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T H E P Ro G
Wednesday, March 8, 2017, at 8:30 pm m a r g The Songs of Elizabeth Swados o featuring Utkarsh Ambudkar, Michael Friedman, r Josie de Guzman, Karen Kandel, Taylor Mac, P Grace McLean, AnnMarie Milazzo, Rachel Stern, and Shaina Taub e h T Kris Kukul, Musical Director and Piano Matthew Dean Marsh, Associate Musical Director and Keyboards This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Meg and Bennett Goodman, Rita J. and Stanley H. Kaplan Family Foundation, Inc., The DuBose and Dorothy Heyward Memorial Fund, Jill & Irwin B. Cohen, The Shubert Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Thursday, March 9, at 8:30 pm Tanya Tagaq Friday, March 10, at 8:30 pm José González Saturday, March 11, at 8:30 pm An Evening with Kristen & Bobby Lopez IN THE STANLEY H. -
EINSTEIN on the BEACH BROOKLYN ACADEMY of MUSIC Harvey Lichtenstein, President and Executive Producer
EINSTEIN ON THE BEACH BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President and Executive Producer presents in the BAM Opera House November 19-23; 1992; 7PM EINSTEIN ON THE BEACH An Opera in Four Acts by Philip Glass Robert Wilson Choreography by Lucinda Childs with Lucinda Childs Sheryl Sutton Gregory Fulkerson Lighting Design Musical Direction Sound Design Beverly Emmons/Robert Wilson Michael Riesman Kurt Munkacsi Spoken Text Christopher Knowles/Samuel M. Johnson/Lucinda Childs with The Lucinda Childs Dance Company Music Performed by the I I Philip Glass Ensemble Design/Direction Music/Lyrics Robert Wilson Philip Glass Producer Jedediah Wheeler Einstein on the Beach is a production of Top Shows, Inc. These performances of Einstein on the Beach are dedicated to the memory of Eric Benson, Ethyl Eichelberger, Michel Guy, Samuel M. Johnson and Robert LoBianco, who were an important part of this work. This presentation has been made possible, in part, by grants from Robert W. Wilson, The Fan Fox and Leslie R. Samuels Foundation, The Bohen Foundation, and The Mary Flagler Cary Charitable Trust. THE COMPANY (in alphabetical' order) Marion Beckenstein soprano, rear stenographer (trial/prison) soloist (train, dance 1, night train, dance 2) Lisa Bielawa soprano, front stenographer (trial/prison), soloist (train, dance 1, night train, dance 2) Susan Blankensop* dancer, woman in perpendicular dance (train) Janet Charleston* dan€er, woman reading,itrial, building), prisoner 2 (trial, prison) Lucinda Childs featured dancer/performer, character -
CAGNEY (Currently at the Westside Theatre, NYC), C.S
Bill Castellino Director BILL CASTELLINO has directed many world premieres: CAGNEY (currently at the Westside Theatre, NYC), C.S. Lewis’ THE GREAT DIVORCE (Off-Broadway & National Tour), GRUMPY OLD MEN (The Royal Manitoba Theatre Center) starring John Rubinstein, John Schuck, Susan Anton, JOLSON AT THE WINTER GARDEN starring Mike Burstein in FL and LA, the award-winning DR. RADIO (Florida Studio Theatre), LIZZIE BORDEN (Goodspeed Opera House), HEARTBEATS (The Old Globe, Goodspeed Opera House, Cleveland and Pasadena Playhouses, FL, National Tour), MIKLAT (Florida Stage), SOME KIND OF WONDERFUL, FISHWRAP (Adirondack Theatre Festival), HOUSE DIVIDED by Grammy winner Mike Reid (Tennessee Rep), SINGING WEATHERMAN starring Ron Holgate, HAPPY HOLIDAYS (Pasadena Playhouse), PRESIDENTS starring Rich Little (National Tour), HOW TO BE AN AMERICAN (York, NYC), CRASH CLUB, SOULMATES (Florida Studio Theatre), ANOTHER SUMMER (the musical of ON GOLDEN POND), BREATHE by Dan Martin and Michael Biello, Elizabeth Swados’ WE ARE NOT STRANGERS, Loren Paul Caplin's A SUBJECT OF CHILDHOOD (WPA), WHY DO FOOLS FALL IN LOVE (West Side Arts), COCONUTS AND SUICIDE (produced in L.A. by the Mount Company), THEATRE SMASH (San Diego), and CITY MUZIK (co-authored with Mr. Caplin) in Boston. At the NY Shakespeare Festival, Mr. Castellino directed and choreographed FANTASMA (in the Festival Latino) and staged and choreographed Swados' JONAH. On television, Castellino directed and choreographed STOP THE WORLD, I WANT TO GET OFF, starring Peter Scolari and Stephanie Zimbalist for A&E, wrote, directed, and choreographed BELL ARIA filmed at the Venetian in LV for PBS, THE PRESIDENTS starring Rich Little for PBS, and choreographed RAP MASTER RONNIE for Cinemax. -
The Inventory of the Sam Shepard Collection #746
The Inventory of the Sam Shepard Collection #746 Howard Gotlieb Archival Research Center Shepard, Srun Sept,1~77 - Jan,1979 Outline of Inventory I. MANUSCRIPTS A. Plays B. Poetry c. Journal D. Short Prose E. Articles F. Juvenilia G. By Other Authors II. NOTES III. PRINTED MATTER A, By SS B. Reviews and Publicity C. Biographd:cal D. Theatre Programs and Publicity E. Miscellany IV. AWARDS .•, V. FINANCIAL RECOR.EB A. Receipts B. Contracts and Ageeements C. Royalties VI. DRAWINGS AND PHOTOGRAPHS VII. CORRESPONDENCE VIII.TAPE RECORDINGS Shepard, Sam Box 1 I. MANUSCRIPTS A. Plays 1) ACTION. Produced in 1975, New York City. a) Typescript with a few bolo. corr. 2 prelim. p., 40p. rn1) b) Typescript photocopy of ACTION "re-writes" with holo. corr. 4p. marked 37640. (#2) 2) ANGEL CITY, rJrizen Books, 1976. Produced in 1977. a) Typescript with extensive holo. corr. and inserts dated Oct. 1975. ca. 70p. (ft3) b) Typescript with a few holo. corr. 4 prelim. p., 78p. (#4) c) Typescript photocopy with holo. markings and light cues. Photocopy of r.ouqh sketch of stage set. 1 prelim. p., 78p. ms) 3) BURIED CHILD a) First draft, 1977. Typescript with re~isions and holo. corr. 86p. (#6) b) Typescript revisions. 2p. marked 63, 64. (#6) 4) CALIFORNIA HEART ATTACK, 1974. ,•. ' a) Typescript with holo. corr. 23p. (#7) ,, 5) CURSE OF THE STARVING CLASS, Urizen Books, 1976. a) Typescript with holo. corr. 1 prelim. p., 104p. ms) b) Typescript photocopy with holo. corr. 1 prelim. p. 104p. (#9) c) Typescript dialogue and stage directions, 9p. numbered 1, 2, and 2-8. -
The Passion of Dracula
Otterbein University Digital Commons @ Otterbein 1992 Summer Theatre Productions 1991-2000 8-5-1992 The Passion of Dracula Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/summer_production_1992 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "The Passion of Dracula" (1992). 1992 Summer Theatre. 3. https://digitalcommons.otterbein.edu/summer_production_1992/3 This Book is brought to you for free and open access by the Productions 1991-2000 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1992 Summer Theatre by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. THE PASSION OF _ , DracuLA By BOB HALL & DAVID RICHMOND Based upon the novel by Bram Stoker AUGUST 5-16,1992 Otterbein SummerThcatre Otierbcin College 100 West Home Street Westerville, Ohio 43081 Bank One Supports the Arts of Otterbein UPTOWN WESTERVILLE 17 N. State Street Phone: 248-2640 Westerville South & YOGURT SHOP 77 Huber Village Blvd. * Gourmet Desserts Phone: 248-2650 * Colombo frozen Yogurt * Delicious Variety of Beverages * Whole-Bean Coffee BANK5CME. Live Music Featured Thurs., Fri. & Sat. Whatever it takes: 13 East College Avenue ll.WK OS't. COLUMUUi. \'A Minihn miC Uptov/n Westerville Located Next to Rosa's Deli Mon.-Thurs 1 lom-tOpm • Fri.-Sat 1 lam-t2m • Sun 2pm-10pnn DR. ROBERT]. REINKE CHIROPRACTOR 890-2740 642 Brooksedge Blvd. Appointment Preferred Westerville, Ohio 43081 Courtesy Automobile provided for guest artist by: ROUS'HbNDA HOMOA WESTERVILLE SHOPPING CENTER 74 West Schrock Road Telephone 614-882-1535 WESTERVILLE, OHIO 43081 2 Otterbein Summer Theatre 1992 THE ARTISTIC DIRECTOR Dennis Romer, Artistic Director of the Department of Theatre and Dance, is very pleased to be involved with the 26th season of Otterbein Summer Theatre, serving as Artistic Director and Director for The Passion ofDracula. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
An Actor Remembers: Memory's Role in the Training of the United States
An Actor Remembers: Memory’s Role in the Training of the United States Actor by Devin E. Malcolm B.A. in The Human Drama, Juniata College, 1997 M.A. in Theatre, Villanova University, 2002 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Theatre History and Performance Studies University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH Dietrich School of Arts and Sciences This dissertation was presented by Devin E. Malcolm It was defended on November, 5th 2012 and approved by Kathleen George, PhD, Theatre Arts Bruce McConachie, PhD, Theatre Arts Edouard Machery, PhD, History and Philosophy of Science Dissertation Advisor: Attilio Favorini, PhD, Theatre Arts ii Copyright © by Devin E. Malcolm 2012 iii AN ACTOR REMEMBERS: MEMORY’S ROLE IN THE TRAINING OF THE UNITED STATES ACTOR Devin E. Malcolm, PhD University of Pittsburgh, 2012 This dissertation examines the different ways actor training techniques in the United States have conceived of and utilized the actor’s memory as a means of inspiring the actor’s performance. The training techniques examined are those devised and taught by Lee Strasberg, Stella Adler, Joseph Chaikin, Stephen Wangh and Anne Bogart and Tina Landau. As I shall illustrate, memory is not the unified phenomenon that we often think and experience it to be. The most current research supports the hypothesis that the human memory is composed of five distinctly different, yet interrelated systems. Of these five my research focuses on three: episodic, semantic, and procedural. -
BAVPA Beacon Alumni Newsletter
If you would like to unsubscribe The BAVPA Beacon newsletter, please contact RON MANGUM ( [email protected] ) or RUSSELL LINK at ([email protected]). This letter is a great way to keep everyone informed about what’s happening in our lives; please help us to keep it going. LATEST BAVPA ALUMNI NEWS AND UPDATES Actor and Director DANIEL CROIX HENDERSON (2013) appears on the BET Network Tyler Perry's White House political drama, The Oval. The rebroadcast of the episode, The United Front airs January 17at 9PM:https://www.bet.com/shows/tyler-perrys-the-oval.html. Henderson’s official website: https://www.danielcroix.com/work. The GRACE STUMBERG ( 2007) Band performs at Thin Man Brewery, 492 Elmwood Avenue, Buffalo January 17. For late January and February concert dates, go to https://gracestumberg.com/. Educator, Saxophonist and Composer JAMES BRANDON LEWIS (2001) performs at The Rauschenberg Residency in Captiva, FL April 6. http://www.jblewis.com/. Lewis’ CD, An Unruly Manifesto ( https://jamesbrandonlewis.bandcamp.com/releases ), is available for purchase and was nominated for the Gilles Peterson Worldwide Awards’ ( https://worldwidefm.net) album of the year. Celebrity Make Up Artist SIR JOHN BARNETT (2000) created the Luminess Cosmetics Limited Edition /Disney’s The Lion King Make Up Collection:https://www.luminessbeauty.com/disney/Home. InsidetheMagic.com/The Lion King related article, Disney’s 2020 Oscar Nominations: “The Lion King”, “Avengers: Endgame”, and more ( https://insidethemagic.net/2020/01/2020-disney-oscar-nominations-kc1/), Lion King was nominated for Best Visual Effects and the Oscars ( https://abc.com/shows/oscars ) airs February 9 on ABC. -
Einstein on the Beach an Opera in Four Acts ROBERT WILSON & PHILIP GLASS
CAL PERFORMANCES PRESENTS PROGRAM Friday, October 26, 2012, 6pm Saturday, October 27, 2012, 5pm Sunday, October 28, 2012, 3pm Zellerbach Hall Einstein on the Beach An Opera in Four Acts ROBERT WILSON & PHILIP GLASS Choreography by Lucinda Childs with Helga Davis Kate Moran Jennifer Koh Spoken Text Jansch Lucie Christopher Knowles/Samuel M. Johnson/Lucinda Childs with The 2012 production of Einstein on the Beach, An Opera in Four Acts was commissioned by: The Lucinda Childs Dance Company Cal Performances; BAM; the Barbican, London; Luminato, Toronto Festival of Arts and Creativity; De Nederlandse Opera/The Amsterdam Music Theatre; Opéra et Orchestre Music Performed by National de Montpellier Languedoc-Rousillon; and University Musical Society of the The Philip Glass Ensemble University of Michigan. Michael Riesman, Conductor World Premiere: March 16, 2012, Montpellier, France. Music/Lyrics Direction/Set and Light Design Originally produced in 1976 by the Byrd Hoffman Foundation. Philip Glass Robert Wilson Lighting Sound Costumes Hair/Makeup Urs Schönebaum Kurt Munkasci Carlos Soto Campbell Young Associates: Because Einstein on the Beach is performed without intermission, the audience is invited to leave Luc Verschueren and re-enter the auditorium quietly, as desired. Café Zellerbach will be open for your dining pleasure, serving supper until 8pm and smaller bites, spirits, and refreshments thereafter. The Café is located on the mezzanine level in the lobby. Associate Producer Associate Producer Senior Tour Manager Production Manager Kaleb Kilkenny Alisa E. Regas Pat Kirby Marc Warren Music Director Co-Director Directing Associate Michael Riesman Ann-Christin Rommen Charles Otte These performances are made possible, in part, by the National Endowment for the Arts, and by Patron Sponsors Louise Gund, Liz and Greg Lutz, Patrick McCabe, and Peter Washburn. -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE Press contact: John Stolen 541.310.1876 | [email protected] New York Youth Symphony’s 2020/21 Musical Theater Songwriting Program Features Guest Artists Tom Kitt, Kirsten Childs, Alex Lacamoire, Leigh Silverman, and more New York, NY - New York Youth Symphony (NYYS), is excited to announce the third season of its Musical Theater Songwriting Program. Led by director Anna K. Jacobs, and in partnership with the Harlem School of the Arts, New York Film Academy, New York Songspace, and Maestra, the program is specially designed to lead students through a range of musical theater songwriting processes. Whether their background is as a classical composer, singer-songwriter, performer, writer, or some cool hyphenate, the program provides students ages 12 – 22 with the opportunity to both study the fundamentals of musical theater songwriting and take artistic risks. Weekly sessions will feature seminars, workshops, and masterclasses with some of Broadway's most distinguished composers, writers, performers, musicians, producers, directors, and designers. Throughout the year, students will also have the unique opportunity to workshop new material with performers from the Harlem School of the Arts and New York Film Academy, as well as a Broadway pit band. This season will feature guest lecturers including Tony and Pulitzer Prize-winning composer and orchestrator Tom Kitt (Next To Normal, If/Then), Obie Award-winning composer/lyricist and playwright Kirsten Childs (The Bubbly Black Girl Sheds Her Chameleon Skin, Bella: An American Tall Tale), Tony and Grammy Award-winning music director and orchestrator Alex Lacamoire (Hamilton, Dear Evan Hansen), Tony-nominated director Leigh Silverman (Violet), producer Jennifer Ashley Tepper (Be More Chill, Broadway Bounty Hunter, Love In Hate Nation), orchestrator Kris Kukul (Beetlejuice), costume designer Amy Clark (A Night with Janice Joplin, Chaplin), and composer and orchestrator Mike Pettry (The Light Princess, The Noteworthy Life of Howard Barnes, Vampirina). -
Documentary Theatre, the Avant-Garde, and the Politics of Form
“THE DESTINY OF WORDS”: DOCUMENTARY THEATRE, THE AVANT-GARDE, AND THE POLITICS OF FORM TIMOTHY YOUKER Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Timothy Earl Youker All rights reserved ABSTRACT “The Destiny of Words”: Documentary Theatre, the Avant-Garde, and the Politics of Form Timothy Youker This dissertation reads examples of early and contemporary documentary theatre in order to show that, while documentary theatre is often presumed to be an essentially realist practice, its history, methods, and conceptual underpinnings are closely tied to the historical and contemporary avant-garde theatre. The dissertation begins by examining the works of the Viennese satirist and performer Karl Kraus and the German stage director Erwin Piscator in the 1920s. The second half moves on to contemporary artists Handspring Puppet Company, Ping Chong, and Charles L. Mee. Ultimately, in illustrating the documentary theatre’s close relationship with avant-gardism, this dissertation supports a broadened perspective on what documentary theatre can be and do and reframes discussion of the practice’s political efficacy by focusing on how documentaries enact ideological critiques through form and seek to reeducate the senses of audiences through pedagogies of reception. TABLE OF CONTENTS LIST OF ILLUSTRATIONS iii INTRODUCTION: Documents, Documentaries, and the Avant-Garde 1 Prologue: Some History 2 Some Definitions: Document—Documentary—Avant-Garde -
INFORMATION to USERS This Manuscript Has Been Reproduced from the Microfilm Master. UMI Films the Text Directly from the Origina
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced withwith permissionpermission of thethe copyrightcopyright owner. owner. FurtherFurther reproduction reproduction prohibited prohibited without without permission.