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Inscriptive Masculinity in Balzac's Comédie Humaine
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, Student Research: Modern Languages and Literatures, Department Modern Languages and Literatures of 4-20-2009 Inscriptive Masculinity in Balzac’s Comédie Humaine Alana K. Eldrige University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangdiss Part of the Modern Languages Commons Eldrige, Alana K., "Inscriptive Masculinity in Balzac’s Comédie Humaine" (2009). Theses, Dissertations, Student Research: Modern Languages and Literatures. 6. https://digitalcommons.unl.edu/modlangdiss/6 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, Student Research: Modern Languages and Literatures by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. INSCRIPTIVE MASCULINITY IN BALZAC’S COMÉDIE HUMAINE by Alana K. Eldrige A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor in Philosophy Major: Modern Languages and Literature (French) Under the Supervision of Professor Marshall C. Olds Lincoln, Nebraska May, 2009 INSCRIPTIVE MASCULINITY IN BALZAC’S COMÉDIE HUMAINE Alana K. Eldrige, Ph.D. University of Nebraska, 2009. Adviser: Marshall C. Olds This reading of La Comédie humaine traces the narrative paradigm of the young hero within Balzac’s literary universe. A dynamic literary signifier in nineteenth-century literature, the young hero epitomizes the problematic existence encountered by the individual in post-revolutionary France. At the same time, he serves as a mouth-piece for an entire youthful generation burdened by historical memory. -
Touching Photographs { Margaret Olin } Touching Photographs
Touching Photographs { margaret olin } Touching photographs the university of chicago press chicago and london margaret olin is a senior research scholar in the Divinity School, with joint appointments in the Departments of History of Art and Religious Studies and in the Program in Judaic Studies The University of Chicago Press, Chicago 60637 at Yale University. The University of Chicago Press, Ltd., London © 2012 by The University of Chicago All rights reserved. Published 2012. Printed in China 21 20 19 18 17 16 15 14 13 12 1 2 3 4 5 ISBN-13: 978-0-226-62646-8 (paper) ISBN-10: 0-226-62646-6 (paper) Library of Congress Cataloging-in-Publication Data Olin, Margaret Rose, 1948– Touching photographs / Margaret Olin. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-226-62646-8 (pbk : alk. paper) ISBN-10: 0-226-62646-6 (pbk : alk. paper) 1. Photographs—Psy- chological aspects. 2. Photography—Social aspects. 3. Photography in literature. 4. Barthes, Roland. Chambre claire. 5. Evans, Walker, 1903–1975. 6. Van Der Zee, James, 1886–1983. 7. September 11 Terrorist Attacks, 2001. I. Title. TR183.045 2012 770.01'9—dc22 2011016695 This book has been printed on acid-free paper. For Bob and George, our colleagues and students, and their legacy contents Acknowledgments ix 1 Introduction: Tactile Looking 21 1ts “ I I Not Going to Be Easy to Look into Their Eyes” Privilegef o Perception in Let Us Now Praise Famous Men 51 2 Roland Barthes’s “Mistaken” Identification 71 3 “ From One Dark Shore to the Other” The Epiphany of the Image in Hugo von Hofmannsthal and W. -
Thérèse of Lisieux: God's Gentle Warrior
Thérèse of Lisieux: God’s Gentle Warrior THOMAS R. NEVIN OXFORD UNIVERSITY PRESS The´re`se of Lisieux The´re`se of Lisieux God’s Gentle Warrior thomas r. nevin 1 2006 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright # 2006 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Frontispiece: The´re`se in 1895, the year of ‘‘Vivre d’Amour,’’ the offrande, and her first autobiographical manuscript. Copyright Office Central de Lisieux. Library of Congress Cataloging-in-Publication Data Nevin, Thomas R., 1944– The´re`se of Lisieux : God’s gentle warrior / Thomas R. Nevin. p. cm. Includes bibliographical references and index. ISBN-13 978-0-19-530721-4 ISBN 0-19-530721-6 1. The´re`se, de Lisieux, Saint, 1873–1897. 2. Christian saints—France— Lisieux—Biography. 3. Lisieux (France)—Biography. I. Title. -
TASTE and SMELL in BALZAC Fs NOVELS by Charles Leonard
Taste and smell in Balzac's novels Item Type text; Thesis-Reproduction (electronic) Authors Pfeiffer, Charles Leonard, 1896- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 17:09:31 Link to Item http://hdl.handle.net/10150/319402 TASTE AND SMELL IN BALZAC fS NOVELS by Charles Leonard Pfeiffer A Thesis submitted to the faculty of the Department of French in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 19 4 8 Approved TABIS/ EB’ GOBlElgBS - ;]^ge ISTRCffiTXOT-lOS . v • .... .. ......»'.. ,=. ... •«....«. .. •;:1 ': THE SESSS OF' TABTE Tft' Bm i d ’S-SCSllSo...:...... : 1 1 : [email protected]^^1 S©1^SS3.0210 ■. -. @ .. .. .. ii Balzac and the Behse:: of: Taste ...:. =,. 13 •Hnman Reactions. ...... 19 Feels and.. Appeintments.. i....... 43 . 1 eOlS g o . 0 0 0 0 . 6 . 0 0 0 . .»• 0 0 0 .0 0 o' 0 0 •‘■0. e 0 a .0 0 o o 43 ... Eninhs .........«. * •».;.•.......•.......... .. a . 50 ' The Appointments, of Good Living. ...... 54 Etifa.ette. o . -. ....... ..... 56 .. IViealS. 0 o^'O: . 0 0 . e . 0 0. 0 :. 0 ,.^ 00.0 0 ... o o a. a. o a e. a O' 0 AS The Bl^Sensual in • Balzafets; SoTels .. 6 0 THE> S33S3E • OF • BMBBB IS/BAimd $S HOtlBSi....... ;.-:'.63'' ■ - Genenal Bisenssioh'0;.^ . -
Cousin Bette
HONORÉ DE BALZAC TRANSLATED BY KATHARINE PRESCOTT WORMELEY COUSIN BETTE ROBERTS BROTHERS 3 SOMERSET STREET BOSTON 1888 COPYRIGHT, 1888, BY ROBERTS BROTHERS. University Press JOHN WILSON AND SON, CAMBRIDGE. COUSIN BETTE. CHAPTER I. WHERE DOES NOT PASSION LURK? ABOUT the middle of July, 1838, one of those hackney carriages lately put into circulation along the streets of Paris and called milords was making its way through the rue de l’Université, carrying a fat man of medium height, dressed in the uniform of a captain of the National Guard. Among Parisians, who are thought to be so witty and wise, we may find some who fancy they are infinitely more attractive in uniform than in their ordinary clothes, and who attribute so depraved a taste to the fair sex that they imagine women are favorably impressed by a bear-skin cap and a military equipment. The countenance of this captain, who belonged to the second legion, wore an air of satisfaction with himself which heightened the brilliancy of his ruddy complexion and his somewhat puffy cheeks. A halo of contentment, such as wealth acquired in business is apt to place around the head of a retired shopkeeper, made it easy to guess that he was one of the elect of Paris, an assis- tant-mayor of his arrondissement at the very least. As may be supposed, therefore, the ribbon of the Legion of honor was not absent from his portly breast, which protruded with all the swagger of a Prussian officer. Sitting proudly erect in a corner of the milord, this decorated being let his eyes rove among the pedestrians on the sidewalk, who, in fact, often come in for smiles which are really intended for beautiful absent faces. -
January 17–26, 2008 TELUS Studio Theatre, Chan Centre for the Performing Arts PUSH AD 7.5X10 11/13/07 1:03 PM Page 1 Photo by John Lauener Haircuts by Children
Presented in association with the PuSh International Performing Arts Festival, Western Gold Theatre and Theatre at UBC Honoré de Balzac’s Adapted and Directed by James Fagan Tait Music Composed and Directed by Joelysa Pankanea Associate Director: Sarah Rodgers January 17–26, 2008 TELUS Studio Theatre, Chan Centre for the Performing Arts PUSH AD 7.5X10 11/13/07 1:03 PM Page 1 photo by John Lauener Haircuts by Children VENUES ALL OVER THE CITY. ARTISTS FROM ALL OVER THE WORLD. LET YOUR HAIR DOWN WITH LIVE PERFORMANCE. January 16–February 3, 2008 Vancouver • Canada www.pushfestival.ca Full program available November 22 Honoré de Balzac’s OLD GORIOT January 17 to 26, 2008 Starring: Stephen Aberle TELUS Studio Theatre Patti Allan Mary Black Anna Hagan Adapted and Directed by David Mackay James Fagan Tait Richard Newman Music Composed and Directed by Gina Stockdale Joelysa Pankanea Alec Willows Associate Director: Sarah Rodgers Sarah Afful Spencer Atkinson Wil Carlos Jocelyn Gauthier Costume Design: Mara Gottler Max Gilbert Scenography: Robert Gardiner Kevin Kraussler Jameson Parker Stage Manager: Robin Richardson Cecile Roslin Becky Shrimpton Kevin Stark Western Gold Theatre Society wishes to thank the following for their generous donations: TELUS Vancouver Community Board Honoré de Balzac’s OLD GORIOT Honoré de Balzac (1799–1850) is called the Shakespeare of the novel and his Le Père Goriot is both a landmark in world literature and his most universally loved work. The novel was written 1834-1835 when Balzac was 35 years old. It first appeared in serialized form in Revue de Paris in the Fall of 1834 and in completed book form in 1835. -
The Forms of Historical Fiction
The Forms of Historical Fiction The Forms of Historical Fiction Sir Walter Scott and His Successors By Harry E. Shaw CiD Cornell University Press · Ithaca and London Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. This book has been published with the aid of a grant from the Hull Memorial Publication Fund of Cornell University. Copyright © 1983 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at cornellpress.cornell.edu. First published 1983 by Cornell University Press Library of Congress Cataloging-in-Publication Data Shaw, Harry E., 1946– The forms of historical fi ction : Sir Walter Scott and his successors. Includes index. 1. Scott, Walter, Sir, 1771–1832—Criticism and interpretation. 2. Scott, Walter, Sir, 1771–1832—Infl uence. 3. Historical fi ction. I. Title. PR5343.H5S5 1983 823'.17 83-5354 ISBN-13: 978-0-8014-1592-0 (cloth) — ISBN-13: 978-1-5017-2326-1 (pbk.) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Cover illustration: Portrait of Sir Walter Scott by Sir Henry Raeburn, reproduced by permission of the Scottish National Portrait Gallery, Edinburgh. FOR }UDY JENSVOLD Contents PREFACE 9 A NOTE ON CITATIONS OF SCOTT'S WORKS 15 I. -
UA51/1/4 Library Leaves Vol. 22, No. 5
Western Kentucky University TopSCHOLAR® WKU Archives Records WKU Archives 2-1968 UA51/1/4 Library Leaves Vol. 22, No. 5 WKU University Libraries Follow this and additional works at: https://digitalcommons.wku.edu/dlsc_ua_records Part of the Archival Science Commons, and the Cataloging and Metadata Commons This Other is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in WKU Archives Records by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. * / N BOOKS RECENTLY ADDED TO THE HELM LIBRARY Vol. 22, No. 5 February , 1968 GENERALITIES 010 B471 1967 Bibliographical essays. 1967 LS 011.02 M836c Morse, G. W. The concise guide to library research. 1966 Ref 012 M558Zd Dell'Isola, F. Thomas Merton. 1956. LS 016 P197 Paperbound book guide for colleges. Ref 016. 099 T472u ' Tilton, E. M. A union list of publications in opaque 1964 microforms, 1964. Ref 016.5 J4l6s 1965 Jenkins, F. B. Science reference sources. cl965, Ref 016. 226 M568i Metzger, B. M. Index to periodical literature on Christ 1966 and the Gospels. 1962, 1966. Ref 016. 2266 M434c Mattill, A. J. A classified bibliography of literature on the Acts of the Apostles. 1966. Ref 016.353 M143g McDermott, B, S. Government regulation of business including antitrust information sources. 1967. Ref 016.407 R36li Rice, F. A. Information sources in linguistics. 1965. Ref 016.658 G552a Goeldner, C. R. Automatic merchandising. cl963. Ref 016,7785 Un3L U.S. Library of Congress. Library of Congress catalog. 1953- Ref 016. 78 Un3L U. S. -
INDEX 279 © in This Web Service Cambridge
Cambridge University Press 978-0-521-68083-7 - The Cambridge Companion to British Romantic Poetry Edited by James Chandler and Maureen N. Mclane Index More information INDEX 1820, significance for English poetry 12, apostrophe 245 14–20 Arabian Nights Tales 185 archaisms 84 Abrams, M. H. 3, 4, 252 Aristophanes 16 absorption 270 Armstrong, John, Sketches, on poetic abstraction 137 sources 60 Ackroyd, Peter, on the Gothic 39 Arnold, Matthew xx, 256 Addison, Joseph 80, 86 Arrot, Mrs, of Aberbothrick 249 Adorno, Theodor W. art, as knowledge, Adorno’s views aesthetic of dialectical negation 230 114n.4 on art as a commodity 230 Ashbery, John, and John Clare 272–4 on art as knowledge 114n.4 Asiatic Society of Bengal 186 on cultural production as art 223 Asiatick Researches 186 on Keats and Shelley 2 association, psychology of 200 on lyric poetry 218 Athenaeum xv “On Lyric Poetry and Society” 219, 220, Auden, W. H. 225 223 Augustus (Roman emperor) 45 aestheticism, and lyric poetry 223 aura 220 Aiken, John, Essays on Song-Writing,on Austen, Jane xii, xix British sources 60 Emma xviii Albion 44 Mansfield Park xviii “alphabetization” 241 Northanger Abbey xix America Persuasion xix, 117 independence encourages radical groups in Pride and Prejudice xviii Britain 183 Sense and Sensibility xvii legendary settlement by the Welsh authors, concerns to connect with readers 180 77 Anacreon 16 autographs, Blake’s views 104 angelology 171 Avebury 41, 44 annuals, poetry annuals 160, 161, 163 Aztecs 181 anticapitalism, in Romantic literary theory 222–3 Baier, Annette, A Progress of Sentiments,on antique sources, and classical sources, use in moral sense 141 poetry 35 Baillie, Joanna xi, 4, 10, 21 antiquity 37 Metrical Legends of Exalted cultural influence 44, 45 Characters xix influence on Shelley 47 Plays on the Passions xv Peacock’s views 49 Bakhtin, Mikhail, on novels 127, 132 279 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-68083-7 - The Cambridge Companion to British Romantic Poetry Edited by James Chandler and Maureen N. -
Since the Publication of Le Père Goriot in 1835, Adaptors Have
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal Balzac on the BBC Watts, Andrew DOI: 10.1179/1478731814Z.00000000052 Document Version Early version, also known as pre-print Citation for published version (Harvard): Watts, A 2014, 'Balzac on the BBC: Serial breaks and adaptive returns in Père Goriot (1968)', Dix-Neuf, vol. 18, no. 2, pp. 180-192. https://doi.org/10.1179/1478731814Z.00000000052 Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
Money and Tragedy in the Nineteenth-Century Novel Clany Soileau Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 Money and tragedy in the nineteenth-century novel Clany Soileau Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Comparative Literature Commons Recommended Citation Soileau, Clany, "Money and tragedy in the nineteenth-century novel" (2006). LSU Doctoral Dissertations. 1875. https://digitalcommons.lsu.edu/gradschool_dissertations/1875 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. MONEY AND TRAGEDY IN THE NINETEENTH-CENTURY NOVEL A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdepartmental Program in Comparative Literature by Clany Soileau B.A., University of New Orleans, 1971 B.A., University of New Orleans, 1972 M.A., University of New Orleans, 1978 M.A., Louisiana State University, 1998 May 2006 ACKNOWLEDGEMENTS I would particularly like to express my gratitude to Joseph Ricapito who over the past ten years has given me an inspiring example of what a scholar should be. I was fortunate to have him as a teacher and an inspiration beginning with my very first semester of graduate study at LSU and every year since. I would also like to thank the members of my committee, Bainard Cowan, John Pizer, and Adelaide Russo, for working with me on this project. -
1794-1799 France, 1791-99 1791-1793
Why do Revolutions Fail?: A Network Approach to Analyzing Counter-Revolutionary Movements in Western France, 1791-1799 Amanda Krueger | Dr. Patricia Turner | History Research Question: Counter-revolutionary movements in western France threatened Republican COUNTER-REVOLUTIONARY NETWORKS: forces throughout the French Revolution (1791-1799) despite the fact that they were decentralized, 1791-1793 poorly supplied, and repeatedly defeated on the battlefield. What enabled these movements to Maurice Vincent Toussaint Georges remain a persistent threat to the French Revolutionaries? Louis de de Thérèse de Jacques Schaffner d’Eblée Tinténiac Pontbriand Moëlien Cathelineau METHODOLOGY (d. June (d. June 1793) 1793) INTRODUCTION • Conducted archival research in eight European archives in London, Paris, Charles Brittany, and the Island of Jersey. François Bonchamps Amateur Counter-revolutionary movements in Western France are typically Charette (d. (d. 1793) de • Used archival material and social network analysis to reconstruct May 1796) Boishardy Charles characterized as a series of disparate, ultimately ineffective efforts relations among the three counter-revolutionary movements in western Armand Tuffin, Tuffin de la Marquis de la Rouërie against the French Revolution (1789-1799). Historians typically treat France and their connections to French emigrants (émigrés), the French Rouërie (d. 1796) the three groups -- the Association Bretonne, the Chouannerie, and the princes in exile, and the British government. Network ties – in the form (d. January Vendée -- as distinct movements due to their different chronologies and of communications, collective action and/or exchange of resources -- Louis de 1793) class origins. The Association Bretonne, led primarily by Brittany’s elite, are represented in the charts by lines drawn among the various actors.