DOCSLIB.ORG

THG Fact Sheet for Australia F

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THG Fact Sheet for Australia F RECEPTION: TWO OF THE CASES: The film has been received extremely Florida State University student Erica positively in the US and around the world, Kinsman’s repeated accounts of her and in 2016 received nominations for an assault by a star quarterback have been Academy Award and an Emmy Award, remarkably consistent, and no single point and won the prestigious Stanley Kramer of her testimony has every been Producers Guild of America award. disproven. However, both Florida State and the Tallahassee police were found to ACCURACY: have mishandled their investigations. Everything in the film is accurate. The Three years after the assault, it was filmmakers fully stand behind Kinsman’s revealed in a deposition given by a and Willingham’s accounts of their university official that a second student assaults (see The Hunting Ground Facts), also reported that Winston had assaulted as well as the accounts of all the subjects her, and that the school had covered up in the film. The entire film has been that case as well. As a result, in 2016, rigorously fact checked, and is backed up Florida State settled with Kinsman in the by thousands of pages of documents and largest settlement ever paid out in a Title corroborating testimony. Additionally, IX claim pertaining to negligence in after a CNN broadcast and three-year responding to a student’s reported sexual international release, we have not assault. received a single defamation claim, nor has anyone ever asked us to make a Harvard Law student Kamilah correction. Willingham’s account was upheld by six investigative and adjudicative entities, RESEARCH: which all found that an assault had been Over the course of three years, the committed. The only entity that came to a filmmakers contacted more than one different finding, a group of 19 Harvard thousand survivors of college sexual Law professors and their associates, did assault, college administrators, so in a secretive hearing that was found to researchers, psychologists, law be illegal by the U.S. Department of enforcement personnel, statisticians, Education. As a result, Harvard Law was journalists and other experts, and forced to change its appeal process. conducted lengthy on camera interviews with 140 of them. They investigated more STATISTICS: than 100 campus sexual assault cases, Six national surveys, including those by reviewing tens of thousand of pages of the Washington Post, American court documents, depositions, expert Association of Universities, and US testimony, and police records. Department of Justice, have repeatedly found that more than 20% of women are sexually assaulted while in college. The only study that found a lower number, the The Hunting Ground Fact Sheet for Australia July 2017 National Crime Victimization Survey, has IMPACT: been critiqued extensively for its flawed The film has screened at the White House, methodology, and a 278-page study by Department of Justice, Office of Civil the US National Academies of Sciences Rights, Department of Education, the concluded that its college sexual assault National College Athletic Association statistics could not be presumed to be (NCAA), and in more than 2000 colleges, accurate. universities and high schools in all 50 states in the US. The film has helped OUTREACH FOR COMMENT: inspire the writing of more than fifteen The filmmakers reached out to all the pieces of legislation in the US Congress named college and university officials for and state legislatures. Days after the New comment prior to the film’s release. Two York governor screened the film for the university presidents were interviewed for legislature, it swiftly passed a the film, and thirty-five college or groundbreaking new bill to help stop university presidents declined to speak or sexual assaults on all New York college did not respond. campuses. Globally, the film has helped instigate campaigns in the UK, France The filmmakers also reached out for and Australia to combat sexual violence comment to all those accused in the film on campuses. The film team also prior to its release. The filmmakers produced a short film about college reached out for comment a total of five sexual violence based on the original times to Florida State University song by Lady Gaga featured in quarterback Jameis Winston, his agent, The Hunting Ground that has received and his attorney prior to the film’s release over 40 million views. and never received a response from any one of them. Kirby Dick Amy Ziering Director Producer The Hunting Ground Fact Sheet for Australia July 2017 .
Load more

Recommended publications
  • Ethics After Hours the Bleeding Edge
    Ethics After Hours The Bleeding Edge Documentary _________________________________________________________________ Summary1 Medical devices can save lives, help us live longer, and improve our quality of life. In The Bleeding Edge, Kirby Dick, Amy Ziering and Amy Herdy explore how lax regulations, corporate cover-ups and the drive for profit in the medical device industry may put patients at risk. The program features cases where medical devices such as Essure (a permanent birth control device), vaginal mesh, the DaVinci Surgical System, and chrome-cobalt hip- replacements have caused irrevocable harm to patients. Director: Kirby Dick Producer: Amy Ziering and Amy Herdy Released: April 21, 2018 Available on Netflix Duration: 1 hours 40 Mins. Discussion questions: • What was your initial reaction to this documentary? • In your opinion, what are the ethical responsibilities of the medical device industry, the medical community, and the government in ensuring patient safety regarding medical devices through approval, usage guidelines, and reporting of adverse events? • Should health care providers be better educated about the approval processes for drugs and medical devices? • According to the documentary, pre-market approval (PMA) for medical devices requires only one clinical trial or study. o Did it surprise you that the approval for medical devices requires fewer steps than the approval of new drugs? o Discuss various reasons for this difference in approval process. Do you believe that it is justified? • What type of regulatory and non-regulatory measures do you think could help alleviate the problems around patient safety outlined in the documentary? 1 This summary is adapted from Wikipedia https://en.wikipedia.org/wiki/The_Bleeding_Edge and Netflix’s website.
    [Show full text]
  • 1 the Bleeding Edge, ​An Independent Documentary Directed
    1 The Bleeding Edge, an independent documentary directed by Kirby Dick and produced ​ by Amy Ziering through their production company, Chain Camera Pictures, unearths systematic corruption within the “$400 billion medical device industry” (The Bleeding Edge 2018). The film takes a deep dive into the healthcare impacts of medical device “innovation” (Dick 2018). Both Dick and Ziering specialize in investigative journalism and documentary having produced the Emmy Award-winning and Academy Award-nominated documentary, The Invisible War (The ​ ​ Bleeding Edge 2018). In all of their documentaries, Dick and Ziering focus on issues of “breaking news,” aiming to inform public opinion, and influence policy (Fuchs 2018). According to Ziering, in an interview by No Film School, when she and Dick decide to make a film they “first get intrigued, then outraged, and then [they] decide to make a movie” (Buder 2018). In the case of The Bleeding ​ Edge, the topic of the film arose when one of Chain Camera Picture’s producers, Amy Herdy, ​ came forward with “this crazy story” about one of her neighbors, who had experienced complications due to an untested medical device (Buder 2018). The disbelief following the ​ ​ interview resulted in an in-depth investigation into this “breaking news,” where research was conducted, and interviews with survivors, professionals, scholars, and doctors were recorded (Fuchs 2018). This information was then synthesized and analyzed, before getting compiled into a commercially consumable film that informs the public of the fractured health system that “has devolved into [a] business” (Fuchs 2018) The Bleeding Edge is an independent film, meaning that,t was not produced in ​ ​ ​ Hollywood and is not backed by any super PACs or the government (Grove 2014).
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • The Hunting Ground” Director
    Date: January 11, 2017 (Wednesday) Kirby Dick is an Academy Award®- nominated and two-time Emmy Award®-winning documentary film Screening of “The Hunting Ground” director. His most recent feature, THE INVISIBLE WAR, a Wednesday, 11 January 2017, 5:30pm - 7:30pm groundbreaking investigation into 11/F, Cheng Yu Tung Tower, Centennial Campus, HKU the epidemic of rape within the U.S. Co-organized by the Centre for Comparative and Public Law, Women’s Studies military, won 2014 Emmy Awards Research Centre, The University of Hong Kong. for Best Documentary and Outstanding Investigative The statistics are staggering. One in five women in college are sexually assaulted, Journalism, Long Form; a 2013 yet only a fraction of these crimes are reported, and even fewer result in Peabody Award; and the 2012 punishment for the perpetrators. From the intrepid team behind The Invisible War Sundance Film Festival Audience comes The Hunting Ground, a piercing, monumental exposé of rape culture on Award. It was also nominated for an Academy Award®- for Best campuses, poised to light a fire under a national debate. Documentary Feature.Dick’s prior In a tour de force of verité footage, expert insights, and first-person testimonies, film, OUTRAGE, an indictment of the film follows undergraduate rape survivors pursuing both their education and the hypocrisy of powerful, closeted justice, despite ongoing harassment and the devastating toll on them and their politicians and the institutions that families. protect them, was nominated for an Emmy for Outstanding Scrutinizing the gamut of elite Ivies, state universities, and small colleges, Investigative Journalism. In 2006 he filmmakers Kirby Dick and Amy Ziering reveal an endemic system of institutional directed THIS FILM IS NOT YET cover-ups, rationalizations, victim-blaming, and denial that creates perfect storm RATED, a breakthrough conditions for predators to prey with impunity.
    [Show full text]
  • Ending Sexual Violence in One Generation
    Ending Sexual Violence in One Generation A progress report for the United States Raliance is a collaborative initiative dedicated to ending sexual violence in one generation. Composed of three top sexual violence prevention organizations – the National Sexual Violence Resource Center (NSVRC), the California Coalition Against Sexual Assault (CALCASA)- PreventConnect and the National Alliance to End Sexual Violence (NAESV) – Raliance serves as the central hub for effective allocation and distribution of programmatic funding in sexual violence prevention and as the go-to resource for policymakers, advocates, service providers and the media. Raliance is funded through a $10 million multiyear commitment from the National Football League. The name was inspired by the entity’s intent to rally engagement from stakeholders and align goals and resources behind its overarching mission of putting a stop to sexual violence once and for all. Learn more at Raliance.org. Ending Sexual Violence in One Generation Executive summary This report analyzes progress in the movement to end sexual violence and how it is shaping public conversation and, ultimately, our culture in how we address this important societal issue. Although much work remains to be done, significant accomplishments have been made and additional positive changes are underway. Understanding this watershed moment and the potential to create real and lasting cultural change requires a nuanced discussion about many on-going contributing factors, including the following: • Media – including entertainment and news channels – help shape the national conversation about sexual violence. These platforms have the ability to tell more complete stories that enhance the public’s understanding of sexual violence and break down misconceptions and myths.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • 2020 Sundance Film Festival: 118 Feature Films Announced
    FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody ​ ​ ​ ​ Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro ​ ​ ​ ​ ​ López; Ema, courtesy of Sundance Institute. ​ ​ Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature ​ films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park ​ ​ City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources ​ support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
    [Show full text]
  • Sexual Assaults on Campus Need to Be Addressed
    City University of New York (CUNY) CUNY Academic Works Publications and Research Baruch College 2015 Sexual assaults on campus need to be addressed Aldemaro Romero Jr. CUNY Bernard M Baruch College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_pubs/917 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Monday, December 21, 2015 — www.theintelligencer.com Page 3 Regional Sexual assaults on campus need to be addressed In the last few weeks two films have been campuses. (if not totally covering up) the problem. And some released that on the surface seem to be unrelated But, obviously, that has not been enough. Now of them have already taken a lot of heat for their in content, but are closely linked in their message. Dr. Aldemaro Romero Jr. states from Connecticut to California have come stances, such as the president of the University The first of those films is “Spotlight.” It tells the Letters from Academia up with tougher legislation aimed at colleges of Iowa, Sally Mason, who said in an interview true story of how a team of reporters for The Boston and universities to take more firm stances in pre- that sexual crimes were part of “human nature.” Globe worked to uncover a pattern of sexual abuse during the last few years at both prestigious Ivy venting, reporting and handling sexual assaults. Bryan Golden, the campus police chief at Abraham of children and its cover-up in Massachusetts by League institutions and smaller lesser-known ones.
    [Show full text]
  • Teaching Social Studies Through Film
    Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students.
    [Show full text]
  • The Political Economy of Independent Film: a Case Study of Kevin Smith Films
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 The Political Economy of Independent Films: A Case Study of Kevin Smith Films Grace Kathleen Keenan Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION THE POLITICAL ECONOMY OF INDEPENDENT FILMS: A CASE STUDY OF KEVIN SMITH FILMS By GRACE KATHLEEN KEENAN A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Arts in Media Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Grace Kathleen Keenan defended on April 9, 2009. ____________________________________ Jennifer M. Proffitt Professor Directing Thesis ____________________________________ Stephen D. McDowell Committee Member ____________________________________ Andrew Opel Committee Member __________________________________________________ Stephen D. McDowell, Chair, Department of Communication __________________________________________________ Gary R. Heald, Interim Dean, College of Communication The Graduate School has verified and approved the above named committee members. ii For my parents, who have always seen me as their shining star iii ACKNOWLEGEMENTS Dr. Proffitt: Without your dedication to learning and students, this thesis would have been impossible. You truly have the patience of an angel. Much love. Dad: How do you put up with me? Thank you for all your emotional and financial support. Mom: You are always striving to understand. I think I get that from you. Newton Hazelbaker: Again, how do you put up with me? Thank you for your absolute and unconditional love. Laura Clements: Perhaps the most fun person I’ve ever met.
    [Show full text]
  • Academy Invites 842 to Membership
    MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The
    [Show full text]
  • Explicit Content: a Discussion of the MPAA Film Rating System and the NC-17 Rating Caroline H
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2015 eXplicit Content: A Discussion of the MPAA Film Rating System and the NC-17 Rating Caroline H. Miller Scripps College Recommended Citation Miller, Caroline H., "eXplicit Content: A Discussion of the MPAA Film Rating System and the NC-17 Rating" (2015). Scripps Senior Theses. Paper 582. http://scholarship.claremont.edu/scripps_theses/582 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. EXPLICIT CONTENT: A DISCUSSION OF THE MPAA FILM RATING SYSTEM AND THE NC-17 RATING by CAROLINE HOSMER MILLER SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR FRIEDLANDER PROFESSOR MACKO DECEMBER 12 TH , 2014 Wayne Kramer (director, The Cooler (2003))—I remember what happened, I was just going into a meeting and I got a phone call and it was the producer of the film saying 'guess what, we just got an NC-17 from the MPAA' and I went 'Oh sh*t,' and so I said 'Was it for that first scene?' And they said 'No it was because there was a glimpse of Maria's pubic hair in the second scene' and I was just like 'What?!' Maria Bello (actress, The Cooler )—Just a couple of months before, I had gone to see a horror film [Scary Movie] that was rated R.
    [Show full text]