Courier Gazette : March 2, 1939
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744 101St Chase and Sandborn Show Anniversary Show
744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO WITH JUDY GARLAND 1/6/1944 NBC 30 VG+ COM 2492 ABBOTT AND COSTELLO WITH HAROLD PERRY 1/20/1944 NBC 30 VG+ COM 4073 ABBOTT AND COSTELLO WITH THE GREAT GILDERSLEEVE 1/20/1944 NBC -
Handel ALCESTE
HANDEL ALCESTE Lucy Crowe . Benjamin Hulett . Andrew Foster-Williams Early Opera Company CHANDOS early music CHRISTIAN CURNYN George Frideric Handel, 1749 Handel, George Frideric Painting by Thomas Hudson (1701 – 1779) © Lebrecht Music & Arts Photo Library George Frideric Handel (1685 – 1759) Alceste, HWV 45 Incidental music to the play by Tobias Smollett (1721 – 1771) Music texts probably by Thomas Morell (1703 – 1784) 1 1 Ouverture. [ ] – Allegro – A tempo ordinario 5:04 2 2 Grand Entrée 1:57 3 3 Accompagnato (Tenor). ‘Ye happy people’ 0:22 4 4 Soli and Chorus. ‘Triumph, Hymen, in the pair’. Andante allegro 2:34 Elizabeth Weisberg soprano Sian Menna mezzo-soprano 5 5 Solo (Soprano) and Chorus. ‘Still caressing, and caress’d’. Allegro 2:34 6 6 Air (Tenor). ‘Ye swift minutes as ye fly’. Allegro 3:27 7 7 Chorus. ‘O bless, ye pow’rs above’ 2:00 8 8 Air (Soprano). ‘Gentle Morpheus, son of night’. Largo e mezzo piano – ‘That when bright Aurora’s beams’. Andante – Largo – Air 8:07 9 Sinfonia from Admeto, re di Tessaglia, HWV 22 1:18 10 9 Air (Bass). ‘Ye fleeting shades, I come’. Andante 4:19 11 10 Chorus. ‘Thrice happy who in life excel’. Larghetto 1:57 3 12 11 Air (Tenor). ‘Enjoy the sweet Elysian grove’. Allegro, mà non troppo 5:14 13 Passacaille from Radamisto, HWV 12a 4:42 14 Si replica il Coro precedente ‘Thrice happy’ 1:58 15 12 Air (Soprano). ‘Come, Fancy, empress of the brain’. Allegro, ma non troppo – Adagio 5:33 16 13 Symphony and Accompagnato (Tenor). -
WHEN a WOMAN DOCTOR LOVES Me Case History of HILDA HOPE, Daring Radio Heroine 4
Wa,n'a 1Jivorce Odio's Compelling Drama of a Faithless Wife WHEN A WOMAN DOCTOR LOVES Me Case History of HILDA HOPE, Daring Radio Heroine 4. ..--- .4 p _ -I fi,4 ' it- 4 Ni © L l l...--- --IIII '011111 1 1 6\ YOU WILL BE MORE BEAUTIFUL WITH z PRINCESS PAT ROUGE Its Color is Real -Not Artificial SUPPOSE YOU suddenly discovered a way to brilliant PRINCESS PAT new loveliness ... wouldn't you want it? Of course! 5.-Shade Well, ordinary rouge certainly CAN'T give you all the beauty Giant Size DOUBLE LIPSTICK you could have if it leaves you with a painted, artificial look! 250 But PRINCESS PAT ROUGE is not ordinary rouge -it's duo -tone ... an undertone and an overtone make each shade. Here in one When you apply PRINCESS PAT ROUGE, a color -miracle takes place. Mysteriously, the true double giant lipstick, are the two lipstick shades that color of youth comes into your skin, so gloriously real no one will guess it is rouge. The effect is fashion says you must wear now. One is a brilliant that the color comes from WITHIN your skin, like a blush, only much more thrilling. Hidden Bombshell Red -the other a Blue -Blood Red. Armed loveliness suddenly blooms. Somehow, you radiate fresh NEW charm ... your new complexion with a PRINCESS PAT Tu -Shade Lipstick there's beauty compels the admiration of those whom you have always wanted to love you. You no costume. mood or situ- ation that your lips can't actually SEE this amazing improvement take place- instantly. -
Echoes Churchill Funeral
PRIDAY, JANUARY 29, 196 PAGE EIGHTEEN iianrlffBter Sutning l|waU> Avenge Daily Net Frees Ron The WeiBtha rw Gw Wsek ined Marine Pfc. Wesley D. Dick yoneant aC U. G. W aatet Bi Steamers, cherrystone olams iammrr n . im and clam chowder will be inson, son of Mr. and Mra. Wee- TerhpleBid About Town served tonight from 7 to 9 at ley I. Dickinson of 283 Spencer Announce Engagements O R A N G E H A a laereaG ag the Elks Club, Bissell St. Mern- St., and Lance Cpl. Robert S. 14,148 •eld Gwlght; Miu Nancy Jane Orayb, bers, their wives and guests are Oliver, .".on of Mrs. Sara M. Oli Goes to ZB A iEupmtm llpralh daughter of Mr. and Mra. Hen welcome. ver of 146 Bi.ssell St., have re r of Gw AeMt ry J. Grzyb, 99 North St., has turned to Camp Lejeune, N. C., ol OIresdaGoB Manehe$ter— A City of Village Charm been named to the dean’s list The Ladies of the As.sump- after serving a tour of duty in Second Time for outstanding a c a d e m 1< tion will meet Monday at 8:15 the Mediterranean with the achievement at Bryant College, Sixth Fleet. Temple Beth Sholom, which (Okwatfled Advertising on Page lO) PRICE SEVEN CENIf School of Business Administra p.m. at the church hall. Rob earlier this month had appeal VOL. LXXXTV, NO. 102 (TWELVE PAGES—TV SECTION) MANCHESTER, CONN., SATURDAY, JANUARY 30, 1965 tion, ProVinence. She Is a June ert Munson of the Munson Can The Roller Skating program ed a Dec. -
Fanny Brice and the “Schnooks” Strategy: Negotiating a Feminine Comic Persona on the Air
Michele Hilmes Fanny Brice and the “Schnooks” Strategy: Negotiating a Feminine Comic Persona on the Air No one could claim that the career of Fanny Brice here is Kate Smith—in a system that preferred has been overlooked. Frequently in the news its female stars as secondary sidekicks (Mary during her long career—more for her private than Livingstone to Jack Benny, Portland Hoffa to Fred her professional life—she has been the subject Allen), relatively humorless “straight women” to of three biographies, numerous popular articles, their partner’s comic lead (Molly in Fibber McGee and several major motion pictures.1 The fact that and Molly), or as the recurring “dumb dora” of most of these efforts have stirred controversy only vaudeville mixed-pair comics (most famously, seems to reflect the tempestuous and contradictory Gracie Allen). Within this carefully delimited life of their heroine, whose career from ethnic containment of the disruptive potential of women’s burlesque to legitimate stage to radio spans more humor, Brice stands out. In her early years on than thirty years and three dramatic marriage-and- NBC in the Chase and Sanborn Hour (1933) divorce scenarios. Amidst the drama of Brice’s and on the Ziegfeld Follies of the Air (CBS 1936) life, and the colorful anecdotes of her role in Brice’s was a woman’s voice speaking humorous the lives of such showmen as Florenz Ziegfeld and sometimes bawdy lines, directing attention and Billy Rose, her most enduring contribution both to her gender and to her ethnicity, defying to popular entertainment—the comic character bounds of taste and appropriate feminine behavior. -
A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pratt, Carol Isaacs, "A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952." (1976). LSU Historical Dissertations and Theses. 3043. https://digitalcommons.lsu.edu/gradschool_disstheses/3043 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
Charles Young and Family Author(S): William H. Cummings Source: the Musical Times, Vol
Charles Young and Family Author(s): William H. Cummings Source: The Musical Times, Vol. 54, No. 847 (Sep. 1, 1913), pp. 586-587 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/908049 Accessed: 14-12-2015 05:34 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 129.96.252.188 on Mon, 14 Dec 2015 05:34:28 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL 586 TIMES.-SEPTEMBER I, 1913. Montaigne,a Rousseau, a Cellini, or a Casanova, his paper it is writtenon.' Mr. Boughton was a London autobiographywould have been one of the marvelsof criticwhen this pamphlet was written,so we are left to its kind. HIe was, as Nietzschesaw, too weak forthat. wildly as to the identityof the remainingsix. are speculate But we who do know what mannerof man he was The Festival of the future,according to Mr. Boughton, not to be affected the by average Wagnerite'sholding is to combine competitionand to give concerts, a plan of the hands in horrorat the that up mere suggestion long ago adopted at Kendal and elsewhere. -
Bing Crosby the Illustrated: Cj>Ress
The Old Time Radio Club Established 1975 b Number 341 June 2006 Bing Crosby The Illustrated: cj>ress Membership Information Club Officers. and Librarians Club Membership: $18.00 per year from January 1 President to December 31. Members receive a tape library list Jerry Collins (716)683~6199 ing, reference library listing and the monthly 56 Christen Ct. newsletter. Memberships are as follows: If you join Lancaster, NY 14086 January-March, $18.00; April-June, $14; July [email protected] . Septem ber, $10; October-December, $7. All renewals should be sent in as soon as possible to Vice President & Canadian Branch avoid missing newsletter issues. Please be sure to Richard Simpson (905) 892-4688 notify us if you have a change of address. The Old 960 16 Road R,R. 3 Time Radio Club meets on the first Monday of the Fenwick, Ontario month at 7:30 PM during the months of September Canada, LOS 1CO through June at St. Aloysius School Hall, Cleveland Drive and Century Road, Cheektowaga, NY. There Treasurer, Videos & Records is no meeting during the month of July, and an Dominic Parisi (716) 884-2004 informal meeting is held in August at the same 38 Ardmore PI. address. Buffalo, NY 14213 Anyone interested in the Golden Age of Radio is Membership Renewals, Change of.Address welcome. The Old Time Radio Club is affiliated with Peter Bellanca (716) 773-2485 the Old Time Radio Network. 1620 Ferry Road Grand Island, NY 14072 Club Mailing Address [email protected] Old Time Radio Club 56 Christen Ct. Membership Inquires and OTR Lancaster, NY 14086 Network Related Items E~Maii Address: Richard Olday (716) 684-1604 [email protected] 171 Parwood Trail Depew, NY 14043-1071 All Submissions are subject to approval [email protected] prior to actual publication. -
The Maine Broadcaster Local History Collections
Portland Public Library Portland Public Library Digital Commons The Maine Broadcaster Local History Collections 10-1948 The Maine Broadcaster : October 1948 (Vol. 4, No. 10) Maine Broadcasting System (WCSH Portland, ME) Follow this and additional works at: https://digitalcommons.portlandlibrary.com/mainebroadcaster TBE . - MAINE BROADCASn:R· Af!illnto PUBLISHED AS AN AID TO BEITER RADIO LISTENING VOL. IV, No. 10 Portland, Maine, October~ 1948 Price Five Cents Farm Programs Featured On · MeBS Victor Best Named To Post Broffee Confers On Boston University~;Faculty With Republican Standard Bearer Bangor Woman Wins During Septemller, the Maine Broadcasting System went all out to On Network Program bring its rural listeners complete Mrs. Michael Smart of 161 York coverage of agricultural events in Street, ·Bangor, has been named a New England and the nation. The intensified farm coverage centered winner on the BC Let's Talk Holly around "Jake" Brofce, agricultural wood program. As her r~ward, fVIrs, director of the network, and his Smart was offered the choice of either regular early morning show, Maine a new television set, worth approxi Farm Topics. mately I-thousand dollars instaUed or The week of Sept. 20, Brofee aired an RCA combination radio-phono his program from Springfield, Mass., grnph and $100 worth of Victor re scene of the giant Eastern States Ex cords and a year's free admission to position. A special line from Spring her favorite local theater. field to Portland was set np to carry This was all a very pleasant sur Brofee's broadcasts to Maine listeners. prise co Mrs. Smart as she was n~t M IS~ MAINE AND MR. -
Georg Friedrich Haendel Semele Lundi 8 Avril 2019 – 19H30
GRANDE SALLE PIERRE BOULEZ – PHILHARMONIE Georg Friedrich Haendel Semele Lundi 8 avril 2019 – 19h30 PROGRAMME Georg Friedrich Haendel Semele – version de concert Livret de Newburgh Hamilton Acte I Acte II ENTRACTE Acte III Monteverdi Choir English Baroque Soloists Sir John Eliot Gardiner, direction Louise Alder, soprano (Semele) Hugo Hymas, ténor (Jupiter) Lucile Richardot, mezzo-soprano (Ino, Junon) Carlo Vistoli, contre-ténor (Athamas) Gianluca Buratto, basse (Cadmus, Somnus) Emily Owen, soprano (Iris) Ce concert est surtitré. FIN DU CONCERT VERS 22H50. L’œU V re Georg Friedrich Haendel (1685-1759) Semele HWV 58 Opéra en trois actes composé sur un livret de Newburgh Hamilton, d’après William Congreve. Composition : 4 juin-4 juillet 1743. Création : le 10 février 1744, au King’s Theater de Covent Garden, à Londres, « à la manière d’un oratorio », avec Élisabeth Duparc dite la Francesina (Semele, L’Augure), la mezzo-soprano Esther Young (Ino, Junon), la soprano Christina Maria Avoglio (Iris), le ténor John Beard (Jupiter, Apollon), le contre-ténor Daniel Sullivan (Athamas), la basse Henry Theodore Reinhold (Cadmus, Le Grand-Prêtre, Somnus). Durée : première partie environ 105 minutes ; seconde partie environ 75 minutes. À partir des années 1730, le désintérêt du public londonien pour l’opéra italien, genre dont Haendel avait pourtant été le plus ardent promoteur depuis 1711, avait conduit le compositeur saxon à explorer de nouvelles voies pour tenter de renouer avec le succès. L’oratorio volgare, en langue vernaculaire, fut la réponse qui s’imposa rapidement à lui. Son tout premier oratorio anglais, Haman and Mordecai, date de 1718, mais cette com- position de circonstance n’est pas à proprement parler le prototype du genre. -
Radio Mirror
HY WE DIDN'T DARE DIVORCE - MaSHS idio's Greatest Christmas Story CANDLE IN THE FOREST By TEMPLE BAILEY (Hon Scoop! Read Radio's Big Sister— A Thrilling Novel of Modern Love — Even your best friend won H tell you T^DNA was simply crushed by -—' Charlie's curt note barren of explanation. True, she and Charlie frequently had "lovers' spats" but these were not enough to warrant breaking their engagement. Dis- heartened and puzzled, she sought Louise, her best friend. Perhaps she'd offer some explanation. Louise could, too; could have re- lated in a flash what the trouble was . but she didn't; the subject is so delicate that even your best friend won't tell you. HOW'S YOUR BREATH TODAY? You may be guilty of halitosis (bad breath) this very moment and yet be unaware of it. That's the insidious thing about this offensive condition; you yourself never know when you have it, but others do and snub you unmercifully. Don't run the risk of offending others needlessly. You can sweeten your breath by merely using Listerine Antiseptic, the remarkable deodorant with the delightful taste. Rinse the mouth with it every morning and every night, and between times before business and social engage- ments. As it cleanses the entire oral cavity, Listerine Antiseptic kills outright millions of odor-producing bacteria. At the same time it halts the fermentation of tiny food particles skipped by the tooth brush (a major cause of odors) then overcomes the odors themselves. Remember, when treat- ing breath conditions you need a real deodorant that is also safe; ask for Lis- terine — and see that you get it. -
Catalog of Copyright Entries 1953 Motion Pictures and Filmstrips Jan
.N'^ CATALOG OF COPYRIGHT ENTRIES Third Series VOLUME 7, PARTS 12-13, NUMBER 1 Motion Pictures and Filmstrips JANUARY-JUNE 1953 o -^ * * ^ COPYRIGHT OFFICE THE LIBRARY OF CONGRESS WASHINGTON: 1953 CATALOG OF COPYRIGHT ENTRIES Third Series , CATALOG OF COPYRIGHT ENTRIES Third Series VOLUME 7, PARTS 12-13, NUMBER 1 Motion Pictures and Filmstrips JANUARY-JUNE 1953 COPYRIGHT OFFICE THE LIBRARY OF CONGRESS WASHINGTON: 1953 REMOVAL OF DEPOSITS FROM COPYRIGHT OFFICE NOTICE is given to authors, copyright proprietors and other lawful claimants that they may claim and remove before January 1, 1954, any article of the following named classes of published works deposited for copyright between January 1, 1950, and January 1, 1951, not reserved or dis- posed of as provided by sections 213 and 214 of Title 17 of the United States Code and still remaining in the files of the Copyright Office at the time of the request for their removal. The classes of pubhshed works covered by this notice are: Books and Pamphlets. Contributions to periodicals. Works of art; models or designs for works of art. Reproductions of a work of art. Drawings or plastic works of a scientific or technical char- acter. Photographs. Prints and pictorial illustrations excluding prints or labels used for articles of merchandise. Other published works and all unpublished works are excluded from this notice. The request for the removal of any copyright deposit should be signed by the person entitled thereto or his duly authorised agent. Such request should identify the work by stating the title, author, copyright proprietor, registration number and year of deposit, and should be addressed to the Copyright Office, Library of Congress, Washington 25, D.