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BRIAN HOLLAND and DANNY COOTS Sunday, September 21St, at 2Pm
I'm pleased to announce and promote a concert here at Skunk Hollow Victorian Garden for BRIAN HOLLAND AND DANNY COOTS Sunday, September 21st, at 2pm Tickets in advance: $20, at the door $25. ALL PROCEEDS GO TO THE PERFORMERS. Send your check for either Brian or Danny to: Arlo Lusby POB 431 Sutter Creek, Ca. 95685 A call to my home phone will serve as advanced purchase: 209-267-8193. Please leave a message if I'm not available. Our usual format of potluck refreshments are encouraged; I will be serving light refreshments and my famous SKUNK HOLLOW VICTORIAN GARDENS wine with Brian and Danny's name on the label; you may to purchase a bottle for them to autograph as a memento for $8.00. Brian Holland Brian Holland, having performed ragtime, jazz and stride piano for over 30 years, continues to be one of the most sought after artists in the country. Classically trained, but with a keen ear for improvisation, Brian’s approach to the piano is marked by a dynamic, driving style that has been described as clear as Waterford crystal. Beginning his musical existence at the age of three, Brian grew up living a “Ragtime Life.” His grandparents raised him to love all kinds of music; however, styles from the early 20th century became his passion. He quickly learned his way around an organ keyboard and had a repertoire of old standards that would shock most professionals - all before the age of six. It was then that he turned his attention to the piano. -
APFI's Fall Season: a S-Flower Bouquet
JazzCalancer CtPagE4-6 Oueutng.hzz EluenEs fuIBW, I"bss. adtrE@ APlacejorJWz! APFI's Fall Season: A S-Flower Bouquet come to the concerts. Children APF|'s Fall series is going to by Butch Conn under twelve are free when be a knockout. With a broad accompanied by a paying adult. spectrum of styles, instru- On October 16 lazzGrandmaster (limit two to an adult). And mentation and a presentation limmy Heath will be here with a children from 12-18 get in for of both grandmasters and quintet that will show you how half price (with ID). So bring "youngbloods" this will be a young this veteran remains. On your kids and make it an season to remember. In October 30 lazz Grandmaster evening sharing something you addition series tickets are Barry Harris will be here to love. now even mote of a savings delight us with his delightful (25%1. Cheap enough to buy performance of Monk, Bud New Support an annual subscription and Powell and other heroes of the The reason we're able to plan give individual tickets to Bebop era. We'lI close on No- and expand our activities is the your friends for presents. vember 13 with Brian Lynch and huge increase in the number of his all-star quartet. members who are paying dues The Dates and the Players and becoming active. Thanla to On the dates surrounding the the membership committee On September L8 the master of concerts APF| will have work- headed by Bill McCann, our Classic Jazz clainetist Kenny shops at the College of St. -
HA-Bio New 2010
Howard Alden- Jazz Guitarist “He may be the best of his generation,” writes Owen Cordle in JAZZ TIMES. George Kanzler of the NEWARK STAR LEDGER proclaims that he is “the most impressive and creative member of a new generation of jazz guitarists.” And Chip Deffaa of the NEW YORK POST observes that he is “ ...one of the very finest young guitarists working today.” It seems that the only thing regarding Howard Alden on which the critics have debate is whether the remarkable jazz guitarist is one of the best or simply the best. Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Louis Armstrong, Count Basie and Benny Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with vibraphone legend Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Aldenʼs skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
The Professors on Aug. 14 Election Results / Jazz in the Park
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. 2787 Del Monte Street • West Sacramento, CA 95691 • (916) 372-5277 • www.sacjazz.org & .com VOLUME 43 • NO. 6 JULY 2011 All stars, all ours for one day: Ad rates.............................................................2 Dante Club – info/directions.........................2 Dante Club Notes. The Cricket.....................8-11 The Professors on Aug. 14 Election results / Jazz in the Park..................4 Future Festivals.............................................12 In Loving Memory..........................................11 In the Months Ahead.......................................2 Jazz Festival & Jubilee PHOTOS..................6-7 Jazz Notes.......................................................12 Membership application..............................16 Musicians / Music Here & There...................13 Notes from the Office Greg Willett.................2 Patron Members............................................10 President’s Message Tom Duff........................3 Raffle Cents Kathy Becker..............................11 “Jazz Sunday” info ➤ pg. 2 See.photos.on.pages.8–9.from June.12.with.Pieter.Meijers (From top row, left to right) Eddie Metz, Rusty Stiers, Jason Wanner, Eddie Erickson, Anita Thomas, Shelley Burns, Bill Dendle, Lee Westenhofer he Professors is truly an all-star musicians at one Jazz Sunday. The Pro- Tband, comprising arguably the best fessors include: Rusty Stiers, tpt; Anita performers on their instruments in the Thomas, reeds; Bill Dendle, tbn; Eddie USA, and in some cases, the world. Erickson, bnj/gtr; Jason Wanner, p; Lee How amazing and incredible for STJS “Westy” Westenhofer, tb; Eddie Metz, to be able to present all these great dr; Shelley Burns, voc. (cont. on pg. 5) Sunday, July 10 Last chance to sign up for Au.Brothers.•.Beth.Duncan.Quartet.•.Cunha.Big.Band. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Ken Peplowski Discography
Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski -
Sacramento Ragtime Society Newsletter
SACRAMENTO RAGTIME SOCIETY NEWSLETTER by Chris Bradshaw by Keith Taylor, other festival performers o diamond in the rough, this pol- Andrew Barrett, John Remmers, the Brad- Nished gem of a festival, held August shaws, and Stevens Price joined him for a 14-16, 2009 in Sutter Creek, glimmered festival teaser. Good food, a great piano and glittered from beginning to end. An and a warm and encouraging audience unique celebration of vintage American made for a wonderful evening. Music encompassing ragtime, stride, boo- As is tradition, Friday’s festival opened gie and blues, the 11th annual Sutter in the Ice Cream Emporium amidst the rev- Creek Ragtime Festival sparkled with tal- erie of an excited, ice cream spooning, ent, enthusiastic listeners and the special soda slurping audience with Keith Taylor, chemistry that just happens when you dishing up a tasty original take on Original bring together professional performers Rags (1899) by Scott Joplin. Another with die-hard ragtime fans. The outcome-a standout performance during the festival melange of theater concerts, youth perform- from Keith’s eclectic repertoire was his ances, silent movies, instrumental en- own Ghosts of Sutter Creek (2007), one of sembles, the Town Square Harmonizers barbershop quartet, two great festival See continued on page 4 shows and plenty of fine solo sets all joy- ously celebrating the In This Issue best of the ragtime era--was a series of ma- gical moments strung together as gleaming pearls, from the first note to the last. Setting the tone was the pre-festival event held Thursday evening at the Green- horn Creek Resort in Angels Camp. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
The Strutter
The Strutter VOLUME 27 NUMBER 1 Traditional Jazz in the Philadelphia Tri-State Area JULY 2016 OUR NEXT CONCERT Roll Morton rags as well as pop tunes of the jazz era by George Gershwin, Irving Berlin, Harold Arlen Atlantic City Jazz Band and Johnny Mercer. Since their founding in 2008, ACJB has released a CD (Making Waves), toured in Italy, and has become a fixture on the traditional jazz scene in the tri-state area. Band Personnel: Bob Rawlins – clarinet, saxophones, Leader Franny Smith – banjo, vocals Bob Ferguson – trumpet Larry Toft – trombone Nancy Rawlins – piano John McClernan – tuba Chuck Harms – drums To hear the ACJB in action go to: http://www.youtube.com/watch?v=SncLw8larQg or visit them on Facebook: Sunday, July 24, 2016 2:00 – 4:30 p.m. Haddonfield United Methodist Church 29 Warwick Road Haddonfield, NJ 08033 Directions at http://www.tristatejazz.org/directions- haddonfield.html The seven-piece ACJB, which previously performed Concert Admissions for TSJS in November, 2013, is an authentic "tuba $10 First-time attendees and Members and banjo" ensemble specializing in the music that $20 General Admission swept the nation when the first jazz recordings were High school/college students with ID and issued in 1917. The members are seasoned players children with paying adult admitted free who love the traditional style and deliver it in an energetic fashion. But their repertoire goes well Pay at the door beyond that, featuring the prime output of the skilled Tin Pan Alley composers who dominated In This Issue music through the 1930s and beyond, and their Looking Ahead.................Page 2 zesty, spirited instrumentals are punctuated by an Neville Dickie-Midiri Review. -
John Bailey Randy Brecker Paquito D'rivera Lezlie Harrison
192496_HH_June_0 5/25/18 10:36 AM Page 1 E Festival & Outdoor THE LATIN SIDE 42 Concert Guide OF HOT HOUSE P42 pages 30-41 June 2018 www.hothousejazz.com Smoke Jazz & Supper Club Page 17 Blue Note Page 19 Lezlie Harrison Paquito D'Rivera Randy Brecker John Bailey Jazz Forum Page 10 Smalls Jazz Club Page 10 Where To Go & Who To See Since 1982 192496_HH_June_0 5/25/18 10:36 AM Page 2 2 192496_HH_June_0 5/25/18 10:37 AM Page 3 3 192496_HH_June_0 5/25/18 10:37 AM Page 4 4 192496_HH_June_0 5/25/18 10:37 AM Page 5 5 192496_HH_June_0 5/25/18 10:37 AM Page 6 6 192496_HH_June_0 5/25/18 10:37 AM Page 7 7 192496_HH_June_0 5/25/18 10:37 AM Page 8 8 192496_HH_June_0 5/25/18 11:45 AM Page 9 9 192496_HH_June_0 5/25/18 10:37 AM Page 10 WINNING SPINS By George Kanzler RUMPET PLAYERS ARE BASI- outing on soprano sax. cally extroverts, confident and proud Live 1988, Randy Brecker Quintet withT a sound and tone to match. That's (MVDvisual, DVD & CD), features the true of the two trumpeters whose albums reissue of a long out-of-print album as a comprise this Winning Spins: John Bailey CD, accompanying a previously unreleased and Randy Brecker. Both are veterans of DVD of the live date, at Greenwich the jazz scene, but with very different Village's Sweet Basil, one of New York's career arcs. John has toiled as a first-call most prominent jazz clubs in the 1980s trumpeter for big bands and recording ses- and 1990s. -
Stomp 39 He Joint Was Packed, the Dance Floor Twas Jumping, and the Music Was HOT
Volume 36 • Issue 4 April 2008 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Stomp 39 he joint was packed, the dance floor Twas jumping, and the music was HOT. In a nutshell, the NJJS’s annual Pee Wee Russell Memorial Stomp delivered the goods for the 39th straight year. The fun began at noon with a set of modern The musician of the year award jazz classics, smoothly performed by a septet was presented to Eddie Bert. of Jersey college players, and was capped five The octogenarian trom- hours later by some rocking versions of bonist drove down from Swing Era standards by George Gee’s Jump, his home in Jivin’ Wailers Swing Orchestra, who closed Connecticut to pick the show to rousing applause. In between, up his award, but had the clock was turned back to the 1920s and to leave early to get ’30s as vocalist Barbara Rosene and group, back for a gig later in the Jon Erik-Kellso Group and the Smith the day! Street Society Band served up a tasty banquet And John Becker, who had been of vintage Jazz Age music. The Hot Jazz fans unable to attend the NJJS Annual in the audience ate it all up. Meeting in December, was on hand to There were some special guests in attendance receive the 2007 Nick Bishop Award. at the Birchwood Manor in Whippany on The event also featured the presenta- March 2. NJJS President Emeritus, and tion of annual NJJS Pee Wee Russell Stomp founder, Jack Stine, took the stage to scholarship awards to five New present Rutgers University Institute of Jazz Jersey jazz studies college students.