Appendix C Diacritics and Special Characters
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BIBLIOGRAPHY N Most Diacritic Letters ( C, I, Ö, ˙ S, Etc.) Are
BIBLIOGRAPHY Notes Most diacritic letters (ˇc,ı, ö, s, etc.) are alphabetized as separate letters after ˙ the base letter. The abbreviation “ms. NAN KR” stands for “manuscript in the Archives of the National Center for Manasology and Artistic Culture of the National Academy of Sciences of the Kyrgyz Republic,” followed by the archival shelf number. In the Commentary and footnotes, the form of some of the bibliographic citations of mid-nineteenth century Kirghiz epics (recorded by Radlof from anonymous bards, published under separate headings in his Obraztsy/ Proben [1885], and re-edited by Hatto in The Manas of Wilhelm Radlof [1990]) is nearly identical to the citations of analytical articles on the texts that Hatto published in various journals. These are the references to the Radlovian epic texts, which were coincidentally published by Hatto in his re-edition: “Almambet, Er Kökˇcöand Ak-Erkeˇc”;“Birth of Manas”; “Birth of Semetey”; “Bok-Murun”; “Köz-Kaman”; and “Semetey.” Hatto’s articles are cited as: Hatto, “Almambet, Er Kökˇcöand Ak Erkeˇc”;Hatto, “Birth of Manas”; Hatto, “Köz-Kaman”; Hatto, “Semetey.” Listed below by language are references to the main bibliographic entries of the dictionaries, grammars, and other aids used, sometimes without citation, in the preparation of this edition: Arabic Baranov, Arabsko–russkii slovar’ Steingass, A Learner’s Arabic–English Dictionary Baˇskir Akhmerov, Bashkirsko–russkii slovar’ Chaghatay Budagov, Sravnitel’nyi slovar’ turetsko–tatarskikh narechii Shcherbak, Grammatika starouzbekskogo iazyka Radlov, Opyt/Versuch Eastern Turki Jarring, An Eastern Turki–English Dialect Dictionary (Uyghur) Nadzhip, Uigursko–russkii slovar’ Kalmyk Ramstedt, Kalmückisches Wörterbuch Kirghiz Batmanov, Sovremennyi kirgizskii iazyk Hu and Imart, A Kirghiz Reader Imart, Le kirghiz Iudakhin, Kirgizsko–russkii slovar’ ———, Russko–kirgizskii slovar’ 374 bibliography Kirghiz (cont.) Muqambaev, Qır ˙gıztilinin dialektologiyalıq sözdügü, vol. -
Studia Theodisca
Essential (typographic) rules for Studia austriaca and Studia theodisca (irrespective of the language used in the essay) • Send plain text emails, please! DOCs and images only as attachments, thank you! • No PDFs, please! Only MS Word compatible DOCs. • All essays should be accompanied by a short abstract in English (about 500-600 char- acters, including spaces). • Avoid using ‘black’ as your font colour; use ‘automatic’ instead. • Do not insert backgrounds (coloured or otherwise) in your text. • Words should NOT be hyphenated. • Except in special cases authorized by the editor, titles and quotations should be given in the original language, normally without translations. • Work titles should be italicized. • Block quotation paragraphs should always be indented both on the left and on the right, so as to make their format clearly different from that of normal paragraphs. The quota- tions in these paragraphs should NOT be opened and closed by quotation marks intro- duced by the author of the essay. • When quoting lines of poetry, insert a manual line break (“Shift+Enter”) after each line instead of using “Enter”, which should be inserted only after the last line of poetry. • Manual page breaks, column breaks and section breaks should never be used. They will be automatically removed in the formatting process. To display text in two or more columns insert it in a table. • The use of different types of quotation marks should follow these rules: single quotation marks (‘…’ or '...') to emphasize specific words or expressions; double quotation marks (“…” or "...") to enclose quotations. In the final formatting process, double quotation marks will become angle quotation marks («...»); single quotation marks will become double quotation marks (“…”). -
Vol. 123 Style Sheet
THE YALE LAW JOURNAL VOLUME 123 STYLE SHEET The Yale Law Journal follows The Bluebook: A Uniform System of Citation (19th ed. 2010) for citation form and the Chicago Manual of Style (16th ed. 2010) for stylistic matters not addressed by The Bluebook. For the rare situations in which neither of these works covers a particular stylistic matter, we refer to the Government Printing Office (GPO) Style Manual (30th ed. 2008). The Journal’s official reference dictionary is Merriam-Webster’s Collegiate Dictionary, Eleventh Edition. The text of the dictionary is available at www.m-w.com. This Style Sheet codifies Journal-specific guidelines that take precedence over these sources. Rules 1-21 clarify and supplement the citation rules set out in The Bluebook. Rule 22 focuses on recurring matters of style. Rule 1 SR 1.1 String Citations in Textual Sentences 1.1.1 (a)—When parts of a string citation are grammatically integrated into a textual sentence in a footnote (as opposed to being citation clauses or citation sentences grammatically separate from the textual sentence): ● Use semicolons to separate the citations from one another; ● Use an “and” to separate the penultimate and last citations, even where there are only two citations; ● Use textual explanations instead of parenthetical explanations; and ● Do not italicize the signals or the “and.” For example: For further discussion of this issue, see, for example, State v. Gounagias, 153 P. 9, 15 (Wash. 1915), which describes provocation; State v. Stonehouse, 555 P. 772, 779 (Wash. 1907), which lists excuses; and WENDY BROWN & JOHN BLACK, STATES OF INJURY: POWER AND FREEDOM 34 (1995), which examines harm. -
Ffontiau Cymraeg
This publication is available in other languages and formats on request. Mae'r cyhoeddiad hwn ar gael mewn ieithoedd a fformatau eraill ar gais. [email protected] www.caerphilly.gov.uk/equalities How to type Accented Characters This guidance document has been produced to provide practical help when typing letters or circulars, or when designing posters or flyers so that getting accents on various letters when typing is made easier. The guide should be used alongside the Council’s Guidance on Equalities in Designing and Printing. Please note this is for PCs only and will not work on Macs. Firstly, on your keyboard make sure the Num Lock is switched on, or the codes shown in this document won’t work (this button is found above the numeric keypad on the right of your keyboard). By pressing the ALT key (to the left of the space bar), holding it down and then entering a certain sequence of numbers on the numeric keypad, it's very easy to get almost any accented character you want. For example, to get the letter “ô”, press and hold the ALT key, type in the code 0 2 4 4, then release the ALT key. The number sequences shown from page 3 onwards work in most fonts in order to get an accent over “a, e, i, o, u”, the vowels in the English alphabet. In other languages, for example in French, the letter "c" can be accented and in Spanish, "n" can be accented too. Many other languages have accents on consonants as well as vowels. -
Typing in Greek Sarah Abowitz Smith College Classics Department
Typing in Greek Sarah Abowitz Smith College Classics Department Windows 1. Down at the lower right corner of the screen, click the letters ENG, then select Language Preferences in the pop-up menu. If these letters are not present at the lower right corner of the screen, open Settings, click on Time & Language, then select Region & Language in the sidebar to get to the proper screen for step 2. 2. When this window opens, check if Ελληνικά/Greek is in the list of keyboards on your computer under Languages. If so, go to step 3. Otherwise, click Add A New Language. Clicking Add A New Language will take you to this window. Look for Ελληνικά/Greek and click it. When you click Ελληνικά/Greek, the language will be added and you will return to the previous screen. 3. Now that Ελληνικά is listed in your computer’s languages, click it and then click Options. 4. Click Add A Keyboard and add the Greek Polytonic option. If you started this tutorial without the pictured keyboard menu in step 1, it should be in the lower right corner of your screen now. 5. To start typing in Greek, click the letters ENG next to the clock in the lower right corner of the screen. Choose “Greek Polytonic keyboard” to start typing in greek, and click “US keyboard” again to go back to English. Mac 1. Click the apple button in the top left corner of your screen. From the drop-down menu, choose System Preferences. When the window below appears, click the “Keyboard” icon. -
How to Edit IPA 1 How to Use SAMPA for Editing IPA 2 How to Use X
version July 19 How to edit IPA When you want to enter the International Phonetic Association (IPA) character set with a computer keyboard, you need to know how to enter each IPA character with a sequence of keyboard strokes. This document describes a number of techniques. The complete SAMPA and RTR mapping can be found in the attached html documents. The main html document (ipa96.html) comes in a pdf-version (ipa96.pdf) too. 1 How to use SAMPA for editing IPA The Speech Assessment Method (SAM) Phonetic Alphabet has been developed by John Wells (http://www.phon.ucl.ac.uk/home/sampa). The goal was to map 176 IPA characters into the range of 7-bit ASCII, which is a set of 96 characters. The principle is to represent a single IPA character by a single ASCII character. This table is an example for five vowels: Description IPA SAMPA script a ɑ A ae ligature æ { turned a ɐ 6 epsilon ɛ E schwa ə @ A visual represenation of a keyboard shows the mapping on screen. The source for the SAMPA mapping used is "Handbook of multimodal an spoken dialogue systems", D Gibbon, Kluwer Academic Publishers 2000. 2 How to use X-SAMPA for editing IPA The multi-character extension to SAMPA has also been developed by John Wells (http://www.phon.ucl.ac.uk/home/sampa/x-sampa.htm). The basic principle used is to form chains of ASCII characters, that represent a single IPA character, e.g. This table lists some examples Description IPA X-SAMPA beta β B small capital B ʙ B\ lower-case B b b lower-case P p p Phi ɸ p\ The X-SAMPA mapping is in preparation and will be included in the next release. -
U.S. Government Printing Office Style Manual, 2008
U.S. Government Printing Offi ce Style Manual An official guide to the form and style of Federal Government printing 2008 PPreliminary-CD.inddreliminary-CD.indd i 33/4/09/4/09 110:18:040:18:04 AAMM Production and Distribution Notes Th is publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. Th e GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To fi nd a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. Th e electronic text of this publication is available for public use free of charge at http://www.gpoaccess.gov/stylemanual/index.html. Use of ISBN Prefi x Th is is the offi cial U.S. Government edition of this publication and is herein identifi ed to certify its authenticity. ISBN 978–0–16–081813–4 is for U.S. Government Printing Offi ce offi cial editions only. Th e Superintendent of Documents of the U.S. Government Printing Offi ce requests that any re- printed edition be labeled clearly as a copy of the authentic work, and that a new ISBN be assigned. For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-0001 ISBN 978-0-16-081813-4 (CD) II PPreliminary-CD.inddreliminary-CD.indd iiii 33/4/09/4/09 110:18:050:18:05 AAMM THE UNITED STATES GOVERNMENT PRINTING OFFICE STYLE MANUAL IS PUBLISHED UNDER THE DIRECTION AND AUTHORITY OF THE PUBLIC PRINTER OF THE UNITED STATES Robert C. -
A Collection of Mildly Interesting Facts About the Little Symbols We Communicate With
Ty p o g raph i c Factettes A collection of mildly interesting facts about the little symbols we communicate with. Helvetica The horizontal bars of a letter are almost always thinner than the vertical bars. Minion The font size is approximately the measurement from the lowest appearance of any letter to the highest. Most of the time. Seventy-two points equals one inch. Fridge256 point Cochin most of 50the point Zaphino time Letters with rounded bottoms don’t sit on the baseline, but slightly below it. Visually, they would appear too high if they rested on the same base as the squared letters. liceAdobe Caslon Bold UNITED KINGDOM UNITED STATES LOLITA LOLITA In Ancient Rome, scribes would abbreviate et (the latin word for and) into one letter. We still use that abbreviation, called the ampersand. The et is still very visible in some italic ampersands. The word ampersand comes from and-per-se-and. Strange. Adobe Garamond Regular Adobe Garamond Italic Trump Mediaval Italic Helvetica Light hat two letters ss w it cam gue e f can rom u . I Yo t h d. as n b ha e rt en ho a s ro n u e n t d it r fo w r s h a u n w ) d r e e m d a s n o r f e y t e t a e r b s , a b s u d t e d e e n m t i a ( n l d o b s o m a y r S e - d t w A i e t h h t t , h d e n a a s d r v e e p n t m a o f e e h m t e a k i i l . -
Mastering Quotation Marks
Grammar & Mechanics Mastering Quotation Marks End of the Sentence 1 Start of the Sentence 1 Middle of the Sentence 1 Interrupted Quote 2 Quote Within a Question 2 But Keep in Mind... 2 Knowing which punctuation to use and where to place it around quotes can be a little daunting, especially when navigating question marks and exclamation points. This document will hopefully guide you through the most commonly quoted scenarios and how to punctuate them. End of the Sentence Let's start with the most simple use. When a quote comes at the end of the sentence, we use a comma before the first quotation mark and the appropriate ending punctuation inside the second quotation mark. The first letter of the quote is capitalized. I said, "I do not want to go." She asked, "What time is the game?" He shrieked, "Mouse!" Start of the Sentence If the quote comes at the beginning of the sentence, well, that's a bit trickier. If it is a statement, use a comma inside the ending quotation mark. If it is a question or exclamation, use the appropriate punctuation inside the ending quotation mark. However, to show that the sentence continues, we use a lowercase letter after the ending quotation marks. "Autumn is my favorite time of year," he replied. "How much is that?" she asked. "Ouch!" she yelled. Middle of the Sentence But what if the quote comes in the middle of the sentence? This is a bit unusual, but it would be treated as a combination of the two rules above. -
Lesson 3 8,UNBELIEVABLE60 HE SAYS4
L 3 Qotatio M, A, Pnt, S B, O, L L (U), Ssh Now learn the following additional punctuation signs: apostrophe ’ [or] ' ' (dot 3) opening one-cell (non-specific) quotation mark 8 (dots 236) closing one-cell (non-specific) quotation mark 0 (dots 356) opening single quotation mark ‘ [or] ' ,8 (dots 6, 236) closing single quotation mark ’ [or] ' ,0 (dots 6, 356) opening parenthesis ( "< (dots 5, 126) closing parenthesis ) "> (dots 5, 345) opening square bracket [ .< (dots 46, 126) (dots 46, 345) closing square bracket ] .> 3.1 S D Qotatio M [UEB §7.6] In braille, there are several different symbols to represent the various types of print quotation marks (additional information about quotation marks will be studied in Lesson 16). In most cases, the opening and clo one- (-ecific) tatio marks should be used to represent the primary or outer quotation marks in the text, and the two- cell opening and closing single quotation marks should represent the inner quotation marks. Examples: "Unbelievable!" he says. 8,BEIEABE60 HE A4 "I only wrote 'come home soon'," he claims. 3 - 1 8,I E ,8CE HE ,010 HE CAI4 3.2 Arop Follow print for the use of apostrophes. Example: "Tell 'em Sam's favorite music is new—1990's too old." 8,E 'E ,A' FAIE IC I E,-#AIIJ' D40 3.2 A api lette. A capital indicator is always placed immediately before the letter to which it applies. Therefore, if an apostrophe comes before a capital letter in print, the apostrophe is brailled before the capital indicator. Example: "'Twas a brilliant plan," says Dan O'Reilly. -
For the Annotation of Titlo Diacritic
Irina LOBJANIDZE Associate Professor Ilia State University Tbilisi, Georgia For the annotation of Titlo Diacritic Abstract: The paper describes different levels of annotation used in the Corpus of Modern, Middle and Old Georgian Texts. Aiming at building a new, extensive and representative tool for Georgian language the Corpus was compiled under the financial support of the Shota Rustaveli National Science Foundation and the Ilia State University (AR/266/1-31/13). In particular, the Corpus of Georgian language is envisaged as collecting a substantial amount of data needed for research. The scope and representativeness of texts included as well as free accessibility to it makes the corpus one of the most necessary tools for the study of different texts in Modern, Middle and Old Georgian (see, http://corpora.iliauni.edu.ge/). The corpus consists of different kind of texts, mainly: a) Manuscript- based publications; b) Reprints; c) Previously unpublished manuscripts and; d) Previously published manuscripts and covers Modern, Middle and Old Georgian. The paper presents the research area, the design and structure and applications related to the compilation of the corpus, in particular, different levels of annotation as meta-data, structural mark-up and linguistic annotation at word-level, especially, from the viewpoint of Titlo Diacritic. This paper is structured as follows: Section 1 includes background and research questions; Section 2 presents a methodological approach and briefly summarizes its theoretical prerequisites; Section 3 includes the findings and hypothesis, which refers generally to the differences between the annotation of Modern and Old Georgian texts; and Section 4 presents the answers to the research questions. -
THE PEPPER FONT COMPLETE MANUAL Version
THE PEPPER FONT COMPLETE MANUAL Version 2.1 (for Microsoft Word 2013 and 2016) A Set of Phonetic Symbols for Use in Windows Documents Lawrence D. Shriberg David L. Wilson Diane Austin The Phonology Project Waisman Center on Mental Retardation and Human Development University of Wisconsin-Madison 1500 Highland Avenue Madison, WI 53705 8 1997-2017 The Phonology Project CONTENTS ABOUT THE PEPPER FONT ................................................................................................................ 3 ABOUT VERSION 2/2.1 .......................................................................................................................... 3 REFERENCES .......................................................................................................................................... 3 INSTALLATION ...................................................................................................................................... 4 GENERAL INFORMATION ................................................................................................................... 4 Overview ........................................................................................................................................ 4 Manual Conventions ..................................................................................................................... 4 GENERAL INSTRUCTIONS .................................................................................................................. 5 General Instructions for Windows Applications