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Another Look at Cain: from a Narrative Perspective
신학논단 제102집 (2020. 12. 31): 241-263 https://doi.org/10.17301/tf.2020.12.102.241 Another Look at Cain: From a Narrative Perspective Wm. J McKinstry IV, MATS Adjunct Faculty, Department of General Education Presbyterian University and Theological Seminary In the Hebrew primeval histories names often carry significant weight. Much etymological rigour has been exercised in determining many of the names within the Bible. Some of the meaning of these names appear to have a consensus among scholars; among others there is less consensus and more contention. Numerous proposals have come forward with varying degrees of convincing (or unconvincing as the case may be) philological arguments, analysis of wordplays, possi- ble textual emendations, undiscovered etymologies from cognates in other languages, or onomastic studies detailing newly discovered names of similarity found in other ancient Semitic languages. Through these robust studies, when applicable, we can ascertain the meanings of names that may help to unveil certain themes or actions of a character within a narrative. For most of the names within the primeval histories of Genesis, the 242 신학논단 제102집(2020) meaning of a name is only one feature. For some names there is an en- compassing feature set: wordplay, character trait and/or character role, and foreshadowing. Three of the four members in the first family in Genesis, Adam, Eve, and Abel, have names that readily feature all the elements listed above. Cain, however, has rather been an exception in this area, further adding to Genesis 4’s enigmaticness in the Hebrew Bible’s primeval history. While three characters (Adam, Eve, and Abel) have names that (1) sound like other Hebrew words, that are (2) sug- gestive of their character or actions and (3) foreshadow or suggest fu- ture events about those characters, the meaning of Cain’s name does not render itself so explicitly to his character or his role in the narrative, at least not to the same degree of immediate conspicuousness. -
PROGRAM NOTES the Classical Master Josef Haydn and The
Program Notes The Classical master Josef Haydn and the idiosyncratic minimalist Arvo Pärt may seem like a musical odd couple, but this afternoon’s pairing brings to- gether two composers who share some fundamental characteristics. Both are men of a deep personal faith which is often reflected in their music. And both were unafraid to reference contemporary events in their music. Haydn’s title Missa in Tempore Belli (Mass in a Time of War) was his own, and refers to the Napoleonic wars, which were played out in large measure on Austrian soil. Pärt dedicated his 2008 Symphony No. 4 “Los Angeles” to Mikhail Khodoro- vsky, the Russian oil magnate, philanthropist, and vocal critic of the Putin government, whose imprisonment was widely thought to be politically mo- tivated, and his selection of the text for Adam’s Lament is his response to the ongoing tensions between Islamic and Christian worlds. Estonian-born Arvo Pärt (b. 1935) reinvented his compositional style after making an early name for himself as an avant garde composer. His early com- positions were fiercely atonal and serial, but he also experimented with aleatoric music, where he might indicate the range of pitches for a given voice but not specify discrete pitches, rhythms or durations, and collage music, in which he layered phrases of music from composers like Bach onto his own 12- tone music. The premiere of Pärt’s 1968 Credo, a choral collage piece, caused something of an uproar. The use of the liturgical text had not been approved by the Soviet composers’ union and the work was subsequently banned in the Soviet Union. -
January 2014 Ensign
OLD TESTAMENT PROPHETS ADAM “Few persons in all eternity have been more directly involved in the plan of salvation . than the man Adam.” 1 ost people know me as the first Because we chose to eat the fruit, God knew that the Fall would Mman to live on the earth, but we had to leave the garden and God’s happen—He sent Jesus Christ to many don’t know that I had a special presence. This is known as the Fall. atone for our sins and overcome responsibility before I came to the We became mortal, experienced both death so that we and our children earth. In the premortal existence, I led the good and the bad of life, and could return to Him.11 God’s armies against Satan’s armies brought children to in the War in Heaven,2 and I helped earth.10 Jesus Christ create the earth.3 I was known as Michael then, which means one “who is like God.” 4 God chose me to be the first man on the earth and placed me in the Garden of Eden, a paradise with many types of plants and ani- mals. He breathed into me “the breath of life” 5 and gave me a new name: Adam.6 God told my wife, Eve, and me not to eat the fruit of the tree of knowledge of good and evil.7 If we didn’t eat the fruit, we could stay in the garden and live forever, but we wouldn’t be able to “progress by experiencing opposition in mortality” 8 or have children.9 The choice was ours to make. -
Scenes from the Spartan Women
a newspaper for the rest of us www.lansingcitypulse.com February 7 - 13, 2018 scenes from the spartan women See Page 11 FEBRUARY 13-18 THE RHYTHM MSU’s Wharton Center TICKETS ON SALE NOW! IS GONNA GET YOU! WHARTONCENTER.COM 1-800-WHARTON Photos: Matthew Murphy Matthew Photos: East Lansing engagement welcomed by The Christman Company; Jackson National Life Insurance Company; Palmer, Bush & Jensen Family Funeral Homes; and Tri-Star Trust Bank. 2 www.lansingcitypulse.com City Pulse • February 7, 2018 MICHIGAN STATE UNIVERSITY DEPARTMENT OF THEATRE THEATRE.MSU.EDU WHARTONCENTER.COM OR 1-800-WHARTON ! Thus With a Kiss I Die SINCE 1903 Just one day, but a lifetime memory. Send flowers this Valentine’s Day. 1124 E. Mt. Hope, Lansing (517) 484-5327 smithfloral.com or friend us on Facebook I ENJOY FINE DINING RIGHT February 16 - 25, 2018 HERE FairchiLD theatre & mSu auDitorium conceived & directed by rob roznowSki This immersive theatre piece follows the days and hours leading up to a murder that takes place during a The updated Restaurant style dining at Aria Nursing performance of Romeo and Juliet at a small southern and improved and Rehab means I can choose any item university. The audience seeks clues to identify the victim Aria Nursing off the menu, a la carte. My brand new menu showcases tasty meal options, made with the freshest and murderer as they follow the numerous characters and Rehab is ingredients for a high nutritional value. My delicious through the nooks and crannies of the Auditorium. Here For Your meals are freshly prepared and served in a luxurious Comfort. -
LIKE FATHER, LIKE SON GENESIS 4:1–2 Why Did Cain Kill His Brother Abel?
CHAPTER ONE LIKE FATHER, LIKE SON GENESIS 4:1–2 You two are book-men: can you tell me by your wit; What was a month old at Cain’s birth, that’s not five weeks old as yet? (Shakespeare—Love’s Labor’s Lost 4.2.40) Why did Cain kill his brother Abel? It is usually assumed by modern commentators that God’s rejection of Cain’s offering led him to kill his brother in a fit of jealousy.1 Such a conclusion is logical in light of the way the action in the story is arranged. But the fact is we are never told the specific reason for the murder. Ancient exegetes, as we will see later, also speculated over Cain’s motive and sometimes provided the same conclusion as modern interpreters. But some suggested that there was something more sinister behind the killing, that there was something inborn about Cain that led him to earn the title of first murderer. These interpreters pushed back past the actual murder to look, as would a good biographer, at what it was about Cain’s birth and childhood that led him to his moment of infamy. Correspond- ingly, they asked similar questions about Abel. The result was a devel- opment of traditions that became associated with the brothers’ births, names and occupations. Who was Cain’s father? As we noted in the introduction, Cain and Abel is a story of firsts. In Gen 4:1 we find the first ever account of sexual relations between humans with the end result being the first pregnancy. -
9 the Mystical Bitter Water Trial [Text Deleted]
9 The Mystical Bitter Water Trial [text deleted] 9.1 Golems as Archetypes of the Trial’s Supernaturally Inseminated Seed [text deleted] 9.2 Lilith as the First Sotah [text deleted] 9.3 Lilith and Samael as Animating Forces in Golems [text deleted] 9.4 Azazel as the Seed of Lilith No study of Lilith would be complete without a discussion of the demon Azazel. This is true because several clues in many ancient texts - including the Torah, the Zohar, and the First Book of Enoch - indicate that Azazel was the seed of Lilith. The texts further hint that Azazel was not the product of Lilith mating with any ordinary man, but rather he was the firstborn seed resulting from her illicit mating with Semjaza, the leader of a group of fallen angels called Watchers. As the seed of the Watchers, Azazel was the first born of the Nephilim, a race of powerful angel-man hybrids who nearly pushed ordinary mankind to extinction before the flood. But Azazel was much more than just a powerful Nephilim. Regular Nephilim were the products of the daughters of Adam mating with Watchers. Azazel was the product of Lilith mating with the Watchers. He is thus less human than all, and the most powerful, even more powerful than the Watchers who sired him. Azazel’s role in the Yom Kippur ceremony of Leviticus 16 indicates he is a rival to Messiah and God. This identifies Azazel as the legendary seed of the Serpent of Eden. God declared in his curse against the Serpent that this great seed would bruise the heel of Eve’s promised seed (Messiah), but Eve’s seed in turn would crush the head of the Serpent Lilith and destroy her seed. -
The Psychology of Satan Jennifer Putnam This Paper Was Written for Dr
The Psychology of Satan Jennifer Putnam This paper was written for Dr. Thomas! Milton course. It was presented at the 2009 Sigma Tau Delta International Convention. John Milton!s Satan is a psychologically complex character. Satan has qualities which make him a brilliant leader, but which also cause him great pain. He is a militant ruler with powerful speeches, and a cunning deceiver with rich disguises. The actions Satan takes, however, cause him great an- guish. It is through his soliloquies that Satan takes off his mask and reveals the troubled person he really is. John Milton in Paradise Lost portrays Satan as a proud, passionately manipulative, and complex character that endures an internal conflict from which he cannot escape. Though Milton begins his masterpiece in medias res, we must start from the beginning with Satan as the angel Lucifer. Lucifer enjoys his high stature in Heaven, until the Son is anointed instead of him, and he becomes jeal- ous. It is then that Lucifer draws emotionally away from God and Heaven. James Holley Hanford and James Taaffe show the results of this jealousy by commenting, “Following God!s announcement of the Son!s elevation, Satan initially defected from the angelic forces” (172). His defection is a result of be- ing too proud of being a servant, which leads to anger and thus, his rebellion. Royland Frye points out the irony of Satan!s refusal to become a slave in that Satan actually becomes a slave to his emotions. Frye says, “As a result of his choice, he becomes a slave to what would, psychologically, be called an "ego- deal,! an identification of the self with an impossible image,” (35). -
Case 1:13-Cv-23656-JJO Document 164-2 Entered on FLSD Docket 10/15/2015 Page 1 of 133
Case 1:13-cv-23656-JJO Document 164-2 Entered on FLSD Docket 10/15/2015 Page 1 of 133 EXHIBIT 2 Case 1:13-cv-23656-JJO Document 164-2 Entered on FLSD Docket 10/15/2015 Page 2 of 133 September 10, 2015 Declaration on Damages to Consumers in Beck’s Country of Origin Matter Patrick L. Anderson, Principal Anderson Economic Group LLC In the matter of Francisco Rene Marty, Seth Goldman, and Fernando Marquet on behalf of themselves and all others similarly situated, Plaintiffs, vs. Anheuser-Busch Companies, LLC, Defendants United States District Court Southern District of Florida Case No. 13-cv-23656-JAL This report contains confidential information and copyrighted material that Copy Number: _____ may not be disclosed except pursuant to the terms of the Protective Order in this matter and federal copyright law. Anderson Economic Group LLC • www.AndersonEconomicGroup.com 1555 Watertower Place, Suite 100 • East Lansing, MI 48823 • Tel: (517) 333-6984 • Fax: (517) 333-7058 East Lansing | Chicago | Istanbul Case 1:13-cv-23656-JJO Document 164-2 Entered on FLSD Docket 10/15/2015 Page 3 of 133 Table of Contents I. Declaration of Patrick L. Anderson...................... 1 Introduction ........................................................................... 1 Background and Credentials ................................................. 1 Experience ........................................................................... 1 Publications ........................................................................ 2 II. Questions Answered in June 26, 2014 -
Navigating the Storyworld
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2013 TRANSMEDIA: Navigating the storyworld CANADIAN SCREEN AWARDS | BUILDING AUDIENCES | CFC @ 25 | SCRIPTED TRENDS PPB.Cover.spring.inddB.Cover.spring.indd 1 115/02/135/02/13 44:16:16 PPMM SPRING 2013 table of contents What, were you expecting something more Ivy League? (Clockwise from top left): Mr. D is up for a pair of Canadian Screen Awards, including best comedy and best performance by Gerry Dee (the one not holding the bottle – that’s actor Jonathan Torrens). Also doing well with audiences and CSA juries alike are Lost Girl and Resident Evil: Retribution. 8 Up front 24 The Big Picture 38 Canadian Film Centre CineCoup accelerates fi lmmaking, On the eve of the inaugural Canadian Setting the standard through a the niche promise in small data, IBM’s Screen Awards, Playback checks into TV quarter century of evolution. tech innovations and next generation trends and the Canadian fi lm scene. interactive e-books. 46 The Back Page 25 Trending in TV Scribes Bob Martin and Craig David 14 Turning a page Etan Vlessing delves into successful Wallace on creating a cult TV hit. Business models and elevator pitches genres and strategies in the from newly-launched prodcos. scripted space. 17 Transmedia grows up 34 On the Silver Screen The changing role of audience, How to market Canadian fi lms to revenue opps and a spotlight on domestic audiences; plus, a look at the original Canadian IPs. top homegrown fi lms of 2012. ® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2013 This issue’s cover was conceived by award-winning Toronto interactive outfi t Secret Location. -
Edward.Alan.Fire.Worshipper.Pdf
Alan Edward the Fire-Worshiper © 1993 by The Acolyte Press Printed in The Netherlands by Krips Repro, Meppel First Edition published January, 1994 All rights reserved. Except for brief passages quoted in a newspaper, magazine, radio or television review, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, without permission in writing from the publishers. Cover design and painting by Huibert Krolis The Acolyte Press P. O. Box 12731 1100 AS Amsterdam The Netherlands CIP-GEGEVENS KONINKLIJKE BIBLIOTHEEK, DEN HAAG Edward, Alan The Fire-Worshipper / Alan Edward. - Amsterdam: The Acolyte Press ISBN 90-6971-050-1 Trefw.: homoseksualiteit ; mannen / romans ; oorspronkelijk - Engels. As if the evil Loki himself were at his heels, the boy raced through the old town's tangle of narrow lanes and down its tumble of steep alleys, his sandals pounding the uneven cobbles, the icy air hurting in his chest, his breath coming in rapid, painful gulps. Already the twelve bells of the Fane had ceased pealing, and Great Edwyn swung alone, making the air, the houses, and even the ground shake with his thunder. The boy quickened his pace; snow-feathers were beginning to tumble all around him again, and last night's fall was already hard-packed on the pavements, making the boy skid sometimes on corners, making him whirl his arms extravagantly to keep balance. In the town square he slowed, drawing long, deeper breaths. His cloak was of lined brown cotton in double thickness and tightly belted, but now the icy air struck sharply on his bare legs; he paused by a workmen's brazier, going as close as he dared, until his skin burned and tingled. -
From Okemos High to Michigan State: Bill Beekman's Journey From
From Okemos High to Michigan State: Bill Beekman’s Journey from Chieftain Brave to Spartan Top Jock By Kerry J. Byrnes (Okemos High Class of ’63) Over the past 35 years (1985-2020), William “Bill” Beekman, 1985 graduate of Okemos High School (OHS) rose from a Michigan State University (MSU) new hire in 1995 to holding one of that university’s highest leadership positions. After graduating from OHS, and having completed several academic degrees, Beekman landed a job at MSU as the first step on a journey that, within 25 years, would lead him to becoming that university’s newest Athletic Director, in effect, the Spartan “Top Jock” responsible for leading one of America’s largest athletic programs comprised of 25 sports and 800 student-athletes. But just a year or so on the new job Beekman would suddenly be confronted by two of the biggest challenges of his life. Drawing on several quoted sources, this article looks back on the life of Bill Beekman, how his journey brought him to Michigan State University, and how he now continues to lead, just as he did in high school, with brain over brawn to build Sparty’s “blue blood” credentials in university-level athletics. William Russell Beekman Michigan State University Vice President and Director of Intercollegiate Athletics Okemos High School William “Bill” Beekman, the son of Edward and Kay Beekman, was born on May 14, 1967. He graduated from Okemos High School in 1985. Bill Beekman Class Photos (Okemos High Tomahawk 1982 - 1985) Interestingly, while in high school, Beekman’s only participation in competitive athletics was running on the Chieftain’s cross country team in the fall of 1984 during his senior year. -
4559 Developments FINAL
Developments Non-profit Org. University Development U.S. Postage Michigan State University PAID 4700 S. Hagadorn, Ste. 220 East Lansing,MI East Lansing, MI 48823-5399 Permit No. 21 Amalfi Coast & Rome Trip Brings Together Major Donors Group members pose at the ancient Roman ruins in Tivoli. View from Hotel San Pietro overlooking the city of Positano. Mariano and Rita Pane host dinner at their villa overlooking the Bay of Naples. Group members sing for their dinner at Ristorante Sibilla in Tivoli. Waterfall in Tivoli near Roman ruins. Spartans show their spirit on the boat ride from the Isle of Capri. “That’s Amoré” — Trip architect Ambassador Peter Secchia entertains the group at a quaint Italian pub on the Isle of Capri. On a beautiful Italian evening, the group poses together. THIRD RECORD SETTING YEAR – SEE ANNUAL REPORT INSIDE Fall 1998 Center Dedication Recognizes Donors and Student-Athletes n September 12, 1998, the Clara Bell campaign co-chair Kirk Gibson, and Provost Smith Student-Athlete Academic Lou Anna Simon. Intercollegiate Athletics OCenter officially opened its doors at Director Merritt Norvell, Student-Athlete the ribbon-cutting dedication ceremony held Support Services Director Roger Grooters, prior to the MSU-Notre Dame football game. women’s track and cross country student- The dedication celebrated the culmination of athlete Leah Nilsson and men’s basketball the Victory for MSU campaign which raised student-athlete Charlie Bell spoke of the a total of $8.2 million toward a $6 million importance of the academic center as a goal to build the educational facility. Former continued on page 2 Spartan basketball All-American Steve Smith and his wife Millie donated $2.5 million to the facility as a tribute to Steve’s mother, who was his greatest role model, coach and fan.