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In the Same Breath
IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease. -
What Swiping a Griz Card at a Fraternity Really Means Page 5
swipe at your own risk What swiping a Griz Card at a fraternity really means Page 5 ARTS UM ceramics department teaches new levels of self-expression Page 12 Volume 122, Issue No. 4, September 18, 2019 KIOSK | ABOUT US OPINION | KAIMIN EDITORIAL EDITORIAL STAFF NEWSROOM STAFF Editor-in-Chief Multimedia Editor News Reporters Arts & Opinion Mutimedia Staff Cartoonist Cassidy Alexander Sara Diggins Mazana Boerboom Reporters Quinn Corcoran Cooper Malin Paul Hamby Canyon Hohenstein Daniel Duensing Business Manager Design Editors Patrick Boise Jaqueline Evans-Shaw JoAnn Martin Jazzlyn Johnson Bergen Frank-Loron Office Assistants Daylin Scott Aidan Morton Meghan Jonas Donal Lakatua Katie Lindner GRIZ GRUMBLES News & Sports Editors Erin Sargent Serena Palmer Jiakai Lou Norbert Weber An ode to Sydney Akridge Connor Simpson Jordynn Paz Liam McCollum It’s the little things, UM Helena Dore Addie Slanger Lily Soper Claire Shinner Advisers Emma Smith Jule Banville Arts & Opinion Editors Sports Reporters Designers Noelle Huser Kaitlin Clifford Hunter Wiggins Leah Sottile Drew Novak Dante Filpula Ankney Jack Marshall Constance Darlington Copy Chief What’s up with UM Parking? Why is it $241 to park The Montana Kaimin is a weekly independent student Luke Schmit Lily Johnson Luke Smith newspaper at the University of Montana. It does not condone Griffen Smith Lindsey Sewell for a year? Sorry we all can’t be bike riding hippies. or encourage any illegal activities. The Kaimin office and the Jason Upton Academic Planner University of Montana are located on land originally inhabited by the Salish People. Kaimin is a derivative of a Salish language word, “Qeymin,”‘ that is pronounced kay-MEEN and means “book,” “message,” or “paper that brings news.” Why does the price for the UM dining keep going For comments, corrections or letters to the editor, contact up each semester? Last we checked, the Food Zoo [email protected] or call (406) 243-4310. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Clergy Sexual Abuse
CLERGY SEXUAL ABUSE ABBREVIATED BIBLIOGRAPHY OF SELECTED SOURCES RELATED TO CLERGY SEXUAL ABUSE, ECCLESIASTICAL POLITICS, THEOLOGY AND CHURCH HISTORY Thomas P. Doyle Revised November 10, 2013 1 CONTENTS SEXUAL ABUSE BY CLERGY: BOOKS ..................................................................................3 SEXUAL ABUSE BY CLERGY: ARTICLES .........................................................................13 TOXIC RELIGION .....................................................................................................................21 THEOLOGICAL AND GENERAL: BOOKS ..........................................................................27 THEOLOGICAL AND GENERAL: ARTICLES ....................................................................37 SOCIOLOGY AND PHILOSOPHY OF RELIGION: BOOKS .............................................40 CANON LAW: BOOKS ..............................................................................................................43 CANON LAW: ARTICLES .......................................................................................................45 CANON LAW AND PROPERTY OWNERSHIP: ARTICLES .............................................50 CIVIL LAW: BOOKS .................................................................................................................52 CIVIL LAW: ARTICLES ...........................................................................................................53 HISTORY: BOOKS ....................................................................................................................61 -
Ethics After Hours the Bleeding Edge
Ethics After Hours The Bleeding Edge Documentary _________________________________________________________________ Summary1 Medical devices can save lives, help us live longer, and improve our quality of life. In The Bleeding Edge, Kirby Dick, Amy Ziering and Amy Herdy explore how lax regulations, corporate cover-ups and the drive for profit in the medical device industry may put patients at risk. The program features cases where medical devices such as Essure (a permanent birth control device), vaginal mesh, the DaVinci Surgical System, and chrome-cobalt hip- replacements have caused irrevocable harm to patients. Director: Kirby Dick Producer: Amy Ziering and Amy Herdy Released: April 21, 2018 Available on Netflix Duration: 1 hours 40 Mins. Discussion questions: • What was your initial reaction to this documentary? • In your opinion, what are the ethical responsibilities of the medical device industry, the medical community, and the government in ensuring patient safety regarding medical devices through approval, usage guidelines, and reporting of adverse events? • Should health care providers be better educated about the approval processes for drugs and medical devices? • According to the documentary, pre-market approval (PMA) for medical devices requires only one clinical trial or study. o Did it surprise you that the approval for medical devices requires fewer steps than the approval of new drugs? o Discuss various reasons for this difference in approval process. Do you believe that it is justified? • What type of regulatory and non-regulatory measures do you think could help alleviate the problems around patient safety outlined in the documentary? 1 This summary is adapted from Wikipedia https://en.wikipedia.org/wiki/The_Bleeding_Edge and Netflix’s website. -
Minding the Gap : a Rhetorical History of the Achievement
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Minding the gap : a rhetorical history of the achievement gap Laura Elizabeth Jones Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Jones, Laura Elizabeth, "Minding the gap : a rhetorical history of the achievement gap" (2013). LSU Doctoral Dissertations. 3633. https://digitalcommons.lsu.edu/gradschool_dissertations/3633 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. MINDING THE GAP: A RHETORICAL HISTORY OF THE ACHIEVEMENT GAP A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Laura Jones B.S., University of Colorado, 1995 M.S., Louisiana State University, 2010 August 2013 To the students of Glen Oaks, Broadmoor, SciAcademy, McDonough 35, and Bard Early College High Schools in Baton Rouge and New Orleans, Louisiana ii Acknowledgements I am happily indebted to more people than I can name, particularly members of the Baton Rouge and New Orleans communities, where countless students, parents, faculty members and school leaders have taught and inspired me since I arrived here in 2000. I am happy to call this complicated and deeply beautiful community my home. -
1 the Bleeding Edge, An Independent Documentary Directed
1 The Bleeding Edge, an independent documentary directed by Kirby Dick and produced by Amy Ziering through their production company, Chain Camera Pictures, unearths systematic corruption within the “$400 billion medical device industry” (The Bleeding Edge 2018). The film takes a deep dive into the healthcare impacts of medical device “innovation” (Dick 2018). Both Dick and Ziering specialize in investigative journalism and documentary having produced the Emmy Award-winning and Academy Award-nominated documentary, The Invisible War (The Bleeding Edge 2018). In all of their documentaries, Dick and Ziering focus on issues of “breaking news,” aiming to inform public opinion, and influence policy (Fuchs 2018). According to Ziering, in an interview by No Film School, when she and Dick decide to make a film they “first get intrigued, then outraged, and then [they] decide to make a movie” (Buder 2018). In the case of The Bleeding Edge, the topic of the film arose when one of Chain Camera Picture’s producers, Amy Herdy, came forward with “this crazy story” about one of her neighbors, who had experienced complications due to an untested medical device (Buder 2018). The disbelief following the interview resulted in an in-depth investigation into this “breaking news,” where research was conducted, and interviews with survivors, professionals, scholars, and doctors were recorded (Fuchs 2018). This information was then synthesized and analyzed, before getting compiled into a commercially consumable film that informs the public of the fractured health system that “has devolved into [a] business” (Fuchs 2018) The Bleeding Edge is an independent film, meaning that,t was not produced in Hollywood and is not backed by any super PACs or the government (Grove 2014). -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-58719-5 Our file Notre référence ISBN: 978-0-494-58719-5 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Domino's Hosts Neighborhood Party After Racial Profiling Accusation
Covering all of Baldwin County, AL every Friday. Spanish Fort student wins Twenty-One Pilots poster contest The Baldwin Times PAGE 12 SEPTEMBER 13, 2019 | GulfCoastNewsToday.com | 75¢ Domino’s hosts neighborhood party after racial profiling accusation By ALLISON MARLOW grown all too typical across JOHN UNDERWOOD / [email protected] the United States. STAFF PHOTO Residents here say the as- Bruce Pearl FOLEY — Last weekend at sistant manager of a local the Beulah Heights neighbor- Domino’s Pizza racially pro- hood park, children played filed the neighborhood when Pearl with beach balls. They dan- she refused to send a delivery gled triangular slices of pizza driver there after nightfall. talks faith, above their mouths and gig- On June 30 Beulah Heights gled as the cheese slid down resident Debbie Smith logged onto their noses. on to the Domino’s Pizza opportunity It was a fun, typical neigh- website to place an order. borhood party in a typical When the website showed an at United neighborhood park. error, Smith called the store The reason for the celebra- Way kickoff tion, attendees said, has also SEE DOMINOS, PAGE 7 ALLISON MARLOW / STAFF PHOTO By JOHN UNDERWOOD [email protected] “War Eagle!” came Remembering 9-11 the shout from the stage at the 2019 Cam- paign Kick Off Lun- cheon, held Thursday, Sept. 5 at the Daphne Civic Center. When the shout was reciprocated by many of the Auburn faith- ful in attendance, Ti- gers men’s basketball coach Bruce Pearl re- sponded, “I don’t have a speech. That was it.” But he didn’t stop there, talking, of course, about the Ti- gers’ historic Final Four run, which ended in a 63-62 loss to Vir- ginia when Cavalier GUY BUSBY / STAFF PHOTO senior Kyle Guy sank First responders and city employees gathered in Fairhope Wednesday to commemorate those lost in the 9-11 attacks, 18 years ago. -
Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students. -
During Springfield Visit, Lightfoot Preaches Unity
EXPANDED SPORTS COVERAGE SUBSCRIBER EXCLUSIVE Questions? Call 1-800-Tribune Thursday, April 11, 2019 Breaking news at chicagotribune.com With deals, Lightfoot puts clout on the line After developer’s concessions, council OKs Lincoln Yards, The 78 projects By John Byrne and Gregory Pratt Chicago Tribune Less than a week after a resounding election win, May- or-elect Lori Lightfoot put her newfound clout on the line Wednesday and stepped into a political maelstrom in the process by assisting two mas- sive and controversial devel- opment projects toward pas- sage. The $6 billion Lincoln Yards development is set to remake a huge chunk of the North Side, while The 78 will bring millions of square feet of development to 62 acres south of Roosevelt Road and west of Soldier Field. But the deals — signature projects of outgoing Mayor Rahm Emanuel’s last months in office — have also drawn stiff criticism because of the size of the public outlays and the fact that the projects are in relatively well-to-do TERRENCE ANTONIO JAMES/CHICAGO TRIBUNE parts of the city where oppo- Chicago Mayor-elect Lori Lightfoot shakes hands with Gov. J.B. Pritzker in his office Wednesday in Springfield. nents say the tax subsidies officials approved Wednesday aren’t needed. The passage of the huge deals also has proved to be a baptism by fire for Lightfoot During Springfield visit, and her newfound political coalition, with her official as- cension to the mayor’s office still weeks away. The difficul- ties she will face holding Lightfoot preaches unity together that coalition were on full display as the City Council By Bill Ruthhart Mayor-elect: Chicago, rest of state need to can Leader Jim Durkin, R- approved the enormous tax and Rick Pearson Western Springs.