The Bleeding Edge”

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July 3, 2018 Koch Parafinczuk Wolf Susen Hosts Exclusive Pre-Screening of Tribeca Film Festival feature “The Bleeding Edge” Attorneys continue push to remove dangerous medical devices from the market FORT LAUDERDALE— Koch Parafinczuk Wolf Susen hosted an exclusive pre-screening of The Bleeding Edge, a documentary that delves deep into the $400 billion medical device industry from Academy Award® nominated filmmakers Kirby Dick and Amy Ziering at the Classic Gateway Theatre in Fort Lauderdale. The screening was followed by a Q&A panel featuring patients Angie Firmalino and Amanda Koch Parafinczuk Wolf Susen Dykeman, who were impacted by some of the devices presented in the film. Firm partners Marcus Susen and Justin Parafinczuk have been at the forefront of the national litigation against the permanent form of birth control, Essure that includes more than 10,000 cases throughout the country. The two attorneys have handled the litigation on these cases since their inception, prior to any other lawyers filing similar suits, representing more than 1,000 women who had adverse reactions to the permanent birth control device. Earlier this year, they were named to the plaintiff’s steering committee for Essure, with Susen serving as lead counsel for the entire committee and Parafinczuk appointed discovery chair. “These devices have been causing harm to patients for years,” said Susen. “It’s important that we spread awareness of what’s going on, work to put an end to the pain and suffering and start holding these companies accountable.” The Bleeding Edge premiered at the 2018 Tribeca Film Festival and is scheduled for a national release on Netflix this summer. About Koch Parafinczuk Wolf Susen, P.A. (KPWS): Koch Parafinczuk Wolf Susen (KPWS) was founded by a group of veteran attorneys with vast litigation experience. The attorneys and support staff of KPWS respond to their clients’ needs and adapt legal strategies accordingly. The team-oriented approach at Koch Parafinczuk Wolf Susen incorporates cutting edge technology in representing clientele. The firm has offices in Coral Gables, Pensacola and Ft. Lauderdale. For more information, visit www.kpwlaw.com. .

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Ethics After Hours the Bleeding Edge
Ethics After Hours The Bleeding Edge Documentary _________________________________________________________________ Summary1 Medical devices can save lives, help us live longer, and improve our quality of life. In The Bleeding Edge, Kirby Dick, Amy Ziering and Amy Herdy explore how lax regulations, corporate cover-ups and the drive for profit in the medical device industry may put patients at risk. The program features cases where medical devices such as Essure (a permanent birth control device), vaginal mesh, the DaVinci Surgical System, and chrome-cobalt hip- replacements have caused irrevocable harm to patients. Director: Kirby Dick Producer: Amy Ziering and Amy Herdy Released: April 21, 2018 Available on Netflix Duration: 1 hours 40 Mins. Discussion questions: • What was your initial reaction to this documentary? • In your opinion, what are the ethical responsibilities of the medical device industry, the medical community, and the government in ensuring patient safety regarding medical devices through approval, usage guidelines, and reporting of adverse events? • Should health care providers be better educated about the approval processes for drugs and medical devices? • According to the documentary, pre-market approval (PMA) for medical devices requires only one clinical trial or study. o Did it surprise you that the approval for medical devices requires fewer steps than the approval of new drugs? o Discuss various reasons for this difference in approval process. Do you believe that it is justified? • What type of regulatory and non-regulatory measures do you think could help alleviate the problems around patient safety outlined in the documentary? 1 This summary is adapted from Wikipedia https://en.wikipedia.org/wiki/The_Bleeding_Edge and Netflix’s website.
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1 the Bleeding Edge, An Independent Documentary Directed
1 The Bleeding Edge, an independent documentary directed by Kirby Dick and produced by Amy Ziering through their production company, Chain Camera Pictures, unearths systematic corruption within the “$400 billion medical device industry” (The Bleeding Edge 2018). The film takes a deep dive into the healthcare impacts of medical device “innovation” (Dick 2018). Both Dick and Ziering specialize in investigative journalism and documentary having produced the Emmy Award-winning and Academy Award-nominated documentary, The Invisible War (The Bleeding Edge 2018). In all of their documentaries, Dick and Ziering focus on issues of “breaking news,” aiming to inform public opinion, and influence policy (Fuchs 2018). According to Ziering, in an interview by No Film School, when she and Dick decide to make a film they “first get intrigued, then outraged, and then [they] decide to make a movie” (Buder 2018). In the case of The Bleeding Edge, the topic of the film arose when one of Chain Camera Picture’s producers, Amy Herdy, came forward with “this crazy story” about one of her neighbors, who had experienced complications due to an untested medical device (Buder 2018). The disbelief following the interview resulted in an in-depth investigation into this “breaking news,” where research was conducted, and interviews with survivors, professionals, scholars, and doctors were recorded (Fuchs 2018). This information was then synthesized and analyzed, before getting compiled into a commercially consumable film that informs the public of the fractured health system that “has devolved into [a] business” (Fuchs 2018) The Bleeding Edge is an independent film, meaning that,t was not produced in Hollywood and is not backed by any super PACs or the government (Grove 2014).
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1997 Sundance Film Festival Awards Jurors
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2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
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Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students.
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The Political Economy of Independent Film: a Case Study of Kevin Smith Films
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 The Political Economy of Independent Films: A Case Study of Kevin Smith Films Grace Kathleen Keenan Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION THE POLITICAL ECONOMY OF INDEPENDENT FILMS: A CASE STUDY OF KEVIN SMITH FILMS By GRACE KATHLEEN KEENAN A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Arts in Media Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Grace Kathleen Keenan defended on April 9, 2009. ____________________________________ Jennifer M. Proffitt Professor Directing Thesis ____________________________________ Stephen D. McDowell Committee Member ____________________________________ Andrew Opel Committee Member __________________________________________________ Stephen D. McDowell, Chair, Department of Communication __________________________________________________ Gary R. Heald, Interim Dean, College of Communication The Graduate School has verified and approved the above named committee members. ii For my parents, who have always seen me as their shining star iii ACKNOWLEGEMENTS Dr. Proffitt: Without your dedication to learning and students, this thesis would have been impossible. You truly have the patience of an angel. Much love. Dad: How do you put up with me? Thank you for all your emotional and financial support. Mom: You are always striving to understand. I think I get that from you. Newton Hazelbaker: Again, how do you put up with me? Thank you for your absolute and unconditional love. Laura Clements: Perhaps the most fun person I’ve ever met.
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Explicit Content: a Discussion of the MPAA Film Rating System and the NC-17 Rating Caroline H
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DICK, Kirby and ZIERING, Amy. 2016. the Hunting Ground. the Inside Story of Sexual Assault on American College Campuses
DICK, Kirby and ZIERING, Amy. 2016. The Hunting Ground. The inside story of sexual assault on American college campuses. México: Hot Books, 188 pp. doi: http://dx.doi.org/10.18543/djhr-3-2018pp209-214 The Hunting Ground started to initially be a documentary released in 2015 daring to present on the big screen, the sexual violence on the United States college campuses. The filmmakers Kirby Dick and Amy Ziering were the Academy Award winners of the film “The Invisible war”, which tackles the sexual violence happening in the army context. While they were running along the United States college campuses screening “The Invisible War” and discussing about the silence perpetuated into the army, students were raising their hands from the public, claiming the gender violence also exits within the academy. According to its producers, The Hunting Ground is the consequence of directly interviewing around 70 people on camera and more than 200 in off-camera dialogues. One year after its first release, the documentary’s impact was uncountable. The visionary of this documentary at each university, contributed to trigger discussion about the issue of sexual harassment, started activism among its community and initiating change. While the producers were moving from one campus to another talking about the issue of sexual violence in university, they were always sharing similar situations, meaning listening stories and feeling the students need of being heard, understood and supported. In this sense, the huge amount of screenings around universities have allowed victims to break their silence and speak out about their cases, while joining their power to organize themselves; symbolizing in most cases the strongest fight ever against sexual harassment at their universities.
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Hofstra University Film Library Holdings
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The Fast Track Initiative
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HBO Documentary Films Four-Part Documentary Series ALLEN V. FARROW Debuts February 21
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ON the RECORD: a Conversation with Directors Kirby Dick and Amy Ziering
ON THE RECORD Directed by Kirby Dick & Amy Ziering USA / 2020 / 97 mins Press Contacts Sales Contact - UTA Ryan Mazie, 609-410-2067 Rena Ronson, [email protected] [email protected] SYNOPSIS With their groundbreaking films on sexual assault in the military (The Invisible War) and on college campuses (The Hunting Ground), directors Kirby Dick and Amy Ziering shook the established view of sexual assault in America, moving it from an isolated “he said-she said” narrative to a sweeping indictment of systemic violence and rape culture. Now, in the #MeToo era that their films helped to usher in, comes ON THE RECORD, their third documentary in the trilogy. A searing examination of the costs of coming forward, the film follows Drew Dixon as she wrestles with the decision to go public and share her story with the NYTimes. ON THE RECORD takes you into the world of Def Jam Records in the ‘90s, where Dixon was a rising star in an industry rife with misogyny and sexual harassment. As Dixon recounts in the film, from her first day on the job, she managed to deflect and move past ongoing harassment, until she was wholly caught off guard one fateful night and brutally accosted by Simmons. More than two decades later, ON THE RECORD documents the devastating toll this recounted act exacted not only on Drew’s life but on the lives of several other women who describe having been assaulted by Simmons. Deeply illuminating and packed with powerful and revelatory insights, ON THE RECORD’s narrative tale is punctuated by interviews with prominent black thought leaders, activists, journalists and academics, who speak about the unique binds African-American women face when dealing with sexual violence in a society still plagued by racism.
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