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Ethics After Hours the Bleeding Edge
Ethics After Hours The Bleeding Edge Documentary _________________________________________________________________ Summary1 Medical devices can save lives, help us live longer, and improve our quality of life. In The Bleeding Edge, Kirby Dick, Amy Ziering and Amy Herdy explore how lax regulations, corporate cover-ups and the drive for profit in the medical device industry may put patients at risk. The program features cases where medical devices such as Essure (a permanent birth control device), vaginal mesh, the DaVinci Surgical System, and chrome-cobalt hip- replacements have caused irrevocable harm to patients. Director: Kirby Dick Producer: Amy Ziering and Amy Herdy Released: April 21, 2018 Available on Netflix Duration: 1 hours 40 Mins. Discussion questions: • What was your initial reaction to this documentary? • In your opinion, what are the ethical responsibilities of the medical device industry, the medical community, and the government in ensuring patient safety regarding medical devices through approval, usage guidelines, and reporting of adverse events? • Should health care providers be better educated about the approval processes for drugs and medical devices? • According to the documentary, pre-market approval (PMA) for medical devices requires only one clinical trial or study. o Did it surprise you that the approval for medical devices requires fewer steps than the approval of new drugs? o Discuss various reasons for this difference in approval process. Do you believe that it is justified? • What type of regulatory and non-regulatory measures do you think could help alleviate the problems around patient safety outlined in the documentary? 1 This summary is adapted from Wikipedia https://en.wikipedia.org/wiki/The_Bleeding_Edge and Netflix’s website. -
1 the Bleeding Edge, An Independent Documentary Directed
1 The Bleeding Edge, an independent documentary directed by Kirby Dick and produced by Amy Ziering through their production company, Chain Camera Pictures, unearths systematic corruption within the “$400 billion medical device industry” (The Bleeding Edge 2018). The film takes a deep dive into the healthcare impacts of medical device “innovation” (Dick 2018). Both Dick and Ziering specialize in investigative journalism and documentary having produced the Emmy Award-winning and Academy Award-nominated documentary, The Invisible War (The Bleeding Edge 2018). In all of their documentaries, Dick and Ziering focus on issues of “breaking news,” aiming to inform public opinion, and influence policy (Fuchs 2018). According to Ziering, in an interview by No Film School, when she and Dick decide to make a film they “first get intrigued, then outraged, and then [they] decide to make a movie” (Buder 2018). In the case of The Bleeding Edge, the topic of the film arose when one of Chain Camera Picture’s producers, Amy Herdy, came forward with “this crazy story” about one of her neighbors, who had experienced complications due to an untested medical device (Buder 2018). The disbelief following the interview resulted in an in-depth investigation into this “breaking news,” where research was conducted, and interviews with survivors, professionals, scholars, and doctors were recorded (Fuchs 2018). This information was then synthesized and analyzed, before getting compiled into a commercially consumable film that informs the public of the fractured health system that “has devolved into [a] business” (Fuchs 2018) The Bleeding Edge is an independent film, meaning that,t was not produced in Hollywood and is not backed by any super PACs or the government (Grove 2014). -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
The Fast Track Initiative
– FILMMAKER KIRBY DICK The California Endowment believes there are many opportunities for grantmakers to use communications to shift CASE STUDY THE their program work into high gear. The Fast Track Initiative seeks to identify and share examples that use media and FAST TRACK communications grantmaking to create a more receptive environment for dialogue about potential solutions, build “WE MADE THE FILM TO HELP CHANGE POLICY.” INITIATIVE public will and generate political will for policy change. We invite you to share your experiences and best practices. INTEGRATION REPETITION 10 Elements of Success Among the Fast Track case studies, we’ve identifi ed for POLICY CHANGE AGILITY ORIGINS THE INVISIBLE WAR POLICY the following 10 insights. The most critical elements of success for each case appear as THE FAST TRACK The Fledgling Fund believes that well-made process and as a result of Dick and Ziering’s pitch symbols throughout the series. documentary films can serve as a catalyst to change to a roundtable of Good Pitch attendees, the Fund minds, encourage viewers to alter entrenched provided $25,000 to fund initial outreach for Issue Sexual assault in the military goes under reported and under prosecuted as a crime. Women assaulted behaviors, and start, inform or reenergize social The Invisible War, and a subsequent $60,000 for 1 SOLUTIONS 6 PAID ADVERTISING during service have a higher PTSD rate than men in combat. movements. It has particular faith in films with additional outreach and a social media campaign. The majority of these initiatives contained messages not Having the ability to control the content and timing of Strategy Focused communications strategy for policymaker education integrated into the production process for just about the problem, but about a range of potential messages through paid advertising can create awareness a compelling narrative and an outreach plan. -
HBO Documentary Films Four-Part Documentary Series ALLEN V. FARROW Debuts February 21
HBO Documentary Films’ Four-Part Documentary Series ALLEN v. FARROW Debuts February 21 HBO Documentary Film’s ALLEN v. FARROW, from award-winning investigative filmmakers Kirby Dick & Amy Ziering and Amy Herdy, is a four-part documentary series that goes behind decades of sensational headlines to reveal the private story of one of Hollywood’s most notorious and public scandals: the accusation of sexual abuse against Woody Allen involving Dylan, his then seven-year-old daughter with Mia Farrow; their subsequent custody trial, the revelation of Allen’s relationship with Farrow’s daughter, Soon-Yi; and the controversial aftermath in the years that followed. Once celebrated for their on and off-screen partnership, Farrow and Allen’s lives were irrevocably fractured and their sprawling family torn apart with the public disclosure of the abuse allegations and the vitriolic disputes that followed. ALLEN v. FARROW debuts on SUNDAY, FEBRUARY 21, with new episodes airing subsequent Sundays at the same time. ALLEN v. FARROW will debut on HBO and be available to stream on HBO GO. This gripping series interweaves new investigative work – meticulously pieced together via intimate home movie footage, court documents, police evidence, revelatory videotape and never-before-heard audio tapes – with exclusive, in-depth interviews on the subject with Mia Farrow, Dylan Farrow, Ronan Farrow, family friend Carly Simon, prosecutor Frank Maco, relatives, investigators, experts and other first-hand eyewitnesses – many of them speaking publicly about the events for the first time. The series also includes prominent cultural voices exploring Allen’s body of work in a broader context and reflecting on how public revelations about the personal lives of artists can lead to re-evaluations of their work. -
ON the RECORD: a Conversation with Directors Kirby Dick and Amy Ziering
ON THE RECORD Directed by Kirby Dick & Amy Ziering USA / 2020 / 97 mins Press Contacts Sales Contact - UTA Ryan Mazie, 609-410-2067 Rena Ronson, [email protected] [email protected] SYNOPSIS With their groundbreaking films on sexual assault in the military (The Invisible War) and on college campuses (The Hunting Ground), directors Kirby Dick and Amy Ziering shook the established view of sexual assault in America, moving it from an isolated “he said-she said” narrative to a sweeping indictment of systemic violence and rape culture. Now, in the #MeToo era that their films helped to usher in, comes ON THE RECORD, their third documentary in the trilogy. A searing examination of the costs of coming forward, the film follows Drew Dixon as she wrestles with the decision to go public and share her story with the NYTimes. ON THE RECORD takes you into the world of Def Jam Records in the ‘90s, where Dixon was a rising star in an industry rife with misogyny and sexual harassment. As Dixon recounts in the film, from her first day on the job, she managed to deflect and move past ongoing harassment, until she was wholly caught off guard one fateful night and brutally accosted by Simmons. More than two decades later, ON THE RECORD documents the devastating toll this recounted act exacted not only on Drew’s life but on the lives of several other women who describe having been assaulted by Simmons. Deeply illuminating and packed with powerful and revelatory insights, ON THE RECORD’s narrative tale is punctuated by interviews with prominent black thought leaders, activists, journalists and academics, who speak about the unique binds African-American women face when dealing with sexual violence in a society still plagued by racism. -
The Hunting Ground Discussion Guide
www.influencefilmclub.com The Hunting Ground Discussion Guide Director: Kirby Dick Year: 2015 Time: 103 min You might know this director from: The Invisible War (2012) Outrage (2009) This Film is Not Yet Rated (2006) Twist of Faith (2004) Derrida (2002) Chain Camera (2001) Sick: The Life & Death of Bob Flanagan, Supermasochist (1997) Private Practices: The Story of a Sex Surrogate (1986) FILM SUMMARY Filmmaking team Kirby Dick and Amy Ziering are well-versed in the lack of justice experienced by survivors of sexual violence. Their Academy Award-nominated “The Invisible War” exposes the U.S. military’s mishandling of sexual assault cases. In THE HUNTING GROUND they shine a light on the issue of sexual assault on U.S. university campuses, examining institutional cover-ups and the brutal social toll that sexual violence takes on victims and their families. In THE HUNTING GROUND, Dick and Ziering crisscross the country, interviewing campus assault survivors, their families, and a chorus of campus administrators, professors, psychologists, and attorneys whose testimony exposes pervasive sexual violence at American colleges. A resounding message emerges: where help and support are needed most, they are sorely lacking. Survivors are discouraged from reporting the crimes committed against them, and those that do report often face apathy, blame, threats, and retaliation from fellow students, administrators, and law enforcement. Striving to keep campus crime statistics low and to protect their public reputations, universities often downplay or ignore instances of sexual violence. Yet THE HUNTING GROUND offers a hopeful and galvanizing twist: the stories of Annie Clark and Andrea Pino, two survivors-turned-activists who file a federal discrimination lawsuit against their own university, and inspire a network of survivors to find a voice and take a stand against injustice. -
CMSI Journey to the Academy Awards -- Race and Gender in a Decade of Documentary 2008-2017 (2-20-17)
! Journey to the Academy Awards: A Decade of Race & Gender in Oscar-Shortlisted Documentaries (2008-2017) PRELIMINARY KEY FINDINGS Caty Borum Chattoo, Nesima Aberra, Michele Alexander, Chandler Green1 February 2017 In the Best Documentary Feature category of the Academy Awards, 2017 is a year of firsts. For the first time, four of the five Oscar-nominated documentary directors in the category are people of color (Roger Ross Williams, for Life, Animated; Ezra Edelman, for O.J.: Made in America; Ava DuVernay, for 13th; and Raoul Peck, for I Am Not Your Negro). In fact, 2017 reveals the largest percentage of Oscar-shortlisted documentary directors of color over at least the past decade. Almost a third (29%) of this year’s 17 credited Oscar-shortlisted documentary directors (in the Best Documentary Feature category) are people of color, up from 18 percent in 2016, none in 2015, and 17 percent in 2014. The percentage of recognized women documentary directors, while an increase from last year (24 percent of recognized shortlisted directors in 2017 are women, compared to 18 percent in 2016), remains at relatively the same low level of recognition over the past decade. In 2016, as a response to widespread criticism and negative media coverage, the Academy of Motion Picture Arts & Sciences welcomed a record number of new members to become part of the voting class to bestow Academy Awards: 683 film professionals (46 percent women, 41 percent people of color) were invited in.2 According to the Academy, prior to this new 2016 class, its membership was 92 percent white and 75 percent male.3 To represent the documentary category, 42 new documentary creative professionals (directors and producers) were invited as new members. -
THG Fact Sheet for Australia F
RECEPTION: TWO OF THE CASES: The film has been received extremely Florida State University student Erica positively in the US and around the world, Kinsman’s repeated accounts of her and in 2016 received nominations for an assault by a star quarterback have been Academy Award and an Emmy Award, remarkably consistent, and no single point and won the prestigious Stanley Kramer of her testimony has every been Producers Guild of America award. disproven. However, both Florida State and the Tallahassee police were found to ACCURACY: have mishandled their investigations. Everything in the film is accurate. The Three years after the assault, it was filmmakers fully stand behind Kinsman’s revealed in a deposition given by a and Willingham’s accounts of their university official that a second student assaults (see The Hunting Ground Facts), also reported that Winston had assaulted as well as the accounts of all the subjects her, and that the school had covered up in the film. The entire film has been that case as well. As a result, in 2016, rigorously fact checked, and is backed up Florida State settled with Kinsman in the by thousands of pages of documents and largest settlement ever paid out in a Title corroborating testimony. Additionally, IX claim pertaining to negligence in after a CNN broadcast and three-year responding to a student’s reported sexual international release, we have not assault. received a single defamation claim, nor has anyone ever asked us to make a Harvard Law student Kamilah correction. Willingham’s account was upheld by six investigative and adjudicative entities, RESEARCH: which all found that an assault had been Over the course of three years, the committed. -
The Bleeding Edge”
July 3, 2018 Koch Parafinczuk Wolf Susen Hosts Exclusive Pre-Screening of Tribeca Film Festival feature “The Bleeding Edge” Attorneys continue push to remove dangerous medical devices from the market FORT LAUDERDALE— Koch Parafinczuk Wolf Susen hosted an exclusive pre-screening of The Bleeding Edge, a documentary that delves deep into the $400 billion medical device industry from Academy Award® nominated filmmakers Kirby Dick and Amy Ziering at the Classic Gateway Theatre in Fort Lauderdale. The screening was followed by a Q&A panel featuring patients Angie Firmalino and Amanda Koch Parafinczuk Wolf Susen Dykeman, who were impacted by some of the devices presented in the film. Firm partners Marcus Susen and Justin Parafinczuk have been at the forefront of the national litigation against the permanent form of birth control, Essure that includes more than 10,000 cases throughout the country. The two attorneys have handled the litigation on these cases since their inception, prior to any other lawyers filing similar suits, representing more than 1,000 women who had adverse reactions to the permanent birth control device. Earlier this year, they were named to the plaintiff’s steering committee for Essure, with Susen serving as lead counsel for the entire committee and Parafinczuk appointed discovery chair. “These devices have been causing harm to patients for years,” said Susen. “It’s important that we spread awareness of what’s going on, work to put an end to the pain and suffering and start holding these companies accountable.” The Bleeding Edge premiered at the 2018 Tribeca Film Festival and is scheduled for a national release on Netflix this summer. -
Post-Screening Discussion Guide (Universities)
THE HUNTING GROUND AUSTRALIA PROJECT POST-SCREENING DISCUSSION GUIDE (UNIVERSITIES) CONTENTS BACKGROUND PANEL DISCUSSION GUIDE INFORMATION • Audience Reactions to the Film • Information for Panellists • Responding to Disclosures • Update on the People in the Film • Panel Discussion • Discussion Points 1 THE HUNTING GROUND AUSTRALIA PROJECT | DISCUSSION GUIDE | University Version | TheHuntingGroundAustralia.com.au BACKGROUND INFORMATION INFORMATION FOR PANELLISTS The Film: The Hunting Ground The Hunting Ground (educational version, 58 minutes, 2015) is a critically acclaimed US documentary chronicling the personal stories of students who have reported sexual assault on campuses, and the failure of a number of American universities to respond effectively and appropriately to these reports. It is the latest film by Oscar-nominated filmmakers Kirby Dick and Amy Ziering who made The Invisible War—a film directly responsible for influencing government policy and laws on how the US armed forces responded to and prevented sexual assault. Approach to the Campaign: The Hunting Ground Australia Project The Hunting Ground Australia Project is engaging with the entire Australian university sector to create a collaborative, comprehensive and unified campaign around the incidence of, and responses to, sexual violence in Australian universities. The campaign involves a number of streams including: • a campus screening program of The Hunting Ground documentary • an independent national survey • the development of model protocol and policy frameworks in response to reports of sexual harassment or violence • ethics and consent training, including bystander strategies. The Hunting Ground Australia Project is using the documentary as a tool to engage Australian universities, and the broader community, in a conversation around issues concerning sexual assault and harassment, consent, disclosure and reporting in Australian universities.