Cornelia Hahn Oberlander Oral History Transcript

Total Page:16

File Type:pdf, Size:1020Kb

Cornelia Hahn Oberlander Oral History Transcript The Cultural Landscape Foundation® Pioneers of American Landscape Design® ___________________________________ CORNELIA HAHN OBERLANDER ORAL HISTORY INTERVIEW TRANSCRIPT ___________________________________ Interview conducted August 3-5, 2008 Charles A. Birnbaum, FASLA, FAAR Tom Fox, FASLA, videographer The Cultural Landscape Foundation® Pioneers of American Landscape Design® Oral History Series: Cornelia Hahn Oberlander Interview Transcript Table of Contents Cornelia Hahn Oberlander Interview Transcript ............................................................. 4 Introduction .................................................................................................................. 4 Childhood and Education ............................................................................................... 5 Memories of Family Life in Europe .................................................................................... 5 Coming to America ............................................................................................................ 6 Smith College ..................................................................................................................... 7 Smith Professors Made a Difference ................................................................................. 8 Lessons from Harvard ........................................................................................................ 9 Meeting Larry Halprin ...................................................................................................... 11 Harvard Faculty and Friends Make Lasting Impressions ................................................. 12 Professional Practice ................................................................................................... 15 The Early Years ................................................................................................................. 15 James Rose ................................................................................................................................. 15 The Citizen's Council on City Planning ....................................................................................... 16 Oscar Stonorov........................................................................................................................... 17 Dan Kiley .................................................................................................................................... 18 Louis Kahn .................................................................................................................................. 20 Vancouver, BC Beckons ............................................................................................... 21 How Peter Oberlander settled in Vancouver .................................................................. 21 Cornelia Oberlander begins her Vancouver Practice ...................................................... 22 Her Office ................................................................................................................................... 23 Advancing the Profession of Landscape Architecture ................................................... 24 Contributing to the Profession ........................................................................................ 24 Advice to Women Entering Landscape Architecture ....................................................... 25 Collaboration .............................................................................................................. 25 Arthur Erickson ................................................................................................................ 25 Kiyoshi & Eva Matsuzaki .................................................................................................. 26 Dan Solomon .................................................................................................................... 26 Elements of Design ...................................................................................................... 27 © 2011 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. 2 The Cultural Landscape Foundation® Pioneers of American Landscape Design® Oral History Series: Cornelia Hahn Oberlander Interview Transcript The Importance of Play .................................................................................................... 27 Planning as a Passion ....................................................................................................... 28 Minimalism in the Landscape .......................................................................................... 29 Presenting Plant Material ................................................................................................ 29 Designing a Green Roof ................................................................................................... 30 The City and the Future ................................................................................................... 31 Inspiration is All Around .................................................................................................. 33 Principles for Practice .................................................................................................. 34 Embracing New Technologies .......................................................................................... 34 Landscape Architecture and the Future .......................................................................... 34 Consulting the Experts ..................................................................................................... 35 Teaching the Next Generation ......................................................................................... 35 Appreciating the Work of Others .................................................................................... 36 LEED is not Enough .......................................................................................................... 36 Projects ....................................................................................................................... 38 Friedman Garden ............................................................................................................. 38 Tick Tack Toe House ......................................................................................................... 39 Children Creative Center- Expo ‘67.................................................................................. 40 Oberlander Garden .......................................................................................................... 41 Museum of Anthropology Realized ................................................................................. 44 Museum of Anthropology Revisited ................................................................................ 45 Robson Square ................................................................................................................. 46 Restoring Robson Square ................................................................................................. 50 National Gallery of Canada .............................................................................................. 52 New York Times Building ................................................................................................. 53 The Waterfall Building ..................................................................................................... 54 The VanDusen Botanical Garden - Looking Forward ....................................................... 55 © 2011 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. 3 The Cultural Landscape Foundation® Pioneers of American Landscape Design® Oral History Series: Cornelia Hahn Oberlander Interview Transcript Cornelia Hahn Oberlander Interview Transcript This transcript documents a three-day interview August 3-5, 2008, conducted by Charles Birnbaum, FASLA, FAAR, with Cornelia Hahn Oberlander, and documented by videographer Tom Fox, at Oberlander’s home, her office, and at residential and civic projects in Vancouver, British Columbia. The interview begins at the Oberlander home, during which Oberlander leads a tour of her garden. She discusses its development, design decisions and the changes which have occurred to its design in the past forty years. A walking tour through the Oberlander’s neighborhood leads to insights on current building practices. The day concludes at the Friedman garden, an early residential project in Vancouver. On day two the interview continues at her office, where Oberlander talks about her design philosophy and reveals the design history of her many projects. A site visit to Robson Square to review the renovation to the three-block roof garden concludes the day. On the final day the conversation continues in the Oberlander office and finishes on site at the Museum of Anthropology, where Oberlander is joined by her long time friend and colleague architect Arthur Erickson. Introduction I am Cornelia Oberlander. I am a landscape architect who has worked for 60 years. I'm married to Peter Oberlander, a classmate of mine at Harvard, who was in planning while I was in landscape architecture; and we have three children, very grown up, Judy, Tim, and Wendy, and their offspring, our grandchildren. For 60 years I've tried to bring the profession to a stage where it is understood
Recommended publications
  • Arthur Erickson's Concrete Trevor Boddy
    I first heard Arthur Erickson speak of the importance of The Constructed Landscape: concrete to his designs in the late 1970s. As the student charged with organizing lectures at my architecture school in Arthur Erickson’s Concrete Calgary, a first talk there by Canada’s most prominent modern architect was my top priority. I called his office, but Erickson’s personal secretary informed me he no longer gave lectures to universities, only to “bankers and chambers of commerce.” I persisted, and arranged to have the Vancouver- based designer speak to a luncheon gathering of downtown businessmen. One of Erickson’s phrases in his talk that day cycled around my student brain long after he got on the airplane back to Vancouver, and the Calgary businessmen got back to pumping oil. While I did not recognize it as being so at the time, he voiced a widely-quoted shibboleth as an aside: “Concrete is the marble of the 20th century.” The use of concrete Trevor Boddy validated through comparison with a now-expensive traditional material? The reference seemed archaic to me, in part because my architectural history studies had just taught me that the ancient shores of the Mediterranean were the last home to marble used as both structure and finish for public buildings. Or was Erickson inferring something more complex with this, as in late Roman and post-Renaissance uses of marble—a veneer finish, while bricks or cheaper stones did the structural work behind, a composite in the same way steel reinforcing rods make large span and thin shell concrete structures possible? Arthur Erickson’s concrete buildings demonstrate both of these tendencies—an extension of building logic of the material itself, and a classicizing sensibility, especially in their spatial logic and recurring use of the trabeated frame.
    [Show full text]
  • Bibliography of British Columbia
    BIBLIOGRAPHY OF BRITISH COLUMBIA prepared by gail edwards, mls, phd Books Arnold, Grant, Martin Barnes, Vincent Honoré, Eva Respini, and Shep Steiner. Scott McFarland. Vancouver: Douglas and McIntyre, 2009. 115 p. 9781553654827 Belshaw, John, and Diane Purvey. Private Grief, Public Mourning: The Rise of the Roadside Shrine in British Columbia. Vancouver: Anvil Press, 2009. 154 p. 9781895636994 Birchwater, Sage, ed. Gumption and Grit: Extraordinary Women of the Cariboo Chilcotin. Halfmoon Bay: Caitlin Press, 2009. 216 p. 978189459373 Campbell, Colin. Southern Cariboo. 2nd ed. Vancouver : Rocky Mountain Books, 2009. 141 p. 9781897522448 Campbell, Larry, Lori Culbert, and Neil Boyd. A Thousand Dreams: Vancouver’s Downtown Eastside and the Fight for Its Future. Vancouver: Greystone Books, 2009. 319 p. 9781553652984 Cannings, Richard, Harry Nehls, Mike Denny, and Dave Trochlell. Birds of Interior BC and the Rockies. Vancouver: Heritage House, 2009. 434 p. 9781894974592 Christie, Jack. The Whistler Book: An All-Season Outdoor Guide, rev. ed. Vancouver: Greystone Books, 2009. 263 p. 9781553654476 Coupland, Douglas. City of Glass: Douglas Coupland’s Vancouver, rev. ed. Vancouver: Douglas and McIntyre, 2009. 175 p. 9781553653592 Crouch, John. Walk Victoria: Your Guide to Over 60 Urban and Suburban Walks, rev. ed. Victoria: Chickadee Press, 2009. 159 p. 9780973191332 Cunningham, Rosemary. Bravo! The History of Opera in British Columbia. Madeira Park: Harbour Publishing, 2009. 208 p. 9781550174861 Damer, Eric, and Herbert Rosengarten. ubc: The First100 Years. Vancouver: University of British Columbia, 2009. 352 p. 9780888658753 (hc); 9780888658777 (pbk.) Demers, Charles. Vancouver Special. Vancouver: Arsenal Pulp Press, 2009. 271 p. 9781551522944 Edmonds, Penelope. Urbanizing Frontiers: Indigenous Peoples and Settlers in 19th- Century Pacific Rim Cities.
    [Show full text]
  • The Paradox of Public Discourse: Designing Vancouver Library Square
    Linda Lewin Graif The Paradox of Public Discourse: Designing Vancouver Library Square rchitecture is a discipline that operates in a complex public A arena. While architecture may be defined as the art and sci­ ence of conceptualizing the built environment, the journey from the drawing board to the constructed artifact is a perilous one. The architect's initial concept, itself subject to constraints of many kinds, must be negotiated with clients, engineers, contractors, financial partners, special interest groups, and the general pub­ lic. Architecture, particularly public architecture, is inherently non-hermetic and, as such, is open to challenge and debate. Of all Moshe Safdie' s Can a dian "Libraries have always projects, Vancouver represented the cultural Library Sguare pro­ heritage of a society. duced one of the most As such, they must exhau,stive and com­ transcend the commercial preh ensive discu s­ architecture of our time." sions about the role of Moshe Safdie architecture in public 'life. Of particular in­ terest are the nature "Probably you'll love it. and scope of the pub­ You did vote for it after all. lic discourse arising Highbrow critics may from the singular set attack it as Caesar's Palace of circumstances sur­ but for you faux is fine. rounding it. A wide You don't know the difference range of issues re­ between modern and lated to preservation, post-modern, anyway." politics, economics, Doug Ward, culture, and aesthet- The Vancouver Sun, 24 May 1995 ics converged in an atmosphere of vigorous and often heated debate. This essay ex­ amines the public and professional exchanges engendered by the Vancouver Library Sguare project and illustrates the potential conflicts inherent in the public nature of architecture.
    [Show full text]
  • Cornelia Hahn Oberlander Reflections
    The Cultural Landscape Foundation Pioneers of American Landscape Design ___________________________________ CORNELIA HAHN OBERLANDER ORAL HISTORY REFLECTIONS ___________________________________ Nina Antonetti Susan Ng Chung Allegra Churchill Susan Cohen Cheryl Cooper Phyllis Lambert Eva Matsuzaki Gino Pin Sandy Rotman Moshe Safdie Bing Thom Shavaun Towers Hank White Elisabeth Whitelaw © 2011 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. Scholar`s Choice: Cornelia Hahn Oberlander-From Exegesis to Green Roof by Nina Antonetti Assistant Professor, Landscape Studies, Smith College 2009 Canadian Center for Architecture Collection Support Grant Recipient, December 2009 March 2011 What do a biblical garden and a green roof have in common? The beginning of an answer is scrawled across the back of five bank deposit slips in the archives of Cornelia Hahn Oberlander at the CCA. These modest slips of paper, which contain intriguing exegesis and landscape iconography, are the raw material for a nineteen-page document Oberlander faxed to her collaborator Moshe Safdie when answering the broad programming requirements of Library Square, the Vancouver Public Library and its landscape. For the commercial space of the library, Oberlander considered the Hanging Gardens of Babylon and the hanging gardens at Isola Bella, Lago Maggiore; for the plaza, the civic spaces of ancient Egypt and Greece; and for the roof, the walled, geometric gardens of the Middle Ages and Early Renaissance. Linking book to landscape, she illustrated the discovery of the tree of myrrh during the expedition of Hatshepsut, referenced the role of plants in Genesis and Shakespeare, and quoted a poem by environmental orator Chief Seattle.
    [Show full text]
  • Architecture: the Museum As Muse Museum Education Program for Grades 6-12
    Architecture: The Museum as Muse Museum Education Program for Grades 6-12 Program Outline & Volunteer Resource Package Single Visit Program Option : 2 HOURS Contents of Resource Package Contents Page Program Development & Description 1 Learning Objectives for Students & Preparation Guidelines 2 One Page Program Outline 3 Powerpoint Presentation Overview 4 - 24 Glossary – Architectural Terms 24 - 27 Multimedia Resource Lists (Potential Research Activities) 27 - 31 Field Journal Sample 32 - 34 Glossary – Descriptive Words Program Development This programme was conceived in conjunction with the MOA Renewal project which expanded the Museum galleries, storages and research areas. The excitement that developed during this process of planning for these expanded spaces created a renewed enthusiasm for the architecture of Arthur Erickson and the landscape architecture of Cornelia Oberlander. Over three years the programme was developed with the assistance of teacher specialists, Jane Kinegal, Cambie Secondary School and Russ Timothy Evans, Tupper Secondary School. This programme was developed under the direction of Jill Baird, Curator of Education & Public Programmes, with Danielle Mackenzie, Public Programs & Education Intern 2008/09, Jennifer Robinson, Public Programs & Education Intern 2009/10, Vivienne Tutlewski, Public Programs & Education Intern 2010/2011, Katherine Power, Public Programs & Education Workstudy 2010/11, and Maureen Richardson, Education Volunteer Associate, who were all were key contributors to the research, development and implementation of the programme. Program Description Architecture: The Museum as Muse, Grades 6 - 12 MOA is internationally recognized for its collection of world arts and culture, but it is also famous for its unique architectural setting. This program includes a hands-on phenomenological (sensory) activity, an interior and exterior exploration of the museum, a stunning visual presentation on international museum architecture, and a 30 minute drawing activity where students can begin to design their own museum.
    [Show full text]
  • Lecture Series 6Pm Cornelia Oberlander
    > archawai‘i global practice LANDSCAPE ARCHITECTURE photo by: Ihor Pona lecture co-organized with the Hawaii Chapter of the ASLA SPRING2014 www.arch.hawaii.eduLECTURE SERIES FEBwednesday 26 www.corneliaoberlander.caCORNELIA OBERLANDER SPEAKER BIO: Recognized as a national treasure in Canada, Cornelia Oberlander, FASLA, FCSLA has been creating innovative sustainable landscapes in collaboration with preeminent architects for more than sixty years. Selected projects include Robson Square in Vancouver with its early intensive green roof, the U.B.C. Museum of Anthropology, the Vancouver Public Library green roof, the National Gallery of Canada in Ottawa, the Canadian Embassy in Berlin, New York Times Building courtyard and green roof, Vandusen Botanical Garden Visitor Centre in Vancouver, the Northwest Territories Legislative Assembly Building in Yellowknife, and East Three School in Inuvik. Asked to describe her experiences working in the northern environments of Yellowknife and Inuvik, Oberlander refers to the following quote: “‘What does one do when visiting a new place,’ he asked a man. His reply was simple. ‘I listen, that’s all. I listen to what the land is saying. I walk around it and strain my senses in appreciation of it for a long time before I, University of Hawai‘i at Manoa myself, ever speak a word. Entered in this manner the land will School of Architecture open up’” (from Arctic Dreams by Barry Lopez). 2410 Campus Road 6PM Honolulu, Hawai‘i 96822 In 2012 the ASLA Medal was bestowed on Cornelia > Oberlander “in recognition of her unfaltering leadership and award-winning work in postwar landscape architecture t | 808.956.7225 in Canada and the United States.
    [Show full text]
  • A Walk Through Robson Square
    A WALK THROUGH ROBSON SQUARE As the plans and the overview demonstrate, Robson Square contains three inter-related structures: the Vancouver Art Gallery, the Provincial Government Office Block and the Law Courts. These are integral to a multi-level plaza and garden through which two thoroughfares pass. Indeed, the Office Block is designed in such a way that it is itself a terraced open park. It is adjacent to or actually contains many of the facilities that are essential to Robson Square's overall function as a civic centre. All the roofs of the office block have been landscaped, and most areas within it are accessible to the public, either above or below the level of the streets that transect the square. The public focus of this building-cum-plaza is the area surrounding Robson Street between Hornby and Howe, the area nearest the V AG. Close to the free public skating rink that is positioned under the two plexiglass domes situated below Robson Street is an international food mart that opens onto a plaza. Immediately adjacent to it within the portion of the office block that is constructed beneath Robson Street is a media centre that is equipped with a theatre, conference areas and exhibition spaces. The government office block portion of the complex is set back 150 feet from Robson Street and gradually steps up to a maximum of three storeys at the Smithe Street end of the complex. There is a maximum of three storeys below street level, including service spaces. Within the structure there are open-plan offices accessed by street-like corridors.
    [Show full text]
  • MODERN ARCHITECTURE INTERNATIONAL EXHIBITION I, Momaexh 0015 Masterchecklist
    BaM-- fu-- ~~{S~ MODERN ARCHITECTURE INTERNATIONAL EXHIBITION I, MoMAExh_0015_MasterChecklist NEW YORK FEB. 10 TO MARCH 23,1932 MUSEUM OF MODERN ART PHOTOGRAPHS IN THE EXHIBITION ILLUSTRATING THE EXTENT OF MODERN ARCHITECTURE AUSTRIA LOIS WELZENBACHER:Apartment House, Innsbruck. 1930. BELGIUM H. L. DEKONINCK:Lenglet House, Uccle, near Brussels. 1926. MoMAExh_0015_MasterChecklist CZECHOSLOVAKIA I OTTO EISLER:House for Two Brothers, Brno, 1931. BOHUSLAVFucns: Students' Clubhouse, Brno. 1931. I I LUDVIKKYSELA:Bata Store, Prague. 1929. ENGLAND AMYAS CONNELL:House in Amersham, Buckinghamshire. 193I. JOSEPHEMBERTON:Royal Corinthian Yacht Club, Burnham-an-Crouch. 1931. FINLAND o ALVAR AALTO: Turun Sanomat Building, Abo. 1930. FRANCE Gabriel Guevrekian: Villa Heim, Neuilly-sur-Seine. 1928. ANDRE LURyAT:Froriep de Salis House, Boulogne-sur-Seine. 1927. ANDRE LURCAT:Hotel Nord-Sud, Calvi, Corsica. 1931. 2!j ,I I I I I I FRANCE (continued) ROBMALLET-STEVENS:de Noailles Villa, Hyeres. "925. PAULNELSON: Pharmacy, Paris. 1931. GERMANY OTTOHAESLER: Old People's Home, Kassel. 1931. LUCKHARDT&' ANKER: Row of Houses, Berlin. "929. ERNSTMAY &' ASSOCIATES:Friedrich Ebert School, Frankfort-on-Main. 1931. 28 0 MoMAExh_0015_MasterChecklist ERICHMENDELSOHN:Schocken Department Store, Chemnitz. "9 -3 . ERICHMENDELSOHN:House of the Architect, Berlin. "930. HANSSCHAROUN: "Wohnheim;" Breslau. 1930. KARLSCHNEIDER:Kunstverein, Hamburg. "930. HOLLAND BRINKMAN&' VAN DERVLUGT: Van Nelle Factory, Rotterdam. 1928-30. I I W, J. DUIKER: Open Air School, Amsterdam. "931. G. RIETVELD:House at Utrecht. "924. ITALY 1. FIGINI &' G. POLLIN!:Electrical House at the Monza Exposition. "930. I' JAPAN ISABUROUENO: Star Bar, Kioto. "931. MAMORU YAMADA: Electrical Laboratory, Tokio. "930. SPAIN LABAYEN&' AIZPUR1JA:Club House, San Sebastian. "930. 26 SWEDEN SVEN MARKELlus &' UNO AHREN: Students' Clubhouse, Stockholm.
    [Show full text]
  • The Work of Phillips Farevaag Smallenberg
    APRIL 2011 SITELINESLandscape Architecture in British Columbia RE:EVOLUTION Grounded: The Work of PFS | CSLA Professional Awards of Excellence | Lulu Urban Design Awards | Philip Tattersfield Architect of the BCSLA HealthBeat™ HealthBeat™ Outdoor Fitness System brings the best of the gym to the great outdoors. Perfect for parks, trails or next to a playground. Visit any of our HealthBeat™ parks in British Columbia: Terrace Community Seniors Fitness Park, Terrace Mill Lake Park, Abbotsford Lions Wellness Park, Tsawwassen Oliver Wood Wellness Park, Nanaimo Cameron Park, Burnaby Sidney Community Wellness Park, Sidney West Richmond, Community Center Henderson Recreational Centre, Victoria Parkgate Park, North Vancouver McArthur Island Park, Kamloops Tisdall Park, Vancouver Prince George Seniors Park, Prince George Visit our Contact us for more information on HealthBeat™ by requesting a booths at the Habitat Systems Inc. complimentary outdoor fitness BCSLA AGM 1(866) 422-4828 in May. package. www.habitat-systems.com [email protected] 2 SITELINES BC Society of Landscape Architects Foreword By Emily Dunlop, BCSLA Intern/Associate Representative and 2011 BCSLA Conference Co-Chair 110 - 355 Burrard St. Vancouver, BC V6C 2G8 T 604.682.5610 E [email protected] In reviewing membership responses to surveys, the F 604.681.3394 W www.bcsla.org www.sitelines.org , and the TF 855.682.5610 abstracts submitted from the Call for Papers (Canada and US) insightful conversations with many individuals in our indus- try and beyond, it is apparently clear what is on people’s PresidenT Mark van der Zalm minds. It is difficult to argue that the succession of environ- PresidenT Elect Teri Cantin mental consciousness, depletion of ecological conditions, and Past PresidenT Katherine Dunster an increase in social justice for public spaces focused around Registrar Tracy Penner people, have put all landscape architects in the spotlight.
    [Show full text]
  • Kenneth Frampton — Megaform As Urban Landscape
    / . ~ - . ' -- r • • 1 ·' \ I ' 1999 Raoul Wallenberg Lecture . __ . Meg~fQrm as Urban .Landscape ~ · ~ · _ · - Kenneth Framrton . l • r ..... .. ' ' '. ' '. ,·, ·, J ' , .. .• -~----------- .:.. Published to commemorate the Raoul Wallenberg Memorial Lecture given by Kenneth Frampton at the College on February 12, 1999. Editor: Brian Carter Design: Carla Swickerath Typeset in AkzidenzGrotesk and Baskerville Printed and bound in the United States ISBN: 1-89"97-oS-8 © Copyright 1999 The University of Michigan A. Alfred T aubman College of Architecture + Urban Planning and Kenneth Frampton, New York. The University of Michigan A. Alfred Taubman College of Architecture + Urban Planning 2000 Bonisteel Boulevard Ann Arbor, Michigan 48109-2069 USA 734 764 1300 tel 734 763 2322 fax www.caup.umich.edu Kenneth Frampton Megaform as Urban Landscape The University of Michigan A. Alfred Taubman College of Architecture + Urban Planning 7 Foreword Raoul Wallenberg was born in Sweden in 1912 and came to the University of Michigan to study architecture. He graduated with honors in 1935, when he also received the American Institute of Architects Silver Medal. He returned to Europe at a time of great discord and, in 1939, saw the outbreak of a war which was to engulf the world in unprecedented terror and destruction. By 1944 many people, including thousands ofjews in Europe, were dead and in March of that year Hitler ordered Adolph Eichman to prepare for the annihilation ofthejewish population in Hungary. In two months 450,000 Jews were deported to Germany, and most of those died. In the summer of that same year Raoul Wallenberg, who was 32 years old, went to Budapest as the first Secretary of the Swedish Delegation in Hungary.
    [Show full text]
  • A Brief History of Chutzpah with Scholar-In-Residence
    TEMPLE SHOLOM NOVEMBER 2019 / CHESHVAN-KISLEV 5780 Celebrating 25 years of Temple Sholom Shabbat TORAH STUDY GROUP FRIDAY, NOVEMBER 22 – SUNDAY, NOVEMBER 24, 2019 A BRIEF HISTORY OF CHUTZPAH WITH SCHOLAR-IN-RESIDENCE RABBI ED FEINSTEIN In honour and celebration of the 25th year of the Temple Sholom Shabbat Torah Study, Rabbi Ed Feinstein, distinguished scholar, professor and author, will be the 2019 Scholar-in-Residence. FRIDAY, NOVEMBER 22 SUNDAY, NOVEMBER 24 6:30pm: Service 10:15am: Parents’ Workshop 7:30pm: Dinner, Presentation Rabbi Feinstein will lead a work- and Discussion shop called “Tough Questions Jews Rabbi Feinstein’s topic: "How to Ask: A Young Adult's Guide to Wrestle with God and Win". Building a Jewish Life”. Cost for dinner: $22 Adult; $15 Student. Bio: Rabbi Ed Feinstein is the RSVP by November 20 at Senior Rabbi of Valley Beth Shalom 4:00pm at 604.266.7190 or in Encino, California and serves on www.templesholom.ca. the faculty of the Ziegler Rabbinical SATURDAY, NOVEMBER 23 School of the American Jewish 8:30am: Torah Study University. He teaches for the Rabbi Feinstein will be joining Wexner Heritage Program, the for a rich discussion of the week’s Shalom Hartman Institute, and Torah portion. lectures widely across North 10:00am: Morning Service America. Rabbi Feinstein is the Rabbi Feinstein’s sermon: RABBI ED FEINSTEIN author of five books. "The Secret to Jewish Survival". IN OUR TEMPLE FAMILY ב מ PLEASE JOIN: נ ח מ ו , נ ח מ ו ש Nachamu, Nachamu; Condolences to: Aaron Hoffman & Laurel Weldon פ as their daughter,
    [Show full text]
  • Lecture Handouts, 2013
    Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc.
    [Show full text]