Helena Modjeska Collection
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Borglum, Teitler + Depauw 1.Pdf
Valencia Fall Invitational 2002 Round 8-Questions by CB with science help by Seth Teitler and DePauw QB 1) It is most easily made with eggs that are three or four days old, and refrigerated eggs are easier to use as they separate from the yolk better. The final product is hygroscopic, meaning it attracts moisture, so its best to make it on days that aren't rainy. Generally one should add about a quarter cup of sugar for each egg. FTP this will create what substance, most commonly found on top of a lemon pie? A. meringue (rna-RANG, in case you don't cook) 2) In 1829 this composer made the first of his nine trips to England, where he was a favorite. In London in 1832 he first performed his Capriccio Brilliant and the first six of his Songs without Words. He was also an influential conductor, and his revival of Bach's St. Matthew Passion helped pull that composer out of obscurity. FTP name this composer best known for his overture to A Midsummer Night's Dream and his Italian Symphony. A. Felix Mendelssohn 3) The Klamath peoples of the Pacific Northwest witnessed the creation of this natural feature, and explained it in a myth about a great battle between the chief of the Above World and chief of the Below World. U.S. Geological Survey Captain Clarence Dutton led a party that dragged a boat up the slopes ofMt. Mazama to chart the lake in 1856. FTP name this mountain lake in Oregon created from rainfall in the caldera of an explosive volcanic eruption. -
Touching Photographs { Margaret Olin } Touching Photographs
Touching Photographs { margaret olin } Touching photographs the university of chicago press chicago and london margaret olin is a senior research scholar in the Divinity School, with joint appointments in the Departments of History of Art and Religious Studies and in the Program in Judaic Studies The University of Chicago Press, Chicago 60637 at Yale University. The University of Chicago Press, Ltd., London © 2012 by The University of Chicago All rights reserved. Published 2012. Printed in China 21 20 19 18 17 16 15 14 13 12 1 2 3 4 5 ISBN-13: 978-0-226-62646-8 (paper) ISBN-10: 0-226-62646-6 (paper) Library of Congress Cataloging-in-Publication Data Olin, Margaret Rose, 1948– Touching photographs / Margaret Olin. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-226-62646-8 (pbk : alk. paper) ISBN-10: 0-226-62646-6 (pbk : alk. paper) 1. Photographs—Psy- chological aspects. 2. Photography—Social aspects. 3. Photography in literature. 4. Barthes, Roland. Chambre claire. 5. Evans, Walker, 1903–1975. 6. Van Der Zee, James, 1886–1983. 7. September 11 Terrorist Attacks, 2001. I. Title. TR183.045 2012 770.01'9—dc22 2011016695 This book has been printed on acid-free paper. For Bob and George, our colleagues and students, and their legacy contents Acknowledgments ix 1 Introduction: Tactile Looking 21 1ts “ I I Not Going to Be Easy to Look into Their Eyes” Privilegef o Perception in Let Us Now Praise Famous Men 51 2 Roland Barthes’s “Mistaken” Identification 71 3 “ From One Dark Shore to the Other” The Epiphany of the Image in Hugo von Hofmannsthal and W. -
Thérèse of Lisieux: God's Gentle Warrior
Thérèse of Lisieux: God’s Gentle Warrior THOMAS R. NEVIN OXFORD UNIVERSITY PRESS The´re`se of Lisieux The´re`se of Lisieux God’s Gentle Warrior thomas r. nevin 1 2006 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright # 2006 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Frontispiece: The´re`se in 1895, the year of ‘‘Vivre d’Amour,’’ the offrande, and her first autobiographical manuscript. Copyright Office Central de Lisieux. Library of Congress Cataloging-in-Publication Data Nevin, Thomas R., 1944– The´re`se of Lisieux : God’s gentle warrior / Thomas R. Nevin. p. cm. Includes bibliographical references and index. ISBN-13 978-0-19-530721-4 ISBN 0-19-530721-6 1. The´re`se, de Lisieux, Saint, 1873–1897. 2. Christian saints—France— Lisieux—Biography. 3. Lisieux (France)—Biography. I. Title. -
Xerox University Microfilms 300 North Zaab Road Ann Arbor, Michigan 46106 I I
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. Thefollowing explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page ($)''. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. Whan an image on the film is obliterated with a large round black mark, it is an indication that die photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You w ill find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections w ith a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
TASTE and SMELL in BALZAC Fs NOVELS by Charles Leonard
Taste and smell in Balzac's novels Item Type text; Thesis-Reproduction (electronic) Authors Pfeiffer, Charles Leonard, 1896- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 17:09:31 Link to Item http://hdl.handle.net/10150/319402 TASTE AND SMELL IN BALZAC fS NOVELS by Charles Leonard Pfeiffer A Thesis submitted to the faculty of the Department of French in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 19 4 8 Approved TABIS/ EB’ GOBlElgBS - ;]^ge ISTRCffiTXOT-lOS . v • .... .. ......»'.. ,=. ... •«....«. .. •;:1 ': THE SESSS OF' TABTE Tft' Bm i d ’S-SCSllSo...:...... : 1 1 : [email protected]^^1 S©1^SS3.0210 ■. -. @ .. .. .. ii Balzac and the Behse:: of: Taste ...:. =,. 13 •Hnman Reactions. ...... 19 Feels and.. Appeintments.. i....... 43 . 1 eOlS g o . 0 0 0 0 . 6 . 0 0 0 . .»• 0 0 0 .0 0 o' 0 0 •‘■0. e 0 a .0 0 o o 43 ... Eninhs .........«. * •».;.•.......•.......... .. a . 50 ' The Appointments, of Good Living. ...... 54 Etifa.ette. o . -. ....... ..... 56 .. IViealS. 0 o^'O: . 0 0 . e . 0 0. 0 :. 0 ,.^ 00.0 0 ... o o a. a. o a e. a O' 0 AS The Bl^Sensual in • Balzafets; SoTels .. 6 0 THE> S33S3E • OF • BMBBB IS/BAimd $S HOtlBSi....... ;.-:'.63'' ■ - Genenal Bisenssioh'0;.^ . -
First Steps on the American Soil and Stage Portrait of Helena Modrzejewska by Tadeuszajdukiewicz.1880 National Museum in Krakow
January - February 2018 A Monthly Publication of the U.S. Consulate Krakow Volume XIV. Issue 152 First Steps on the American Soil and Stage Portrait of Helena Modrzejewska by TadeuszAjdukiewicz.1880 National Museum in Krakow In this issue: Helena & Raplh Modjeski Zoom in on America From Modrzejewska to Modjeska Helena Modrzejewska’s first name is present in a num- the “g” into a “j”. He spelled aloud “Modjeska.” “Now,” he ber of different languages, or has related versions such said, “it is quite easy to read, and sounds pretty, I think.” as Elena or Lena, her surname “Modrzejewska”, however, We parted good friends, and I began to make prepara- poses a real challenge to pronounce for any non-native tions for the performance of “Adrienne Lecouvreur.” speaker of the Polish language. It is no wonder then that when Modrzejewska, an already accomplished actress in Modjeska had come to America the previous year (1876) Poland, wanted to pursue her acting career in America, her with her second husband, Count Karol Bozenta Chlapow- name became a concern. It was actor John McCullough ski, and her son, Ralph, from her first marriage, and a few of the California Theater who suggested simplifying it. In friends, including writer Henryk Sienkiewicz (who later won her Memoirs and Impressions, the actress describes the the Noble Prize in Literature in 1905.) This was a politically moment when she changed her name Modrzejewska to driven immigration as the Chlapowskis’ patriotic stand put Modjeska: them in trouble with the authorities in the Russian Partition. After the rehearsal Mr. John McCullough came to speak While their ship neared the American shore, the actress to me. -
January 17–26, 2008 TELUS Studio Theatre, Chan Centre for the Performing Arts PUSH AD 7.5X10 11/13/07 1:03 PM Page 1 Photo by John Lauener Haircuts by Children
Presented in association with the PuSh International Performing Arts Festival, Western Gold Theatre and Theatre at UBC Honoré de Balzac’s Adapted and Directed by James Fagan Tait Music Composed and Directed by Joelysa Pankanea Associate Director: Sarah Rodgers January 17–26, 2008 TELUS Studio Theatre, Chan Centre for the Performing Arts PUSH AD 7.5X10 11/13/07 1:03 PM Page 1 photo by John Lauener Haircuts by Children VENUES ALL OVER THE CITY. ARTISTS FROM ALL OVER THE WORLD. LET YOUR HAIR DOWN WITH LIVE PERFORMANCE. January 16–February 3, 2008 Vancouver • Canada www.pushfestival.ca Full program available November 22 Honoré de Balzac’s OLD GORIOT January 17 to 26, 2008 Starring: Stephen Aberle TELUS Studio Theatre Patti Allan Mary Black Anna Hagan Adapted and Directed by David Mackay James Fagan Tait Richard Newman Music Composed and Directed by Gina Stockdale Joelysa Pankanea Alec Willows Associate Director: Sarah Rodgers Sarah Afful Spencer Atkinson Wil Carlos Jocelyn Gauthier Costume Design: Mara Gottler Max Gilbert Scenography: Robert Gardiner Kevin Kraussler Jameson Parker Stage Manager: Robin Richardson Cecile Roslin Becky Shrimpton Kevin Stark Western Gold Theatre Society wishes to thank the following for their generous donations: TELUS Vancouver Community Board Honoré de Balzac’s OLD GORIOT Honoré de Balzac (1799–1850) is called the Shakespeare of the novel and his Le Père Goriot is both a landmark in world literature and his most universally loved work. The novel was written 1834-1835 when Balzac was 35 years old. It first appeared in serialized form in Revue de Paris in the Fall of 1834 and in completed book form in 1835. -
Theater Und Transmigration: Die Schauspielerin Helena Modrzejewska (1840-1909) Zwischen USA Und Polen Szymanski-Düll, Berenika
www.ssoar.info Theater und Transmigration: die Schauspielerin Helena Modrzejewska (1840-1909) zwischen USA und Polen Szymanski-Düll, Berenika Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: Verlag Barbara Budrich Empfohlene Zitierung / Suggested Citation: Szymanski-Düll, B. (2015). Theater und Transmigration: die Schauspielerin Helena Modrzejewska (1840-1909) zwischen USA und Polen. BIOS - Zeitschrift für Biographieforschung, Oral History und Lebensverlaufsanalysen, 28(1-2), 66-79. https://doi.org/10.3224/bios.v28i1-2.04 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-SA Lizenz (Namensnennung- This document is made available under a CC BY-SA Licence Weitergabe unter gleichen Bedingungen) zur Verfügung gestellt. (Attribution-ShareAlike). For more Information see: Nähere Auskünfte zu den CC-Lizenzen finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.de Diese Version ist zitierbar unter / This version is citable under: https://nbn-resolving.org/urn:nbn:de:0168-ssoar-51024-5 Theater und Transmigration Die Schauspielerin Helena Modrzejewska (1840-1909) zwischen USA und Polen Berenika Szymanski-Düll […] though there is a saying that art has no nationality, yet the French plays are always best rendered by the French actors, while Shakespeare or plays from the German are almost impossible with them. I heard that ‘Hamlet’ was produced in Paris, but I am sure that I would not travel far to see a French ‘Hamlet.’ Germans can play Shakespeare because the spirit of the language is similar. Moreover, they possess the necessary weight and repose, and their translations of Shakespeare and other English plays are excellent (Modjeska 1910: 232). -
The Generation After Oral History Project
Generation After Oral History Project: Paula Peltz Interview Marquette University Libraries The Generation After Oral History Project Marquette University Libraries Department of Special Collections and University Archives Interviewee: Paula Peltz Interviewer: Unknown Interviewer & Michael Phayer Date of Interview: 1983‐19‐03 Terms of Use: Material on cassettes may be used anonymously until the year 2000 1 Generation After Oral History Project: Paula Peltz Interview Marquette University Libraries Phayer: ‐‐interview today, March the 19th, with Mrs. Peltz. Mrs. Peltz now lives in Miami, Florida but she formerly lived here in Milwaukee for 16 years. This interview is taking place in Milwaukee as I said on March the 19th. So Mrs. Peltz I just wanted to explain a few things, how we’re going to do this, we’re going to ask you some ordinary questions about your life before you came over here and just let the interview kind of go along as, wherever you want to take it. Is that alright? Peltz: It’s ok. Phayer: Are you comfortable? Peltz: I am comfortable. Phayer: Are you, do you wish you were in Florida? Instead of here doing this? Peltz: Yes, I wish so because it’s too cold here. Phayer: You’re too cold. Well, I don’t think we have any more sweaters for you. Peltz: I am comfortable in 2. [laughs] Phayer: How long have you been here now? Peltz: 10 days. Phayer: 10 days. And when was the last time you were in Milwaukee? Peltz: [Unintelligible] the 8th [unintelligible]. Unknown Interviewer: ‐‐ January. Peltz: The 8th of January. -
PMA Polonica Catalog
PMA Polonica Catalog PLACE OF AUTHOR TITLE PUBLISHER DATE DESCRIPTION CALL NR PUBLICATION Concerns the Soviet-Polish War of Eighteenth Decisive Battle Abernon, De London Hodder & Stoughton, Ltd. 1931 1920, also called the Miracle on the PE.PB-ab of the World-Warsaw 1920 Vistula. Illus., index, maps. Ackermann, And We Are Civilized New York Covici Friede Publ. 1936 Poland in World War I. PE.PB-ac Wolfgang Form letter to Polish-Americans asking for their help in book on Appeal: "To Polish Adamic, Louis New Jersey 1939 immigration author is planning to PE.PP-ad Americans" write. (Filed with PP-ad-1, another work by this author). Questionnaire regarding book Plymouth Rock and Ellis author is planning to write. (Filed Adamic, Louis New Jersey 1939 PE.PP-ad-1 Island with PE.PP-ad, another work by this author). A factual report affecting the lives Adamowski, and security of every citizen of the It Did Happen Here. Chicago unknown 1942 PA.A-ad Benjamin S. U.S. of America. United States in World War II New York Biography of Jan Kostanecki, PE.PC-kost- Adams , Dorothy We Stood Alone Longmans, Green & Co. 1944 Toronto diplomat and economist. ad Addinsell, Piano solo. Arranged from the Warsaw Concerto New York Chappell & Co. Inc. 1942 PE.PG-ad Richard original score by Henry Geehl. Great moments of Kosciuszko's life Ajdukiewicz, Kosciuszko--Hero of Two New York Cosmopolitan Art Company 1945 immortalized in 8 famous paintings PE.PG-aj Zygumunt Worlds by the celebrated Polish artist. Z roznymi ludzmi o roznych polsko- Ciekawe Gawedy Macieja amerykanskich sprawach. -
Polish Heritage Club of May Maj June Czerwiec Wisconsin, Inc. – Madison 2013 Vol
Polish Heritage Club of May maj June czerwiec Wisconsin, Inc. – Madison 2013 Vol. 12, Issue 5 Founded in 1979 as a non-profit organization to promote Polish Heritage through educational, cultural, charitable and social activities. PO Box 45438, Madison, WI 53744-5438 http://www.phcwi-madison.org Email: [email protected] and Facebook Board of Directors LETTER FROM THE PRESIDENT There are many May/June Polish events. See the list + stories inside . Executive Committee: 1999 SENATE JOINT RESOLUTION 11 Enjoy Polish culture! …proclaiming May 3rd of every year, President Club sponsored events include: "Trzeciego Maja Day" in the state of Wisconsin… Stan Graiewski (608) 249 -2304 Reservations due May 1st Part of our club's letter sent to several newspapers: rd Join the PHCWI of Madison Vice-Pres /P -Elect May 3 is Polish Constitution Day. The world Tomasz Borowiecki commemorates … the first democratic consti- Brewers’ Polish Heritage Game (734) 730-1155 tution in Europe and the second in the world,… June 23 Brewers vs. Braves Poland’s Constitution created political and Past-President class equality between townspeople and nobil- 10:30 Depart Hyvee on E. Washington Ave. Butch Luick ity. Peasants became lawfully protected …… on an air-conditioned coach bus. (608) 219-9842 A bicameral legislature was created. Citizenship Arrive at Miller Park early enough to walk was granted to all individuals. Townspeople Secretary around the stadium, or enjoy cold beverages! were granted property ownership rights and Patricia Brinkman '14 1:10 game starts, seats in Loge Bleachers. military commissions, voting and holding h-243-8912 $55 per person includes: chartered bus, c-212-2413 public office. -
The Forms of Historical Fiction
The Forms of Historical Fiction The Forms of Historical Fiction Sir Walter Scott and His Successors By Harry E. Shaw CiD Cornell University Press · Ithaca and London Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. This book has been published with the aid of a grant from the Hull Memorial Publication Fund of Cornell University. Copyright © 1983 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at cornellpress.cornell.edu. First published 1983 by Cornell University Press Library of Congress Cataloging-in-Publication Data Shaw, Harry E., 1946– The forms of historical fi ction : Sir Walter Scott and his successors. Includes index. 1. Scott, Walter, Sir, 1771–1832—Criticism and interpretation. 2. Scott, Walter, Sir, 1771–1832—Infl uence. 3. Historical fi ction. I. Title. PR5343.H5S5 1983 823'.17 83-5354 ISBN-13: 978-0-8014-1592-0 (cloth) — ISBN-13: 978-1-5017-2326-1 (pbk.) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Cover illustration: Portrait of Sir Walter Scott by Sir Henry Raeburn, reproduced by permission of the Scottish National Portrait Gallery, Edinburgh. FOR }UDY JENSVOLD Contents PREFACE 9 A NOTE ON CITATIONS OF SCOTT'S WORKS 15 I.