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The Northern Daily Mail 10 April 1934 “Black Magic
THE NORTHERN DAILY MAIL 10 APRIL 1934 (page 8) “BLACK MAGIC” References in Author’s Libel Action “TEMPLE OF THELEMA” Plaintiff and His Little Community in Sicily Alastair Crowley, the author, alleged in the King’s Bench Di- vision to-day that passages in Miss Nina Hamnett’s book “Laughing Torso” imputed that he practised “black magic,” and he sued Miss Hamnett, the publishers, and the printers for libel. The defence was a plea of justification. Mr. Eddy, for Mr. Crowley, said that Mr. Crowley inherited a large fortune and was devoted to poetry, art, travel, and moun- taineering. For many years he had been interested in magic—white magic on the side of the angels and black magic on the side of the devil. The magic in which Mr. Crowley believed was that which stressed the will, and in 1920 he started a little community in Cefalu, Sicily, for the purpose of studying it. It was an old farmhouse, and Mr. Crowley’s bedroom was described as “The room of nightmares” because of fantastic frescoes on the walls. A passage in the book stated that Mr. Crowley “Had a tem- ple called the Temple of Thelema at Cefalu, where he was sup- posed to practise black magic.” “One day,” the passage continued, “a baby was said to have disappeared mysteriously. There was also a goat there. This all pointed to black magic, so people said, and the inhabitants of the village were frightened of him.” Mr. Crowley, in evidence, said that when he was young he rebelled against the “general atmosphere of the Plymouth Brethren.” He inherited between £30,000 and £40,000. -
The Confessions of Aleister Crowley
The Confessions of Aleister Crowley The Confessions of Aleister Crowley www.Empirical-Academy.com Forward "It seemed to me that my first duty was to prove to the world that I was not teaching Magick for money. I promised myself always to publish my books on an actual loss on the cost of production --- never to accept a farthing for any form of instruction, giving advice, or any other service whose performance depended on my magical attainments. I regarded myself as having sacrificed my career and my fortune for initiation, and that the reward was so stupendous that it made the price pitifully mean, save that, like the widow's mite, it was all I had. I was therefore the wealthiest man in the world, and the least I could do was to bestow the inestimable treasure upon my poverty-stricken fellow men. I made it also a point of absolute honour never to commit myself to any statement that I could not prove in the same sense as a chemist can prove the law of combining weights. Not only would I be careful to avoid deceiving people, but I would do all in my power to prevent them deceiving themselves. This meant my declaring war on the spiritualists and even the theosophists, though I agreed with much of Blavatsky's teachings, as uncompromisingly as I had done on Christianity." file:///C|/Documents and Settings/Doc/Desktop/venomous-magick.com/members/confess/pdf cover.htm (1 of 2) [10/4/2004 5:52:45 PM] The Confessions of Aleister Crowley CONTENTS PART ONE: Towards the Golden Dawn {29} Chapter: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, -
Advance Version Advance Version Doyle White / Correspondences 7, No
Advance Version Research Article Correspondences 7, no. 2 (2019): 1–43 “One Magical Movement from Kether to Malkuth”: Occultism in the Work of David Bowie Ethan Doyle White [email protected] Abstract One of the twentieth century’s best-known popular musicians, David Bowie (1947–2016) drew upon a diverse range of influences in crafting his lyrics. Among these was occultism. As with many members of his generation, Bowie pursued a ‘pick and mix’ individualist approach to what he called ‘spirituality,’ rejecting institutionalised Christianity while taking an interest in a broad variety of culturally alternative belief systems. Bowie introduced occultist elements into his work in the early 1970s, adding references to Aleister Crowley and the Hermetic Order of the Golden Dawn in songs like “Quicksand” and possibly also “After All.” Rather than reflecting a committed adherence or practice of these occultist currents, such references probably represented attempts to imitate other popular musicians like The Beatles and Led Zeppelin. Bowie’s interest in occultism resurfaced in a more concentrated fashion when living in the United States in 1974–75. Suffering from severe paranoia, he came to believe that male- volent supernatural forces were acting against him and turned to occultist literature, particu- larly the work of Arthur Edward Waite and Dion Fortune, for protective purposes. He also developed an interest in Qabalah, demonstrating this in the lyrics to “Station to Station”. After 1976, he vocally distanced himself from occultism, but his work continues to offer an impor- tant case study for the influence of occultism in the history of popular music. -
Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z
Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others). -
The Sayings of Ganesh Baba
ULTRACULTURE JOURNAL ONE ERA VULGARIS 2007 EDITED BY JASON LOUV THIS JOURNAL IS PROVIDED IN ELECTRONIC FORM AS SHARE- WARE. ITS CONTINUED PRODUCTION DEPENDS COMPLETELY ON THE RESPONSIBLE GENEROSITY OF ITS READERS. IF YOU ENJOY THIS JOURNAL AND WOULD LIKE TO SEE FUTURE ISSUES, PLEASE DONATE AT LEAST TEN DOLLARS VIA PAYPAL TO [email protected] OR THROUGH WWW.ULTRACULTURE.ORG. HARD COPIES OF THIS BOOK AND ADDITIONAL ULTRACULTURE PRODUCTS CAN BE PURCHASED AT WWW.ULTRACULTURE.ORG. WORD. This collection Copyright © 2007 Jason Louv. All of the articles in this book are Copyright © by their respective authors and/or original publishers, except as specified herein, and we note and thank them for their kind permission. This work is licensed under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by- nc-nd/3.0/ or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA. Published by Ultraculture International www.ultraculture.org [email protected] Cover Image by Nelson Evergreen. http://www.nelson-evergreen.com Library of Congress Control Number: TBA ISBN-13: 10 9 8 7 6 5 4 3 2 1 Ultraculture is a trademark of Jason Louv. The opinions and statements made in this book are those of the authors concerned. Ultraculture has not verified and neither confirms nor denies any of the foregoing and no warranty or fitness is implied. Engage with the contents herein At Your Own Risk. In Memoriam -
THE BOOK COLLECTING RACKET: a Few Notes on the Abuses of Book Collecting Aleister Crowley Harry W
THE BOOK COLLECTING RACKET: A Few Notes on the Abuses of Book Collecting Aleister Crowley Harry W. Schwartz 1934 Aleister Crowley I have long planned to write a note on Aleister Crowley but have delayed it so as to be able to preface with it his bibliog- raphy upon which I am working. It appears, however, that the work on the bibliography is endless, and as I have received a number of requests for information on Crowley, I print the little I know here. Crowley is perhaps the most libeled and slandered man alive. He has been variously described as a “monster of wick- edness”, “a dirty degenerate”, and “England’s worst man”. Just the other day one of our gutter tabloids smeared over its pages the latest Crowley libel. It appears in this case that an artist’s model by the name of Nina Hamnett wrote a stupid book called Laughing Torso in which she drags Crowley’s name around too freely. He brought suit against her for libel. Of course the newspapers, quickly seeing an opportunity to titillate their readers with the old stories of vice, lechery and drunkenness, spilled their filth. And a few years ago the press carried another story equally absurd. It seems that whenever a poor hack of a journalist is reduced to his last dime he can always earn a couple of dollars by inventing a piece about Crowley. In this article it was made to appear that Crowley was trying to commit suicide. In the space of one week he had flung himself in the paths of speed- ing automobiles twenty times. -
\-WG.~\· B. Uru).Y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT
THE WILL TO CHAOS AND A DANCING STAR: ALEISTER CROWLEY, NEO-P AGANISM AND THE TECHNOLOGIES OF THE SELVES THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Joseph A. Marino III * * * * * The Ohio State University 2007 Master's Thesis Committee: Approved by Professor Hugh Urban, Adviser Professor Michael Swartz \-WG.~\· b. Uru).y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT Entrenched in Victorian England and raised in a puritanical Christian family, Aleister Crowley delved into Western Esotericism and the study of ritual magic as a means to subvert the stifling environment into which he was bom. Among his chief acts of subversion were his many displays of a very fluid and malleable identity. He played with “selves” like they were merely wardrobes for a day and found himself developing more fully for the breadth of experience that he achieved from such practices. In the wake of Friedrich Nietszche, Crowley looked to the strength of each individual will to deny being identified by traditional systems such as Christianity or “Modernity,” pushing instead for a chaotic presentation of the self that is both wholly opposed to external authority and wholly enthusiastic about play, contradiction and experimentation. Through the lens of Michel Foucault’s “Technologies of the Self' and Judith Butler’s notion of performativity, one can come to see Crowley’s performances (through dress, pseudonyms, literary license and more) as operations that he performs on himself to knowingly affect a change in his identity. -
Boston ABAA Book Fair List [Minus Surprises]
Lux Mentis, Booksellers 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 [email protected] www.luxmentis.com Boston ABAA Book Fair List [minus surprises] 1. Adams, Evelyn. Hollywood Discipline: A Bizarre Tale of Lust and Passion. New York: C-L Press, 1959. Limited Edition. Minor shelf/edge wear, minor discoloration to newsprint, else tight, bright, and unmarred. Color pictorial wraps with artwork of illustrious BDSM artist Gene Bilbrew, also known as “Eneg.” 8vo. 112pp. Illus. (b/w plates). Very Good in Wraps. Original Wraps. (#9086) $150.00 Limited illustrated first edition paperback, Inside cover black and white illustration art also by Bilbrew. Unusual in the slew of BDSM publications to come out in the 1950s and 1960s Irving Klaw era of bondage pulps. Scarce 2. Adolf Hitler: Bilder aus dem Leben des Fuhrers. Hamburg: Herausgegeben Vom Cigaretten/Bilderdienst, 1936. First Edition. Minor shelf/edge wear, owner signature at ffep and notation (identifying people in image) on one page (p55), else tight, bright, and unmarred. DJ shows light shelf/edge wear, several small closed tears at edges, small chip at bottom of rear, else bright and clean. Halfbound, white paper spine, orange paper boards, gilt lettering, frontispiece, tipped in photos. 4to. 132pp. Illus. (color and b/w plates). Very Good+ in Very Good DJ. Hardcover. (#9363) $450.00 A 1936 cigarette card album/propoganda piece. Effectively, a tribute to Hitler, detailing his life and evolution to the then Fuhrer in text and tipped in b/w photos. Color printed frontispiece, the rest of the images would be collected and tipped in by the owner. -
Susan Strong and the Wagnerism of Aleister Crowley
This is a repository copy of The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/80543/ Version: Accepted Version Article: Allis, MJ (2014) The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley. Forum for Modern Language Studies. ISSN 1471-6860 https://doi.org/10.1093/fmls/cqu026 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Some late revisions made to this draft were subsequently incorporated at the publication stage. The final version is available from: http://dx.doi.org/10.1093/fmls/cqu026 The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley The suggestion that a musical context might be invoked to explore the works of the occultist, magician, mountaineer, artist, poet and possible double-agent, Aleister Crowley (self-styled ‘The Beast’) is perhaps not surprising, given Crowley’s presence on the cover of the Beatles’ Sgt. -
Harry Ransom Humanities Research Center -- Aleister Crowley Collection
-- Harry Ransom Humanities Research Center -- Aleister Crowley Collection The Harry Ransom Humanities Research Center, located in Austin, Texas is part of the University of Texas campus and hosts one of the premiere collections of Aleister Crowley material found anywhere in the world. The core of this amazing reference collection was obtained in 1966 through the purchase of General John Frederick Charles Fuller’s entire collection of Crowleyana. The Harry Ransom Center contains many beautiful examples of Crowley’s early works including a large representation of the numerous publishing variations that incorporated various papers and bindings. Many of the books that make up this collection are truly one of a kind and priceless. The collection also includes a large number of holograph manuscripts in Crowley’s own hand. Additionally, there are numerous typescripts and page and galley proofs, many of them containing changes and corrections in Crowley’s own hand. These documents provide a keen glimpse into Crowley’s authoring process and allow us to see first-hand how Crowley developed his work from initial inspiration to finished product. And finally, the collection includes hundreds of letters between Crowley and his contemporaries including everyone from Austin Osman Spare to President Franklin D. Roosevelt. The Harry Ransom Center is located in Austin, Texas and the entire Aleister Crowley collection is open to the public for research purposes. Information about accessing the collection may be found at the Center’s web site located at: http://research.hrc.utexas.edu:8080/hrcxtf/view?docId=ead/00144.xml ALEISTER CROWLEY MATERIALS: Item Title, Description and Location 001 777. -
Cross-Dressing ., , Crowley, Aleister
CROWLEY, ALEISTER +3 years in Reading Prison and being socially wished to get into contact with the devil." disgraced and ruined as well. Not until Crowley's occult interests took a quan- 1957 did the Wolfenden Committee rec- tum leap with his participation in ommend repeal of this statute, which had 1898-1900 in the Order of the Golden inspired many similar innovations in the Dawn, an offshoot of Theosophy. Under penal codes of other jurisdictions in the the tutelage of several members of the English-speaking world. Even at the time, order he became adept in "Ceremonial when the first articles on homosexuality Magick." In London he established him- were appearing in the psychiatric press in self in a flat in Chancery Lane, styling the wake of appeals by homosexual apolo- himself Count Vladimir Svareff. Two gists for toleration, the law was a retro- rooms of the apartment became temples grademeasure.But itwas part of the "moral dedicated respectively to the twin pillars purity" trend of the time in which Victo- of Light and Dark. rian humanitarianism interacted with After the turn of the century Victorian prudery to put a new set of stat- Crowley's public career began, and he was utes on the lawbooks to enable the police regularly attacked in the press as "The to combat "vice and immorality" inwhich Great Beast" and "The Wickedest Man in women and children were often the ex- the World." In 1904 Crowley wasvisited- ploited victims. The law, dubbed the so he claimed-by his Holy Guardian "blackmailer's charter," cast the shadow Angel, Aiwass, who dictated to him The of criminality over British homosexual Book of the Law, which became the char- life until its repeal in 1967-42 years after ter for his later activities. -
Bibliography of Occult and Fantastic Beliefs Vol.1: a - D
Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.1: A - D © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E27 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.1: A - D Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others).