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Papa Haydn Soundtracks Live Valentine's Special

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Papa Haydn Soundtracks Live Valentine's Special Photographer: Lisa Marie Mazzucco Bella Hristova, violin PAPA HAYDN SOUNDTRACKS LIVE wso.ca I 204-949-3999 VALENTINE’S SPECIAL MESSAGE FROM THE CHAIR OF THE WSO BOARD As the New Year begins, let me wish you all a very happy and healthy year. And, a musical year.What better way is there to bring happiness into your life than with music, especially the music of our own, fabulous WSO? I would like to introduce myself as the new President of the Board of Directors.This is my sixth year as a member of the Board and my first as President. Music has always been a part of my life. My tastes are eclectic, ranging from “old-school”rock and roll to folk to jazz and opera, and, of course, classical. Giving back to my community is also something that is important in my life. So, when, I was asked to join the Board of the Symphony, in 2011, I didn’t hesitate.To be chosen, this past September, as President of one of the jewels of Winnipeg’s renowned cultural scene is a great honour. The Board has two principal roles. One is to provide oversight of the management of the Orchestra to ensure that it continues to operate.The fact that, in a few weeks, it will be seventy years since the incorporation of the WSO attests to the success of past and present Boards in this goal.The second responsibility is to play a significant role in ensuring financial stability.The WSO depends on three sources of income: ticket sales, government grants and charitable donations.With much competition for entertainment dollars, there is a limit to the amount to be raised through ticket sales.With so many demands on public resources, the same is true of government funding. More and more, we must rely on the generosity of individuals and corporations in our community to help us provide musical experiences of the highest quality. You can play a part in ensuring that the Winnipeg Symphony Orchestra continues to serve our community for years to come. Consider adding the Winnipeg Symphony Orchestra to your will as a beneficiary of your estate.You can help the WSO and you can also provide a tax benefit to your estate. Becoming a donor now and in your estate planning is an important way to ensure that the WSO continues to provide inspiration, relaxation, refreshment, and joy to our lives. Terence Sargeant Chair of the WSO Board January – February 2017 I OVERTURE 1 WSO SPONSORS, FUNDERS AND ACKNOWLEDGEMENTS The WSO proudly acknowledges the ongoing support of the following sponsors, media and funders: COMMUNITY ENGAGEMENT PARTNER EDUCATION & COMMUNITY ENGAGEMENT PROGRAMS IN MEMORY OF PETER D. CURRY POPS KIDS CONCERTS CLASSICS A SERIES SERIES SERIES WSO IN BRANDON INDIVIDUAL CONCERTS MARTY & MICHELLE ARNOLD & MYRA WEINBERG AND FAMILY FRIEMAN CARMYN ALESHKA & GREG FETTES MANITOBA HYDRO SOUNDCHECK POPS PRESENTING OFFICIAL RADIO STATION HOLIDAY TOUR PROGRAM MEDIA PARTNER OF THE WSO CLASSICS PIANO RAFFLE CAR RAFFLE CORPORATE SUSTAINABILITY Women’s Committee of the Winnipeg Symphony Orchestra FUNDERS January – February 2017 I OVERTURE 3 CONDUCTORS AND COMPOSERS Alexander Mickelthwate, Music Director German conductor Alexander Mickelthwate is renowned for his “splendid, richly Photographer: Grajewski Fotograph Inc. idiomatic readings” (LA Weekly),“fearless” approach and “first-rate technique” (Los Angeles Times). Critics have noted Alexander’s extraordinary command over the Austro-Germanic repertoire, commenting on the “passion, profundity, emotional intensity, subtlety and degree of perfection achieved” in Bruckner’s Symphony No. 7 as “miraculous” (Anton Kuerti, 2011). Following on from his tenure as Assistant Conductor with the Atlanta Symphony Orchestra, which he completed in 2004, Alexander Mickelthwate was Associate Conductor of the Los Angeles Philharmonic for three years, under the direction of Essa-Pekka Salonen. Now in his tenth season as Music Director of the Winnipeg Symphony Orchestra, Alexander has significantly developed the orchestra’s profile through active community engagement and innovative programming initiatives like the annual Winnipeg New Music Festival and the Indigenous Music Festival. Chosen to perform at the Carnegie Hall Spring For Music Festival in New York, May 2014, due to “creative and innovative programming”(CBC Manitoba Scene), the orchestra was the only Canadian ensemble in the showcase. Julian Pellicano, Resident Conductor Julian Pellicano’s boundless musical appetite makes him a formidable interpreter of Photographer: Nardella Photography Inc. the symphonic repertoire as well as a versatile conductor in a wide range of genres. He is currently the Resident Conductor of the Winnipeg Symphony Orchestra, Artist in Residence at the Norfolk Chamber Music festival, and Music Director of the University of Manitoba Symphony Orchestra. From 2009 to 2013 he served as Music Director of the Longy School of Music Conservatory Orchestra where he established a rigorous and distinctive new orchestral program. Pellicano has conducted the Orquestra Sinfonica de Porto Alegre (Brazil), Hartford Symphony Orchestra, Eastern Connecticut Symphony, New Britain Symphony,The Kallisti Ensemble, Boston’s Dinosaur Annex Ensemble and Milwaukee's Present Music. He has worked in masterclasses with Kurt Masur, Peter Eötvös, Zsolt Nagy, Martyn Brabbins, and Carl St. Clair. An autodidact, he was accepted to the Peabody Conservatory as a percussionist without typical classical training. He also holds degrees from the Royal College of Music (Stockholm), and the Yale School of Music where he was awarded the 2008 Presser Music Award and the Philip F.Nelson Award. Harry Stafylakis, Composer-in-Residence Harry Stafylakis (b. 1982, Montreal) is a Canadian–American composer based in NYC. He is the Winnipeg Symphony Orchestra's Composer-In-Residence and co-curator of the Winnipeg New Music Festival. His works have been performed by the American Composers Orchestra, the Spokane, Stamford,Victoria, and PEI symphonies, McGill Chamber Orchestra, Mivos Quartet, Quatuor Bozzini, and Aspen Contemporary Ensemble, among others. Awards include the Charles Ives Fellowship from the American Academy of Arts and Letters, the ASCAP Foundation’s Leonard Bernstein Award, four SOCAN Foundation Awards for Young Composers, and grants from the Canada Council and NYSCA. Upcoming projects in 2016-2017 include premieres and performances by the Toronto,Winnipeg, and Vancouver symphonies. A graduate of McGill University, Stafylakis is a doctoral candidate at The Graduate Center, CUNY,and lectures at the City College of New York. His doctoral research, supported by SSHRC, examines the conception of rhythm and meter in progressive metal. 4 OVERTURE I January – February 2017 WINNIPEG SYMPHONY ORCHESTRA 2016-2017 SEASON MUSIC DIRECTOR CELLOS TRUMPETS Alexander Mickelthwate Yuri Hooker, Principal Isaac Pulford, Acting Principal Leana Rutt, Assistant Principal Paul Jeffrey RESIDENT CONDUCTOR Alex Adaman Brian Sykora Julian Pellicano Arlene Dahl TROMBONES COMPOSER-IN-RESIDENCE Carolyn Nagelberg Steven Dyer, Principal Harry Stafylakis Emma Quackenbush Keith Dyrda Sean Taubner FIRST VIOLINS BASS TROMBONE Gwen Hoebig, Concertmaster BASSES Julia McIntyre, Principal The Sophie-Carmen Eckhardt- Meredith Johnson, Principal Gramatté Memorial Chair, endowed Andrew Goodlett, Assistant Principal TUBA by the Eckhardt-Gramatté Foundation Travis Harrison Chris Lee, Principal Karl Stobbe, Associate Concertmaster Paul Nagelberg Mary Lawton, Assistant Concertmaster TIMPANI Bruce Okrainec Chris Anstey Mike Kemp, Principal Mona Coarda Daniel Perry Rodica Jeffrey PERCUSSION Hong Tian Jia FLUTES Frederick Liessens, Principal Meredith McCallum Jan Kocman, Principal Jane Pulford Martha Durkin HARP Sonia Shklarov Richard Turner, Principal Julie Savard PICCOLO Endowed by W.H. & S.E. Loewen Jun Shao Martha Durkin ORCHESTRA PERSONNEL SECOND VIOLINS OBOES **Jeremy Buzash,Principal MANAGER Beverly Wang, Principal Chris Lee *Darryl Strain, Principal Robin MacMillan Elation Pauls, Assistant Principal PRINCIPAL LIBRARIAN Karen Bauch ENGLISH HORN Raymond Chrunyk Kristina Bauch Robin MacMillan, Principal **Teodora Dimova ASSISTANT LIBRARIAN *Elizabeth Dyer Laura MacDougall Bokyung Hwang CLARINETS Susan McCallum Micah Heilbrunn, Principal Takayo Noguchi Michelle Goddard *On Leave Claudine St-Arnauld **Temporary Position BASSOONS VIOLAS Alex Eastley, Principal Please note: Non-titled (tutti) Daniel Scholz, Principal Kathryn Brooks string players are listed Anne Elise Lavallée, alphabetically and are seated Assistant Principal HORNS according to a rotational system. Laszlo Baroczi Patricia Evans, Principal Margaret Carey Fred Redekop is the official Piano Ken MacDonald, Associate Principal Richard Bauch Tuner and Technician of the WSO. James Robertson Greg Hay *Merrily Peters Caroline Oberheu Mike Scholz Michiko Singh January – February 2017 I OVERTURE 5 The Official Radio Station for the WSO Masterworks Series. Winnipeg’s only dedicated classical & jazz music station Papa Haydn Alexander Mickelthwate, conductor Alexandra Eastley, bassoon CLASSICS Yuri Hooker, cello Karl Stobbe, violin Beverly Wang, oboe Shadows Radiant (2016) fanfare for orchestra* Harry Stafylakis (b. 1982) *World Premiere commissioned by the Toronto Symphony Orchestra,with the participation of the Winnipeg Symphony Orchestra, for the 150th Anniversary of the Confederation of Canada. Symphony No.80 in D minor Franz Joseph Haydn (1732-1809) Allegro spiritoso Adagio Menuetto e Trio Finale: Presto Sinfonia Concertante in B-flat major, Op. 84 Franz Joseph Haydn Allegro Andante Allegro con
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