Boston Symphony Orchestra Concert Programs, Season
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Boston , Music Hallj Boston Symphony f SIXTEENTH SEASON, ^ * . f Orchestra 1896-97. EMIL PAUR, Conductor. PROGRAMME OF THE SIXTH REHEARSAL AND CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY WILLIAM F. APTHORP. Friday Afternoon, November 27, At 2.30 o'clock. Saturday Evening, November 28, At 8 o'clock. PUBLISHED BY C. A. ELLIS, MANAGER. (181) Steinway & Sons, Piano Manufacturers BY APPOINTMENT TO HIS MAJESTY, WILLIAM II., EMPEROR OF GERMANY. THE ROYAL COURT OF PRUSSIA. His Majesty, FRANCIS JOSEPH, Emperor of Austria. HER MAJESTY, THE QUEEN OF ENGLAND. Their Royal Highnesses, THE PRINCE AND PRINCESS OF WALES. THE DUKE OF EDINBURGH. His Majesty, UMBERTO I., the King of Italy. Her Majesty, THE QUEEN OF SPAIN. His Majesty, Emperor William II. of Germany, on June 13, 1893, also bestowed on our Mr. William Steinway the order of The Red Eagle, III. Class, an honor never before granted to a manufacturer. The Royal Academy Of St. Csecilia at Rome, Italy, founded by the celebrated composer Pales- trina in has elected Mr. William Steinway an honorary member of that institution. The following is 1584, — the translation of his diploma : The Royal Academy of St. Ccecilia have, on account of his eminent merit in the domain of music, and in conformity to their Statutes, Article 12, solemnly decreed to receive William Stein- way into the number of their honorary members. Given at Rome, April 15, 1894, and in the three hundred and tenth year from the founding of the society. Alex. Pansotti, Secretary. E. Di San Martino, President. ILLUSTRATED CATALOGUES MAILED FREE ON APPLICATION. STEINWAY & SONS, Warerooms, Steinway Hall, 107-111 East 14th St., New York. EUROPEAN DEPOTS: Steinway Hall, 15 and 17 Lower Seymour St., Portman Sq., W., London, England. Steinway's Pianofabrik, St. Pauli, Neue Rosen-Strasse, 20-24, Hamburg, Germany. M. STEINERT & SONS CO., New England Representatives, 162 Boylston Street, Boston. (182) Sixth Rehearsal and Concert. Friday Afternoon, November 27, at 2.30 o'clock. Saturday Evening, November 28, at 8.00 o'clock. PROGRAMME. Robert Schumann - - Overture to "Manfred," Op. 115 i/ Ludwig van Beethoven - Concerto for Violin, in D major, Op. 61 (Cadenzas by JOSEF JOACHIM.) / I. Allegro, ma non troppo (D major) - 4-4 II. Larghetto (Q major) -------- 4-4 III. Rondo (D major) --------- 6 8 Peter Ilyitch Tschaikowsky - Symphony No. 4, in F minor, Op. 36 y (First time in Boston.) I. Andante sostenuto (F minor) ------ 3-4 Moderato con anima, Movimento di Valse (F minor) 9-8 II. Andantino in modo di canzona (B-flat minor) - 2-4 " " III. Scherzo, Pizzicato ostinato : Allegro (F major) 2-4 IV. Finale : Allegro con fuoco (F major) - 4-4 Soloist, Mr. CARL HALIR. (183)' \ L. P. Hollander & Co. GREAT BARGAINS IN LADIES' FURS and Fur-trimmed JACKETS and CAPES. 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Toilet Silver Desk Silver Table Silver Souvenir Spoons Silver Jewelry Hair Ornaments Hat Pins Flasks Corkscrews Gold Brooches Stick Pins Fans Ladies' Watches, $18.00 to $100.00 Pocket-books, 50 cts. to $20.00 Men's Watches, $10.00 to $750.00 Toilet Cases, $3.00 to $20.00 Chatelaine Watches, $8.00 to $200.00 Mantel Clocks, $5.00 to $100.00 Diamond Rings, $10.00 to $500.00 Umbrellas, $1.00 to $20.00 Boys' Watches, $2.50 to $25.00 Silver for the Work-basket Lorgnette Chains Sleeve Links Studs Vest Chains Opera Glasses Cigar Cases Cut Glass Ornamental China Muff Holders Cloak Clasps Pungents Pipes Articles from $1.00 to $25.00 our stronghold. A. Stowell & Company 24 Winter Street (184) — Overture to Byron's "Manfred," Opus 115 . Robert Schumann. (Born at Zwickau, Saxony, on June 8, 1810; died at Endenich, near Bonn, on July 29, 1856.) Schumann's overture, entr'actes, and incidental music to Byron's Man- fred were first given, in connection with a version of the tragedy made by Schumann himself, under Franz Liszt's direction at the Court-Theatre in Weimar on June 13, 1852. The first concert performance of the work was in Leipzig on March 24, 1859. The overture opens with three hurried, syncopated gasps of the orches- tra. Then follows a slow introduction, Langsam in E-flat minor (4-4 time),* of profoundly tragic expressiveness, in which we get stray hints at the theme of the ensuing quick movement. The rhythm grows more and more animated, the tempo is accelerated — Nach und nach rascher — and a stirring climax leads over to the main body of the overture. This movement, In leidenschaftlichem Tempo (In a passionate tempo) in E-flat minor (4-4 time), begins immediately with the strenuous, passionate first theme, which is developed at considerable length without any sub- sidiary, modulating to the distant key of C-sharp minor as the entrance of the second theme approaches. The second theme enters with but little heralding — almost as the second theme in Beethoven's Coriolan overture does; — it is a profoundly pathetic melody, constantly modulating, although it has its tonal centre of gravity, so to speak, in F-sharp minor (enharmonic of G-flat minor, the key which, had it been in the major mode, * Although this overture is in E-flat minor, Schumann has only written the signature of E-flat major, three flats,— all the G-flats and C-flats being written in as accidentals. 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GENUINE VIENNA ICES. 25 Temple PL and 33 West St. Circulating Library of Music JACOB THOMA, OF VIOLIN MAKER. The Boston Music Co., (Awarded a Prize Medal at the Vienna G. Schirmer, Jr., Prop., 26 WEST STREET- Exposition.) ground FLOOR. Old Violins, Violas, 'Cellos, Artist Italian Strings, Silver Every music lover who enjoys reading music at sight should subscribe. G's, Artist Bows, Paris Rosin, $1.50 entitles the subscriber to draw ten Violin Cases of all kinds, etc pieces a week for one month. $3.00 for three months. Antonius and Hieronymus Amati, $5.00 for six months. Anno 1625. $8.00 for one year. The library embraces a wonderfully fine choice of music for pianoforte solos, four hands, two ARTISTIC REPAIRS A SPECIALTY. pianofortes, pianoforte and violin trios and quartets. BOWS REHAIRED. CIRCULAR WILL BE SENT ON APPLICATION. Music Hall Building, Room 7, - - BOSTON. Depot of the publications of G. Schirmer, New York. Repairer for the Boston Symphony Orchestra. (186) would have been the relative major of the tonic). This theme might be called the AsTARTE-motive, as its appearance in the course of the drama nearly always has direct reference to Astarte, Manfred's dead sister. Its somewhat extended development in the overture is followed by two distinct subsidiaries : the one strong and passionate, in F-sharp minor, but continu- ally modulating; the other more tranquilly expressive, in F-sharp major, but also of very shifting tonality. It is not easy to determine exactly at what point the first part ends ; it really merges gradually into the free fantasia. Indeed there are more than one deviation from the conventional sonata form in this overture, although the principal land-marks of this form are clearly recognizable enough. One of the most striking and dramatically effective original features is the appearance of a wholly new, almost frantically passionate theme in the violas and 'celli near the end of the working-out. The beginning of the third part is well-defined by the return of the first theme in the tonic, E-flat minor ; but its deviations from the scheme of the first part are striking, although not sufficient to mar the general symmetry of the form. A long decrescmdo and ritardando lead to the coda, which is short and in the slow tempo of the introduction. A fragment of the AsTARTE-motive appears in violins a brief of the first the wood-wind ; the gasp out reminiscence theme ; and theri the overture, as it were, groans itself to rest. This overture is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 valve-horns, 2 plain horns, 2 valve-trumpets, 3 trombones, 1 pair of kettle- drums, and the usual strings. The score bears no dedication. New England Conservatory of music. FOUNDED IN 1853 BY DR. EBEN TOURJEE. RICHARD H. DANA, President. CARL PAELTBN, Director. COMPLETE IN ALL ITS DEPARTMENTS. The Management take pleasure in announcing the opening of a School of Opera under the direction of Mr.