It's Not That People Don't Like Classical Music. It's That They Don't

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“It’s not that people don’t like classical music. It’s that they don’t have the chance to understand and to experience it.” Graphic: Helen Schrayer “It’s not that people don’t like classical music. It’s that they don’t have the chance to understand and to experience it.” – Gustavo Dudamel, Music Director, Los Angeles Philharmonic Mozart. Beethoven. Bach. These are names you’ve probably heard orchestra students say in the halls, but do you really know anything about the people behind those names? Classical music, which concerns most Western music from 1600 to 1900, is a vast genre but is now enjoyed by only a small minority. Only 2.8 percent of albums sold in 2013 are considered classical music. Critics worldwide have expressed their fears that classical music is on death’s door. Despite all this, classical music still affects your life much more than you know. Almost all music that we listen to today is based on some classical chordal formula. Even the simplest songs have a catchy tune that lines up with a sequence that is pleasant to our ears. Jazz, pop, and especially rock have many classical harmonies that we don’t pick up on while “It’s not that people don’t like classical music. It’s that they don’t have the chance to understand and to experience it.” listening. Artists like Adele and Jonny Greenwood, the lead guitarist for Radiohead, were classically-trained musicians who switched over to other genres of music. For all those students who enjoy jazz, many of your favorite artists, such as Oscar Peterson or Bill Evans, spent much of their childhood playing classical music. Classical music provides a base knowledge of music that allows for branching into other genres. While most classical music is written more for the ear than the eye, some of it still exists on the stage. Opera, for example, still draws audiences around the world despite being a 400- year-old art form. Go to your local AMC Theater and find a live stream in IMAX surround sound of any given opera currently playing at the Metropolitan Opera House in New York, or go to McCarter Theater to see a live opera. As obsolete as classical music seems in this day and age, you still have access to it should you choose to indulge in it. Even at PHS, classical music is all around us. We have three orchestras, one of which—PHS Orchestra—tours internationally. –This year, PHS Choir and PHS Orchestra collaborated to perform L’Enfant et les Sortilèges (The Bewitched Child) by Maurice Ravel, an impressionist classical opera. Though many would consider classical to be dead and replaced by other genres, it is still being created to this day. Contemporary composers like John Williams, Robert Moran, and Philip Glass still write pieces that debut at Carnegie Hall or accompany blockbuster films. As an art form that has developed throughout the centuries to fit the needs of the listener, classical music will likely never vanish from modern society and instead flourish as the basis for the music that continues to brighten our lives..

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The Guardian.Pdf
My favourite film: Koyaanisqatsi By Leo Hickman December 13, 2011 It's a film without any characters, plot or narrative structure. And its title is notoriously hard to pronounce. What's not to love about Koyaanisqatsi? I came to Godfrey Reggio's 1982 masterpiece very late. It was actually during a Google search a few years back when looking for timelapse footage of urban traffic (for work rather than pleasure!) that I came across a "cult film", as some online reviewers were calling it. This meant I first watched it as all its loyal fans say not to: on DVD, on a small screen. If ever a film was destined for watching in a cinema, this is it. But, even without the luxury of full immersion, I was still truly captivated by it and, without any exaggeration, I still think about it every day. Koyaanisqatsi's formula is simple: combine the epic, remarkable cinematography of Ron Fricke with the swelling intensity and repeating motifs of Philip Glass's celebrated original score. There's your mood bomb, right there. But Reggio's directorial vision is key, too. He was the one who drove the project for six years on a small budget as he travelled with Fricke across the US in the mid-to-late 1970s, filming its natural and urban wonders with such originality. Koyaanisqatsi (1982) directed by Godfrey Reggio with music by Philip Glass. Photograph: Murdo Macleod for the Guardian Personally, I view the film as the quintessential environmental movie – a transformative meditation on the current imbalance between humans and the wider world that supports them (in the Hopi language, "Koyanaanis" means turmoil and "qatsi" means life).
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