Music of the Spheres
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Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan tastic future. -
The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................ -
James T. Kirk Spock Spock Prime Nero Christopher Pike Leonard
James T. Kirk Spock Spock Prime Nero Christopher Pike Leonard McCoy Nyota Uhura Montgomery Scott Hikaru Sulu Pavel Chekov Sarek After witnessing the destruction of his home planet, Romulus in 2387, Nero sets in place a chain of events that will permanently alter the timeline of the Star Trek Universe, leading to the creation of an alternate reality, that deviates from the Prime Reality of the Star Trek Canon. 2387 - Nero loses his wife and unborn child during the destruction of Romulus in a supernova. Witnesses the tragedy while off- planet. 2387 - Grief- stricken and seeking revenge, Nero places the blame for Romulus's demise on Ambassador Spock, who had promised to prevent the disaster. Aditionally, he blamed the Federation as a whole, who he accused of standing idle while Romulus perished. 2387 - Spock, 2387 - Nero piloting his intercepts Spock's trademark ship the escape from the Jellyfish, absorbs ensuing black hole the supernova with while in command the use of Red of the Matter, creating a technologically black hole. Before advanced Romulan he could escape, mining vessel, the Spock is Narada. The intercepted by Narada is pulled Nero, in command into the Singularity of the Romulan first. mining vessel the Narada. Both ships are pulled into the Black Hole, the Narada entering first. 2222 - Montgomery Scott is born in Scotland. Spock Prime and 2227 - Leonard the Romulans get McCoy is born in Matthew Georgia, USA, McConaughey'd Earth. 2230 - Spock is born on Vulcan to Sarek, Vulcan ambassador to Earth and Amanda Grayson, a human. Spock's birth takes place prior to Nero's time incursion, and therefore before the timelines diverge from oneanother, so this event takes place for both Spock Prime and the Spock of this timeline. -
Mind-Sifter Salmon Pages.Fdx
"MIND SIFTER" STAR TREK PHASE II Introduction from our screenwriter Rick Chambers: I have many great memories related to "Mind-Sifter," from the moment I was asked to create the teleplay from Shirley's magnificent story to the long hours and unflagging enthusiasm of the shoot. One memory that's especially dear to me is linked to the memorial service. While I was working on the teleplay in December 2013, my mother was dying. She was in hospice as I wrote the chapel scene and passed away as I finished the script. So the words I gave to McCoy, about the need to mourn, how it's part of life, and how we move on from grief and despair to hope, all were themes I was dealing with personally at the time. Then, when we shot the scene months later, and Jeff Bond delivered that powerful performance, I was in tears because those words were so right, so true. They resonate in the next scene, too, when Kirk makes his escape from the Klingons ; with his life seemingly about to end, he finds that window of hope, where "grace will lead me home," as the song goes at that moment he leaps through the Guardian. All of this was very meaningful for me personally -- and, I hope, meaningful for those who watch the episode. We shot all asylum shots at Ticonderoga High School. Our producer, Rob Mauro did extensive research and the architecture is period correct! TEASER FADE IN: 1 INT. ASYLUM HALLWAY--NIGHT 1 A dimly lit hallway, old and rough at the edges, a facility operating on a shoestring. -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
Writing to Think
U.S. Naval War College U.S. Naval War College Digital Commons Newport Papers Special Collections 2-2014 Writing to Think Robert C. Rubel Follow this and additional works at: https://digital-commons.usnwc.edu/usnwc-newport-papers Recommended Citation Rubel, Robert C., "Writing to Think" (2014). Newport Papers. 41. https://digital-commons.usnwc.edu/usnwc-newport-papers/41 This Book is brought to you for free and open access by the Special Collections at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Newport Papers by an authorized administrator of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. NAVAL WAR COLLEGE NEWPORT PAPERS 41 NAVAL WAR COLLEGE WAR NAVAL Writing to Think The Intellectual Journey of a Naval Career NEWPORT PAPERS NEWPORT 41 Robert C. Rubel Cover This perspective aerial view of Newport, Rhode Island, drawn and published by Galt & Hoy of New York, circa 1878, is found in the American Memory Online Map Collections: 1500–2003, of the Library of Congress Geography and Map Division, Washington, D.C. The map may be viewed at http://hdl.loc.gov/ loc.gmd/g3774n.pm008790. Writing to Think The Intellectual Journey of a Naval Career Robert C. Rubel NAVAL WAR COLLEGE PRESS Newport, Rhode Island meyers$:___WIPfrom C 032812:_Newport Papers:_NP_41 Rubel:_InDesign:000 NP_41 Rubel-FrontMatter.indd January 31, 2014 10:06 AM Naval War College The Newport Papers are extended research projects that Newport, Rhode Island the Director, the Dean of Naval Warfare Studies, and the Center for Naval Warfare Studies President of the Naval War College consider of particular Newport Paper Forty-One interest to policy makers, scholars, and analysts. -
The Star Trek Book Free
FREE THE STAR TREK BOOK PDF DK | 336 pages | 01 Jun 2016 | Dorling Kindersley Ltd | 9780241232279 | English | London, United Kingdom Nonfiction Books about Star Trek ( books) Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your The Star Trek Book. Ages Teens. Add to Wishlist. Star Trek: Strangers from the…. Star Trek: Worlds in Collision. See All Formats. Star Trek How Much for…. Star Trek Ishmael. Vanguard 1: Harbinger. Pre-Order Now Add to Wishlist. A Contest of Principles. Star Trek The Fearful…. Star Trek Voyager: Mosaic. Star Trek Time for…. Star Trek Yesterday's Son. Star Trek Crossroad. Star Trek: The Original Series…. George III. Star Trek Rihannsu 1: The Star Trek Book. Star Trek Mirror Universe Saga…. Star Trek: Sand and Stars. Star Trek: Seven Deadly Sins…. The Autobiography of James T. Star Trek: The Badlands 1. Star Trek: The Eugenics Wars…. Related Searches. Star The Star Trek Book The Starship Trap. The Starship Trap En route to an important diplomatic reception the U. The unprovoked assault, Kirk discovers, is in response to what the Klingon ship's captain claims are recent Federation attacks on View Product. Star Trek Rihannsu 4: Honor Blade. At last, the The Star Trek Book Federation of Planets and the Romulan Star Empire have agreed to meet on neutral ground The Star Trek Book attempt to resolve the Star Trek: Destiny. -
2007 EDITION STARFLEET MARINE CORPS Xenostudies Andorian Manual
2007 EDITION STARFLEET MARINE CORPS Xenostudies Andorian Manual 2007 Edition This manual is published by the STARFLEET Marine Corps, a component of STARFLEET, the International Star Trek Fan Association, Inc., and released under the Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License (http://creativecommons. org/licenses/by-nc-nd/2.5/). You may freely copy, distribute, display, and perform this manual, but all other uses are strictly prohibited unless written permission is received from the Commandant or Deputy Commandant, STARFLEET Marine Corps. The STARFLEET Marine Corps holds no claims to any trademarks, copyrights, or other properties held by Paramount, other such companies or individuals. Published: October 2007 XA Manual Contents Part 1 - Introduction ��������������������������������������������������������1 Copyright and Disclaimer ��������������������������������������������������������������������������������������� 1 Pronoun Disclaimer ����������������������������������������������������������������������������������������������� 1 Acknowledgements ������������������������������������������������������������������������������������������������ 1 Reporting Authority ����������������������������������������������������������������������������������������������� 1 Part 2 - Andoria ����������������������������������������������������������������2 The Solar System ��������������������������������������������������������������������������������������������������� 2 Andoria (Procyon VIII) ������������������������������������������������������������������������������������������ -
USS ENTERPRISE from STAR TREK (TOS)
U.S.S. ENTERPRISE from STAR TREK (TOS) If printed 17 inches tall (from black-outlined edge to black-outlined edge) the scale of these drawings is 1/350. LAYOUT: DECKS 2 and 3 PAGE 2 of 18 0 5 10 15 20 COPYRIGHT 2020 - PARAMOUNT DRAWN BY: Jim Botaitis METERS STELLAR ION ION CARTOGRAPHY Recessed floor of STUDY STUDY center of Bridge SCIENCE Recessed floor of SCIENCE EQUIPMENT center of Bridge EQUIPMENT AND SENSORS AND SENSORS TL EMERGENCY EMERGENCY HATCH HATCH DN 59 DN UP UP 1 - 10 UP PWT 1 - 10 UP PWT DN E DN E DN DN Recessed floor Recessed floor of entire Bridge EL Maximum of entire Bridge Maximum Headroom Headroom HIGH HIGH ENERGY BIOLOGY ENERGY DECK 2: SCIENCE LABORATORIES DECK 2: V.I.P. QUARTERS GEOLOGY BOTANY (REC ROOM 6) COMMUNICATIONS WATER STORAGE EL 70 UP TL UP 2 - 3 1 - 10 DN DN E ONLY ES PWT C UP EL OFFICERS' LOUNGE PHYSICS CHEMISTRY DECK 3: SCIENCE LABORATORIES / LOUNGE NOTES DECK 2 DECK 3 I adjusted the spacing of the top 4 decks for a better fit, but the Bridge (and the recess in the center of Stairs for the emergency exit on Deck 2 start on Deck 4 and continue up from there past this level. the Bridge) still affects Deck 2 too much. Yes, stairs were never mentioned or seen. Does that mean they do not exist? TMoST says this deck has Science Labs. This may be what was located here initially. However. An Officers' Lounge was never mentioned or seen. -
STAR TREK the TOUR Take a Tour Around the Exhibition
R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision. -
Greatest Generation: Deep Space Nine
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. [Music begins. A fast-paced techno beat.] Picard: Captain Jean-Luc Picard, the USS Enterprise! [Music slows, record scratch, and then music speeds back up.] Sisko: Commander Benjamin Sisko, the Federation starbase... Deep Space 9. [Music ends.] 00:00:14 Music Music Record scratch back into "The Picard Song," which plays quietly in the background. 00:00:15 Adam Host Welcome to The Greatest Generation: Deep Space Nine. It's a Star Pranica Trek podcast by... a couple of guys who are just a little bit embarrassed about having a Star Trek podcast. I'm Adam Pranica. 00:00:26 Ben Harrison Host I'm Ben Harrison. And it's a MaxFunDrive episode. [Music fades out.] And it's also... a drunkisode. 00:00:34 Adam Host You shouldn't believe that those things are related in any way but luck. Like, we don't have to drink our way through a MaxFunDrive episode. That's not what anyone's saying. 00:00:44 Ben Host Yeah. And I mean I guess, like, in the past, our MaxFunDrive episodes, we've edited out the pledge breaks. 00:00:50 Adam Host Mm-hm. -
Open Tunney.Thesis.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FILM-VIDEO AND MEDIA STUDIES THE EVOLUTION OF UHURA: REPRESENTATIONS OF WOMEN IN TREK KRISTEN TUNNEY Fall 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Film-Video with honors in Media Studies Reviewed and approved* by the following: Jeanne Lynn Hall Associate Professor of Communications Thesis Supervisor Barbara Bird Associate Professor of Communications Honors Adviser Paula Droege Lecturer in Philosophy Third Reader * Signatures are on file in the Schreyer Honors College. i Abstract: The Evolution of Uhura: Representations of Women in Trek will be a primarily textual character analysis* of the ways in which the character of Uhura has evolved and transformed over the past forty years. In the paper, I claim that Trek films have always had both positive and negative representations of women, and that ―NuTrek‖ fails and succeeds in ways that are different from but comparable to those of ―classic‖ Trek. I will devote the first half of my paper to Uhura‘s portrayal in Star Treks I through VI. The second half of my research will focus on the newest film, Star Trek (2009). I will attempt to explain the character‘s evolution as well as to critique the ways in which NuTrek featuring the Original Series characters manages to simultaneously triumph and fail at representing the true diversity of women. * my interpretation of how different characters can be ―read‖ as either positive or negative representations of gender; my own interpretation will be compared and contrasted with that of other Trek scholars, and I will be citing sources both in feminist literature and media studies literature (and some combinations) to back up my own conclusions about the films.