Ken Sanders Rare Books Kicks Off 10Th Anniversary Celebration
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Oregon Trails--Book Collecting for Fun, Not Profit Thomas W
Against the Grain Volume 28 | Issue 5 Article 27 2016 Oregon Trails--Book Collecting for Fun, Not Profit Thomas W. Leonhardt [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Leonhardt, Thomas W. (2016) "Oregon Trails--Book Collecting for Fun, Not Profit," Against the Grain: Vol. 28: Iss. 5, Article 27. DOI: https://doi.org/10.7771/2380-176X.7524 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. ginning with modern cataloging standards (e.g., AACR, MARC format, Book Reviews FRBR, and RDA), the authors go on to focus on underlying principles, from page 50 which are rooted in the need to achieve maximum efficiencies. The limitations of these standards and of others developed specifically to describe digital information objects, such as Encoded Archival Descrip- Alemu, Getaneh and Brett Stevens. An Emergent Theory of tion (EAD), Dublin Core, and Metadata Object Description Schema Digital Library Metadata: Enrich then Filter. Chandos Informa- (MODS) are discussed in detail, and while acknowledging the benefits tion Professional Series. Kidlington, UK: Chandos Publishing, of standards-based, expert-created metadata, the authors contend that it 2015. 9780081003855. 122 pages. $78.95. fails to adequately represent the diversity of views and perspectives of potential users. Additionally, the imperative to “enrich” expert-created Reviewed by Mary Jo Zeter (Latin American and Caribbean metadata with metadata created by users is not only a practical response Studies Bibliographer, Michigan State University Libraries) to the rapidly increasing amount of digital information, argue the au- thors, it is necessary in order to fully optimize the potential of Linked <[email protected]> Data. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Librarytrendsv27i4 Opt.Pdf
ILLINOIS UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scaleDigitization Project, 2007. ra S VOLUME 27 NUMBER 4 SPRING 1979 ~~ ~~~~ University of Illinois Graduate School of Library Science This Page Intentionally Left Blank The Study and Collecting of Historical Children's Books SELMA K. RICHARDSON Issue Editor CONTENTS Selma K. Richardson 42 1 INTRODUCTION RESEARCH COLLECTIONS Margaret N. Coughlan 431 INDIVIDUAL COLLECTIONS Barbara Maxwell 443 PUBLIC LIBRARIES Margaret Hodges 453 COLLEGE AND UNIVERSITY LIBRARIES Helen S. Canfield 467 HISTORICAL SOCIETIES, PRIVATE LIBRARIES AND MUSEUMS Motoko F. Iluthwaite 473 THE LIBRARY OF CONGRESS Virginia Haviland 485 SUMMARY AND PROPOSALS FOR THE FUTURE Milton Reissman 489 TRENDS IN COLLECTING AND PRICES Joyce I. Whalley 503 SECONDARY SOURCES FOR THE STUDY OF HISTORICAL CHILDREN'S BOORS Ina Robertson 513 FACSIMILES OF HISTORICAL Agnes Stahlschmidt CHILDREN'S BOOKS Sara Innis Fenwick 529 SCHOLARLY RESEARCH ABOUT HISTORICAL CHILDREN'S BOOKS Anne Scott MacLeod 55 1 ENCOURAGING SCHOLARSHIP: COURSES, CONFERENCES AND EXHIBITS 568 LIST OF ACRONYMS i INDEX TO VOLUME 27 This Page Intentionally Left Blank Introduction SELMA K. RICHARDSON THELAST DECADE OF THE nineteenth century and the first decade of this century witnessed some activity in the collecting of historical children’s books, but that flurry did not extend much beyond New England generally, and the Connecticut Historical Society and the American Antiquarian Society specifica1ly.l A resurgence of interest in collecting occurred in the 1920s and 1930s. In 1938 six articles appeared in Library Journal under the title “Collections of Rare Children’s Books: A Symposium.” The series had been prepared under the auspices of the Publicity Committee of the American Library Association (ALA) Section for Library Work with Children. -
A Book Lover's Journey: Literary Archaeology and Bibliophilia in Tim
Verbeia Número 1 ISSN 2444-1333 Leonor María Martínez Serrano A Book Lover’s Journey: Literary Archaeology and Bibliophilia in Tim Bowling’s In the Suicide’s Library Leonor María Martínez Serrano Universidad de Córdoba [email protected] Resumen Nativo de la costa occidental de Canadá, Tim Bowling es uno de los autores canadienses más aclamados. Su obra In the Suicide’s Library. A Book Lover’s Journey (2010) explora cómo un solo objeto —un ejemplar gastado ya por el tiempo de Ideas of Order de Wallace Stevens que se encuentra en una biblioteca universitaria— es capaz de hacer el pasado visible y tangible en su pura materialidad. En la solapa delantera del libro de Stevens, Bowling descubre la elegante firma de su anterior dueño, Weldon Kees, un oscuro poeta norteamericano que puso fin a su vida saltando al vacío desde el Golden Gate Bridge. El hallazgo de este ejemplar autografiado de la obra maestra de Stevens marca el comienzo de una meditación lírica por parte de Bowling sobre los libros como objetos de arte, sobre el suicidio, la relación entre padres e hijas, la historia de la imprenta y la bibliofilia, a la par que lleva a cabo una suerte de arqueología del pasado literario de los Estados Unidos con una gran pericia literaria y poética vehemencia. Palabras clave: Tim Bowling, bibliofilia, narrativa, arqueología del saber, vestigio. Abstract A native of the Canadian West Coast, Tim Bowling is widely acclaimed as one of the best living Canadian authors. His creative work entitled In the Suicide’s Library. A Book Lover’s Journey (2010) explores how a single object —a tattered copy of Wallace Stevens’s Ideas of Order that he finds in a university library— can render the past visible and tangible in its pure materiality. -
Rosalie Sorrelssorrels AA Voicevoice Likelike Finefine Winewine
GET A CATAMOUNT COLLECTIVE SAMPLER FREE! (SEE INSERT FOR DETAILS!) Vol. 48 No. 2 Summer 2004 RobinRobin && LindaLinda WilliamsWilliams TheirTheir GroupGroup IsIs FineFine TownesTownes VanVan ZandtZandt AmericanAmerican SongwritingSongwriting MineMine RosalieRosalie SorrelsSorrels AA VoiceVoice LikeLike FineFine WineWine TheThe DiscoveryDiscovery StringString BandBand Tracking Lewis & Clark EllikaEllika && SoloSolo MeldingMelding SwedenSweden && AfricaAfrica Robin & Linda HaugaardHaugaard Williams && HøirupHøirup Danish Duo PLUS:PLUS: 2 SongsSongs 4 Teach-InsTeach-Ins 5 ColumnsColumns 1 FestivalsFestivals ReviewsReviews NewsNews 50690793 $6.95 USA / $10.00 CAN £4.75 UK 69 Photo by Cass Fine © Rosalie Sorrels: Passing the Good Stuff On BY DAVID KUPFER “She’s the salt of the earth though it was her interest in the early songs of the Mormon pioneers that inspired her to become one of our community’s Straight from the bosom of the Mormon great folk singers. church Rosalie Sorrels is truly a national treasure, a master storyteller, a respected folklorist, and a legendary travel- With a voice like wine ing diva who possesses a rich, wise voice that flows straight from heart to mouth. Idaho-born and raised, Cruisin’ along in that Ford Econoline ... ” Rosalie is soft-spoken, shy and unassuming with a hand- some face and a warm smile. She wears a slight Midwest- — Nanci Griffith, “Ford Econoline” ern twang, delightful laugh and lively sense of humor. But it is Rosalie’s strong sense of self-reliance that has be- ith her song “Ford Econoline,” Nanci Griffith come the trademark of her contribution to the American chronicled the life of a single mother who packed folk landscape ... and her ability to sing songs about and W up her kids to tour around the country as a folk to those she loves in a wholly unique way that has made singer. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Kuenzig Books
. SPRING 2020 VOLUME XXIV NUMBER 1 journal of Th e Fe llow shi p of Amer ican BIB LIO PHI LIC SOC IETIE S Contents Letter from the Chair 3 Contributions Sought: Robert H. Jackson Endowment 5 A Tribute to John Carson by Arthur Cheslock 6 How My Library was Assembled by Leonid Chertkov, Part I 7 CLUB NEWS 19 The Fellowship of American Bibliophilic Societies OFFICERS William E. Butler, Chair The Grolier Club: [email protected] Alexander Ames, Vice-Chair Philobiblon Club: [email protected] Jennifer Larson, Treasurer Miniature Book Society: [email protected] Ronald K. Smeltzer, Secretary The Grolier Club: [email protected] Arthur S. Cheslock, Membership Chair The Baltimore Bibliophiles: [email protected] William E. Butler, International Affiliates Chair The Grolier Club: [email protected] JOURNAL Annie Rowlenson, Editor [email protected] Scott Ellwood, Assistant Editor [email protected] Scott Vile, Production Designer [email protected] Copyright ©2020 by The Fellowship of American Bibliophilic Societies. The FABS Newsletter is published twice annually and 6,000 copies distributed during the spring and fall to our North American Member Clubs and International Affiliates. LETTER FROM THE CHAIR he officers and trustees of FABS met on 5 March 2020 at The Grolier TClub for their annual meeting. There are several matters to report. The Officers replaced Susan Hanes as Vice Chairman, who has had to resign for family reasons, with Alex Ames, of The Philobiblon Club, and also having found a Treasurer, Professor Jennifer Larson, the Officers relieved our Sec - retary, Ronald Smeltzer, of his double duties – with our gratitude to all for having served in their respective positions. -
Exhibition Guide
Exhibition Guide February 7, 2019 Contents Illumination to Illustration: Art of the Book ......................................................................................................................... - 2 - Illumination ............................................................................................................................................................................. - 3 - Woodcuts ............................................................................................................................................................................... - 6 - Engravings/Etchings ........................................................................................................................................................... - 10 - Illustration ............................................................................................................................................................................. - 13 - Photography ........................................................................................................................................................................ - 16 - Fine Art Press ...................................................................................................................................................................... - 19 - Children’s ............................................................................................................................................................................. - 24 - Graphic Novels -
Learning Lineage and the Problem of Authenticity in Ozark Folk Music
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Learning Lineage And The Problem Of Authenticity In Ozark Folk Music Kevin Lyle Tharp Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Tharp, Kevin Lyle, "Learning Lineage And The Problem Of Authenticity In Ozark Folk Music" (2020). Electronic Theses and Dissertations. 1829. https://egrove.olemiss.edu/etd/1829 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. LEARNING LINEAGE AND THE PROBLEM OF AUTHENTICITY IN OZARK FOLK MUSIC A Dissertation presented in partial fulfillment of requirements for the degree of Doctor of Philosophy in the Department of Music The University of Mississippi by KEVIN L. THARP May 2020 Copyright Kevin L. Tharp 2020 ALL RIGHTS RESERVED ABSTRACT Thorough examination of the existing research and the content of ballad and folk song collections reveals a lack of information regarding the methods by which folk musicians learn the music they perform. The centuries-old practice of folk song and ballad performance is well- documented. Many Child ballads and other folk songs have been passed down through the generations. Oral tradition is the principal method of transmission in Ozark folk music. The variants this method produces are considered evidence of authenticity. Although alteration is a distinguishing characteristic of songs passed down in the oral tradition, many ballad variants have persisted in the folk record for great lengths of time without being altered beyond recognition. -
THE BOOKCASE Agawam Public Library’S Newsletter Edited by Wendy Mcananama April 2015 I Find Television Very Educating
THE BOOKCASE Agawam Public Library’s Newsletter Edited by Wendy McAnanama April 2015 I find television very educating. Every time somebody turns on the set, I go into the other room and read a book. ~ Groucho Marx National Library Week is April 12-18 AuthorTalk with Janet Barrett Trash Talkin’ with Nancy They Called Her Reckless (and Helga the Hen)! uthor Janet Barrett will visit the Former Agawam High teacher and current st library on Tuesday, April 21 at environmental blogger Nancy Bobskill will A7:00 to read from and discuss her visit the APL on Thursday, April 9th at 7:00 novel They Called Her Reckless. For more with her chicken purse “Helga the Hen.” info visit www.theycalledherreckless.com. Together they will teach how simple actions decrease waste that builds up in our When U.S. Marine Regiment’s Recoilless Rifle landfills, incinerators, rivers and oceans. Platoon acquired a small Korean pony to haul Learn why these solutions not only help ammunition up the steep hills to the front humans but other animals and their line, what they got was a real-life hero, habitats as well. Reckless, a warhorse who stood with her buddies for two years during the Korean War, The first 50 people saving many lives, raising spirits and winning (1 per household) who the love and respect of all who knew her. sign up and attend This book was made possible by the this event will receive contributions of over 50 Marines. a free kitchen compost bucket, courtesy of Please register by calling 789-1550 x4 or the Agawam DPW! Call 789-1550 x4 or go online at www.agawamlibrary.org. -
Economics, Book Collecting, and Kipling
DAVID ALAN RICHARDS: ECONOMICS, BOOK COLLECTING, AND KIPLING Economics, Book Collecting, and Kipling DAVID ALAN RICHARDS hile the theme of the day is “Books In Hard Times,” the composition of the W three panels makes it clear that we have heard and are hearing the story in subsets: “Rare Book Dealers in Hard Times,” “Institutional Librarians in Hard Times,” and “Rare Book Collectors in Hard Times.” In other words, three teams are on the field, in the Great Game of Rare Books. These are the three essential components of our world: vendors to organize the consigners of the product we consume, institutional repositories to provide both home for collectors’ and vendors’ research, and perhaps a final, one hopes permanent, home for assembled collections, such as mine at Yale, and collectors buying from auction houses and dealer catalogs, and (with those auction houses and dealers) using the great libraries (including, not least, the one we sit in) and their on-line data bases to research present holdings and to war-game future acquisitions. Not coincidentally, this “iron triangle” is well described in lines on the parallel subject of author bibliographies from the noted American book collector A. Edward Newton, who in his 1936 Rosenbach Fellowship lectures, said: “Bibliographies are indeed not intended for average readers, be they gentle or simple. They are intended as tools for the scholar, weapons for the bookseller, and armor for the collector.” So, are these “Hard Times” for book collectors? Are we, in Newton’s words, “armored” for these difficult days, not just in funds but with attitude? Today’s poser, of course, is not about bibliographies, as it was for Newton’s address, but economics—cash or credit, the “readies”—when that ineffable object of your desire (a presentation copy of Hardy for Mark Samuels Lasner, an elusive Shelley for Bill Buice, an undiscovered pirated Kipling first edition for me)— mysteriously but gloriously appears in a Sotheby’s auction catalog to be knocked down by David Redden, or in a literature catalog from the house of Bill Reese. -
Your Old Books
2. What makes a book important? books are generally more sought after, Your Old Books People value books either because of including all books printed before 1501, their contents or because of their physi- English books printed before 1641, books • cal characteristics. First editions of im- printed in the Americas before 1801, and A guide sponsored by the Rare Books and Manuscripts Section portant literary or historical works and books printed west of the Mississippi be- of the Association of College and Research Libraries, the Antiquarian Booksellers’ initial reports of scientific discoveries or fore 1850. Association of America, and the Rare Book School at the University of Virginia inventions are prime examples of books • that are important because of their con- 5. What is the difference between a rare tents. Illustrated books that give a new book and a second-hand book? This guide addresses some frequently 11. Are old letters, scrapbooks, photo- interpretation of a text or are the work of A second-hand or used book is a previ- asked questions about rare and older graphs, and documents valuable? an esteemed artist are also valued. Books ously owned book that is neither an im- books and their values. The answers are 12. Might someone want my single vol- that were suppressed or censored may portant edition nor has special physical meant only as general responses to these ume to complete a set? be both important and scarce, since few characteristics, such as binding, inscrip- questions, and many possible exceptions 13. How can I keep my books in good copies may have survived.