Final Report 0. General Rules AMREMM DCRM(MSS)

Total Page:16

File Type:pdf, Size:1020Kb

Final Report 0. General Rules AMREMM DCRM(MSS) AMREMM/DCRM(MSS) Review Group: Final Report Appendix C: Rules comparison 0. General Rules AMREMM DCRM(MSS) Comments/Discussion 0A. Scope 0A. Scope 0A. Scope Range in date from late antiquity 0A1. General rule. Rules for cataloging Both AMREMM and DCRM(MSS) are through the middle ages and renaissance and individual textual manuscripts. primarily standards for item-level cataloging. up into early modern. Terminal date ~1600 I.2 Modern counterpart to AMREMM AMREMM is primarily for pre-modern or but “application should be governed by the scriptorium-era materials, while DCRM(MS) nature of the material and its method of is intended for later manuscripts. production more than chronological limitations”. 0A. (cont.) Intended primarily for Latin and [intentionally left blank] No DCRM(MSS) equivalent Western European vernacular manuscripts. 0A. (cont.) Can be applied to literary, letters, 0A2. Types of materials covered. Includes DCRM(MSS) includes a broader range of legal documents, archival records in the form handwritten, typewritten, or otherwise materials, e.g. miscellanies, ledgers, deeds, of fragments, single leaves or sheets, rolls, or unpublished resources such as letters, diaries, minutes, etc. bound or unbound manuscript codices miscellanies, ledgers, deeds, wills, legal AMREMM explicitly excludes and containing one or more works. papers, minutes, treatises, speeches, theses, DCRM(MSS) explicitly includes typescript devotional or literary works, and screenplays. and other forms of mechanical reproduction, Manuscript is understood to mean any item It also covers manuscripts produced during like galley proofs. written by hand. Excludes typescripts, various stages of the publication process, such mimeographs, other mechanical or electronic as drafts of works intended for publication means of substitution for handwriting. and galley or page proofs, and handwritten or typewritten copies of published works. Standard can be applied for reproductions in microform, photographic, or electronic Manuscripts take the form of codices, scrolls, formats, but not facsimiles. or multiple sheets; and may exist as handwritten or typescript originals, letter- press transfers, carbon copies, mechanical or photographic reproductions, including AMREMM DCRM(MSS) Comments/Discussion mimeographs, photostats, or microfilm, or digitized versions. [intentionally left blank] 0A3. Ambiguous publication status. For No AMREMM equivalent. mechanically produced items whose publication status is ambiguous, such as family newsletters or dissertations, different institutions may designate their status in different ways, applying DCRM(MSS) or a standard intended for published material, such as DCRM(B) or DCRM(S), accordingly. [intentionally left blank] 0A4. Mixed material items. In the case of No AMREMM equivalent. mixed-material items, such as scrapbooks, printed forms completed by hand or keyboard, or photograph albums with manuscript captions, the cataloger will need to use judgment to determine whether DCRM(MSS) or another standard, such as DCRM(G) or DCRM(B), is most appropriate. Sources of information 0B. Sources of information 0C. Source of information AMREMM DCRM(MSS) Comments/Discussion 0B1. The source of information is the 0C. The source of information is the manuscript itself, the parts that are written in manuscript itself. a script or hand contemporary with the hand of the main body of the manuscript’s text. Prefer title page or colophon if present. In absence of title page: ● Opening or closing rubric ● Running title ● Contents list ● Incipit ● Explicit ● Other evidence, e.g., script, decoration, layout, binding, etc. 0B1 (cont.). If no satisfactory contemporary 0C (cont.) If the manuscript does not provide In AMREMM, if the title is supplied from information is available from any of these sufficient information for the description, it alternate sources, it is enclosed in square sources, transcribe or obtain it from one of the can be supplemented with: brackets. In DCRM(MSS) supplied following later alternate sources of ● Reliable information from the information is not enclosed in square information generally in this order of manuscript’s housing or brackets. preference and enclose it in square brackets accompanying materials (dealer ● Title page, colophon, etc. in later description, accession record, notes or script correspondence by previous owner). ● Cover, spine, or fore-edge title in later ● Reference sources. script ● Appropriate external sources, such as ● Published or unpublished descriptions contemporary newspaper article. ● Published edition ● Other reference sources 0E1. Square brackets. Do not enclose [See also 1A2] supplied information in square brackets. (Use The use of square brackets indicates that of square brackets in transcribed titles and information is either present in a manuscript statements of responsibility and quotations in notes in 0G, 1C, 1E and 7A4.2) AMREMM DCRM(MSS) Comments/Discussion and contemporary or original, but 0G1.2 Replace symbols or other matter that supplemented by the cataloger, as in the can’t be reproduced using available expansion of abbreviations; or present in a typographical facilities with a cataloger’s manuscript but of a later date; or not present description in square brackets. in a manuscript at all, but taken from some other source 0B1.1 (optional). If a published catalog [intentionally left blank] No DCRM(MSS) equivalent. description emanating from or recognized as authoritative by the holding institution already exists for a manuscript, use this alternate source of information as a substitute for the chief source of information 0B2. Title and statement of responsibility -- 0C. (cont.) Sources of information for formal Chief source of information titles and statements of responsibility are in ● Edition/version -- Chief source of 1C1.1 and 1E1 information ● Production, date, etc. -- Chief source of information ● Physical description -- Entire item ● Notes -- Any source Punctuation 0C. Punctuation 0D. Prescribed punctuation 0C. Precede each area, other than the first, by 0D. Precede each area, other than the first, by Rules for prescribed punctuation are almost a full stop, space, dash, space (. - ), unless the a period-space-dash-space (. -- ) unless the the same: AMREMM prescribed punctuation area begins a new paragraph. area begins a new paragraph. for preceding the first element of each area, Precede or enclose each occurrence of an and DCRM(MSS) specifies that paragraphs element of an area with the standard Precede or enclose each occurrence of an end with normal punctuation. punctuation prescribed at the head of each element of an area with standard punctuation chapter in these rules for that area. AMREMM DCRM(MSS) Comments/Discussion Precede and follow each mark of prescribed as indicated in the “prescribed punctuation” punctuation by a space, except for the comma, sections of these rules. full stop, opening and closing parentheses, Precede each mark of prescribed punctuation and opening and closing square brackets, by a space and follow it by a space, with the which are not preceded by a space; the following exceptions: the opening parenthesis and square bracket are comma, period, closing parenthesis, and not followed by a space. closing square bracket are not preceded by a Precede the first element of each area, other space; the opening parenthesis and opening than the first element of the first area or the square bracket are not followed by a space first element of an area beginning a new paragraph, by a full stop, space, dash, space. If an entire area or element is omitted from When that element is not present in a the bibliographic description (e.g., because it description, precede the first element that is is not present in the source), also omit its present by a full stop, space, dash, space corresponding prescribed punctuation. Do not instead of the prescribed punctuation for that use the mark of omission. element. End paragraphs with normal punctuation (usually the period). 0C. (cont.) Follow conventions of modern 0G3.1 Do not necessarily transcribe Both AMREMM and DCRM(MSS) follow punctuation when transcribing information punctuation as it appears in the source. rules of modern punctuation in transcriptions. from the source, adding mandatory ISBD Instead, follow modern punctuation DCRM(MS) provides more specific guidance marks of punctuation where applicable. Since conventions, using common sense in deciding on transcribing punctuation. See section on information is transcribed in a regularized whether to include the punctuation, omit it, transcription below. form (see 0F1, 0F3), do not reproduce replace it, or add punctuation not present. original punctuation that would be contrary to modern conventions of punctuation or that would result in double punctuation. 0C. (cont.) Indicate an interpolation by 0G6.1. Indicate an interpolation in the AMREMM and DCRM(MSS) follow similar enclosing it in square brackets. transcription or in a quoted note by enclosing practices for indicating interpolations it in square brackets. If transcribing text with conjectural interpolations. missing or obscured letters or words that can AMREMM DCRM(MSS) Comments/Discussion Indicate a conjectural interpolation by adding be reconstructed with some certainty, include a question mark following the questionable these in the transcription, enclosing them in information. square brackets. Make an explanatory note if considered important. 0G6.2. Indicate each conjectural interpolation by adding a question
Recommended publications
  • Oregon Trails--Book Collecting for Fun, Not Profit Thomas W
    Against the Grain Volume 28 | Issue 5 Article 27 2016 Oregon Trails--Book Collecting for Fun, Not Profit Thomas W. Leonhardt [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Leonhardt, Thomas W. (2016) "Oregon Trails--Book Collecting for Fun, Not Profit," Against the Grain: Vol. 28: Iss. 5, Article 27. DOI: https://doi.org/10.7771/2380-176X.7524 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. ginning with modern cataloging standards (e.g., AACR, MARC format, Book Reviews FRBR, and RDA), the authors go on to focus on underlying principles, from page 50 which are rooted in the need to achieve maximum efficiencies. The limitations of these standards and of others developed specifically to describe digital information objects, such as Encoded Archival Descrip- Alemu, Getaneh and Brett Stevens. An Emergent Theory of tion (EAD), Dublin Core, and Metadata Object Description Schema Digital Library Metadata: Enrich then Filter. Chandos Informa- (MODS) are discussed in detail, and while acknowledging the benefits tion Professional Series. Kidlington, UK: Chandos Publishing, of standards-based, expert-created metadata, the authors contend that it 2015. 9780081003855. 122 pages. $78.95. fails to adequately represent the diversity of views and perspectives of potential users. Additionally, the imperative to “enrich” expert-created Reviewed by Mary Jo Zeter (Latin American and Caribbean metadata with metadata created by users is not only a practical response Studies Bibliographer, Michigan State University Libraries) to the rapidly increasing amount of digital information, argue the au- thors, it is necessary in order to fully optimize the potential of Linked <[email protected]> Data.
    [Show full text]
  • The Elements of Abbreviation in Medieval Latin Paleography
    The elements of abbreviation in medieval Latin paleography BY ADRIANO CAPPELLI Translated by David Heimann and Richard Kay UNIVERSITY OF KANSAS LIBRARIES, 1982 University of Kansas Publications Library Series, 47 The elements of abbreviation in medieval Latin paleography BY ADRIANO CAPPELLI Translated by David Heimann and Richard Kay UNIVERSITY OF KANSAS LIBRARIES, 1982 Printed in Lawrence, Kansas, U.S.A. by the University of Kansas Printing Service PREFACE Take a foreign language, write it in an unfamiliar script, abbreviating every third word, and you have the compound puzzle that is the medieval Latin manuscript. For over two generations, paleographers have taken as their vade mecum in the decipherment of this abbreviated Latin the Lexicon abbreviaturarum compiled by Adriano Cappelli for the series "Manuali Hoepli" in 1899. The perennial value of this work undoubtedly lies in the alphabetic list of some 14,000 abbreviated forms that comprises the bulk of the work, but all too often the beginner slavishly looks up in this dictionary every abbreviation he encounters, when in nine cases out of ten he could ascertain the meaning by applying a few simple rules. That he does not do so is simply a matter of practical convenience, for the entries in the Lexicon are intelligible to all who read Latin, while the general principles of Latin abbreviation are less easily accessible for rapid consultation, at least for the American student. No doubt somewhere in his notes there is an out­ line of these rules derived from lectures or reading, but even if the notes are at hand they are apt to be sketchy; for reference he would rather rely on the lengthier accounts available in manuals of paleography, but more often than not he has only Cappelli's dictionary at his elbow.
    [Show full text]
  • Exhibition Guide
    Exhibition Guide February 7, 2019 Contents Illumination to Illustration: Art of the Book ......................................................................................................................... - 2 - Illumination ............................................................................................................................................................................. - 3 - Woodcuts ............................................................................................................................................................................... - 6 - Engravings/Etchings ........................................................................................................................................................... - 10 - Illustration ............................................................................................................................................................................. - 13 - Photography ........................................................................................................................................................................ - 16 - Fine Art Press ...................................................................................................................................................................... - 19 - Children’s ............................................................................................................................................................................. - 24 - Graphic Novels
    [Show full text]
  • Latin Letters to English
    Latin Letters To English Exaggerative Francisco peck, his ribwort dislocated jump fraudulently. Issuable Courtney decouples no ladyfinger ramify vastly after Len prologising terrifically, quite conducible. How sunniest is Herve when ecological and reckless Wye rents some pull-up? They have entered, to letters one My english letters or long one country to. General Transforms Contents 1 Overview 2 Script. Names of the letters of the Latin alphabet in English Spanish. The learning begin! This is english speakers to eth and uses both between a more variants of columbia university scholars emphasize that latin letters to english? Day around the world. Language structure has probably decided. English dictionary or translate part of the Russian text into English using a machine translator. Pliny Letters translation Attalus. Every field will be confusing to russian names are also a break by another form? Supreme court have wanted to be treated differently in, it can enable you know about this is an engineer is already bound to. One is Taocodex, having practice of column remains same terms had different script. Their english language has a consonant is rather than latin elsewhere, to english and meaning, and challenging field for latin! Alphabet and Character Frequency Latin Latina. Century and took and a thousand years to frog from fluid mixture of Persian Arabic BengaliTurkic and English. 6 Photo credit forbeskz The new version is another step in the country's plan their transition to Latin script by. Ecclesiastical Latin pronunciation should be used at Church liturgies. Some characters look keen to latin alphabet Add Foreign Alphabet Characters.
    [Show full text]
  • THE BOOKCASE Agawam Public Library’S Newsletter Edited by Wendy Mcananama April 2015 I Find Television Very Educating
    THE BOOKCASE Agawam Public Library’s Newsletter Edited by Wendy McAnanama April 2015 I find television very educating. Every time somebody turns on the set, I go into the other room and read a book. ~ Groucho Marx National Library Week is April 12-18 AuthorTalk with Janet Barrett Trash Talkin’ with Nancy They Called Her Reckless (and Helga the Hen)! uthor Janet Barrett will visit the Former Agawam High teacher and current st library on Tuesday, April 21 at environmental blogger Nancy Bobskill will A7:00 to read from and discuss her visit the APL on Thursday, April 9th at 7:00 novel They Called Her Reckless. For more with her chicken purse “Helga the Hen.” info visit www.theycalledherreckless.com. Together they will teach how simple actions decrease waste that builds up in our When U.S. Marine Regiment’s Recoilless Rifle landfills, incinerators, rivers and oceans. Platoon acquired a small Korean pony to haul Learn why these solutions not only help ammunition up the steep hills to the front humans but other animals and their line, what they got was a real-life hero, habitats as well. Reckless, a warhorse who stood with her buddies for two years during the Korean War, The first 50 people saving many lives, raising spirits and winning (1 per household) who the love and respect of all who knew her. sign up and attend This book was made possible by the this event will receive contributions of over 50 Marines. a free kitchen compost bucket, courtesy of Please register by calling 789-1550 x4 or the Agawam DPW! Call 789-1550 x4 or go online at www.agawamlibrary.org.
    [Show full text]
  • Introduction to Palaeography
    Irene Ceccherini / Henrike Lähnemann Oxford, MT 2015/16 Introduction to Palaeography Bibliographical references Online bibliography: http://www.theleme.enc.sorbonne.fr Codicology - Jacques Lemaire, Introduction à la codicologie, Louvain-la-Neuve 1989. - Colin H. Roberts – T.C. Skeats, The birth of the codex, London 1983. - Maria Luisa Agati, Il libro manoscritto da Oriente a Occidente: per una codicologia comparata, Roma 2009. - Elisa Ruiz, Introducción a la codicologia, Madrid 2002. - Marilena Maniaci, Archeologia del manoscritto. Metodi, problemi, bibliografia recente, Roma 2002. - Denis Muzerelle, Vocabulaire codicologique. Répertoire méthodique des termes français relatifs aux manuscrits, Paris 1985. o Italian translation: Marilena Maniaci, Terminologia del libro manoscritto, Roma 1996. o Spanish translation: Pilar Ostos, Maria Luisa Pardo, Elena E. Rodríguez, Vocabulario de codicología, Madrid 1997. o Online version (with English provisional translation): http://www.vocabulaire.irht.cnrs.fr - Cf. Bischoff (palaeography). Palaeography - Bernhard Bischoff, Paläographie des römischen Altertums und des abendländischen Mittelalters, Berlin 19862. o French translation: Paléographie de l’antiquité romaine et du Moyen Age occidental, éd. Hartmut Atsma et Jean Vezin, Paris 1985. o English translation: Latin Palaeography. Antiquity and the Middle Ages, eds Dáibní Ó Cróinin and David Ganz, Cambridge 1990. o Italian translation: Paleografia latina. Antichità e Medioevo, a cura di Gilda Mantovani e Stefano Zamponi, Padova 1992. - Albert Derolez, The palaeography of Gothic manuscript books. From the twelfth to the early sixteenth century, Cambridge 2003 o cf. review by Marc H. Smith in “Scriptorium”58/2 (2004), pp. 274-279). Catalogues of dated and datable manuscripts Austria, Belgium, France, Germany, Italy, Netherlands, Sweden, Switzerland, United Kingdom, Vatican. Abbreviations - Adriano Cappelli, Lexicon abbreviaturarum.
    [Show full text]
  • Ken Sanders Rare Books Kicks Off 10Th Anniversary Celebration
    The ABN E WSLETTEA AR VOLUME EIGHTEEN, NUMBER 4 ANTIQUARIAN BOOKSELLERS' ASSOCIATION OF AMERICA FALL 2007 INSIDE: MAC Chapter hosts Digital Photo Seminar................................................PAGE 3 A Collector’s Primer to the Wonders of Fore-edge Painting By Jeff Weber One of the most unusual types of book decoration is fore-edge paintings. These are books which have one or more of the top, fore or bottom edge painted – usu- ally with watercolors. The typical form is a book with a single fanned fore-edge painting. In the twentieth century other forms have developed, including the Ken Sanders (center) celebrates with friends at the kick-off of several days of double fore-edge or even the remarkable events feting the anniversary of his shop in Salt Lake City. six-way painting where all three sides of the book have a double. Other forms include the side-by-side painting (two scenes on the single edge), and the split- Ken Sanders Rare Books kicks off double (splits the book in half and shows a scene on each fanned side half-way 10th Anniversary Celebration up the book edge). There is the vertical painting which is found on occasion. The by Annie Mazes first editions and comic books as well as fanned single edge painting is the most Ken Sanders, a long-time active member working on and off at Sam Weller’s, a common form. When the book is closed of the ABAA, and his daughter Melissa, well established independent bookstore in the painting disappears! This is because celebrated the 10th anniversary of their Salt Lake City.
    [Show full text]
  • Sneak Preview -- Please Report Errors to [email protected] Report Errors -- Please Preview Sneak 1 Thursday, May 9 Morning Events
    Fifty-Fourth International Congress Wednesday on Medieval Studies May 9–12, 2019 Wednesday, May 8 12:00 noon Registration Valley 3 (begins and continues daily) Eldridge-Fox Lobby Pre-registered Congress attendees may pick up their registra- tion packets and check into pre-booked on-campus housing at any time until the end of the Congress. On-site registration Valley 3 (for those not pre-registered) Eldridge 308 Wednesday, noon–midnight Thursday, 8:00 a.m.–midnight Friday, 8:00 a.m.–8:00 p.m. Saturday, 8:00 a.m.–5:00 p.m. 4:00 p.m. TEAMS (Teaching Association for Bernhard Medieval Studies) Faculty Board of Directors meeting Lounge 5:00–6:00 p.m. Director’s Reception for Early Arrivals Valley 3 Reception with hosted bar Eldridge 310 6:00–7:30 p.m. DINNER Valley Dining Center 8:00 p.m. Sfanta (Holy One) Gilmore Theatre created by Diana Lobontiu Complex Husband Swap, or Swap Meat Radford University $15.00 General admission $10.00 presale through Congress registration Shuttles leave Valley 3 (Eldridge-Fox) beginning at 7:15 p.m. A night of absurdity pairs Teodora, a wannabe saint from Ro- mania who seeks fame rather than faith, with three dissatisfied wives who meet the Husband Trader and get the men of their dreams—or not. (100 minutes plus intermission) Sneak Preview -- please report errors to [email protected] report errors -- please Preview Sneak 1 Thursday, May 9 Morning Events 7:00–9:00 a.m. BREAKFAST Valley Dining Center Thursday 8:30 a.m.
    [Show full text]
  • Handbook-Of-Semiotics.Pdf
    Page i Handbook of Semiotics Page ii Advances in Semiotics THOMAS A. SEBEOK, GENERAL EDITOR Page iii Handbook of Semiotics Winfried Nöth Indiana University Press Bloomington and Indianapolis Page iv First Paperback Edition 1995 This English­language edition is the enlarged and completely revised version of a work by Winfried Nöth originally published as Handbuch der Semiotik in 1985 by J. B. Metzlersche Verlagsbuchhandlung, Stuttgart. ©1990 by Winfried Nöth All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging­in­Publication Data Nöth, Winfried. [Handbuch der Semiotik. English] Handbook of semiotics / Winfried Nöth. p. cm.—(Advances in semiotics) Enlarged translation of: Handbuch der Semiotik. Bibliography: p. Includes indexes. ISBN 0­253­34120­5 1. Semiotics—handbooks, manuals, etc. 2. Communication —Handbooks, manuals, etc. I. Title. II. Series. P99.N6513 1990 302.2—dc20 89­45199 ISBN 0­253­20959­5 (pbk.) CIP 4 5 6 00 99 98 Page v CONTENTS Preface ix Introduction 3 I. History and Classics of Modern Semiotics History of Semiotics 11 Peirce 39 Morris 48 Saussure 56 Hjelmslev 64 Jakobson 74 II. Sign and Meaning Sign 79 Meaning, Sense, and Reference 92 Semantics and Semiotics 103 Typology of Signs: Sign, Signal, Index 107 Symbol 115 Icon and Iconicity 121 Metaphor 128 Information 134 Page vi III.
    [Show full text]
  • The Changing Rare Book Trade, 1950–2000 11
    The Changing Rare Book Trade, 1950–2000 11 Leona Rostenberg and Madeleine Stern THE CHANGING RARE BOOK TRADE, 1950–2000 THE CHANGES THAT HAVE TRANSFORMED the American rare book trade over the past fifty years have been welcomed by some but have daunted oth- ers. Due largely to the introduction and almost universal acceptance of computerization, along with major economic shifts, so-called reforms in education, and advances in the technology of travel, the results are ap- parent in the altered relations among the triumvirate of rare book dealer, collector, and librarian, as well as in their attitude toward their quarry. The traditional sources of supply and the markets for distribution have suffered a sea change. Yet, despite all this, the trade of rare books has survived. Some of its dramatic history over the past half-century can be seen in the story of one antiquarian book firm. In mid-September 1944, Leona Rostenberg entered the business of buying and selling antiquarian books. Her decision to do so had been preceded by several years of graduate study, a period of research abroad, and a five-year apprenticeship with a learned dealer from Austria who, because of World War Two, was now ensconced among his books in New York’s East sixties. This background intensified Leona’s passion for early printed continental books. In fact, it was the perfect background for any future dealer in the field of early European books. But how many dealers can boast of having similarly appropriate backgrounds today? The announcement of Leona’s entry into rare book dealing was accom- panied by a little fanfare.
    [Show full text]
  • A Medieval Psalter ‘Perfected’: Eighteenth-Century Conservationism and an Early (Female) Restorer of Rare Books and Manuscripts
    A Medieval Psalter ‘Perfected’: Eighteenth-Century Conservationism and an Early (Female) Restorer of Rare Books and Manuscripts Sonja Drimmer The eighteenth century has an uneven track record in the study of medieval manuscripts. During the later part of the century medieval art found a newly appreciative audience, but it was often the case that where esteem was granted it was for the evidentiary value of illumination. As witnesses to the dress, habits and pastimes of the Middle Ages, manuscripts attracted the emerging breed of antiquaries who reproduced outstanding pictorial examples in engravings. Disseminated in this format, medieval illumination appeared to most audiences in visual translations that deferred to the tastes and prevailing ideologies of the era. At the same time, other antiquaries, like grand tourists of the medieval world, poached miniatures from their native habitats and arranged them in albums and picture frames to augment their private collections.1 Both the victim and the beneficiary of these attitudes is a manuscript in the British Library that has gone unnoticed. 2 A Psalter that was originally produced in London during the second quarter of the fifteenth century, Add. MS. 6894 (henceforth, ‘The Denyer Psalter’) is remarkable not for the damage that was done to it, but for the care taken to rectify this damage and to restore to the manuscript something resembling its former integrity. Interleaved among its six-hundred-year-old folios are parchment replacements from a different historical era, installed by a woman who has been forgotten by history and, in one instance, supplanted in it. However, as a very early conservator of rare books and manuscripts, Eliza Dennis Denyer was a woman well ahead of her time.
    [Show full text]
  • Introduction Robert L
    Cambridge University Press 978-0-521-19495-2 - The Cambridge History of the English Novel Edited by Robert L. Caserio and Clement Hawes Excerpt More information Introduction robert l. caserio and clement hawes I Some important English novels have been popular; some have not; but our volume is not a history of bestsellers. Granted, the novel is not an entirely autonomous literary form, developing in isolation from the influence of market forces. Nor does it develop in isolation from politics, national or international. Far from it: no one could seriously make such an argument. And yet if the novel sees at all – if it offers unique insights – it does so through the ceaseless making, breaking, and remaking of literary forms. Every decision that a novelist makes is formally mediated, and retracing those decisions provides access to the history of the novel. By attending to this history of formal innovations one begins to understand the range and depth of which the English novel has been capable. We hope, even though the Cambridge History concludes by affirming the enduring power of romance, that our way of turning the novel’s progress into history is less quixotic than the quest of the Knight of the Woeful Countenance. The challenging side of the genre never fades from view: it does, after all, create something new under the sun. To be sure, the aesthetic and the political avant- garde do not necessarily coincide. And, in any case, as Mikhail Bakhtin points out, any one asserted perspective in the novel is usually rendered relative to others with which it is in conflict.
    [Show full text]