Architectural Response
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Survey of Significant Architecture I 1945-1975 I I I I I I I I
I I THE · I WEST VANCOUVER I SURVEY OF SIGNIFICANT ARCHITECTURE I 1945-1975 I I I I I I I I f.G. ARCHITECTURAL & PLANNING CONSULTANTS I . I I I I I I I I I I I I I TABLE OF CONTENTS Introduction Primary Buildings Secondary Buildings Supp ort Buildings Acknowledgements Index by Address Index by Name of B,uilding Index by Architect PREFACE The goal of the We st Vancouver SurveyofSi gnificantArchitecture 1945- 1975 has been to identifYsignificant and influential buildings constructed in the municipalityfo llowing the Second World War. For approximately thirty years this was a centre of modernist design, and produced many of the greateSt contemporary Canadian houses. This was fe rtile ground fo r experimentation in the International and West Coast Styles, and the District's domestic architecture was recognized fo r its innovation, the use of natural materials, and sensitive integration with spectacular sites. These structures, many ofwhich have now been acclaimed as masterpieces of design, have become an integral part of the.image ofWest Vancouver. This current study builds upon the initial identification of93 significant contemporary buildings in the 1988 'West Vancouver Heritage Inventory'. This provided a recognition of the importance of these buildings, but did not provide detailed research or documentation fo r those buildings built after194 5. In 1993-1994 this survey ofthe District's modern buildings was undertaken, using the same evaluation criteria and categories as the previous Inventory. Those buildings from the thirty year time frame fo llowing the end of the Second World War were more fullyexamined, including a windshield survey of the entire District, and research of journals, award winning buildings, and architect's lists. -
Arthur Erickson's Concrete Trevor Boddy
I first heard Arthur Erickson speak of the importance of The Constructed Landscape: concrete to his designs in the late 1970s. As the student charged with organizing lectures at my architecture school in Arthur Erickson’s Concrete Calgary, a first talk there by Canada’s most prominent modern architect was my top priority. I called his office, but Erickson’s personal secretary informed me he no longer gave lectures to universities, only to “bankers and chambers of commerce.” I persisted, and arranged to have the Vancouver- based designer speak to a luncheon gathering of downtown businessmen. One of Erickson’s phrases in his talk that day cycled around my student brain long after he got on the airplane back to Vancouver, and the Calgary businessmen got back to pumping oil. While I did not recognize it as being so at the time, he voiced a widely-quoted shibboleth as an aside: “Concrete is the marble of the 20th century.” The use of concrete Trevor Boddy validated through comparison with a now-expensive traditional material? The reference seemed archaic to me, in part because my architectural history studies had just taught me that the ancient shores of the Mediterranean were the last home to marble used as both structure and finish for public buildings. Or was Erickson inferring something more complex with this, as in late Roman and post-Renaissance uses of marble—a veneer finish, while bricks or cheaper stones did the structural work behind, a composite in the same way steel reinforcing rods make large span and thin shell concrete structures possible? Arthur Erickson’s concrete buildings demonstrate both of these tendencies—an extension of building logic of the material itself, and a classicizing sensibility, especially in their spatial logic and recurring use of the trabeated frame. -
Bibliography of British Columbia
BIBLIOGRAPHY OF BRITISH COLUMBIA prepared by gail edwards, mls, phd Books Arnold, Grant, Martin Barnes, Vincent Honoré, Eva Respini, and Shep Steiner. Scott McFarland. Vancouver: Douglas and McIntyre, 2009. 115 p. 9781553654827 Belshaw, John, and Diane Purvey. Private Grief, Public Mourning: The Rise of the Roadside Shrine in British Columbia. Vancouver: Anvil Press, 2009. 154 p. 9781895636994 Birchwater, Sage, ed. Gumption and Grit: Extraordinary Women of the Cariboo Chilcotin. Halfmoon Bay: Caitlin Press, 2009. 216 p. 978189459373 Campbell, Colin. Southern Cariboo. 2nd ed. Vancouver : Rocky Mountain Books, 2009. 141 p. 9781897522448 Campbell, Larry, Lori Culbert, and Neil Boyd. A Thousand Dreams: Vancouver’s Downtown Eastside and the Fight for Its Future. Vancouver: Greystone Books, 2009. 319 p. 9781553652984 Cannings, Richard, Harry Nehls, Mike Denny, and Dave Trochlell. Birds of Interior BC and the Rockies. Vancouver: Heritage House, 2009. 434 p. 9781894974592 Christie, Jack. The Whistler Book: An All-Season Outdoor Guide, rev. ed. Vancouver: Greystone Books, 2009. 263 p. 9781553654476 Coupland, Douglas. City of Glass: Douglas Coupland’s Vancouver, rev. ed. Vancouver: Douglas and McIntyre, 2009. 175 p. 9781553653592 Crouch, John. Walk Victoria: Your Guide to Over 60 Urban and Suburban Walks, rev. ed. Victoria: Chickadee Press, 2009. 159 p. 9780973191332 Cunningham, Rosemary. Bravo! The History of Opera in British Columbia. Madeira Park: Harbour Publishing, 2009. 208 p. 9781550174861 Damer, Eric, and Herbert Rosengarten. ubc: The First100 Years. Vancouver: University of British Columbia, 2009. 352 p. 9780888658753 (hc); 9780888658777 (pbk.) Demers, Charles. Vancouver Special. Vancouver: Arsenal Pulp Press, 2009. 271 p. 9781551522944 Edmonds, Penelope. Urbanizing Frontiers: Indigenous Peoples and Settlers in 19th- Century Pacific Rim Cities. -
Conditions of Modernity: Si[Gh]Tings from Vancouver
Rhodri Windsor L scombe Conditions of Modernity: Si[gh]tings from Vancouver ln memory of Alan A. Macnaughton, P.C., O.C., D.L. he discussion of the relative chronologies and properties of TModernism and Postmodernism tends to the rhetorical and global.' Comparative analysis of specific architectural commis sions supposedly representative of each phenomenon but within single typologies and locations remains to be attempted, espe cially in the Canadian context. This paper will compare the two central public libraries built in post-war Vancouver, each of which has been held to represent, or embody, the respective con ditions of Modernism and Postmodernism. Modernism and Postmodernism are here defined, respectively, as a universaliz ing anti-historicist design process centred on the technical so lution of functional need and concerned with social improve Fig . 1. Semmens Simpson , Vancouver Public Lib rary, 1957, Vancouver. ment, and as a contextually generated, historically-referenced (photo R. W. Uscombe, 1995). style seeking to attain both more particular and symbolic archi tectural expression. The comparison indicates that the relation ship between Modernism and Postmodernism is less discon tinuous than reflexive and revisionist in nature, and that neither has been as homogeneous as presumed. The current dependence upon either a visual or a sociological reading underplays the impact of what might be called the internal discourse of archi tecture, including the conditions of practice. Such readings also oversimplify the discussion -
Cornelia Hahn Oberlander Reflections
The Cultural Landscape Foundation Pioneers of American Landscape Design ___________________________________ CORNELIA HAHN OBERLANDER ORAL HISTORY REFLECTIONS ___________________________________ Nina Antonetti Susan Ng Chung Allegra Churchill Susan Cohen Cheryl Cooper Phyllis Lambert Eva Matsuzaki Gino Pin Sandy Rotman Moshe Safdie Bing Thom Shavaun Towers Hank White Elisabeth Whitelaw © 2011 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. Scholar`s Choice: Cornelia Hahn Oberlander-From Exegesis to Green Roof by Nina Antonetti Assistant Professor, Landscape Studies, Smith College 2009 Canadian Center for Architecture Collection Support Grant Recipient, December 2009 March 2011 What do a biblical garden and a green roof have in common? The beginning of an answer is scrawled across the back of five bank deposit slips in the archives of Cornelia Hahn Oberlander at the CCA. These modest slips of paper, which contain intriguing exegesis and landscape iconography, are the raw material for a nineteen-page document Oberlander faxed to her collaborator Moshe Safdie when answering the broad programming requirements of Library Square, the Vancouver Public Library and its landscape. For the commercial space of the library, Oberlander considered the Hanging Gardens of Babylon and the hanging gardens at Isola Bella, Lago Maggiore; for the plaza, the civic spaces of ancient Egypt and Greece; and for the roof, the walled, geometric gardens of the Middle Ages and Early Renaissance. Linking book to landscape, she illustrated the discovery of the tree of myrrh during the expedition of Hatshepsut, referenced the role of plants in Genesis and Shakespeare, and quoted a poem by environmental orator Chief Seattle. -
A Walk Through Robson Square
A WALK THROUGH ROBSON SQUARE As the plans and the overview demonstrate, Robson Square contains three inter-related structures: the Vancouver Art Gallery, the Provincial Government Office Block and the Law Courts. These are integral to a multi-level plaza and garden through which two thoroughfares pass. Indeed, the Office Block is designed in such a way that it is itself a terraced open park. It is adjacent to or actually contains many of the facilities that are essential to Robson Square's overall function as a civic centre. All the roofs of the office block have been landscaped, and most areas within it are accessible to the public, either above or below the level of the streets that transect the square. The public focus of this building-cum-plaza is the area surrounding Robson Street between Hornby and Howe, the area nearest the V AG. Close to the free public skating rink that is positioned under the two plexiglass domes situated below Robson Street is an international food mart that opens onto a plaza. Immediately adjacent to it within the portion of the office block that is constructed beneath Robson Street is a media centre that is equipped with a theatre, conference areas and exhibition spaces. The government office block portion of the complex is set back 150 feet from Robson Street and gradually steps up to a maximum of three storeys at the Smithe Street end of the complex. There is a maximum of three storeys below street level, including service spaces. Within the structure there are open-plan offices accessed by street-like corridors. -
Geoffrey Massey Dies at Age 96
Geoffrey Massey dies at age 96 The son of actor Raymond Massey was partners with Arthur Erickson in the 1960s. VANCOUVER SUN John Mackie Dec 02, 2020 Vancouver architects Arthur Erickson, left, and Geoffrey Massey, here on July, 31, 1963, had their design chosen for the new Simon Fraser University of Burnaby Mountain. Erickson is the University of B.C. associate professor of architecture. Massey is the son of actor Raymond Massey. Photo by Deni Eagland /PNG Geoffrey Massey’s legacy can be seen all over Vancouver. As Arthur Erickson’s architectural partner in the 1960s and early ’70s, he helped design local icons like Simon Fraser University and the MacMillan Bloedel Building. As a Vancouver city councillor with Art Phillips and TEAM in 1972, he was part of a political movement that put a stop to freeways and redeveloped the south side of False Creek from industrial to residential. He was even one of the early owners, architects and developers at Whistler in the 1960s. Massey died Tuesday morning from pneumonia in a hospice near Lion’s Gate Hospital in North Vancouver. He was 96. His life story could have been scripted by Hollywood. In fact, his father, Raymond Massey, was a movie star, his uncle Vincent was Canada’s governor-general from 1952-59, and his family founded the farm-equipment giant Massey-Harris, which became Massey-Ferguson. Geoffrey Massey was born on Oct. 29, 1924, in London, England, where his dad had a long and successful career in live theatre. His mother, Peggy Fremantle, also came from a prominent family — her father was British Admiral Sydney Fremantle. -
Cornelia Hahn Oberlander Oral History Transcript
The Cultural Landscape Foundation® Pioneers of American Landscape Design® ___________________________________ CORNELIA HAHN OBERLANDER ORAL HISTORY INTERVIEW TRANSCRIPT ___________________________________ Interview conducted August 3-5, 2008 Charles A. Birnbaum, FASLA, FAAR Tom Fox, FASLA, videographer The Cultural Landscape Foundation® Pioneers of American Landscape Design® Oral History Series: Cornelia Hahn Oberlander Interview Transcript Table of Contents Cornelia Hahn Oberlander Interview Transcript ............................................................. 4 Introduction .................................................................................................................. 4 Childhood and Education ............................................................................................... 5 Memories of Family Life in Europe .................................................................................... 5 Coming to America ............................................................................................................ 6 Smith College ..................................................................................................................... 7 Smith Professors Made a Difference ................................................................................. 8 Lessons from Harvard ........................................................................................................ 9 Meeting Larry Halprin ..................................................................................................... -
Authority: Toronto East York Community Council Report No
Authority: Toronto East York Community Council Report No. 6, Clause No. 46, as adopted by City of Toronto Council on July 24, 25 and 26, 2001 Enacted by Council: July 26, 2001 CITY OF TORONTO BY-LAW No. 689-2001 To designate the property at 60 Simcoe Street (Roy Thomson Hall) as being of architectural and historical value or interest. WHEREAS authority was granted by Council to designate the property at 60 Simcoe Street (Roy Thomson Hall) as being of architectural and historical value or interest; and WHEREAS the Ontario Heritage Act authorizes the Council of a municipality to enact by-laws to designate real property, including all the buildings and structures thereon, to be of historical or architectural value or interest; and WHEREAS the Council of the City of Toronto has caused to be served upon the owners of the land and premises known as 60 Simcoe Street and upon the Ontario Heritage Foundation, Notice of Intention to designate the property and has caused the Notice of Intention to be published in a newspaper having a general circulation in the municipality as required by the Ontario Heritage Act; and WHEREAS the reasons for designation are set out in Schedule “A” to this by-law; and WHEREAS no notice of objection to the proposed designation was served upon the Clerk of the municipality. The Council of the City of Toronto HEREBY ENACTS as follows: 1. The property at 60 Simcoe Street, more particularly described in Schedule “B” and shown on Schedule “C” attached to this by-law, is designated as being of architectural and historical value or interest. -
Modern Skyline
MODERN SKYLINE Architecture and Development in the Financial District and Bunker Hill area Docent Reference Manual Revised February 2016 Original manual by intern Heather Rigby, 2001. Subsequent revisions by LA Conservancy staff and volunteers. All rights reserved Table of Contents About the tour 3 Gas Company Building 4 Building on the Past: The Architecture of Additions 5 One Bunker Hill (Southern California Edison) 6 Biltmore Tower 7 Tom Bradley Wing, Central Library 8 Maguire Gardens, Central Library 10 US Bank Tower (Library Tower) 11 Bunker Hill Steps 13 Citigroup Center 14 Cultural Landscapes 14 550 South Hope Street (California Bank and Trust) 16 611 Place (Crocker Citizens-Plaza/AT&T) 17 Aon Center (UCB Building/First Interstate Tower) 18 Modern Building and Preservation 19 A Visual Timeline 19 Adaptive Reuse 20 Downtown Standard (Superior Oil Building) 21 Tax Credits 22 The Pegasus (General Petroleum Building) 23 AC Martin and Contemporary Downtown 24 Figueroa at Wilshire (Sanwa Bank Plaza) 24 Destruction and Development 25 City National Plaza (ARCO Plaza) 26 Richfield Tower 28 Manulife Plaza 29 Union Bank Plaza 30 Westin Bonaventure Hotel 31 History of Bunker Hill 33 Four Hundred South Hope (Mellon Bank/O’Melveny and Myers) 34 Bank of America Plaza (Security Pacific Plaza) 35 Stuart M. Ketchum Downtown Y.M.C.A 37 Wells Fargo Plaza (Crocker Center) 38 California Plaza 39 Uptown Rocker 40 Untitled or Bell Communications Across the Globe 40 Appendix A: A Short Summary of Modern Architectural Styles 41 Appendix B: Los Angeles Building Height Limits 42 Appendix C: A Short History of Los Angeles 43 Updated February 2016 Page 2 ABOUT THE TOUR This tour covers some of the newer portions of the downtown Los Angeles skyline. -
The Late Geoff Massey: a Cultural Icon at Home on the North Shore Dec 19, 2020 8:30 AM By: Adele Weder
12/30/2020 Remembering West Coast architecture legend Geoffrey Massey - North Shore News The late Geoff Massey: a cultural icon at home on the North Shore Dec 19, 2020 8:30 AM By: Adele Weder 1 / 3 The Killam-Massey Residence at 7290 Arbutus Place, built in 1955, with Bowen Island in the background. | courtesy of the Massey family The long life and epic career of Geoff Massey would need a 10-volume book or a Netflix series to unpack. He helped create many buildings and communities in Vancouver, Burnaby, Whistler, and Hernando Island. But most remarkable is what Geoff and his colleagues have done for the North Shore: after making homes for themselves and others here, they helped ferment a contemporary culture for the wider society around them. I first met Geoff 15 years ago, while working on a monograph of West Vancouver artist Bertram Charles Binning—one of many mid-century artists that Geoff had befriended and supported. By then, Geoff was already an octogenarian–a North Shore elder with tales to tell, and I had no idea yet how many. Beginning with this book project, and over the ensuing years, I learned just how influential and engaged he has been with the history of this place. https://www.nsnews.com/in-the-community/the-late-geoff-massey-a-cultural-icon-at-home-on-the-north-shore-3198124 1/3 12/30/2020 Remembering West Coast architecture legend Geoffrey Massey - North Shore News Geoff moved to the Lower Mainland in 1953. His timing was propitious: the North Shore was transitioning into an unofficial epicentre of cultural fermentation. -
Reconciling the Universal and the Particular: Arthur Erickson in the 1940S and 1950S
Reconciling the Universal and the Particular: Arthur Erickson in the 1940s and 1950s When Arthur Erickson is mentioned, his large public projects usually come to mind, especially Simon Fraser University (1963-65), the Museum of Anthropology at the University of British Columbia (1971-76), Robson Square and the Law Courts in Vancouver (1973-79), Roy Thomson Hall in Toronto (1976-82), and the Canadian Chancery in Washington, D.C. (1982-89). These have re ceived the lion's share of attention in print, including his own. It is easy to forget that before working on any of them, even the relatively early Simon Fraser, he had built a small but distinguished practice as a house designer in coastal British Columbia.1 Even before that, in the late 1940s and early 1950s, he had undertaken extended training and travel. This formative period, before Erickson became an architectural superstar, deserves attention because it holds clues to the interests and points of view he would later bring to his more prominent work. by Christopher Thomas 36 SSAC BULLETIN SEAC 21 :2 n the spring of 1953 Erickson returned to his native Vancouver from his architectural l studies and travels to begin practice. His decision to return home, while under standable, merits attention, for it was crucial to the path his career took. Though now Canada's third-largest city, Vancouver at the time was "a sleepy, provincial, rather estern Ho stuffy city" of just over half a million2-hardly, it would seem, a promising place for an ambitious and worldly young architect to launch a career.