2018-Wcrsf-Program Web-Version.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BRIAN HOLLAND and DANNY COOTS Sunday, September 21St, at 2Pm
I'm pleased to announce and promote a concert here at Skunk Hollow Victorian Garden for BRIAN HOLLAND AND DANNY COOTS Sunday, September 21st, at 2pm Tickets in advance: $20, at the door $25. ALL PROCEEDS GO TO THE PERFORMERS. Send your check for either Brian or Danny to: Arlo Lusby POB 431 Sutter Creek, Ca. 95685 A call to my home phone will serve as advanced purchase: 209-267-8193. Please leave a message if I'm not available. Our usual format of potluck refreshments are encouraged; I will be serving light refreshments and my famous SKUNK HOLLOW VICTORIAN GARDENS wine with Brian and Danny's name on the label; you may to purchase a bottle for them to autograph as a memento for $8.00. Brian Holland Brian Holland, having performed ragtime, jazz and stride piano for over 30 years, continues to be one of the most sought after artists in the country. Classically trained, but with a keen ear for improvisation, Brian’s approach to the piano is marked by a dynamic, driving style that has been described as clear as Waterford crystal. Beginning his musical existence at the age of three, Brian grew up living a “Ragtime Life.” His grandparents raised him to love all kinds of music; however, styles from the early 20th century became his passion. He quickly learned his way around an organ keyboard and had a repertoire of old standards that would shock most professionals - all before the age of six. It was then that he turned his attention to the piano. -
Guide to the Steinway & Sons Records and Family Papers
Guide to the Steinway & Sons Records and Family Papers NMAH.AC.0178 John Fleckner August 1, 2008 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 3 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: William Steinway Diary, 1861-1896.......................................................... 5 Series 2: Steinway Business Records, 1858-1910................................................ 10 Series 3: Steinway Family Materials, 1877-1882................................................... 14 Series 4: Rev. Bathholomew Krüsi Materials, 1857-1919..................................... -
Northern Boulevard and Steinway Street Site
FACT SHEET Northern Blvd and Steinway Street Brownfield Cleanup Program 36-20 Steinway Street L.I.C., NY 11101 SITE No. C241198 May 2018 NYSDEC REGION 2 Remedy Proposed for Brownfield Site Contamination; Public Comment Period Announced Where to Find Information: Project documents are available at the following location(s) to help the public stay The New York State Department of Environmental Conservation (NYSDEC) is informed. reviewing the Remedial Investigation Report and Remedial Work Plan for the Northern Blvd and Steinway Street site (“site”) located at 36-20 Steinway Street, Queens Library at Broadway Long Island City, NY. Please see the map for the site location. Documents related 40-20 Broadway to the cleanup of this site can be found at the location(s) identified to the left under Long Island City, NY 11103 (718) 721-2462 "Where to Find Information." Remedial Investigation Report: The Remedial Investigation Report (RIR) Queens Community Board 1 describes the results of the site investigation and recommends development of a 45-02 Ditmars Boulevard remedy to address the contamination that was found. The RIR was submitted by Astoria, NY 11105 Steinway Street LIC, LLC (“Applicant"). (718) 626-1021 Highlights of the Remedial Investigation Report: Soil and groundwater samples were collected and analyzed for volatile organic compounds (VOCs), Who to Contact: semi-volatile organic compounds (SVOCs), metals, polychlorinated biphenyls Comments and questions are always welcome and should be directed as follows: (PCBs), and pesticides. The primary contaminants of concern at the site are SVOCs and metals, which are present site-wide in soil and groundwater and are Project-Related Questions likely the result of past site uses and historic fill. -
GAZETTE Volume 26, No
GAZETTE Volume 26, No. 43 • November 6, 2015 • A weekly publication for Library staff Inside David Bromberg Papers American folk-music legend David Bromberg donates papers to Library. Page 3 Public Broadcasting Collections Online American Archive of Public Broadcast- ing Online Reading Room adds some Shawn Miller 7,000 hours of American public radio and TV content. Basarat Kazim of Alif Laila Book Bus Society in Pakistan speaks at the 2015 Library of Page 4 Congress Literacy Awards announcement, Oct. 27. The Public Library The Library of Congress has acquired photographs from “The Public Library: Library Announces Literacy An American Commons,” a photo- graphic survey by Robert Dawson of Award Winners for 2015 public libraries in the U.S. Page 6 he Library of Congress last week The Library of Congress Literacy announced the recipients of the Awards Advisory Board, which comprises T 2015 Library of Congress Literacy a broad range of experts in the field of Awards, a program originated and spon- literacy and reading promotion, provided sored by philanthropist David M. Ruben- recommendations to former Librarian of stein. The literacy awards, first announced Congress James H. Billington, who made in January 2013, help support organiza- the final selections. tions working to alleviate the problems of First Book received the $150,000 David illiteracy and aliteracy in the United States M. Rubenstein Prize for its work to further and worldwide. The awards highlight and educational equity by tackling the scar- Ensemble Intercontemporain performs reward organizations that do exemplary, city of books and educational resources the world premiere of Library innovative and easily replicable work. -
Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects. -
Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................ -
Steinway & Sons
Revised January 21, 1997 Steinway & Sons (A) A Steinway is a Steinway. There is no such thing as a “better” Steinway. Each and every Steinway is the best Steinway. Theodore Steinway The 1990s was a period of change for the music industry. Foreign competition in the mid-price upright piano market was intense. In addition to well-entrenched players from Japan (Yamaha and Kawai), two South Korean firms (Young Chang and Samick), were emerging as competitors. Moreover, Yamaha and Young Chang had already established a presence in China. Forecasts indicated that the future growth market for pianos will be concentrated in Asia. This case discusses Steinway & Sons’ history, the evolution of its value system, and the current market conditions facing the firm. It highlights the issues faced by Steinway & Sons as its top management formulates its strategy toward the growing Chinese piano market. COMPANY BACKGROUND The Steinway Family Years — 1853 to 1971 Steinway & Sons was founded in 1853 by Henry E. Steinway, Sr. and his sons, Henry Jr., Charles, and William. In 1854 the firm entered and won its first competition. A year later it won first prize at the American Institute Fair in New York. By 1860 Steinway & Sons built a manufacturing facility at 52nd Street and Fourth (now Park) Avenue, on the site now occupied by the the Seagrams Building. Here 350 men produced 30 square pianos and five grands per week. In 1864 the firm opened a showroom on 14th Street. In 1865 sales topped $1,000,000. From the beginning, piano building at Steinway & Sons was a family affair. -
The Professors on Aug. 14 Election Results / Jazz in the Park
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. 2787 Del Monte Street • West Sacramento, CA 95691 • (916) 372-5277 • www.sacjazz.org & .com VOLUME 43 • NO. 6 JULY 2011 All stars, all ours for one day: Ad rates.............................................................2 Dante Club – info/directions.........................2 Dante Club Notes. The Cricket.....................8-11 The Professors on Aug. 14 Election results / Jazz in the Park..................4 Future Festivals.............................................12 In Loving Memory..........................................11 In the Months Ahead.......................................2 Jazz Festival & Jubilee PHOTOS..................6-7 Jazz Notes.......................................................12 Membership application..............................16 Musicians / Music Here & There...................13 Notes from the Office Greg Willett.................2 Patron Members............................................10 President’s Message Tom Duff........................3 Raffle Cents Kathy Becker..............................11 “Jazz Sunday” info ➤ pg. 2 See.photos.on.pages.8–9.from June.12.with.Pieter.Meijers (From top row, left to right) Eddie Metz, Rusty Stiers, Jason Wanner, Eddie Erickson, Anita Thomas, Shelley Burns, Bill Dendle, Lee Westenhofer he Professors is truly an all-star musicians at one Jazz Sunday. The Pro- Tband, comprising arguably the best fessors include: Rusty Stiers, tpt; Anita performers on their instruments in the Thomas, reeds; Bill Dendle, tbn; Eddie USA, and in some cases, the world. Erickson, bnj/gtr; Jason Wanner, p; Lee How amazing and incredible for STJS “Westy” Westenhofer, tb; Eddie Metz, to be able to present all these great dr; Shelley Burns, voc. (cont. on pg. 5) Sunday, July 10 Last chance to sign up for Au.Brothers.•.Beth.Duncan.Quartet.•.Cunha.Big.Band. -
Sacramento Ragtime Society Newsletter
SACRAMENTO RAGTIME SOCIETY NEWSLETTER by Chris Bradshaw by Keith Taylor, other festival performers o diamond in the rough, this pol- Andrew Barrett, John Remmers, the Brad- Nished gem of a festival, held August shaws, and Stevens Price joined him for a 14-16, 2009 in Sutter Creek, glimmered festival teaser. Good food, a great piano and glittered from beginning to end. An and a warm and encouraging audience unique celebration of vintage American made for a wonderful evening. Music encompassing ragtime, stride, boo- As is tradition, Friday’s festival opened gie and blues, the 11th annual Sutter in the Ice Cream Emporium amidst the rev- Creek Ragtime Festival sparkled with tal- erie of an excited, ice cream spooning, ent, enthusiastic listeners and the special soda slurping audience with Keith Taylor, chemistry that just happens when you dishing up a tasty original take on Original bring together professional performers Rags (1899) by Scott Joplin. Another with die-hard ragtime fans. The outcome-a standout performance during the festival melange of theater concerts, youth perform- from Keith’s eclectic repertoire was his ances, silent movies, instrumental en- own Ghosts of Sutter Creek (2007), one of sembles, the Town Square Harmonizers barbershop quartet, two great festival See continued on page 4 shows and plenty of fine solo sets all joy- ously celebrating the In This Issue best of the ragtime era--was a series of ma- gical moments strung together as gleaming pearls, from the first note to the last. Setting the tone was the pre-festival event held Thursday evening at the Green- horn Creek Resort in Angels Camp. -
Frisco Cricket Published by the San Francisco Traditional Jazz Foundation Fall 2013 INTERNATIONAL = NATIONAL = LOCAL by William Carter
Frisco Cricket Published By The San Francisco Traditional Jazz Foundation Fall 2013 INTERNATIONAL = NATIONAL = LOCAL by William Carter We’re reminded, once again, of the perma- spent decades in Europe and South America. nent power of jazz to syncopate itself across time Our media-savvy correspondent Dave Ra- zones. From the earliest years, Storyville’s “ragtime” dlauer has rendered future jazz historians a service and “jazz” bands quickly reproduced themselves on by painstakingly tracking the elusive career of this San Francisco’s Barbary Coast, then in Los Angeles, peripatetic reedman (and sometime trumpeter). After Chicago, New York, Paris... Seeking jobs -- even on you peruse the Goodie story in this issue, be sure to ocean liners -- jazzmen tune your digital device joined the flood of their to his streaming site, recordings in seamlessly jazzhotbigstep.com for blanketing the planet more info and sound with a music that would recordings. come to be recognized as Another ex- America’s great cultural ample of the increas- gift to the world. ingly two-way com- Yet jazz also merce between national remains, a century later, and local events have firmly anchored to its been the appearances hometown venues. This of Loren Schoenberg in issue of your Cricket the South Bay. Once a celebrates the little- year for three years, this known career of Frank Director of the National “Big Boy” Goodie. His Jazz Museum in Harlem compelling life story has been presenting begins in Creole New fascinating free public Orleans and ends (like lectures at Stanford that of many another University’s Cantor classic jazz pioneer: Museum. -
A Resource Guide for Queens County
SENIORSENIOR CITIZEN CITIZEN A RESOURCE GUIDE FOR QUEENS COUNTY MELINDA KATZ QUEENS BOROUGH PRESIDENT QUEENS COUNTY SENIOR CITIZEN RESOURCE GUIDE 21st Edition Some of the service programs listed in this book may have waiting lists. It is important that you call the program which is of interest to you. If you have any questions about the items listed in this guide, or if you have questions or problems that are not covered, please contact those agencies listed under the category of Information and Referral. These agencies are available to help you. Edited 12.2019 OFFICE OF THE PRESIDENT OF THE BOROUGH OF QUEENS QUEENS BOROUGH HALL KEW GARDENS, NEW YORK 11424 MELINDA KATZ PRESIDENT Dear Friend: I am delighted to provide you with this updated, revised edition of the Queens County Senior Citizen Resource Guide. I am proud that more than 300,000 persons 65 years of age and older call Queens their home. It is this population that has worked so hard over the years to make our Borough such a great place to live and work. Therefore, the Borough President’s Office has invested time and funding to support and enhance services for Queens’ seniors. This funding has helped to ensure the security and safety of our seniors, delivery of hot nutritious meals for homebound seniors and has fortified our community-based senior centers. Queens County provides a variety of services and programs which allow senior citizens to remain active members of their communities. Based on individual need and ability, this directory will enable everyone to access the necessary services offered boroughwide. -
Clint Baker Jazz Band & Oasis Ukulele Band
Basin Street Regulars • The Central Coast Hot Jazz Society August 2021 Page 1 August 29th Annual BBQ 11:30 AM traditional jazz bands ever to perform at this world-renowned festival, joining the ranks Featuring of Louis Armstrong and Jack Teagarden. Clint Baker Jazz Band The band tours festivals in the US and Canada extensively and was voted one of the & Oasis Ukulele Band top five Favorite New (Emerging) Jazz Bands in the 1998 Mississippi Rag Trad Jazz and Ragtime Poll. (In the same poll Clint was voted one of the top three Favorite New (Emerging) Musicians.) The line-up for the Clint Baker Jazz Band will be: Marc Caparone, cornet Nathan Tokunaga, clarinet Clint, trombone Bill Reinhart, banjo Katie Cavera, bass Dawn Lambeth, piano Riley Baker, drums The Oasis Ukulele Band The Oasis Ukulele Band plays weekly on Wednesdays from 1-3 p.m. at the Oasis Clint Baker Senior Center in Old Town Orcutt (420 Clint Baker's New Orleans Jazz Band was Soares Ave.). The Band was formed in founded in 1990 and began playing at Cafe November of 2003 by Ben Tromp. Ben visited Borrone in Menlo Park in October 1990. a ukulele band in Ventura, CA and was so Although continuing to play there as the Café excited that he wanted to start a band in Borrone All-Stars, the New Orleans Jazz Band Orcutt. Sign-ups and practice started soon became inactive in 2000 when the birth of after and the rest is history. The band was Baker's twins exacted extensive parenting originally named the Oasis Play and Sing duties from Clint.