THEHUNTINGGROUND Press Notes
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Ethics After Hours the Bleeding Edge
Ethics After Hours The Bleeding Edge Documentary _________________________________________________________________ Summary1 Medical devices can save lives, help us live longer, and improve our quality of life. In The Bleeding Edge, Kirby Dick, Amy Ziering and Amy Herdy explore how lax regulations, corporate cover-ups and the drive for profit in the medical device industry may put patients at risk. The program features cases where medical devices such as Essure (a permanent birth control device), vaginal mesh, the DaVinci Surgical System, and chrome-cobalt hip- replacements have caused irrevocable harm to patients. Director: Kirby Dick Producer: Amy Ziering and Amy Herdy Released: April 21, 2018 Available on Netflix Duration: 1 hours 40 Mins. Discussion questions: • What was your initial reaction to this documentary? • In your opinion, what are the ethical responsibilities of the medical device industry, the medical community, and the government in ensuring patient safety regarding medical devices through approval, usage guidelines, and reporting of adverse events? • Should health care providers be better educated about the approval processes for drugs and medical devices? • According to the documentary, pre-market approval (PMA) for medical devices requires only one clinical trial or study. o Did it surprise you that the approval for medical devices requires fewer steps than the approval of new drugs? o Discuss various reasons for this difference in approval process. Do you believe that it is justified? • What type of regulatory and non-regulatory measures do you think could help alleviate the problems around patient safety outlined in the documentary? 1 This summary is adapted from Wikipedia https://en.wikipedia.org/wiki/The_Bleeding_Edge and Netflix’s website. -
1 the Bleeding Edge, An Independent Documentary Directed
1 The Bleeding Edge, an independent documentary directed by Kirby Dick and produced by Amy Ziering through their production company, Chain Camera Pictures, unearths systematic corruption within the “$400 billion medical device industry” (The Bleeding Edge 2018). The film takes a deep dive into the healthcare impacts of medical device “innovation” (Dick 2018). Both Dick and Ziering specialize in investigative journalism and documentary having produced the Emmy Award-winning and Academy Award-nominated documentary, The Invisible War (The Bleeding Edge 2018). In all of their documentaries, Dick and Ziering focus on issues of “breaking news,” aiming to inform public opinion, and influence policy (Fuchs 2018). According to Ziering, in an interview by No Film School, when she and Dick decide to make a film they “first get intrigued, then outraged, and then [they] decide to make a movie” (Buder 2018). In the case of The Bleeding Edge, the topic of the film arose when one of Chain Camera Picture’s producers, Amy Herdy, came forward with “this crazy story” about one of her neighbors, who had experienced complications due to an untested medical device (Buder 2018). The disbelief following the interview resulted in an in-depth investigation into this “breaking news,” where research was conducted, and interviews with survivors, professionals, scholars, and doctors were recorded (Fuchs 2018). This information was then synthesized and analyzed, before getting compiled into a commercially consumable film that informs the public of the fractured health system that “has devolved into [a] business” (Fuchs 2018) The Bleeding Edge is an independent film, meaning that,t was not produced in Hollywood and is not backed by any super PACs or the government (Grove 2014). -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
The Hunting Ground” Director
Date: January 11, 2017 (Wednesday) Kirby Dick is an Academy Award®- nominated and two-time Emmy Award®-winning documentary film Screening of “The Hunting Ground” director. His most recent feature, THE INVISIBLE WAR, a Wednesday, 11 January 2017, 5:30pm - 7:30pm groundbreaking investigation into 11/F, Cheng Yu Tung Tower, Centennial Campus, HKU the epidemic of rape within the U.S. Co-organized by the Centre for Comparative and Public Law, Women’s Studies military, won 2014 Emmy Awards Research Centre, The University of Hong Kong. for Best Documentary and Outstanding Investigative The statistics are staggering. One in five women in college are sexually assaulted, Journalism, Long Form; a 2013 yet only a fraction of these crimes are reported, and even fewer result in Peabody Award; and the 2012 punishment for the perpetrators. From the intrepid team behind The Invisible War Sundance Film Festival Audience comes The Hunting Ground, a piercing, monumental exposé of rape culture on Award. It was also nominated for an Academy Award®- for Best campuses, poised to light a fire under a national debate. Documentary Feature.Dick’s prior In a tour de force of verité footage, expert insights, and first-person testimonies, film, OUTRAGE, an indictment of the film follows undergraduate rape survivors pursuing both their education and the hypocrisy of powerful, closeted justice, despite ongoing harassment and the devastating toll on them and their politicians and the institutions that families. protect them, was nominated for an Emmy for Outstanding Scrutinizing the gamut of elite Ivies, state universities, and small colleges, Investigative Journalism. In 2006 he filmmakers Kirby Dick and Amy Ziering reveal an endemic system of institutional directed THIS FILM IS NOT YET cover-ups, rationalizations, victim-blaming, and denial that creates perfect storm RATED, a breakthrough conditions for predators to prey with impunity. -
Ending Sexual Violence in One Generation
Ending Sexual Violence in One Generation A progress report for the United States Raliance is a collaborative initiative dedicated to ending sexual violence in one generation. Composed of three top sexual violence prevention organizations – the National Sexual Violence Resource Center (NSVRC), the California Coalition Against Sexual Assault (CALCASA)- PreventConnect and the National Alliance to End Sexual Violence (NAESV) – Raliance serves as the central hub for effective allocation and distribution of programmatic funding in sexual violence prevention and as the go-to resource for policymakers, advocates, service providers and the media. Raliance is funded through a $10 million multiyear commitment from the National Football League. The name was inspired by the entity’s intent to rally engagement from stakeholders and align goals and resources behind its overarching mission of putting a stop to sexual violence once and for all. Learn more at Raliance.org. Ending Sexual Violence in One Generation Executive summary This report analyzes progress in the movement to end sexual violence and how it is shaping public conversation and, ultimately, our culture in how we address this important societal issue. Although much work remains to be done, significant accomplishments have been made and additional positive changes are underway. Understanding this watershed moment and the potential to create real and lasting cultural change requires a nuanced discussion about many on-going contributing factors, including the following: • Media – including entertainment and news channels – help shape the national conversation about sexual violence. These platforms have the ability to tell more complete stories that enhance the public’s understanding of sexual violence and break down misconceptions and myths. -
ACTION TOOLKIT the Topic of Sexual Violence Can Trigger Traumatic Memories for Survivors
ACTION TOOLKIT The topic of sexual violence can trigger traumatic memories for survivors. As an organizer, it is important to be sensitive. Survivors have the right to talk about their experiences on their own terms. They may simply need to talk. If you sense that a survivor needs additional support, call the appropriate campus resource or contact a national hotline: ₀ National Sexual Assault Hotline: (800) 656-HOPE (4673) or at http://ohl.rainn.org/online ₀ National Planned Parenthood Hotline: (800) 230-PLAN (7526) ₀ National Suicide Prevention Hotline: (800) 273-8255 Facts from the film ₀ ●16 to 20 percent percent of women who enroll in college are sexually assaulted while in college.1 ₀ ●88 percent of women raped on campus do not report.2 ₀ ●In 2012, 45 percent of colleges reported zero sexual assaults.3 ₀ ●Only 2 to 8 percent of sexual assault claims are found to be false.4 ₀ ●Less than 8 percent of men in college commit more than 90 percent of sexual assaults.5 ₀ ●95 percent of college presidents say their institutions handle sexual assault “appropriately.”6 1 Fisher, Cullen, Turner (2000); Krebs, Lindquist, Warner, Fisher, Martin (2007); Princeton Sexual Experiences Survey (2008); University of Oregon Sexual Violence and Institutional Betrayal Survey (2014); MIT Community Attitudes on Sexual Assault (2014) 2 Kilpatrick, Resnick, Ruggiero, Conoscenti, McCauley (2007) 3 Washington Post (2014) 4 Percentage of sexual assault claims found to be false: 8% Grace, Lloyd, & Smith (1992); 3% Kelly, Lovett, & Regan (2005); 2% Heenan & Murray (2006); 7% Lonsway & Archambault (2008); 5% Spohn, White, & Tellis (2014) 5 David Lisak Ph D and Paul M Miller (2002) 6 2014 Gallup poll You’ve watched the film, now what? After watching The Hunting Ground, you may feel enraged, frustrated, disheartened or stunned by the widespread inaction to address sexual violence on U.S. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
“Creating an Economic System That Works for All”
“CREATING AN ECONOMIC SYSTEM THAT WORKS FOR ALL” Comprehensive Public Policy Initiatives 1 10.07.20 THERE IS NO GOING BACK “Creating an Economic System that Works for All” Public Policy Initiatives There is no going back! The COVID-19 crisis together with the outrage about the ongoing racism in America has revealed what many of us have always known: our current system of capitalism does not work for most Americans. As Pulitzer Prize-winning journalist Steven Pearlstein recently wrote, “our economic system has run off the moral rails, offending our sense of fairness, eroding our sense of community, poisoning our politics and rewarding values that easily degenerate into greed and indifference.” This dysfunction was recognized in a recent May 2020 JUST Capital/Harris Poll where 75% of Americans believe our current form of capitalism doesn’t ensure the greater good of society, and only 29% believe it produces the kind of society they want for the next generation or believes it works for the average American.1 In December 2019 the American Sustainable Business Council (ASBC) launched its work on Creating an Economic System that Works for All at its Washington DC Summit and in March 2020 ASBC launched its multi- stakeholder Working Group (details on the participants of the Working Group can be found in the appendix.) The working group has identified the most important business-related public policy initiatives required to Create an Economy that Works for All. ASBC initiated these conversations because while capitalism remains a dynamic force, challenges such as income inequality, crumbling infrastructure, market consolidation, climate change, underinvestment, and the financialization of America’s economy pose serious threats to our continued global leadership and social stability. -
Jan. 20-Jan. 25
This Week in Wall Street Reform | Jan. 20-Jan. 25 Please share this weekly compilation with friends and colleagues. To subscribe, email [email protected], with “This Week” in the subject line. TABLE OF CONTENTS - Consumer Finance and the CFPB - Enforcement - Private Funds - Mortgages and Housing - Small-Business Lending - Student Loans and For-Profit Schools - Systemic Risk - Taxes - Other Topics CONSUMER FINANCE AND THE CFPB U.S. consumer watchdog curtails its power to pursue 'abusive' behavior | Reuters The New York Times also published this story. The U.S. consumer financial watchdog on Friday outlined how it would define “abusive” practices when overseeing companies, in another win for the industry, which has long complained that the agency has overstepped its remit by applying the term far too aggressively. Following the 2007-2009 global financial crisis, Congress passed the Dodd-Frank Act giving the Consumer Financial Protection Bureau (CFPB) broad authority to stamp out “abusive” acts or practices related to consumer financial products, in addition to “unfair” and “deceptive” practices. While the latter two legal terms were well defined, Dodd-Frank was the first federal law to prohibit “abusive” lending practices CFPB Limits Its Own Powers Against Abusive Conduct in New Policy | Bloomberg The Consumer Financial Protection Bureau is putting limits on the ways that it will use its power to pursue banks and other financial companies for abusive practices against consumers. 1 The 2010 Dodd-Frank Act gave the CFPB the unique authority to go after companies for abusive practices alongside long-established standards for pursuing unfair or deceptive acts and practices (UDAP). -
FALL 2021 FALL 2021 Distribution and Sales
THE NEW PRESS U.S. POSTAGE PAID 120 WALL STREET, FL 31 NONPROFIT ORG. NEW YORK, NY 10005-4007 PERMIT NO. 4041 NEW YORK, NY FALL 2021 FALL 2021 Distribution and Sales United States: Australia Ordering Information: Middle East: The New Press is distributed to the NewSouth Books Orders and IPR Team BOARD OF DIRECTORS trade by Two Rivers Distribution, Distribution Middle East Sales Group GARA LaMARCHE (CHAIR) JEFF DEUTSCH an Ingram brand. Alliance Distribution Services, IPR Director, Seminary Co-op Bookstores 9 Pioneer Avenue, PO Box 25731 President, Democracy Alliance Orders and Customer Service: Tuggerah, NSW 2259 Australia 1311 Nicosia THEODORE M. SHAW (VICE-CHAIR) BRUCE GOTTLIEB Ingram Content Group LLC One Ingram +61 (2) 4390 1300 tel CYPRUS Julius L. Chambers Distinguished Attorney Blvd. [email protected] + 357 22872355 tel Professor of Law and Director, BRAD HEBEL La Vergne, TN 37086 (866) 400-5351 tel [email protected] the Center for Civil Rights, Associate Press Director and [email protected] Canada Ordering Information: the University of North Carolina School Director of Operations and Sales, Canadian Manda Group This catalog describes books to be of Law at Chapel Hill Columbia University Press For General International Enquiries: 664 Annette Street, Toronto, ON M6S 2C8 published from September 2021 Ingram Publisher Services International +1 (416) 516-0911 tel through February 2022 SARAH BURNES (SECRETARY) AZIZ HUQ 1400 Broadway, Suite 520 [email protected] Literary Agent, Professor of Law, New York, NY 10018 The New Press The Gernert Company University of Chicago Law School [email protected] South Africa: 120 Wall Street, Fl 31 AMY GLICKMAN (TREASURER) Karis Moelker New York, NY 10005-4007 VIVIEN LABATON Media Lawyer; Former Deputy General Co-Founder, Make It Work International Orders: Sales & Support Representative (212) 629-8802 tel Counsel, Time Inc. -
Papa Haydn Soundtracks Live Valentine's Special
Photographer: Lisa Marie Mazzucco Bella Hristova, violin PAPA HAYDN SOUNDTRACKS LIVE wso.ca I 204-949-3999 VALENTINE’S SPECIAL MESSAGE FROM THE CHAIR OF THE WSO BOARD As the New Year begins, let me wish you all a very happy and healthy year. And, a musical year.What better way is there to bring happiness into your life than with music, especially the music of our own, fabulous WSO? I would like to introduce myself as the new President of the Board of Directors.This is my sixth year as a member of the Board and my first as President. Music has always been a part of my life. My tastes are eclectic, ranging from “old-school”rock and roll to folk to jazz and opera, and, of course, classical. Giving back to my community is also something that is important in my life. So, when, I was asked to join the Board of the Symphony, in 2011, I didn’t hesitate.To be chosen, this past September, as President of one of the jewels of Winnipeg’s renowned cultural scene is a great honour. The Board has two principal roles. One is to provide oversight of the management of the Orchestra to ensure that it continues to operate.The fact that, in a few weeks, it will be seventy years since the incorporation of the WSO attests to the success of past and present Boards in this goal.The second responsibility is to play a significant role in ensuring financial stability.The WSO depends on three sources of income: ticket sales, government grants and charitable donations.With much competition for entertainment dollars, there is a limit to the amount to be raised through ticket sales.With so many demands on public resources, the same is true of government funding. -
Composing / Arranging
Field 23 - Composing/Arranging Page 1 of 18 Category 85 - Best Instrumental Composition 85 014. AWANNA 030. BOPULAR Category Will Bernard, composer (Will Bernard) Eric J. Morones, composer (Eric J. Best Instrumental Composition Morones) A Composer's Award for an original composition 015. AXIS Joan Jeanrenaud, composer (Joan (not an adaptation) first released during the 031. BRIDGING THE GREAT DIVIDE Eligibility Year. Singles or Tracks only. Jeanrenaud) Mr. ColliPark, composer (Various Artists) 001. AAA LMCCC 016. BACK TO THE BASICS (OLD) Tom Goodkind, composer (Tom Louie Bellson, composer (Louie 032. BRO. DOLPHY Goodkind Conducting The Tribattery Bellson & Clark Terry) James Carter, composer (James Carter) Pops) 017. BALLAD FOR A FUTURE DAY 033. BROOKLESCA 002. THE ADVENTURES OF MUTT Roger Davidson, composer (The David Colin Jacobsen, composer (Brooklyn (FROM INDIANA JONES AND Finck Quartet) Rider) THE KINGDOM OF THE 018. BAYIT (HOME) 034. BUENOS AIRES REPORT CRYSTAL SKULL) Alon Yavnai, composer (Alon Yavnai) Pablo Ziegler, composer (Pablo Ziegler John Williams, composer (John 019. BEAUTIFUL NEW CLOTHES & Quique Sinesi) Williams) Kevin Toney, composer (Kevin Toney) 035. CAFÉ MOCHA 003. AEOLIAN RHAPSODY 020. THE BEGINNING Jesse Cook, composer (Jesse Cook) Jimmy Ryan & Johnny Ryan, Massimo Biolcati, composer (Massimo 036. CAIAPHAS composers (The Flyin' Ryan Brothers) Biolcati) Fritz Renold, composer (Renolds Jazz 004. AFTER ALL 021. BELL RINGERS Orchestra) Eliane Elias, composer (Eliane Elias) Bruce Gertz, composer (Bruce Gertz 037. CAN ANYONE WHO HAS HEARD 005. AFTER THE MOONLIGHT Quintet) THIS MUSIC REALLY BE A BAD Gabriel E. Pulido, composer (Gabó) 022. BELOVED PERSON? 006. ALEGRIA Rachael Sage, composer (Rachael Kaki King, composer (Kaki King) Chick Corea, composer (Chick Corea Sage) 038.