DOCSLIB.ORG

Natalie Weir's 'The Host'

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Natalie Weir's 'The Host' Natalie Weir’s ‘The Host’ INTRODUCTION … to the Teacher Resource Pack The following pack is designed to give teachers and students an exclusive insight into the creation and presentation of Expressions Dance Company’s 2015 production of ‘The Host’. To create the Teacher Resource Pack, we examined the 2010 Senior Dance Syllabus, paying particular attention to teacher and student needs for Appreciation and Choreography. We also sought to provide dance teachers and students with a unique perspective on the creation of the work, to further their understanding of choreographic and design processes and how this translates into performance. We have also provided some example Appreciation and Choreography tasks, which could be used as stimulus for assessment tasks after viewing the performance. EXCLUSIVE Access to the creative team and their methods… EXAMINE Example assessment tasks… EXTEND Themes and ideas surrounding the work, and how these could be explored further… EXPRESSIONS Background information on Expressions Dance Company… TEACHER RESOURCE PACK CONTENTS Introduction 2 Synopsis and information about Natalie Weir 3 EXCLUSIVE Interview with Natalie Weir and Storyboard 5 Character summary 8 Interviews with the dancers 9 Costume sketches by Gail Sorronda 13 Interview with Gail Sorronda 14 EXAMINE Example Appreciation Task 1 15 Example Appreciation Task 2 16 Example Appreciation Task 3 17 Example Choreography Task 1 18 Example Choreography Task 2 20 Example Choreography Task 3 (Classroom task) 21 EXTEND Extend, Explore, Connect and Engage 22 History of EDC 23 We are very interested in the continual improvement of our Teacher Resource Packs. If you have any feedback on the pack, please feel free to us know. Contact Expressions Dance Company on [email protected] or 07 3257 4222. THE HOST 2 TEACHER RESOURCE PACK ‘THE HOST’ (2015) PRESENTED BY EDC & QPAC Synopsis You've never been to a dinner party like this before! Combining gripping dance theatre with a touch of explosive fun, 'The Host' will take you on a thrilling ride through the lifestyles of the power hungry. An elegant dinner party hosted by an influential young man for his manipulative guests is thrown into turmoil when power meets greed, ambition and jealousy. As the evening wears on 'The Host' exposes society’s insatiable desire for control and status and the power play between the guests intensifies as the accusations start to fly. 1-9 May 2015 Cremorne Theatre, QPAC An elegant dinner party hosted by an influential young man for his manipulative guests is thrown into turmoil when power meets greed, ambition and jealousy. As the evening wears on The Host exposes society’s insatiable desire for control and status and the power play between the guests intensifies as the accusations start to fly. Who really holds the power at this sophisticated table? And who will be in control by the time coffee is served? Combining gripping dance theatre with a touch of explosive fun, The Host will take you on a thrilling ride through the lifestyles of the power hungry. You will be struck by the luscious design, including dazzling costumes by Brisbane-based fashion designer Gail Sorronda, and the enduring story told by multiple award- winning choreographer, Natalie Weir in this world premiere production. Presented by Expressions Dance Company and Queensland Performing Arts Centre Concept and Choreography – Natalie Weir Dancers – Expressions Dance Company Musical Director – Tania Frazer Costume Design – Gail Sorronda Lighting Design – Ben Hughes About Natalie Weir Natalie is known internationally for her highly physical partner work, her organic movement style and her touching insight into human nature. On her journey with EDC as Artistic Director, Natalie continues to create work that balances artistic risk with accessibility and that speaks of humanity. Natalie Weir has created over 160 professional works in her 25+ year career. She was a founding member of Expressions Dance Company and was offered her first choreographic commission by Expression’s artistic director, Maggi Sietsma at 18. Natalie was resident choreographer for Queensland Ballet and Australian Ballet and has worked extensively throughout Australia, creating works for the country’s other major classical and contemporary dance companies, including West Australian Ballet, Dancenorth and Australian Dance Theatre. Career highlights include creating Petrushka for Queensland Ballet and Dark Lullaby for the Australian Ballet. THE HOST 3 TEACHER RESOURCE PACK Natalie has also created works for, or had her works performed by, international companies such as Houston Ballet, Singapore Dance Theatre, Hong Kong Ballet and American Ballet Theatre. Natalie’s work has been recognised through Helpmann Awards for where the heart is (2011), Australian Dance Awards for where the heart is (2011) and R&J (2012). Her work Steppenwolfe for Houston Ballet received the prestigious Choo San Goh AwarD and her original version of Turandot for the Hong Kong Ballet received the 2004 Dance Award for Best New Work. Natalie was appointed Artistic Director of EDC in January 2009, fulfilling her long-term dream to build an ensemble of dancers and contribute to the future of Australian Dance. EXCLUSIVE Introduction to ‘The Host’ by EDC Artistic Director, Natalie Weir (16th Feb 2015) 1. What is the story presented in ‘The Host’? ‘The Host’ is an idea I have played with over time in my career. It intrigued me. It’s set around a dinner party and I guess it really is an observation of status, power and the manipulation of power. A little bit of a social comment I guess. It is a dinner party that deteriorates into craziness. The Host is a young man of great wealth that he has married into. He manipulates the guests at the table and they all want something from him – his stature, his money or his power. There is a bit of a twist at the end because his wife really is the one who has all the power, not him. It is a narrative work. 2. What roles do each of the dancers play in ‘The Host’? Jack is the Host. Ben is the Wannabe social climber and will do anything to get to the top and will walk over whoever to achieve that. Elise is the Hostess, Jack’s wife. She comes from old money and she is an ageing wealthy woman. Jack has a lover (younger woman - Michelle) she manipulates him is other ways. Daryl is a man who once had a great empire but has fallen and lost his status. He is a bit of a has been and it is a bit sad really. He once was the boss but he has been overtaken by Jack’s company. Rebecca is a party girl going along for the ride. Cloudia is quite introverted and is a bit overwhelmed by it all. 3. Is it an Australian dinner party? Does it have a time or place context? It could be a party set any where is the world. 4. Does the storyline stem from a dinner party you were a guest of? The original idea came to me quite a long time ago when I was a young girl at a dinner party and I was sitting there and I thought, this would make a really good dance piece. I have played with this idea three times. Once when I was really young, then about 20 years ago with the Queensland Ballet and then 10 years ago with the Houston Ballet. It is just such a great idea, it allows for plenty of fodder. Everyone has been to a dinner party like that and everybody knows someone with wealth, power, status or the want for those things. It is a good concept because everyone can relate to it. It is set around a big table. The table is used very much as a prop that the dancers climb all over, under and stand of top of. Each of the characters want something different from that night so we are exploring all of that. It will have some kind of social context but is not particularly about someone. It is a bit fun, something different, very accessible, and sexy, fun contemporary dance. 5. You have a new collaboration with a fashion designer this year – Gail Sorronda, has that affected anything in the development process of the work? She is an amazing fashion designer. She is very famous more so internationally than here in Australia. She THE HOST 4 TEACHER RESOURCE PACK has a boutique down in James St – The Valley. She has never designed for dance but she is working in the contemporary fashion world and this idea really appealed to her. Her designs are so beautiful. The girls’ costumes are so elegant and it just gives it a different feel to it being a dance costume. The men all have different suits and different looks, so it looks rich and beautiful. 6. Musically, what can the audience expect from this work? I am working with Tanya Frazer again from The Southern Cross Soloists. She is currently pulling a lot of music together. There will be a string quartet playing live. She is looking for music for string instruments. The quartet will be placed in the balcony just off stage so they will hover over the action of the dancers. We decided that having them on stage will just add a bit more oomph to it. So it is eclectic music, mostly from older musicians who have passed away. The dancers may end up with some musical motifs as the work progresses. 7. How will the black space of the Cremorne Theatre be transformed for this work? The table will be the centre and then floating above centre stage will be a large chandelier and it will be a chandelier made with top hats.
Load more

Recommended publications
  • The Dinner Party 2019 Expressions Dance Company
    EDUCATION NOTES DOCUMENT SECTIONS 1 Introduction 2 Before the Show 3 About Expressions Dance Company 4 About The Dinner Party 5 The Creative Process 6 Character Breakdown 7 Storyboard Structure 8 Production Elements 9 Choreographic Tasks 10 Repertoire Notes 11 Appreciation Tasks 12 Safe Dance Practices 1 INTRODUCTION These education notes have been developed to accompany Expressions Dance Company’s performance of The Dinner Party and associated school workshops. They aim to assist secondary school dance teachers with integrating the themes, stimulus and choreographic processes used when developing The Dinner Party into dance classrooms. All activities directly relate to the Australian Curriculum and Reporting Authority (ACARA) Years 7-10 Dance Curriculum as well as the Queensland Curriculum and Assessment Authority (QCAA) Dance 2019 v1.1 General Senior Syllabus for Years 11-12. 2 BEFORE THE SHOW Read below about the recommended activities to engage with before watching EDC’s performance of The Dinner Party. EXPLORE Click on the link to read more about EDC and The Dinner Party http://expressionsdancecompany.org.au/edc/dinnerparty/ ENGAGE Book a workshop with one or more of our EDC Dancers to build on your students dance practice. Send an email to [email protected] to book or find out more information. RESEARCH Discover more about our previous performance of The Host, of which The Dinner Party is reworked from http://expressionsdancecompany.org.au/edc/the-host/ WRITE Have your students develop a question prior to coming to view the performance. Ask them to consider what they are most curious or excited about seeing.
    [Show full text]
  • Updated Company Info to Be Inserted Into Sycd
    Natalie Weir’s EXPRESSIONS DANCE COMPANY “This prolific company, under the choreographic direction of Natalie Weir, are producing some of the finest contemporary dance works to come out of Australia in recent years” AUSTRALIAN STAGE “This strong company produces some extraordinary performances, matching the best seen on QPAC stage” The Australian “Natalie Weir is one of the most original people working in this area at the moment.” 612 ABC THEATRE REVIEWS Expressions Dance Company is defined by its commitment to excellence in performance, sector development and education, all contributing to the evolution and future of contemporary Australian dance. Under the leadership of internationally acclaimed Artistic Director Natalie Weir (appointed 2009), and with the talents of an extraordinary ensemble of dancers, the company’s work is achieving significant recognition through national awards. Natalie Weir is as an established and acclaimed choreographer, known internationally for her highly physical partner work, her organic movement style and her touching insight into human nature. Natalie’s signature works for EDC include where the heart is (2010 and 2012), R&J (2011) and When Time Stops (2013). 2014 will see the world premiere of Natalie’s fourth signature work - a new contemporary dance adaptation of The Red Shoes. Natalie has also created smaller works for EDC including While Others Sleep, Raw (2010), Don’t, The Lament (2012), and Carmen Sweet (2013). EDC has received invitations to perform in over 16 countries throughout its 28-year history. Recently, EDC’s commitment to cultural collaboration has been articulated through Singapore Dance Theatre’s celebrated Ballet Under The Stars event in 2013, which included the world premiere of Natalie’s 4Seasons and a special performance of EDC’s Carmen Sweet.
    [Show full text]
  • 2008, WDA Global Summit
    World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns.
    [Show full text]
  • Download the Program
    TasDance presents a flight of fancy and the imagination choreographic interpretations of a Tasmanian story 1 Introduction Just as butterflies emerge from their cocoon after their metamorphosis, this season too is a result of a long and wonderful evolution. One of the most rewarding aspects of my position is to see an idea develop and grow. Nearly four years ago author Carmel Bird showed me the wonderful lithograph A Flight of Fair Game that depicts women as butterflies moving from the old country to Van Diemen’s Land. Following her research into the history of the Royal Princess and her cargo of women for the colony, Carmel developed short narrative pieces that have fed the imaginations of our two choreographers, our composer and our set and costume designer. a flight of fancy and the imagination 2 Natalie and Phillip each interpret the story Greg Clarke and his innovative set design based on an intriguing part of Tasmania’s enable the dancers and Natalie to move history and explore notions of entrapment, beyond the floor space and allowed Fair coersion, vilification, moral corruption and Game to take an exciting spatial and the extremes that occur in the relations movement dimension. Likewise he has between men and women. The resulting been able to work to realise Phillip’s fertile works involve universal themes of fear, imagination. It has been particular horror and disgust. rewarding for me to have one designer to work on both set and costumes for the Neither is literal interpretation or a linear production. narrative, but a choreographic exploration and expression.
    [Show full text]
  • Teacher Resource Pack Contents
    TEACHER RESOURCE PACK CONTENTS Introduction to the Teacher Resource Pack 1 WHEN TIME STOPS Synopsis 2 Creative Team 3 EXCLUSIVE Dance An interview with Choreographer Natalie Weir 5 Music An interview with Composer Iain Grandage 9 Design Set, Costume and lighting design 11 The Protagonist 13 Themes 14 EXAMINE Example Appreciation Tasks 16 Example Choreography Tasks 19 Classroom Tasks 20 EXPERIENCE 22 Excitement Expectations Respect EXPRESSIONS DANCE COMPANY 23 Team CHAMPION PARTNER FOUNDING SIGNATURE SEASON SPONSOR INTRODUCTION This pack is designed to give teachers and students an exclusive insight into the creation and performance of Expressions Dance Company’s 2013 signature work, When Time Stops, created by Natalie Weir with original composition by Iain Grandage. To create the Teacher Resource Pack, we examined the current Senior Dance Syllabus, paying particular attention to teacher and student needs for Appreciation and Choreography. We also sought to provide teachers and students with a unique perspective on the creation of the work, to further their understanding of choreographic process and how this translates into performance. We have provided some example Appreciation and Choreography tasks, which could be used as stimulus for assessment tasks after viewing the performance. EXCLUSIVE | Access to the creative team and their methods EXAMINE | Example assessment and classroom tasks EXTEND | Themes and ideas surrounding the work, and how these could be explored further EXPERIENCE | What your students can expect when they come to the theatre EDC | Background information on Expressions Dance Company We are very interested in the continual improvement of our Teacher Resource Packs. If you have any feedback, please feel free to us know.
    [Show full text]
  • Dance 08 Was Produced for the Creative Industries Faculty by Qut Precincts
    DANCE 08 WAS PRODUCED FOR THE CREATIVE INDUSTRIES FACULTY BY QUT PRECINCTS Director Professor Peter Lavery Operations Manager Jill Standfield Marketing Officer Alison Martin Events Officer Liz Thomas Administration Officer Monica Cairns Production Coordinator Mark Middleton Dance 08 Workshop Supervisor Brendan Wright Senior Theatre Technician Chris Dickey Dance Graduation Ticketing Assistants Marie Cunningham, Michaela Banks Stitch Gardens Theatre Sarah-Jayne Howard 2 George Street BRISBANE QLD Australia 4000 Ph. (07) 3138 4455 or [email protected] Study 154 Justin Rutzou PATRONS PLEASE NOTE To ensure that all patrons enjoy the performance Management asks you to note: Fallen Angels II • Camera, tape recorders and paging devices should not be used inside the auditorium. • Switch off alarms and mobile phones prior to the performance. Harold Collins MBE • A single cough measures approximately 65 decibels of sound. The use of a handkerchief helps to greatly soften the sound. • Management reserves the right to refuse admission, also to make any alterations in the program remember to breathe which may be rendered necessary by illness or other unavoidable causes. Natalie Weir EVACUATION PATRONS are advised that the Gardens Theatre has an EMERGENCY EVACUATION PROCEDURE, a FIRE ALARM system and EXIT escape signs. In the case of an alert, patrons should remain calm, look for the closest EXIT sign in GREEN, listen to and comply with the directions given by Gardens Theatre staff, and move in an orderly manner to the open spaces outside Gardens Theatre. FOREWORD DANCE STAFF 2008, SEMESTER 2 Welcome to Dance Grad 08, our final showcase program for this year. Our students have had a busy Full-time semester working with our four guest choreographers and look forward to sharing their work with Shaaron Boughen Discipline Leader, Lecturer in Choreography, Performance Studies you.
    [Show full text]
  • THE HONG KONG BALLET Thu, Nov 6, 7:30 Pm Fri, Nov 7, 8:00 Pm Carlson Family Stage
    2014 // 15 SEASON Northrop Presents THE HONG KONG BALLET Thu, Nov 6, 7:30 pm Fri, Nov 7, 8:00 pm Carlson Family Stage Turandot The Hong Kong Ballet in Turandot. Photo © Gordon Wong. Dear Northrop Dance Lovers, Northrop at the University of Minnesota Presents We are thrilled to present The Hong Kong Ballet in their first Northrop appearance. The company is celebrating their 35th anniversary this year, and we join them in celebration of this milestone. In a rare treat for lovers of ballet, and lovers of beautiful music, Hong Kong Ballet has commissioned acclaimed Australian choreographer Natalie Weir to create a dramatic and romantic story ballet from Puccini’s famous opera, Turandot. Weir’s exquisite partnering work and signature dance vocabulary is the perfect choice to bring this story of love and sacrifice to vibrant life. A passionate tale of ancestral revenge and the transformative power of love, Turandot follows the story of Prince Calàf who gambles his life on the chance to win the love of ice-cold Artistic Director MADELEINE ONNE Christine Tschida. Photo by Patrick O'Leary, Princess Turandot. The princess, whose beauty draws suitors University of Minnesota. from far and wide, makes each hopeful petitioner answer Senior Ballet Master LIANG JING three riddles. But this is no parlor game: Those who answer incorrectly pay with their lives. Ballet Mistress TANG MIN Weir set the ballet to Giacomo Puccini’s lush and beautiful original score that audiences will instantly recognize. Puccini (known for such masterworks as Madame Butterfly and La Bohème) left Turandot Executive Director PAUL TAM unfinished when he died, but composer and pianist Franco Alfano finished it a couple years later.
    [Show full text]
  • View the Succession Program
    Succession Succession 25—27 March Judith Wright Arts Centre Two ensembles, one collective experience. A rare and transformative event, Succession sees our 27-strong Youth Ensemble creating and performing with the professional dancers of the company. Succession features four works created on the artists of ADC’s 2021 Youth Ensemble and culminates in a world premiere collaboration with the combined 32 artists of the company and Youth Ensemble all on stage together. Audiences will be treated to unique works created by Youth Ensemble Director, Riannon McLean, company artist, Lonii Garnons- Williams, and recently-retired company artists Bernhard Knauer and Jake McLarnon. As its name suggests, Succession is a key platform in ADC’s commitment to actively developing and inspiring the next generation of dancers and dance makers. Youth Ensemble The Youth Ensemble comprises like-minded choreographic workshops, Elise May helping individuals between the ages of 15 and 18 students with capturing dance in the digital who share the same passions and creative space, Yasim Coronado Veranes for pathways. Over three terms, Youth Ensemble contemporary dance workshop focusing on Director, Riannon McLean, leads a program artistry, origin and new style experiences and that will enhance young dancers’ learning Anastasia Woolmer for memory-focused by encouraging a strong focus on their techniques to help our dancers remember development as a young creative artist. choreography. There is great emphasis on the importance of communication as an ensemble as well Developed alongside the company calendar, as the implementation of creative habits to our Youth Ensemble benefits from direct build confidence and encourage curiosity and access to the company dancers and support exploration.
    [Show full text]
  • Natalie Weir's
    Expressions Dance Company and Queensland Performing Arts Centre in association with Camerata of St John’s present NATALIE WEIR’S 20-28 May 2016, Playhouse, QPAC from Guangdong Modern Dance Company, who brings a unique and organic perspective to the role created with Daryl Brandwood. I am proud of the relationship we have built with Willy Tsao and his companies in Asia. I also welcome Jake McLarnon, who takes on the role created with Jack Ziesing. Jake brings a strong individuality and prowess to the stage. We welcome Thomas Gundry Greenfield back to his role as ‘The Ferryman’. Tom made a huge NATALIE WEIR I ARTISTIC DIRECTOR impression last time in this role and it is fantastic EXPRESSIONS DANCE COMPANY to have him back, following last year’s 7 Deadly Sins where he performed the role of ‘Man’. It gives me great pleasure to EDC members Rebecca Hall and Cloudia Elder welcome you to the return season bring a freshness to the work, and Michelle of When Time Stops. Barnett stars, in her first leading role, as ‘The Woman’, a role originally created with Riannon It has been exciting to revisit this work, which McLean. Benjamin Chapman revisits his role is the result of significant collaboration with with great sensitivity and grace, and Elise May many talented artists contributing to its once again moves us to tears, bringing her vision. The work was very successful in its increasing maturity and artistry to the stage. original incarnation in 2013, being nominated All of these superb dancers bring the work to for Australian Dance Awards and Helpmann life, taking new directions and refreshing the AwardsTM.
    [Show full text]
  • 2011 Australian Dance Awards Presented by Ausdance in Association with QPAC Honouring and Showcasing the Best Australian Dance
    2011 AUSTRALIAN DANCE AWARDS 8 JUNE 2011 2011 Australian Dance Awards Presented by Ausdance in association with QPAC Honouring and showcasing the best Australian dance shortlist of nominees announced for 2011 awards presented for the first time in Queensland The final nominees for this year’s Australian Dance Awards were announced today. Sydney Dance Company, Australian Dance Theatre and Expressions Dance Company stand shoulder to shoulder with multiple nominees. Presented by Ausdance in association with Queensland Performing Arts Centre (QPAC), the dance industry’s premier national award event will be held in Queensland for the first time in its 14 year history in QPAC’s Playhouse on Sunday 24 July 2011. The Awards cover nine categories as well as a Lifetime Achievement award and an induction into the Australian Dance Awards Hall of Fame. Both Australian Dance Theatre (ADT) from Adelaide and Brisbane-based Expressions Dance Company (EDC) have been nominated for four major awards: Outstanding Achievement in Choreography by Garry Stewart (ADT) for Be Your Self and Natalie Weir (EDC) for Where the Heart Is; Outstanding Performance by a Company for ADT’s Be Your Self and EDC’s Where the Heart Is; Outstanding Performance by a Female Dancer for EDC’s Elise May and ADT’s Larissa McGowan and Outstanding Performance by a Male Dancer for EDC’s Richard Causer and ADT’s Kimball Wong. Sydney Dance Company has been nominated for three awards, Outstanding Achievement in Choreography by Rafael Bonachela for 6 Breaths, Outstanding Performance by a Company for We Unfold, and Outstanding Performance by a Female Dancer for Amy Hollingsworth in Irony of Fate.
    [Show full text]
  • Seven Deadly Sins Teachers Notes
    Natalie Weir’s ‘Seven Deadly Sins’ The following pack is designed to give teachers and students an exclusive insight into the creation and presentation of Expressions Dance Company’s 2015 production of ‘Seven Deadly Sins’. To create the Teacher Resource Pack, we examined the 2010 Senior Dance Syllabus, paying particular attention to teacher and student needs for Appreciation and Choreography. We also sought to provide dance teachers and students with a unique perspective on the creation of the work, to further their understanding of choreographic and design processes and how this translates into performance. We have also provided some example Appreciation and Choreography tasks, which could be used as stimulus for assessment tasks after viewing the performance. EXCLUSIVE Access to the creative team and their methods… EXAMINE Example assessment tasks… EXTEND Themes and ideas surrounding the work, and how these could be explored further… EXPRESSIONS Background information on Expressions Dance Company… TEACHER RESOURCE PACK 1 CONTENTS Synopsis and information about Natalie Weir 3 EXCLUSIVE Interview with Natalie Weir 4 Storyboard 6 Interviews with the dancers 9 Interview with designer Bill Haycock 13 Costume sketches, set design 14 EXAMINE Example Appreciation Task 1 16 Example Appreciation Task 2 16 Example Appreciation Task 3 17 Example Choreography Task 1 18 Example Choreography Task 2 18 Example Choreography Task 3 (Classroom task) 19 EXTEND Extend, Explore, Connect and Engage 20 History of EDC 21 We are very interested in the continual improvement of our Teacher Resource Packs. If you have any feedback on the pack, please feel free to us know. Contact Expressions Dance Company on [email protected] or 07 3257 4222.
    [Show full text]
  • ANNUAL REPORT 2016 “Queensland Ballet Is a Thriving Company in Terms of Collaborators, Donors and Dreams.” Sharon Verghis the Weekend Australian
    ANNUAL REPORT 2016 “Queensland Ballet is a thriving company in terms of collaborators, donors and dreams.” Sharon Verghis The Weekend Australian Cover: Principal Artist Laura Hidalgo Photographer: Simon Lekias Inside Cover: Principal Artists Yanela Piñera and Victor Estévez in Derek Deane’s Strictly Gershwin Photographer: David Kelly “The rise and rise of CHAIR’S REPORT 4 – 5 ARTISTIC DIRECTOR’S REPORT 6 – 7 Queensland Ballet [is] great EXECUTIVE DIRECTOR’S REPORT 8 – 9 PERFORMANCE SUMMARY 10 – 11 for Brisbane audiences.” Mainstage Season 12 – 19 Deborah Jones Studio Season 20 – 21 The Australian Guest Performances 22 Canberra Tour 23 Little Red Riding Hood 24 Regional Queensland Tour 25 2016 YEAR IN REVIEW 26 – 27 QUEENSLAND BALLET ACADEMY 28 – 29 REACH, EDUCATION & ENGAGEMENT 30 – 31 OUR PARTNERS 32 OUR SUPPORTERS 33 THE COMPANY 34 CORPORATE GOVERNANCE 35 DIRECTORS’ REPORT 36 – 38 AUDITOR’S INDEPENDENCE DECLARATION 39 FINANCIALS 40 – 58 Principal Artists Laura Hidalgo and Victor Estévez in Liam Scarlett’s A Midsummer Night’s Dream Photographer: David Kelly 2016 was certainly a year in which the Company fulfilled Our Academy touched more lives this year as young dancers this commitment wholeheartedly. This is something we’re sought to further their dreams of becoming professional exceedingly proud of as we aim to build on our 56 year dancers through our elite workshops in Queensland and history to help foster and develop a lasting legacy for interstate. It’s inspiring to see the investment in our Academy ballet in Queensland, Australia and abroad. As grateful starting to really bear fruit as we lift the barre and attract as we are for our loyal audiences who love this art form, student dancers of an increasingly high standard.
    [Show full text]