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The Body Guard Free
FREE THE BODY GUARD PDF Suzanne Brockmann | 360 pages | 01 Jan 2000 | Random House USA Inc | 9780449002568 | English | New York, United States Who Is AJ Styles' New Bodyguard Jordan Omogbehin On WWE RAW Galaxy S Shop all devices. Protection for a life worth living. BodyGuardz was founded inin Draper, UT. What began as a small line of screen protectors for a limited number of devices, grew into a solid organization that provides thousands of protection products to mobile device users throughout the world. BodyGuardz was placed on the Inc. Free shipping on all non-replacement U. Find your device Search now. Free Shipping Free shipping on all U. Quality We are known for our quality. Our products are sleek, unobtrusive and built to last. Customer Service You The Body Guard BodyGuardz what it is The Body Guard and we are dedicated to making sure you are treated right. Return Policy We are confident you will like our products; if not, send them back for a full refund. When The Body Guard daughter called from another room, "Dad, my screen broke," I expected tears and dollar signs. And, sure enough, upon inspection, I discovered cracked, spidered glass in one of the top corners. But no tears from me or my The Body Guard the cracks appeared only on the BodyGuardz Pure. Underneath, the iPhone appeared undamaged. The iPhone escaped unscathed. Free Shipping. Customer Service. Return Policy. Have a question about our products or need help with installation? We're here to help! Install Help. Bodyguard (British TV series) - Wikipedia After The Body Guard thwart a terrorist attack, a war veteran is assigned to protect a politician who was a major proponent of the conflict he fought in. -
Broadcast Bulletin Issue Number 228 22/04/13
Ofcom Broadcast Bulletin Issue number 228 22 April 2013 1 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Contents Introduction 4 Standards cases In Breach Retention and production of recordings My Channel, 24 December 2012, 04:00 5 Cancer: Forbidden Cures Showcase 2, 8 May 2012, 19:00 8 The Alan Titchmarsh Show ITV, 14 February 2013, 15:00 31 Advertising Scheduling cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 37 Fairness and Privacy cases Not Upheld Complaint by Mrs Karen Peaston Obese: A Year to Save My Life, Sky1 HD, 30 January 2012 and repeat broadcasts until 13 May 2012 38 Complaint by Miss Karen Richardson EastEnders, BBC 1, 25 December 2012 46 Other Programmes Not in Breach 49 Complaints Assessed, Not Investigated 50 Investigations List 56 2 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. We also report on the outcome of ODPS sanctions referrals made by ATVOD and the ASA on the basis of their rules and guidance for ODPS. -
The Practice of Advertising to Jan, Always the Practice of Advertising
The Practice of Advertising To Jan, always The Practice of Advertising Edited by Adrian R. Mackay Fifth edition AMSTERDAM ● BOSTON ● HEIDELBERG ● LONDON ● NEW YORK ● OXFORD PARIS ● SAN DIEGO ● SAN FRANCISCO ● SINGAPORE ● SYDNEY ● TOKYO Elsevier Butterworth-Heinemann Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Drive, Burlington, MA 01803 First published 1978 Reprinted 1981 Second edition 1983 Reprinted 1984, 1985, 1986 Third edition 1990 Reprinted 1990, 1993 Fourth edition 1995 Reprinted 1996, 2001 Fifth edition 2005 Copyright © 2005, Elsevier Ltd. All rights reserved No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1T 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (ϩ144) 1865 843830, fax: (ϩ144) 1865 853333, e-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://www.elsevier.com), by selecting ‘Customer Support’ and then ‘Obtaining Permissions’ -
Anne Karpf/The Sound of Home? Some Thoughts on How the Radio Voice Anchors, Contains and Sometimes Pierces (Pre-Print Version; Published in The
1 Anne Karpf/The sound of home? Some thoughts on how the radio voice anchors, contains and sometimes pierces (pre-print version; published in The Radio Journal, vol.11, no.1, April 2013, pp.59-73) Abstract This article argues that while psychoanalytic theory has been valuably employed by television, film and cultural studies, there has been no comparable 'psychoanalytic turn' in radio studies. It suggests that the concept of 'containment', as developed variously by Wilfred Bion and Esther Bick, might go some way to explain the powerful role that the voice of the radio presenter can play in the regular listener's internal world, with the capacity both to 'hold' the listener together, and to transform overwhelming fears into more manageable feelings. It argues that the disembodied radio voice does this partly because it recalls the prenatal power of the maternal voice, and partly through the temporal order that regular radio voices impose on the internal and external world. Both Second World War British radio catchphrases and Roosevelt's Fireside Chats are discussed in relation to their containment function. The article also explores the radio as a transitional space, as defined by Donald Winnicott, through which it can constitute listeners into an 'imagined community'. It ends by reflecting on the impact of the angry voice of 2 the 'shock-jock' which, it suggests, amplifies rather than contains overwhelming feelings.1 Contributor's details Anne Karpf is Reader in Professional Writing and Cultural Inquiry at London Metropolitan University. A journalist, broadcaster and radio critic of The Guardian for seven years, her books include 'The Human Voice' (Bloomsbury, 2006; Ehrenwirth, 2007; Autrement, 2008; Soshisha, 2008). -
Daniel Goldmark, Lawrence Kramer, and Richard Leppert, Eds., Beyond the Soundtrack: Representing Music in Cinema
Journal of Film Music 3.1 (2010) 95-97 ISSN (print) 1087-7142 doi:10.1558/jfm.v3i1.95 ISSN (online) 1758-860X Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples, illustrations, figures, tables, filmography, bibliography, indices. MattHew Brown Eastman School of Music [email protected] ne of the most interesting developments over clear representational and expressive powers, whereas the past few years has been the emergence others insist that these powers are extremely limited.1 O of film music as a legitimate subject for The promise and the problems posed by film scholarly research. This move is an important one music are both on display in the recent set of essays not only because it acknowledges the significant role Beyond the Soundtrack: Representing Music in Cinema. The film music plays in contemporary culture, but also book collects sixteen papers delivered at a conference because it promises to foster exchanges between sponsored by the University of Minnesota in April experts in such diverse field as film studies, media/ 2004. Motivated by a desire to stop treating music cultural studies, aesthetics, historical musicology, “as a subordinate element” in films, this conference music theory, and music psychology. That being explored the ways in which films “conceptualize the case, the development has also shown just how music” and how they “position music and musicality problematic film music can be. Indeed, although as parts…of a fictional world” (p. -
Ronnie Barker Authorised Biography Free
FREE RONNIE BARKER AUTHORISED BIOGRAPHY PDF Bob McCabe | 272 pages | 28 Aug 2007 | Ebury Publishing | 9780563522461 | English | London, United Kingdom Ronnie Barker Authorised Biography by Bob McCabe - Penguin Books Australia Full of original contributions interviews and illustrations on one of the best-loved entertainers in showbiz. Ronnie Barker is one of the best-loved and most celebrated entertainers in British television history. As well as starring in the ever popular and Ronnie Barker Authorised Biography acclaimed sitcoms Porridge and Open All Hours, he was, of course, one of the bespectacled Two Ronnies, who topped the TV Charts for more than 15 years and are returning to our screens in spring A celebration of Ronnies life and career, published to coincide with Ronnies Ronnie Barker Authorised Biography birthday, this book contains original contributions from people who have worked with and know him best including John Cleese, David Jason who provides the forewordDavid Frost, Eric Idle, Michael Palin. Written with the full consent and collaboration of Ronnie himself, this biography is full of interviews and unseen personal illustrations from his own collection. Bob McCabe is a respected author and journalist and contributes regularly to film magazines and BBC radio arts programmes. He is the author of several books. Bob McCabe. Search books and authors. Ronnie Barker Authorised Biography. View all online retailers Find local retailers. Full Ronnie Barker Authorised Biography original contributions interviews and illustrations on one of the best-loved entertainers in showbiz Ronnie Barker is one of the best-loved and most celebrated entertainers in British television history. Also by Bob McCabe. -
Bordering Two Unions: Northern Ireland and Brexit
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics de Mars, Sylvia; Murray, Colin; O'Donoghue, Aiofe; Warwick, Ben Book — Published Version Bordering two unions: Northern Ireland and Brexit Policy Press Shorts: Policy & Practice Provided in Cooperation with: Bristol University Press Suggested Citation: de Mars, Sylvia; Murray, Colin; O'Donoghue, Aiofe; Warwick, Ben (2018) : Bordering two unions: Northern Ireland and Brexit, Policy Press Shorts: Policy & Practice, ISBN 978-1-4473-4622-7, Policy Press, Bristol, http://dx.doi.org/10.2307/j.ctv56fh0b This Version is available at: http://hdl.handle.net/10419/190846 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen -
Broadcast and on Demand Bulletin Issue Number 377 29/04/19
Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Issue number 377 29 April 2019 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Contents Introduction 3 Notice of Sanction City News Network (SMC) Pvt Limited 6 Broadcast Standards cases In Breach Sunday Politics BBC 1, 30 April 2017, 11:24 7 Zee Companion Zee TV, 18 January 2019, 17:30 26 Resolved Jeremy Vine Channel 5, 28 January 2019, 09:15 31 Broadcast Licence Conditions cases In Breach Provision of information Khalsa Television Limited 34 In Breach/Resolved Provision of information: Diversity in Broadcasting Various licensees 36 Broadcast Fairness and Privacy cases Not Upheld Complaint by Symphony Environmental Technologies PLC, made on its behalf by Himsworth Scott Limited BBC News, BBC 1, 19 July 2018 41 Complaint by Mr Saifur Rahman Can’t Pay? We’ll Take It Away!, Channel 5, 7 September 2016 54 Complaint Mr Sujan Kumar Saha Can’t Pay? We’ll Take It Away, Channel 5, 7 September 2016 65 Tables of cases Investigations Not in Breach 77 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Complaints assessed, not investigated 78 Complaints outside of remit 89 BBC First 91 Investigations List 94 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. Ofcom also has a duty to ensure that On Demand Programme Services (“ODPS”) comply with certain standards requirements set out in the Act2. -
Building Global Partnerships for Stronger Local Economies
Transcript Building Global Partnerships for Stronger Local Economies Scott Walker Governor, Wisconsin, United States Chair: Justin Webb Presenter, Today Programme, BBC Radio 4 11 February 2015 The views expressed in this document are the sole responsibility of the speaker(s) and participants do not necessarily reflect the view of Chatham House, its staff, associates or Council. Chatham House is independent and owes no allegiance to any government or to any political body. It does not take institutional positions on policy issues. This document is issued on the understanding that if any extract is used, the author(s)/ speaker(s) and Chatham House should be credited, preferably with the date of the publication or details of the event. Where this document refers to or reports statements made by speakers at an event every effort has been made to provide a fair representation of their views and opinions. The published text of speeches and presentations may differ from delivery. 10 St James’s Square, London SW1Y 4LE T +44 (0)20 7957 5700 F +44 (0)20 7957 5710 www.chathamhouse.org Patron: Her Majesty The Queen Chairman: Stuart Popham QC Director: Dr Robin Niblett Charity Registration Number: 208223 2 Building Global Partnerships Justin Webb Thank you, everyone, for coming. A very warm welcome to all of you, and particularly to our guest this evening, Governor Scott Walker. It's wonderful, there are so many senior Republicans coming through London at the moment. Bobby Jindal and Jeb Bush, and who else have we had? Chris Christie. I don't know what it is, why they're all here. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Heat Radio Presenter Profiles
MEDIA PACK The Radio On air – heat radio brings the voice of the brand to life with the music soundtrack to your workday. With the sparkle and fizz of a cheeky prosecco it MISSION is bursting with energy, celebrity interviews and presenters who live, breathe, sleep the heat brand. Print From our award winning breakfast show presenter Heat is the brand that sets Emily Segal to Mr Hollywood Ryan Seacrest and Made In Chelsea’s Jamie Laing. We have your the agenda of popular culture In print – we bring readers a truly unique, quality entertainment week covered. and fuels conversation experience. From clever A-list access shoots no around the rich and famous other magazine could pull off , to the real story behind celeb news – heat has the celeb contacts to Now a huge multi platform brand - give readers the exclusive every time. unrivalled in the entertainment market - the heat universe comprises the magazine Our Unmissable entertainment edit is led by as the mothership with a radio station, huge our hugely credible team of experts – including online and social media platforms and not BAFTA judge Boyd Hilton – helping readers one but two entertainment podcasts. navigate the tricksy world of TV and streaming. Our style section – Wear It’s At – combines an aspirational yet affordable weekly fashion edit with the real, trusted voice of the heat brand. Digital Our all-inclusive approach promises style for Across our digital platforms – we deliver breaking everybody, no matter what shape or size, and our news, funny, engaging and exclusive content – team test fashion and beauty products to make whether that’s live streaming Love Island’s Under sure readers spend their hard-earned pennies the Duvet, instagramming interviews of stars on wisely. -
Crossing the Line Between News and the Business of News: Exploring Journalists' Use of Twitter Jukes, Stephen
www.ssoar.info Crossing the line between news and the business of news: exploring journalists' use of Twitter Jukes, Stephen Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Jukes, S. (2019). Crossing the line between news and the business of news: exploring journalists' use of Twitter. Media and Communication, 7(1), 248-258. https://doi.org/10.17645/mac.v7i1.1772 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Media and Communication (ISSN: 2183–2439) 2019, Volume 7, Issue 1, Pages 248–258 DOI: 10.17645/mac.v7i1.1772 Article Crossing the Line between News and the Business of News: Exploring Journalists’ Use of Twitter Stephen Jukes Faculty of Media and Communication, Bournemouth University, Poole, BH12 5BB, UK; E-Mail: [email protected] Submitted: 7 September 2018 | Accepted: 4 January 2018 | Published: 21 March 2019 Abstract Anglo-American journalism has typically drawn a firm dividing line between those who report the news and those who run the business of news. This boundary, often referred to in the West as a ‘Chinese Wall’, is designed to uphold the inde- pendence of journalists from commercial interests or the whims of news proprietors. But does this separation still exist in today’s age of social media and at a time when news revenues are under unprecedented pressure? This article focuses on Twitter, now a widely used tool in the newsroom, analysing the Twitter output of 10 UK political correspondents during the busy party conference season.