a link between research and the user industries and is part of an international network of trade associations, the Copper Alliance™. Founded in 1996, ECI is a joint venture between the International Copper Association, Ltd (ICA), headquartered in New York, representing the majority of the world’s leading mining companies, custom smelters and semi-fabricators, and the European copper industry. ECI is also part of the Copper Alliance, an international network of industry associations. Its shared mission is to work, with its members, to defend and grow markets for copper based on its superior technical performance and contributions to a higher quality of life. David Chapman David Chapman was the Electrical Programme Manager for Copper Development Association in the UK, where his main interests included power quality and energy efficiency.
    [Show full text]
  • Sa Chronology Of
    s A Chronology of Typographical Pantographs Dr. David M. MacMillan Abstract The history of the development and use of pantographic techniques in the making of metal printing type has never been recounted either com- prehensively or accurately. This is a first step, necessary but necessarily incomplete: a raw chronology of events, together with references to the sources of our knowledge. 1 ◆ Introduction While it is beyond question that the mechanization of the making of punches, patrices, and matrices for metal letterpress printing types in the late 19th century was one of the most important events in the history of type, most accounts of this are inadequate. They tend to oversimplify both history and technology and to reduce a complex technological transition to a myth of a lone genius. Moreover, most narratives today are seriously in- accurate in their details and their understanding of the technologies. They conflate different methods of type-making and often leave out important methods entirely. As a result, this is perhaps the least well understood of all of the technological transformations that have shaped our world. This chronology is not a complete analysis of this history; it’s justa first step. It lays out all of the presently known events in this history in order to provide a better, and better documented, context. It also identifies events which are still recounted as a part of this history but which never really happened. This Chronology also includes non-typographical pantographs, partic- ularly in its early sections. The purpose of this is to counter the tendency in typographical history to see the adaptation of pantographic technology to metal type-making as something that happened in isolation.
    [Show full text]