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Home , Beverly Emmons, Edison Theatre, Philip Glass, Philip Glass Ensemble

BAm

LUCINDA CHILDS, & SOL LEWITT ,.,.". I.U

CI'O"'!o/.n •• JI"'~

LIKE MAGIC AT THE TIlE BROOKLYN ACADEMY OF MUSIC

OPERA HOUSE November 29 - December 2. 1979

DANCE Choreography Music PHILIP GLASS Film SOL LEWITT Lighting Costumes A. Christina Giannini

tHE Jon Gibson, Philip Glass, Iris Hiskey, Jack Kripl,Kurt Munkacsi, Richard Peck, .

THE LUCINDA CHILDS DANCE COMPANY Lucinda Childs, Graham Conley, Cynthia Hedstrom, Erin Matthiessen, Daniel McCusker, Susan Osberg, Judy Padow, Ande Peck, Megan Walker. Understudies Meg Har pe r, Kenn eth Pie rce Production Manager Robert Seder Stage Manager Alan Gerberg Sound Kurt Munkacsi Sound Assistant Paul Gabriel Costumes executed by Charles van de Craats Sound equipment designed by and built by Stage & Studio Constructions

Produced by Perform ing Artservices .

FILM Directed by Sol LeWitt (in collaboration with Lisa Rinzler) Camera Lisa Rinzler Editing John Neuburger Gaffer Abbie Carey Grip Bruce Devan Camera Assistant Stuart Math Second Electrician Mark Petersen Production Assistants Andy Blinx Peter Kreutzer Rosalie Winard Optical Effects '·'videart

Recorded Music Music composed and arranged by Philip Glass Produced by Kurt Munkacsi and Philip Glass Musical Supervision Michael Riesman Recording Engineers Roddy Hui and Kurt Munkacsi Assistant Recording Engineer Lisa Zim its

Record ed at T he Big A pple Recording Studio. New York.

Publish ed by Dunvagen Music Publishers. Inc. (A SCA P) Copyright c 1979. Philip Glass.

Cover photo by Nathaniel Tileston Slowly it's beginning to dawn on between business and the local people are returning to the city. people that the city just may be a sane community. Property values are on the rise . Neigh­ alternative to gasoline shortages, Creating affordable housing by borhoods are on the upswing. And the out-of-sight property taxes and encouraging private investment in outlook for business is definitely weekend marriages. neighborhoods is the key to Brooklyn's improving. Slowly it's beginning to dawn on renaissance. Cinderella, a Brooklyn But we've barely scratched the people that the city has possibilities Union and community sponsored surface of the virgin possibi lities that waiting to be developed by business restoration program is supporting exist for investment and good living. and by people who prefer the stimula­ private initiative in the restoration of Why not explore them? tion of city living. Brooklyn's wealth of 19th century Vic­ Start by calling Fred Rider, our Nowhere are these possibilities torian townhouses and the conversion Director of Cinderella projects or Mike more apparent than in Brooklyn. For of its vacant loft, factory and residen­ Teatum, our Director of Area Develop­ the past 15 years, Brooklyn has been tial structures, into affordable apart­ ment at (212) 643-3880. undergoing a transformation brought ments and co-ops. about by an enlightened partnership In the process, thousands of ~BrookIyn lnonGas Brooklyn.The new land of opportunity. TIlE BROOKLYN ACADEMY OF MUSIC

Dance No. 1

THE PHILIP GLASS ENSEMBLE (Recording)

THE LUCINDA CHILDS DANCE COMPANY

(same far sections 3 and 5) Megan Walker Ande' Peck Susan Osberg Erin Matthiessen Judy Pad ow Graham Conley Cynthia Hedstrom Daniel McCusker ***********

Dance No.2 (solo)

Michael Riesman Electric Organ Lucinda Childs

The music from Dance No.2 was originally commissioned by the City of Rotterdam for the tenth anniversary of the Doelen Organ and received its premiere It the Doelen Auditorium on March 12, 1971!l, IS Fourth Series 1. •••••••••••

Dance No. 3

THE PHILIP GLASS ENSEMBLE ( Recording)

THE LUCINDA CHILDS DANCE COMPANY ***********

Dance No.4 (solo)

Philip Glass Electric Organ (recording) Lucinda Childs ***********

Dance No. 5

THE PHILIP GLASS ENSEMBLE

Jon Gibson , Soprano Philip Glass Keyboards Iris Hiskey Voice Jack Kripl Flute, Piccolo, Kurt Munkacsi Electronics Richard Peck Flute, Alto SaxophGlne Michael Riesman Keyboards, Bass Synthesizer

THE LUCINDA CHILDS DANCE COMPANY TIlE ARTISTS

THE PHILIP GLASS ENSEMBLE Wolff. , and Philip Glass, with whom he has performed steadily since cRe,tmunnt ~ In fill 19613, Philip Glass formed the Ensemble 1968. As a composer. Mr. Gibson has explored (amplified keyboards, voices, and winds) by ii variety of compositional approaches ranging EXPLORE WITH US THE ~ which his work is known. Participating as com­ from the highly intuitive and improvised Visita­ SECRETS OF CHINESE poser and performer, Glass and the Ensemble tions to the highly structured Melody IV. His COOKING have made eight European tours and have per­ recent solo music represents I blending in formed throughout the United States and various ways of these two extremes Equal Dis­ If you haven't been to Su-Su's Canada. tribu·tion I. He hiS given many solo and ensemble you're missing.some of New conee'rts of his music throughout Europe and Philip Glass has performed in over 200 concerts North America and was recently commissioned York's unusual Gourmet (solo and with his Ensemble) in the United to compose and perform the music for the Chinese Cuisine Stites and Europe since 1900. A graduate of Merce Cunningham dance entitled FrllCtionl, Featuring complete dinners at The of Music, Mr. Glass has for video Ind live performance. He has also realistic pricesl been the recipient of numerous awards, includ­ worked extensively with dancer Nancy Topf. ing a Ford Foundation composer-in-residence Gibson has .also been active as a visual artist. PRESENTED BY FOUR grant and a F41bright Grant, which brought him translating some of his ideas on music and ST ARS CHEF KING to Paris to study with . Mr. structure into drawings and other visual media. Glass has also traveled throughout Central Asia This work has appeared in various museum and Open 7 Days for Luncheon, and India, .where he pursued his interests in gallery exhibitions. books, magazines and Cocktails and Dinner non-western music. In 1971, Glass founded catalogues. and is at times also incorporated Chatham Square Productions, organized to re­ into his live performances The Great Outdoors (Sundays, dinner only) cord his own music and music by other with Nancy Topf. A book of his drawings. en­ members of the Ensemble. His music is distin­ titled Melody 11/ Book /I was recently publish­ HIGHLY RECOMMENDED guished by a repetitive-structure, modular-form ed by Printed Matter in New York, and two BY BOB LAPE style of composition designed for the specific recordings of his music, entitled Visitations OF CHANNEL 7 resources of his Ensemble; and he is best known and Two Solo Pieces, appear on Chatham EYEWITNESS NEWS for the works of extended duration in that style Square Records. He has received grants from (e. g., the four hour Music in 12 Parts.) Gllss the Creative Artist Public Service Program (1974) and the National Endowment for the TWO HOUR received a special OBIE in 1976 for his com­ positions for the experimental theatre company, Arts (1975. 1977). FREE PARKING . His , , written in collaboration with director Robert Iris Hiskey is a graduate of The Juilliard School Major Credit Cards Wilson, toured widely in Europe in the summer of Music and the University of Michigan. Her Tel: 522-4531 and fall of 1976. It received its American pre­ musical background includes performances of miere at the in New York opera. contemporary. and early music as well 60 Henry St. at Cranberry on November 21, 1976; and Mr. Glass was as Indian and Japanese music. She has appear­ awarded his second special OBIE for the music. ed with the Lake George Opera. Bronx Opera, Historic Brooklyn Heilbtl Mr. Glass' most recent commissions include the Bel Canto Opera. New York Vocal Quartet. film North Star: Mark DiSuvero; Another Look S.E.M. Ensemble. and . A at , Part IV for the Hollind Festival specialist in baroque, renaissance. and medieval (June 1977); this piece Another Look at Har­ music. she is a co-founder of the Canterbury mony, Part IV was performed on June 1, 19713 Consort and has performed extensively with at together with excerpts from the Schola Antiqua and -the International Bach BROOKLYN Einstein on the Beach with Gregg Smith Singers; Society. Her recording credits include several an organ work commissioned by the Doelen albums of medieval music on the Nonesuch Hall, Rotterdam for the 10th anniversary of label and background vocals for Mike.Oldfield the Doelen Organ ; and an opera, , and Judy Collins. She began singing with Philip HAS IT ALLI commissioned by the City of Rotterdam for Glass in 1976 during the European tour of CALL US FOR premiere production by the Opera Einstein on the Beach. (19130). FREE ASSISTANCE WE'LL HELP YOU LOCATE IT Jon Gibson is a composer, performer. artist Jlck Kripl, winner of the Geneva International who was born and raised in Los Angeles and Competition for Musical Performers. holds NEW YORK YELLOW PAGES. INC whose early creative involvements included Bachelor and Master degress from the Univer­ 0 work in the visual arts as well as jazz and im­ sity of Michigan. A recipient of two Fulbright provisation. In the early 1960's while earning Scholarships to Paris, he was a resident perform­ city p 110 a degree in music at San Francisco State Univer­ er at the Cite Internationale des Arts while e® sity, he was' also musically active in the Bay n under the tutelage of classical saxophonist Area with , , John Marcel Mule. He concurrenHy studied style Handy. and others. In 1966 he and analysis with Nadia Boulanger. In prepa­ 675·0900 first came to New York. where he has toured ration for the Geneva Competition. he was Call After.10 A.M . Weekdays and worked with many other compoS'ers~s coached by Jean-Marie Londeix of Bordeaux. well. including . Christian In addition to his performances with the Or-

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The Dance Studio offers classes in ballet, modern, tap, jazz, belly danc­ ing, tai chi, gymnastics, and a special Sale Annex. 128 Fifth A~nue (ar 18th Smet) excercise program. We are happy to Mon.-Fri. 9:45-6:45. Sat. 9:45-6.5un. 10-5. . 600 Fifth A~nue (ar 48th Smet) Mon.-Wed .• Fri. 9:45-6:45. Thurs. 9:45-8. , Sat. 9:45-6. Sun. Jt-5. THE ARTISTS

chestra de Suisse-Romande he toured Switzer­ counters series, and on several occasions on land, France and Germany as a soloist with the radio station WBAI-FM in New York. He is also Collegium Musicum Basel. He has been on two a conductor and has appeared with the Boston different Cultural Exchange Programs for the Chamber Players conducting his State Department. The first tour included the own work. He was the musical supervisor and Soviet Union, Eastern Europe and the Middle choral director for the recording of Einstein on East and the second included the Carribean Is­ the Beach, He hilS been a member of the Philip lands, Central and South America. Mr. Kripl G lass Ensemble since 1974. has received a grant from the Martha Baird Rockefeller Fund for Music, Inc. He has taught THE LUCINDA CHILDS DANCE COMPANY at the University of Michigan State, Michigan State University, Wayne State University and Lucinda Childs was an original member of the the Interlochen Arts Academy. Judson Dancer Theater in New York. She first appeared with her dance company at the Whit­ Kurt Munkacsi lives in , where ney Museum in 1973. She has collaborated as he has worked with the Ensemble for the past choreographer and performer with Robert Wil­ eight years. Kurt, along with Philip Glass, has son and Philip Glass on the opera Einstein on co-produced both the North Star and Einstein the Beach, presented in Europe at the Avignon on the Beach albums. Although he is finding Festival (30th), La Biennale (Venice), Theatre himself increasingly in demand as a record pro­ des Nations (BITEF, Belgrade), Opera National ducer, Kurt has also worked as a recording engi­ (Brussels), Festival d' Automne (Paris), Deutsch­ neer for John Lennon, , Mike Old­ es Schauspielhaus (Hamburg), Schouwburg field, Don Cherry, Ornette Coleman, and (Rotterdam), Holland Festival (Amsterdam) Anthony Braxton. In addition, Kurt and his and the Metropolitan Opera House (New York partner Greg Shriver are co-owners of Stage City). lit Studio Construction, a company which Last year she premiered three new works specializes in recording studio and sound sys­ with her company at the Festival de la Danse tem design. They are responsible for the design in Paris and subsequently in the United States and construction of all the sound equipment on at the Brooklyn Academy of Music. Most re­ tour. cently she performed with her company as part of the New York Dance Festival at the Dela­ Richard E. Peck Jr., saxophonist, composer, corte Theatre. She has toured extensively as a painter, sculptor and video artist, arrived in soloist in Amsterdam, in Europe since 1976 New York City from Louisiana in August of Basel, Berlin, Geneva, London, Milan, Paris and 1971. He toured with blues bands while in the Zurich. In the spring of 1978, she appeared South, then joined the Philip Glass Ensemble with in his two-act , I Was after his move to New York, 1971. He has al­ Sitting on my Patio This Guy Appeared I so recorded and performed with his own Rich ­ thought I Was Hallucinating, in the United ard Peck Group. His visual work has been States and on tour in Europe. Miss Childs is shown at P. S. 1 and the Holly Solomon Gall­ a recipient of a Guggenheim Fellowship (1979- ery in New York and at the Contemporary Art 80) for her work on Dance. Center in New Orleans. Graham Conley, a native of New Mexico, be­ Michael Riesman is a composer who has receiv­ gan his dance training at the University of New ed a Fulbright Fellowship, a Tanglewood Fel­ Mexico where he also received his Bachelor's lowship, and commissions from the Ford Foun­ degree in English. He has performed with the dation and the Fromm Music Foundation. He Albuquerque Dance Theatre and the Margaret has been Assistant Professor of Music at SUNY Jenkins Dance Company in San Francisco. -Purchase, and Composer-in-Residence at the Since moving to New York in the fall of 1974 Marlboro Music Festival. He has a B.S. from he has appeared in Fractions, a video project the Mannes College of Music and an M. A . and for television with the Merce .cunningham Ph . D. from Harvard . In addition to writing Dance Company; performed inNew York and 148 Hoyt St. solo pieces, songs, , and orches­ toured in the United States and Europe with I!!!!!!!,!!~~!!!!!!!!!J (at Bergen) tral works, Mr. Riesman has been active as a Douglas Dunn and Dancers; and has been work­ composer for film and theater. He has compos­ ing with Lucinda Childs since the spring of 1979. Dine in Victorian elegance ed music for nine films, including work for pre ~ after theatre entrees National Educational Television and Canadian Cynthia Hedstrom was born in Indiana. She re­ National Film Board . His most recent theater ceived a B.A. in Dance from Sarah Lawrence projects have been collaborations with Cindy College, and studied dance at the Darpan six -midnight! closed Monday Lubar Everyday Business and Robert Wilson Academy of Dance in India. After her return Edison. Mr. Riesman has given a number of to New York, she performed with Barbara French Cuisine solo performances, most notably as a guest on Dilley, Yvonne Rainer, The Natural History of Sinfully Delicious Desserts the New York Philharmonic's Prospective En- the American Dancer, the Judy Padow Dance Wine & Spirits Mlijor Credit Cards Accepted Reservations Recommended Charlie's 858-0400 ------~ Charlie's The drinks, the food, the atmosphere, the conviviality. They're all good reasons for spending an-evening at CHARLIE'S where Charlie's Flatbush Avenue meets Park Slope. For information and reservations call UL 7-4585 Charlie's 350 FlATBUSH AVENUE AT Charlie's EIGHTH AVENUE ------~ 7 TllEARTI8T8

Company, and the New York Contact Impro­ Beards Fund Inc. (1979). the National'Endow­ visation Group. In 1973 she was artist-in-resi­ mentfor the Arts (1975, 1979), Exxon Corpor­ LIVING A RAGTIME LIFE dence at the Center for New Performing Arts in ation (1979) and the New York State Council Iowa, and in 1975 she joined the dance faculty for the Arts (1971). Her choreography has been of C.w. Post College. She has been a member produced by the Whitney Museum of American of the Lucinda Childs Dance Company since Art, the American Theatre Lab on their Tues­ 1976, and is a co-founder of The School for day Project, and in March 1979 her com~ny Movement Research in New York City. appeared on the Experimental Dance Se(ies at the Brooklyn Academy of Music. Judy Padow Erin Mlltthi_n was born in Richland, Washing­ is on the faculties of the City College Leonard ton, grew in California, Maryland, and New Davis Center for the Performing Arts, C. W. Mexico, and came to New York in search of Post College and Pratt Institute. something. He hils danced with Margaret Jenkins, Albuquerque Dance Theatre, the Scottish Ballet, and spent three years with the Laura And' Peck came to New York after graduating Dean Dancers and Musicians. He is the author from Bennington College in Vermont. He be­ of I'd Rather Be Ravaged, a book of poems, gan dancing with Viola Farber b 1969 and has and Lucky Strike, it novel in progress. If he toured with her company in the United States weren't so neurotic, he'd like to live in the and Europe. He has taught at the Viola Farber country. Dance Studio, in college programs, and for dance communities in Philadelphia, Boston and Daniel McCusker has been a member of the New Haven. He began working with Lucinda Lucinda Childs Dan~e Company since 1977. He Childs in the fall of 1977. has also performed in the works of a num~r of other choreographers, most recently, the works Megan Walker was born in British Columbia, of Jessica Fogel, David Lusby, and Libby Nye. Canada, and grew up in California. In 1977, Daniel McCusker has presented his own choreo­ after receiving a B. A. in dance and film from graphy, and in 1977, had work selected for ex­ the University of Californra at Berkeley, she hibition/performance at the Cayman Gallery moved to New York City. Since that time she In New York, as part of the Whitney Counter­ has studied primarily with Merce Cunningham, Monday, December 17 at Bpm weight Festival. He studies ballet with Alfredo Maggie Black, and Haynes Ownes and has per­ Tickets: $8.50, $6.50 Corvino and Richard Lyle, and has studied im­ formed with the companies of Kenneth King at BAM Box Office, Bloomingdale's, provisation and composition with Trlsha Brown, and Carolyn Lord. She has been working with Lucinda Childs and Judy Padow. A native of Lucinda Childs since the spring of 1979. B'way's Edison Theatre, or New York City, he is a grilduate of the College CHARGIT 239·7177. at , with a B.A. in compariltive literature. After Cayman Gallery in 77, Dance Sol LeWitt WilS born in Hartford, Connecticut, Brooklyn Academy of MUlic Theatre Workshop will produce Mr. McCusker's and educated at Syracuse University. Since he has exhibited his work regularly at the 30 Lafayette Ave. 6364100 work at American. Theatre Lab., Feb. 14-17, 1966 lAm 1990. Dwan Gallery in New York and Los Angeles, and, beginning 1971 at the John Weber Gallery in New York. His first European exhibition Susan Osberll is from Orono, Miline. She went WilS in Zurich in 196B, and since then subse­ to high school at Interlochen Arts Academy in quent exhibitions have been presented in all the Michigan. She graduated from the Juilliard major cities in Europe. The exhibition Fifty School in 1975. She has danced with several Drawings 1964-1974 was presented between ~ companies in New York, in­ 1974-76 in major museums in Canada and the cluding Paul Sanasardo, Manuel Alum and United States. In 1966 he was induded in the Kazuko Hirabayashi. She is co-founder and exhibit, Primary Structures at the Jewish director of the Workwith Dancers Company. Museum in New York· and Minimal Art on She is currently working towards an M.A. at tour in major museums in Europe between and studies dilnce at the 1968-69, When Attitude Becomes Form in ?IVNj'J~ Merce Cunningham Studio. Bern and London, 1969. In January 1978, a retrospective exhibition of his work was pre­ Judy Padow has studied ilnd performed with sented at the Museum of in New ~ York. In addition to his sculptures, wall draw­ Oce.... front Resort Complex, Trisha Brown ilnd Yvonne Rainer. In 1972 she was a member of The National History of the ings, and prints, he has designed over twenty Conference Center, and Now­ American Dancer, an improvisation collabora­ books of h is work since 1971. THE NEW INTERNATIONAL tive, and performed with them in New York HEALTH,. BEAUTY SPA. City and on tour. She has been performing with the Lucinda Childs DanceCompany since 1973. The most unique spa in Ameriet­ She formed her own company in 1974 and has received grants for her choreography from Truly a European spal Thalassa Therapy. Vichy Rooms. Inhalation ROC'ms. Italian Fango, Roman Baths. Swed ish and Oriental Massages. King·Sized Indoor Heated Salt Water Pool. Herbal Wraps, Unpolluted Ocean Wlter from our own Beachfront ...... "11._ used in all Treatment Facilities...... IU ...... ,. Aa •• ..,..,M... 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Oct 24-28 Contemporary Oct 12-14 Oct 19-21 Classical Jan 4-6 Classical Mar 28-30 Classical May 2-4 Classical Musical America: Harry/Dance and other works Brooklyn Rediscovery Chamber Music No.1 Chamber Music NO.5 Brooklyn Phil harmonia Chamber Music No. 1 0 by Senta Driver LS Ballad of Brooklyn PH The Cleveland Quartet LS The Beaux Arts Trio LS Major Series Beethoven, Crumb, Honegger, All performances 8:00pm Lynn Harrell OH Schumann LS Nov 8-11 Contemporary Oct 23- Nov 11 Oct 20 Class ical Jan 25-27 Classical Jazz Bands: Dan Wagoner and Dancers LS Dodger Theater AT Brooklyn Philharmonia Chamber Music No. 6 Apr 10 Classical May 9-10 Folk Emigres by Slawomir Mrozek Family Series LS The Vermeer Quartet LS Brooklyn Philharmonia Country Music No. 3 LS All performances 8 :00pm Nov 13-18 Classical Meet the Moderns 1960-1980 LS Pennsylvania Ballet OH Nov 27-Dec 16 Oct 22 Nostalgic Jan 26 Classical Music Country Music: Dodger Theater AT Musical America Brooklyn Phil harmonia Apr 25 Jazz Performance Times Nov 29-Dec 2 Contemporary Holeville by Jeff Wanshel Bolcom & Morris "After the Family Series LS Jazz Bands Series Times to be announced. Lucinda Childs/Philip Glass/ Ball" PH Harry James OH Chamber Music: Sol LeWitt OH Jan 15-Feb 3 Jan 31 Jazz NOTE Dodger Theater AT Oct 26-28 Classical Jazz Bands Series Apr 11 -13 Classical Fridays 8 :30pm Dec 6-9 Contemporary Play to be announced Brooklyn Philharmonia Lionel Hampton OH Chamber Music No. 9 Saturdays 8 :30pm OH=Opera House Danny Grossman Major Series Beethoven, Rossini, Shubert LS Su ndays 2 :OOpm PH=Playhouse Company LS Feb DTBA* Robert Merrill OH Feb 1-3 Classical LS=Lepercq Space BAM Theater Company PH Brooklyn Philharmonia Apr 18-19 Folk Brooklyn Philharmonia: Dec 29-30 Nostalgic A T=Attic Theater Nov 1 Classical Major Series Country Music No. 2 LS Majors: Fridays and Steps in Time (Tap Mar DTBA* Brooklyn Philharmonia Bella Davidovich OH Saturdays 8 :00pm *Dates to be announced Dancing Festival) OH BAM Theater Company Meet the Moderns 1900-1920 LS May 2-4 Classical Sundays 3 :00pm Feb 21 Classical Brooklyn Philharmonia Feb 14-17 Festividad '80 Apr DTBA* Nov 2-4 Classical Brooklyn Philharmonia Major Series Meet the Moderns: 8 :00pm Conjunto Folklorico Nacional BAM Theater Company Chamber Music No. 2 Meet the Moderns 1940-1960 LS Steven De Groote OH de Cuba OH Debussy, Dohnanyi, Kirchner, Family : 2:00pm Ravel LS Feb 22-24 Classical Mar 20-23 Festividad '80 Theater Performance Times Chamber Music JIIo. 7 Ballet Hispanico of New York Nov 12 Nostalgic Schumann, Ste~'\len Foster, & Mongo Santa Maria OH Ballad of Brooklyn: Musical America Brahms LS ~ Bob Greene's The World of Jelly May 6-11 Classical Roll Morton PH Feb 28 Jazz ------Friday & Saturday 8 :00pm GREAT BAM EXTRAS Join our mailing list for advance notice/chance to purchase choice seats. Pennsylvania Ballet OH Jazz Band Serie~ I Sunday 3 :00pm Nov 16-18 Classical Glenn Miller OH BAM CHARGE LINE- Now you can Name ______May 15-18 Contemporary Chamber Music No. 3 charge all BAM tickets by phone by All Dodgers: Address ______Laura Dean Dancers and The Tokyo Quartet LS Feb 29~ar 2 Classical I calling: 636-4160. Musicians OH Tuesday-5aturday 8 :00pm Brooklyn Philharmonia CONVENIENT PARKING-BAM's park­ City ______State ______Zip ______Saturday matinee 2 :00pm Dec 14-16 Classical Major Series ing lot is right across the street, only steps Jun 1,7-8,14-15 Sunday matinee 3 :00pm Chamber Music No.4 Paula Robison, Scott N ickrenz OH I away from BAM's front door, and it's Telephone (day) ______(eve) ______DanceAfrica OH All Bach Program LS only $2.50 per performance. T imes to be announced. BAM Theater Company : Mar 7-8 Folk MANHATTAN EXPRESS RETURN BUS Dec 14-16 Classical Country Music Series No. 1 LS I is waiting for you after the play and will I'm especially interested in Dance Brooklyn Philharmonia receiving information on: Performance Times Dates and times to be announced. drop you off at 4 convenient points in Major Series Mar 14-16 Classical Manhattan, for only $1 .50. The Messiah OH Chamber Music No.8 I ) dance Dance Series: RESTAURANT COUPONS- As a BAM The AulQs Ensemble LS SUBSCRIBER you are entitled to valu­ ) music Opening night curtains 7:00pm Dec 17 Nostalgic ) theater and Oct. 25, 7:00pm I able discounts to some of Brooklyn's Musical America Max Morath Mar 15 Classical finest restaurants. ) all Saturday and Sunday matinees "Living a Ragtime Life" PH Brooklyn Philharmonia 2:00pm LOBBY DINING-From hot dogs and Family Series LS All other performances 8:00pm betir to wine and pate, a taste for every Jan 3 Classical I palate. Brooklyn Philharmonia Mar 27 Jazz Mail this coupon to: Steps in Time: Meet the Moderns 1920-1940 LS Jazz Bands Series ,Brooklyn Academy of Music Saturday, December 29 8:00pm Benny Goodman OH I For further information call : 30 Lafayette Avenue Sunday, December 30 2:00pm I (212) 636-4100 lAm Brooklyn, New York 11217 \0 I /J THE DAtitlY GROSSMAti DAtiCE COMPAtlY Described as "engrossing, provoking and downright delightful to watch," the Toronto-based Danny Grossman Dance Company will be bringing its own brand of modern dance to BAM in December. California-born dancer and choreographer Danny Grossman made his professional debut with the Paul . Taylor Dance Company in 1963 and was seen in over twenty different roles that company. He left the Paul Taylor Dance Company to join the Tor­ onto Dance Theatre where he made his choreographic debut. Now with his own company, Grossman has developed his own style of choreo- ({;A;}·'Y;;:·;;)·,. recognized for its athletic exuberance and inventiveness.

His BAM debut will be December 6-9 with a program of five dances featuring HIGHER, the company's sig- nature piece set to music by Ray Charles, and a new work, TATUM VS. CECIL + MONK or Flurry and and Bebop Meet Sideslip and the Muse, with music by Cecil Taylor, Art Tatum and Theolonius Monk. Other works include CUR IOUS SCHOOLS OF THEA­ TRICAL DANCING: PART 1; ECCE HOMO;and NATIONAL SPIRIT.

Thursday, December 6 at 7pm Friday and Saturday, December 7 & 8 at 8pm Sunday, December 9 at 2pm $6.50 BAM information 636-4100 Chargit 239-7177 Brooklyn Academy of Music BAm 30 Lafayette Avenue Photo: David Street Brooklyn, New York 11217

LAURA DEAN DANCERS & MUSICIANS "A lavish display of Dean's fancy footwork ...winds the audience into an explosion of applause ..." said Deborah Jowitt of the Village Voice about Laura Dean's newest work, Music, which will have its New York premiere in BAM's Opera House, May 15- 18, 1980.

Commissioned jointly by BAM and the American Dance Festival, Music received its premiere at the Festival in Durham, N.C. this past summer, where it met with great critical acclaim. This is the third work by Laura Dean to premiere at BAM; the first was her choreography for Steve Reich's in 1975; and in 1977, her com­ .. pany premiered Spiral, a work created especially for the c:CI> o Opera House at BAM. ...., . ~ .c: Music further explores Laura Dean's fusion of dance and music a.. into structured modular units. Spinning and geometric pattern­ ing form the basic choreography which is embellished by sweeping legs and rippling arms. The result is a major modern dance work by Laura Dean Dancers and Musicians.

Thursday, May 15 at 7pm Friday and Saturday, May 16 & 17 at 8pm Sunday, May 18 at 2pm $9.50, $7.50, $5.50 BAM information 636-4100 Chargit 239-7177 Brooklyn Academy of Music 30 Lafayette Avenue BAm Brookl New York 11217 IJ-. Benny 6Mdman and his §eXftf Over the past five decades, Benny Goodman has achieved a unique place in the hearts of the world and the pages of musical history. From his origins in Chicago, this great jazz musician set the tempo of a nation and the pace of an era, mixing a versatility and virtuosity that made him at home in the classics as well as the pop music scene. As a result of his triumphant world tours, most notably in the USSR, Benny Goodman stands as the dean of American musical ambassadors. BAM is proud to present an evening with the legendary "King of Swing." Opera Houae/March 27, 1980 LIOKI Dampfln When Louis Armstrong convinced a young pianist to try a set of vibes in a 1930 recording session....history was made and the "King of Vibes," Lionel Hampton, began his reilPl. Expanding jazz to swing, Hamptoil jammed with the greats and went on to form his own group that made dozens of hits including "Flying Home," "Central Avenue Breakdown," and "Midnight Sun." Prepare for a hot evening of gutsy jazz as a great'artist and goodwill ambassador, LioneJ Hampton, comes to BAM. Opera House/January 31, 1980 tiltnn MllltrOn:lresfl1l A giant of the "big band era," Glenn Miller, stamped the Forties with a musical trademark that lives on stronger than ever ,today. With clarinets leading the reeds, trombones growling, and trumpets wailing, Jimmy Henderson leads the world-famous Glenn Miller using the authentic arrangements of such memorable tunes as ''Tuxedo Junction," "Little Brown Jug," "String of Pearls," and the band's theme song, "Moonlight Serenade." Opera House/February 28,1980 Harry jamts and his SWlnilDi Band In 1941, a sweet hom crooned "You Made Me Love You," and a new star swept the country. Harry James blazed a musical trail jamming , jiving Hollywood, and launching the careers of Frank Sinatra, Dick Haymes, and Kitty Kallen. Always in demand throughout the world, Harry James and his Swinging Band spin the magical sound that paced the Forties and made the -world take to its feet. Opera House/April 25, 1980

Reg Sale No. of HOW TO ORDER Subscriptions Price Price Subs Total 1. Fill in your subscription and/or individual concert IJAZZ BANDS ARE BACK I#F"""I $24 }x 1-$ choices. List performance and date for individual concerts. Indiv. No. of 2. Enclose a stamped, self-addressed envelope, your check Tix . Total made payable to BAM, and this order form and mail to: Individual Concerts Price BAM Box Office, 30 Lafayette Avenue, Brooklyn, N.Y. 11217. Your cancelled check is your receipt. Ii I~ I:i 3. Individual tickets may be purchased at the BAM Box I Office, A&S Brooklyn, Bloomingdales, or Broadway's Edison Theatre. ~------­ 4. To charge tickets, call Chargit at (212) 239-7177. 5. For discount group rates, call (:Z12) 636-4126. CIIy~------St.-____ ZIp ____ 6. Programs subject to change. No refunds or exchanges. Phone (day' (.. , ______These performances are made possible in part with public funds from the New York State Council on the Arts. Brooklyn AClldemy of Music 30 Lafavette Avenue 7. Sale ends January 10, 1980 Brooklyn, New York 11217

/3 THE PHILIP GLASS ENSEMBLE

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\10 THE BROOKLYN ACADEMY OF MUSIC

The Brooklyn Academy is owned by the City Richardson Pratt, Jr. Robert Olivier of New York . The Brooklyn Academy of Music Harold L. Schiff Katherine T. O'Neil gratefully acknowledges the support of the Na­ Dan Seymour AI Pacino tional Endowment for the Arts, the New York Dr. Robert Vadheim Arthur Pinchuck State Council on the Arts, and the Department Mr. & Mrs. Leon Polsky of Cultural Affairs of the City of New York; in Shirley Polykoff addition the Board of Trustees wishes to thank A. M. Rabinowitz the followin 9 foundations and private indivi­ Associate Producers 1978-79 Robert J. Ravitz duals who, through their leadersh ip and support, $250 - $499 James Q . Riordan help make these programs possible. Byron Rose Robert W. Davenport Blanche Rosenhirsch Pa_tters 1978-79 Fred Enzler Henry P. Sabatell $10,000 and above Mr. & Mrs. Richard W. Hulbert Mr. & Mrs. Hershel Samuels Arthur Lapovsky Dr. & Mrs. Henry A. Schaeffer Booth Ferris Foundation Mr. & Mrs. Nat Lefkowitz Mr. & Mrs. Jerome Schlapik The Edna McConnell Clark Foundation S. M. Meeker Mr. & Mrs. Irwin Schneiderman Robert Sterling Clark Foundation, Inc. Richard Menschel Mr. & Mrs. Martin Segal Education Foundation of America William H. Parry Mr. & Mrs. John Sharnick Ford Foundation Charles Rain Lawrence Sills The Alex Hillman Family Foundation, Inc. Mr. & Mrs. Melvin Reisler Mrs. M . Silverman Mrs. Rita K. Hillman Mr. & Mrs. Norman Segal Mr. & Mrs. Harry D. Silverstein The J. M. Kaplan Fund Mr. & Mrs. Norman Sher Herbert M. Si)1ger W. B. Kunhardt Fund, N.Y. Community Trust Mr. & Mrs. Paul Sperry Elizabeth Jessup Smith AndrewW. Mellon Foundation David Teiger Patrick Smith Henry and Lucy Moses Fund, Inc. Joseph Ujazdowsky Howard Snowdon, Jr. Rockefeller Brothers Fund Margaret Wool bridge Henry J. Stanton Billy Rose Foundation Rowland Stebbins, Jr. Helena Rubinstein Foundation, Inc. Sponsors 1978-79 Mr. & Mrs. Herb Steiner The Shubert Foundation, Inc. $100 - $249 Albert Stern Simarka Run Foundation E. A. Tomei Mr. & Mrs. Ame Vennema Mr. & Mrs. C. Murray Adams Alice Tully Carolyn Alexander S. H . Weidenfeld Benefactors 1978-79 Gillian Attfield Dr. & Mrs. Wa Iter Weitzner $2,500 - $9,999 Roger Backer Lucia Woods Dr. & Mrs. William Beadenkopf Henry A. Young, Jr. Charles M. Diker Mr. & Mrs. Walter Beer Anonymous Francis Goelet Mr. & Mrs. M. R. Berman Fred C. Koch Trust for Charity Dr. Robert Blank National Opera Institute Dr. & Mrs. Martin Bodian Needmor Fund Leonard Braun Cynthia Brown Executive Producers 1978-79 Mr. & Mrs. John Chancellor DIRECTORY $1,000 - $2,499 Neil Chrisman James Clark Dr. George H. Brown Mr. & Mrs. Ira Cohen Directory of Facilities and Services Constans-Culver Foundation William Coleman Mallory Factor Judith Daykin Box Office Hours: Monday: 10:00 to 6:00; Friends of BAM Mr. & Mrs. Herbert Diamond Tuesday through Saturday: 10:00 to 9:00 Leonard Garment Kirkmon Kiser Dolby Sunday: Performance times only. Howard Gilman Mr. & Mrs. Edward Doty I. Stanley Kriegel Mr. & Mrs. Jerome Dubroff Lost and Found: Telephone 636-4150 Phyllis Holbrook Lichtenstein A. H. Eaton Lounges and Restrooms: Opera House Women Mr. & Mrs. Samuel Lindenbaum Mr. & Mrs. Dwight Ellis and Men: Mezzanine level and 5th floor, Franklin H. Moore Barton C. English Playhouse: Women: Orchestra level; Men Alice Holbrook Platt Paul Esserman Mezzanine level. Lepercq Space: Women and Hon. Fred Richmond June Esserman Men: Theater level and 5th floor. Mr. & Mrs. Richard Rodgers Milton Fidler Rockmeadow Foundation, Inc. Mr. & Mrs. Charles Fish Public Telephones: Main lobby, Ashland George Rubin Joan Frankenstein Place Entrance. Thomas Erler Seidman Foundation Derene Frazier For informatibn about discount group rates on Philip Sills Mr. & Mrs. Victor Friedman tickets call 636-4126; to find out about adver­ The Starr Foundation Seaton Gales tising in BAM theater programs, call 636-4186. William Tobey Chuck Greene Michael Acheson Wallace Fund No. 2, N.Y . Joan Greenfield The taking of photographs or the use of record­ Community Trust Fred Gretsch ing devices in this th.. ter is strictly forbidden. The Robert and Marillyn Wilson Foundation Kenneth A. Griffin Brooklyn Academy of Music, 30 Lafayette Ave. Sanford J. Zimmerman En Jai Harvey Brooklyn, N. Y. 11217. (212) 636-4100 Anonymous Alfred H. Horowitz Mrs. Thomas J. Hubbard Producers 1978-79 Charles N. Johnson $500 - $999 Mary E. Jollen Irving Kanarek Mrs. Morton Baum Ralph Keefe Jonathan Collett Mr. & Mrs. Samuel Klein Thomas Dixon Jerome Landau Constantine Sidamon-Eristoff Jack Litwack Mr. & Mrs. Harold L. Fisher Dr. Esther Lopato Alan Freedman Mr. & Mrs. Anthony Manheim Ernst and Elrriede Frank Foundation, Inc. Thomas Massotti Mr. & Mrs. Ray Gottlieb Myron Mayer Nancy Huggin Neil A. McCarroll Mr. & Mrs. Philip Jessup Dr. James McGroarty Mr. William Josephson Ben Meiselman Gerald McFeely Barbara Metzger Paul Murray Mr. & Mrs. Larry M . Nathanson

17 TIlE BROOKLYN ACADEMY OF MUSIC

Bo.rd of Directors Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison and Paul Lepercq, Honorary Chairman/Leonard Corporations Support BAM Garment, Acting Chairman/ Anthony Scotto, Vice Chairman/, President and Chief Executive/Harry W. Albright, Jr./Henry Bing, Jr./Neil D. Chrisman/Charles M. Diker/Mallory Factor/Harold L . Pac:etetter. Fisher/Alan B. Gilman/Rita Hillman/Sidney Kantor/ I. Stanley Kriegel/Eugene H . Luntey/Hamish Maxwell/ Donald E. Moore/Evelyn Ortner/William Tobey/ Ame Vennema/Sanford J. Zimmerman/John E. Zuccotti/ $10,000 and above Members ex·officio: Comm. Henry Geldzahler/Howard L. Lewis Abraham and Straus Brooklyn Union Gas Company Consolidated Edison Company of N. Y., Inc. Philip Morris, Inc. Officers Schlumberger Horizons, Inc. Harvey Lichtenstein President and Chief Executive Judith E·. Daykin ' Executive Vice President and General Manager $5,000 to 9,999 Sharon Rupert Vice President and Treasurer Philip S. Jessup Vice President for Planning American Express Foundation Donald Krintzman Vice President for Marketing and Audience Development Chase Manhattan Bank Citibank Administrative Office Staff International Business Machines Corp. Ruth Goldblatt Assistant to the President Mobil Foundation, Inc. Toby Mailman Assistant to the General Manager Morgan Guaranty Trust Company Denis Azaro Operations Coordinator New York Times Company Foundation Susan Spiegel , Larry Ruth $2.500 to 4.999 Finance Mary Nealon Business Manager Bankers Trust Company John Howland Accountant Capital Cities Foundation Pearl Light Payroll Chemical Bank Leslie Martin Administrative Assistant Exxon Corporation Marcus Smith Assistant Bookkeeper Grace Foundation, Inc. Manufacturers Hanover Trust Company Promotion New York News-Joseph M. Patterson Rima Corben Senior Press Representative Charitable lioundation Virginia Sanders Advertising Manager Pfizer Foundation Marci Garber Hawawini Direct Marketing Manager Eleanor Rachel Luger Publications Editor/Staff Writer Ellen Lampert Press Representative $1.000 to 2.499 Annette Abaid Direct Mail/Assistant American Telephone and Telegraph Company Gregory Harlan·Stump Assistant to the Vice President Avon Products Foundation, Inc. Assistant Advertising Manager Bowery Savings Bank Central Federal Savings and Loan Association Art Department Coca Cola Bottling Company of N .Y ., Inc. Joy Waller Art Director Conoco Inc. Virginia A . English Typographer Dime Savings Bank of New York Design Assistants East New York Savings Bank Joan Conti Lonergan, Randy Zeiger Freeport Minerals Company Planning Goldman Sachs Fund Linda M . Frantz Assistant to the Vice President Greenpoint Savings Bank David L. Bither Director of Corporate Relations Independence Savings Bank Victoria Murray Brand Director of Development Research Irving One Wall Street Foundation, Inc. Karen Brooks Hopkins Development Officer I nternational Telephone and Telegraph Corp. Jack L. Hickethier Development Assistant Johnson and Higgins Yvette E. Barrow Executive Secretary Lincoln Savings Bank Macy's New York Community Relations McGraw-H ill Foundation, Inc. Mikki Shepard Director Metropolitan Life Foundation Geneva Alvarez, Shirley Jones, LaLosa Daniello Newsweek New York Telephone Company Production RCA Malcolm J. Walters Production Manager Readers Digest Foundation William Mintzer Ligh;ing Consultant to BAM Salomon Brothers Foundation, Inc. Sal Rasa Assistant Production Manager Time, Inc. Lisa Baumgarten Production Assistant Martin Green Crew Chief Williamsburgh Savings Bank Robert Sniecinski Wardrobe Supervisor Bernard Gilmartin, Naaman Griffin, John Fuller, Howard Larson, Patrick McDonald $500 to 999 Leonardo Raphael, Donald Riordan, Cy Similly, Jr., Ernest Southerland Accurate Building Inspectors American Savings Bank Theater Management Amstar Corporation John J. Miller Theatre Manager Anchor Savings Bank Leonard Natman Assistant Theatre Manager Barclay's Bank International Ltd. Lauren Scott, Alan Tongret Charitable Trust Building Management Capezio Foundation, Inc. Stan Mongin Building Manager Cullen and Dykman Norman MacArthur Assistant Building Manager Internatiol\al Alliance of Theatrical Stage Ronald Spiegel Parking Facilities Supervisor Employees Leonard Abbruscato, Steven Calamucci, James Carter, Yahue Cooper, Lazarro Curato, Metropolitan Savings Bank Nicholas Curato, Ray Dorso, Donald Farr, Peter Ganci, Bruce Jennings, Bernard Lawrence, Pechiney Ugine Kuhlmann Corporation Gregory Lombardi, James Negron, Thomas Sturges, Gary Turner, Sadie Vinson, James Victor, Pfizer Inc. - Brooklyn Plant . Robert Wells Sperry and Hutchinson Company Western Electric Fund Box Office Saheed Baksh Box Office Treasurer Michael Glassman, Joseph Nekola, Nancy Rossell

Children's Programs Betty Rosendorn Children's Program Manager Margo Abbruscato, Rae Lesser, Hessie McCollum, Gladys Singletary, Sarah Walder Tbere's only one plaee in Brooklyn... where you'll find the convenience of an enclosed, climate-controlled shopping mall. It's Kings Plaza. Here you'll find Macy's, Alexander's and 140 other great shops and services, all under one roof. Kings Plaza is easy to get to. We're at Flatbush Avenue and Avenue U ~ '. just 1/ 2 mile north of Belt Parkway Exit lIN. Anct'there's always plenty of free parking in our enclosed, multi-level garage. Come on over!

ONLY ENCLOSED MALL Flatbush Ave . & Ave . U • Belt Parkway Exit llN SHOPPING HOURS: Mon .·Sat. lOAM·930PM SUNDAY NOON·5PM Plenty of free parking in our multi·level garage In Concert For Over 100 Years For a completely entertaining experience, from Mozart to modern dance, it's the Brooklyn Academy of Music. For a complete shopping experience, from the finest fashions to the most complete home furnishings, it's Abraham and Straus. Together, it's a century-long love affair with Brooklyn. Celebrating the community with services too numerous to mention. Bringing out and serving the best of Brooklyn. Abraham and Straus and BAM. - destined to make beautiful music together for years to come.