Boston ABAA Book Fair List [Minus Surprises]
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Tom of Finland: Love and Liberation
Tom of Finland: Love and Liberation 6 March – 28 June 2020 The UK’s first public exhibition dedicated solely to gay cultural icon Tom of Finland. A timely celebration, showing previously unseen works on the centenary of his birth. “My aim is not to create an ideal but to draw beautiful men who love each other and are proud of it.” On 6 March 2020, House of Illustration will open the UK’s first public solo show dedicated to gay cultural icon and prolific artist Tom of Finland (born Touko Laaksonen), in partnership with Tom of Finland Foundation and the Finnish Institute in London. This timely exhibition, will celebrate the artist whose homoerotic visions had a profound effect on gay communities in Europe and North America during a pivotal period in their history and continue to have an immeasurable influence on popular culture today. Tom of Finland: Love and Liberation will display 40 works on paper produced from the 1960s to the 1980s, both before and after homosexuality was decriminalised in much of Europe and the U.S. It will include early drawings of men fighting that constituted the only legal way to show physical contact between men before decriminalisation, as well as illustrations from his iconic Kake comics and rare linocuts produced in very limited editions. Many of these works, on loan from the Los Angeles-based Tom of Finland Foundation, will be exhibited to the public for the first time. An art director at an advertising agency by day, Tom of Finland (1920-1991) began drawing his homoerotic fantasies by night, first distributing them in U.S. -
The U.F.A. to Social Progress the U
Federal, Alta. OFFICIAL ORGAN OF THE UNITED FARMERS OF ALBERTA The ALBERTA WHEAT POOL AND OTHER PROVINCIAL MARKETING POOLS Vol. VII. CALGARY, ALBERTA, NOVEMBER 1st,, 1928 No. 25 News from the Wheat Pool Head Office Grain Trade's Fictitious ''Average' Prices The Rural Elementary School By Mrs. LEONA R. BARRITT The Power Trust Debauches the Press Further Revelations in U.S. Probe Cream Prices- --the Facts Dairy Pool Section The Contribution of the U.F.A. to Social Progress THE U. F. A. November 1st, 1036 $7,600.00CashPrizes/ WILL BE GIVEN AWAY BY The Nor*- West Farmer In Simple Fascinating Compttition FOR YOU! m-Can You Find The" Twins''?^ FIndrhvmt Survyvucaa* They •tM*ok attkc. y«u M^f WImm* NoiBoftitil They arc not sU dttfliftJ the turn* Many young ladU* look alik* and (hv rlghirvn on ihta p*f l*ok like evcli other, but the "TWINS" are dretaed eiarily the aame. like all real rwina Now look •O'n sbowc the hart? TriaunM^ U difTereni. Un't tt> Thaf'a Hh«rc the fun mme« In. ftndlng the Twlna It take* real care and cleverncaa to point out Che diflercnce ai»d ftii4 cIm twm f««l ''t'TNS,*' baOMM tw« and oal|' iwo ar« ManticaUy Uio aame. ' ' CLUES ' ' Ar flfsc ftlanca, all tba yomm* ladle* look alike •ut YOU ARE ASK.eD TO ftSB THE "TWINS" THAT ARE (XOTHtl) F.XACTl Y ALIKE. Now then, upon clo**r e&annlnatioH, you wlU Umd a 4iffcraace In their wearing apparel. Have ihey all earring* or necklace* t How about their Kata f Arc lhay trkcuned the aame ? Some ha«e band* on the brim aad crowaa; ethara kava Mt. -
The Northern Daily Mail 10 April 1934 “Black Magic
THE NORTHERN DAILY MAIL 10 APRIL 1934 (page 8) “BLACK MAGIC” References in Author’s Libel Action “TEMPLE OF THELEMA” Plaintiff and His Little Community in Sicily Alastair Crowley, the author, alleged in the King’s Bench Di- vision to-day that passages in Miss Nina Hamnett’s book “Laughing Torso” imputed that he practised “black magic,” and he sued Miss Hamnett, the publishers, and the printers for libel. The defence was a plea of justification. Mr. Eddy, for Mr. Crowley, said that Mr. Crowley inherited a large fortune and was devoted to poetry, art, travel, and moun- taineering. For many years he had been interested in magic—white magic on the side of the angels and black magic on the side of the devil. The magic in which Mr. Crowley believed was that which stressed the will, and in 1920 he started a little community in Cefalu, Sicily, for the purpose of studying it. It was an old farmhouse, and Mr. Crowley’s bedroom was described as “The room of nightmares” because of fantastic frescoes on the walls. A passage in the book stated that Mr. Crowley “Had a tem- ple called the Temple of Thelema at Cefalu, where he was sup- posed to practise black magic.” “One day,” the passage continued, “a baby was said to have disappeared mysteriously. There was also a goat there. This all pointed to black magic, so people said, and the inhabitants of the village were frightened of him.” Mr. Crowley, in evidence, said that when he was young he rebelled against the “general atmosphere of the Plymouth Brethren.” He inherited between £30,000 and £40,000. -
The Collection of the Works of David Lane
The Collection of the Works of David Lane “We Must Secure The Existence Of Our People And A Future For White Children” “Because The Beauty Of The White Aryan Woman Must Not Perish From The Earth” “A People Who Are Not Convinced Of Their Uniqueness And Value Will Perish” Table of Contents Personal Articles: Autobiography The Illegal and Malicious Imprisonment of David Lane The Final Address of David Lane to the Court upon Sentencing Revolution by Number 14 88 Precepts Poems 88 Lines and 14 Words Or was it just a dream? Viking Princess Goddess The Nation’s Faith Let the Valkyrie Ride Tall Man Crying Revenge Gods of Our Blood Return of the Gods Ode to Bob Mathews Farewell White Woman Short Story: KD Rebel Pyramid Prophecy: Mystery Religions and the Seven Seals Why Wotanism and the Pyramid Prophecy? The Pyramid Prophecy Miscellaneous: The Death of the White Race White Genocide Manifesto Open Letter to a Dead Race An Open Letter to the Reality Deniers Reality Check Betrayal The Former Yugoslavia Police Powers What to Think vs. How to Think Universalist Imperialism The Price of Continued Reality Denial Gates of the Mind Wotansvolk First Law of Nature Race to Extinction Sex and Women England – Ireland – Scotland Now or Never Maynard C Campbell Fanaticism of Desperation Moral Authority Modern Freemasonry Drugs and Government Misplaced Compassion Technology Leads to Our Extinction Intelligence Gathering Security and Infiltration Strategy Polygamy Adaptability Then and Now Valhalla: Fact or Fiction? Who is White? Wotanism (Odinism) Wotanism Lecture Counterfeit Culture Reality Denial Open Letter to McVeigh PS: It Only Gets Worse Tim Martyrs New World Order Guerilla Radio Nature’s Command Misdirected Hate Money Crossing the Rubicon Open Letter to All Christians Dissension in the Ranks Christian Rightwing American Patriots Personal Articles Autobiography Introduction The near impossibility of ignoring one's own ego made an accurate recording of my own life a difficult task. -
The Confessions of Aleister Crowley
The Confessions of Aleister Crowley The Confessions of Aleister Crowley www.Empirical-Academy.com Forward "It seemed to me that my first duty was to prove to the world that I was not teaching Magick for money. I promised myself always to publish my books on an actual loss on the cost of production --- never to accept a farthing for any form of instruction, giving advice, or any other service whose performance depended on my magical attainments. I regarded myself as having sacrificed my career and my fortune for initiation, and that the reward was so stupendous that it made the price pitifully mean, save that, like the widow's mite, it was all I had. I was therefore the wealthiest man in the world, and the least I could do was to bestow the inestimable treasure upon my poverty-stricken fellow men. I made it also a point of absolute honour never to commit myself to any statement that I could not prove in the same sense as a chemist can prove the law of combining weights. Not only would I be careful to avoid deceiving people, but I would do all in my power to prevent them deceiving themselves. This meant my declaring war on the spiritualists and even the theosophists, though I agreed with much of Blavatsky's teachings, as uncompromisingly as I had done on Christianity." file:///C|/Documents and Settings/Doc/Desktop/venomous-magick.com/members/confess/pdf cover.htm (1 of 2) [10/4/2004 5:52:45 PM] The Confessions of Aleister Crowley CONTENTS PART ONE: Towards the Golden Dawn {29} Chapter: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, -
Ontario, Alberta & BC, Canada (CAN)
BLENNERHASSETT families of ONTARIO, ALBERTA, SASKATCHEWAN and BRITISH COLUMBIA, CANADA Blennerhassett Family Tree (BH12_Canada_CAN.xlsx) revised May 2013, copyright © Bill Jehan 1968-2013 Thanks to all who have contributed to these pages - please send additions & corrections to email: [email protected] IMPORTANT: There are two distinct families shown on these CAN pages - the first starts here at CAN 01, the second at CAN 14 both families descend from: Blennerhassett of LISSATAGLE, CURRANS, also GLENDINE, Co.Kerry (p.L 01) but the precise connection is at present unknown CAN 01 >|>>>>><???> >>>>>>>>>>>>>|>> Arthur Blennerhassett >>>>>>>>>>>>>>|>> Sarah Jane Blennerhassett >>>>>>>>>|>> Mary Ardiel; b.23.4.1872 d.1930 MACHAR Blennerhassett; | (alias Hassett) | b.24.2.1853 Tralee, Co.Kerry, | / PARRY SOUND of Tralee (area) in ? b.15.11.1830 Tralee Co.Kerry | but (C.o.I) bapt. not found | m. F.J. Pascal ONTARIO Co.Kerry, Ireland ? but (C.o.I) bapt. not found | / | / ? / | emig. to Canada with her |>>Margaret Gertrude Ardiel >>>>>>>>|>> Ruby Maude Leighton m. <???> | emig. to Canada c1856 | parents c1856, aged c3 years; | b.9.7.1874 St.Marys, Ontario; | b.19.6.1895 Machar; | with wife & two daughters; | of Harrington, West Zorra, | d.14.4.1960 (or d.1941?) | d.12.8.1978 (or d.1976?) WEST ZORRA | d.30.3.1895 Fort William | near Ingersoll, Oxford Co., | Machar, Parry Sound, Ontario | / OXFORD COUNTY | (now Thunder Bay) Ontario | Ontario until at least 1881 | / | m.15.12.1915 ONTARIO | bur. West Fort Cemetery, | (1881 census has her born | she inherited the Ardiel Family | John "Jack" Edwin E. Ralston | Fort William | at West Zorra, Ont. -
Advance Version Advance Version Doyle White / Correspondences 7, No
Advance Version Research Article Correspondences 7, no. 2 (2019): 1–43 “One Magical Movement from Kether to Malkuth”: Occultism in the Work of David Bowie Ethan Doyle White [email protected] Abstract One of the twentieth century’s best-known popular musicians, David Bowie (1947–2016) drew upon a diverse range of influences in crafting his lyrics. Among these was occultism. As with many members of his generation, Bowie pursued a ‘pick and mix’ individualist approach to what he called ‘spirituality,’ rejecting institutionalised Christianity while taking an interest in a broad variety of culturally alternative belief systems. Bowie introduced occultist elements into his work in the early 1970s, adding references to Aleister Crowley and the Hermetic Order of the Golden Dawn in songs like “Quicksand” and possibly also “After All.” Rather than reflecting a committed adherence or practice of these occultist currents, such references probably represented attempts to imitate other popular musicians like The Beatles and Led Zeppelin. Bowie’s interest in occultism resurfaced in a more concentrated fashion when living in the United States in 1974–75. Suffering from severe paranoia, he came to believe that male- volent supernatural forces were acting against him and turned to occultist literature, particu- larly the work of Arthur Edward Waite and Dion Fortune, for protective purposes. He also developed an interest in Qabalah, demonstrating this in the lyrics to “Station to Station”. After 1976, he vocally distanced himself from occultism, but his work continues to offer an impor- tant case study for the influence of occultism in the history of popular music. -
New York ABAA Book Fair 2017
Lux Mentis, Booksellers 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 [email protected] www.luxmentis.com New York ABAA Book Fair 2017 1. Abiel, Dante. Necromantic Sorcery: The Forbidden Rites Of Death Magick. Presented by E.A. Koetting. Become a Living God, 2014. First Edition. Minimal shelf/edge wear, else tight, bright, and unmarred. Black velvet boards, silver gilt lettering and decorative elements, black endpages. 8vo. 279pp. Illus. (b/w plates). Glossary. Limited edition of 300. Near Fine. No DJ, as Issued. Hardcover. (#9093) $750.00 The 'fine velvet edition" (there was a smaller edition bound in leather). "Necromantic Sorcery is the FIRST grimoire to ever expose the most evil mysteries of death magick from the Western, Haitian Vodoun, and Afrikan Kongo root currents. In it, you are going to learn the most extreme rituals for shamelessly exploiting the magick of the dead, and experiencing the damnation of Demonic Descent on the Left Hand Path." (from the publisher) A provokative approach to Saturnian Necromancy. Rather scarce in the market. 2. Adams, Evelyn. Hollywood Discipline: A Bizarre Tale of Lust and Passion. New York: C-L Press, 1959. Limited Edition. Minor shelf/edge wear, minor discoloration to newsprint, else tight, bright, and unmarred. Color pictorial wraps with artwork of illustrious BDSM artist Gene Bilbrew, also known as “Eneg.” 8vo. 112pp. Illus. (b/w plates). Very Good in Wraps. Original Wraps. (#9086) $150.00 Limited illustrated first edition paperback, Inside cover black and white illustration art also by Bilbrew. Unusual in the slew of BDSM publications to come out in the 1950s and 1960s Irving Klaw era of bondage pulps. -
Institutionalized Oppression and American Gay Life
Trinity University Digital Commons @ Trinity The Expositor: A Journal of Undergraduate Research in the Humanities English Department 2020 Red-Lavender Colorblindness: Institutionalized Oppression and American Gay Life Brooke Yung Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/eng_expositor Repository Citation Yung, B. (2020). Red-Lavender colorblindness: Institutionalized oppression and American gay life. The Expositor: A Journal of Undergraduate Research in the Humanities, 15, 65-74. This Article is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in The Expositor: A Journal of Undergraduate Research in the Humanities by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Red-Lavender Colorblindness: Institutionalized Oppression and American Gay Life Brooke Yung n December 15, 1950, a Senate Investigations Subcommittee printed their interim report on an unprecedented and vaguely Osalacious task: “to determine the extent of the employment of homosexuals and other sex perverts in Government.”1 Adopting various legal, moral, and med- ical approaches to conceptualizing homosexuality, this subcommittee sought to identify and terminate employees engaging in same-sex relations. Not only did their report present the government’s belief in the undesirability of ho- mosexuality—depicting it as a “problem” to be “deal[t] with”—it captured -
Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z
Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others). -
Tom of Finland
TOM OF FINLAND 1920-1991 born 1920, Kaarina, Finland EDUCATION 1946 Markkinointi-instituutti, Helsinki, Finland SELECTED SOLO EXHIBITIONS (* indicates a publication) 2021 Pen and Ink 1965 – 1989, David Kordansky Gallery, Los Angeles, CA Tom of Finland - The Darkroom, curated by Berndt Arell, Fotografiska, New York, NY 2020 Tom of Finland - The Darkroom, curated by Berndt Arell, Fotografiska, Tallinn, Estonia; Fotografiska, New York, NY; Fotografiska, Stockholm, Sweden Tom of Finland: Love and Liberation, presented by House of Illustration, Tom of Finland Foundation, and the Finnish Institute, House of Illustration, London, England Reality & Fantasy, The World of Tom of Finland, GALLERY X, Tokyo, Japan *Tom of Finland: Made in Germany, Galerie Judin, Berlin, Germany 2018 TOM House: The Work and Life of Tom of Finland, organized by Graeme Flegenheimer, Mike Kelley's Mobile Homestead, Museum of Contemporary Art Detroit, MI 2017 Touko Laaksonen – Tom of Finland: Of Music and Men, Waino-Aaltonen- Museum, Turku, Finland The Man Behind Tom of Finland: Loves and Lives, curated by Susanna Luoto, Salon Dahlmann, Berlin, Germany *The Man Behind Tom of Finland: Ecce Homo, curated Susanna Luoto, Galerie Judin, Berlin, Germany 2016 The Pleasure of Play, Kunsthalle Helsinki, Helsinki, Finland 2015 The Pleasure of Play, Artists Space, New York, NY [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 Sealed with a Secret: Correspondence of Tom of Finland, Postimuseu, Tampere, Finland *Early Work 1944 – 1972, David Kordansky Gallery, Los Angeles, CA 2013 Tom of Finland Preliminary Drawings, Stuart Shave/Modern Art, London, England 2012 Tom of Finland, Kulturhuset, Stockholm, Sweden Tom of Finland: Male Masterworks, World Erotic Art Museum, Miami Beach, FL 2011 Tom of Finland: Public and Private, Antebellum, Hollywood, CA Tom of Finland: Original Drawings, PHD, St. -
Lansing, Michigan
ISi • 113?HlB I illJ KTE C©ILILICI Miipo mm The January Visitor Swings Around the Campus AMILIAR SCENES around the old Campus. The Library at top, left, with the interesting illuminated F natural Christmas tree in front of the Home Economics building. At left center is the Gymnasium Annex, where the wc?nen cavort in their physical education classes; right center, the new Horticultural layout. Below, the Botany and Bacteriology buildings carefully guarded by Dr. Bessey and Dr. Giltner, et al. January, 1932 THE MICHIGAN STATE COLLEGE RECORD 3 Listening In POSITIVE assurance that The MICHIGAN STATE COLLEGE T Alma Mater has progressed in almost faultless fashion during the past year is quite ap RECORD parent in a short re Established 1896 view of the year 1931. Member of the American Alumni Council Published for the alumni and former students of the Michigan State College by the Following Presi dent M. S. C. Association. Shaw's conservative program three new Published monthly throughout the year. structures were completed and occu Membership in the M. S. C. Association, including subscription to THE RECORD, $2.50 per year. pied and two more started. Unless members request a discontinuance before expiration of their memberships, it will be assumed a renewal is desired. The anatomy building, constructed at Checks, drafts and money orders should be made payable to the M. S. C. Association. a cost of $100,000, put into use at the Entered as second class matter at the postoffice at East Lansing, Michigan. beginning of the past year provides GLEN O.