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Xerox University Microfilms 300 North Zaab Road Ann Arbor, Michigan 46106 I I
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First Steps on the American Soil and Stage Portrait of Helena Modrzejewska by Tadeuszajdukiewicz.1880 National Museum in Krakow
January - February 2018 A Monthly Publication of the U.S. Consulate Krakow Volume XIV. Issue 152 First Steps on the American Soil and Stage Portrait of Helena Modrzejewska by TadeuszAjdukiewicz.1880 National Museum in Krakow In this issue: Helena & Raplh Modjeski Zoom in on America From Modrzejewska to Modjeska Helena Modrzejewska’s first name is present in a num- the “g” into a “j”. He spelled aloud “Modjeska.” “Now,” he ber of different languages, or has related versions such said, “it is quite easy to read, and sounds pretty, I think.” as Elena or Lena, her surname “Modrzejewska”, however, We parted good friends, and I began to make prepara- poses a real challenge to pronounce for any non-native tions for the performance of “Adrienne Lecouvreur.” speaker of the Polish language. It is no wonder then that when Modrzejewska, an already accomplished actress in Modjeska had come to America the previous year (1876) Poland, wanted to pursue her acting career in America, her with her second husband, Count Karol Bozenta Chlapow- name became a concern. It was actor John McCullough ski, and her son, Ralph, from her first marriage, and a few of the California Theater who suggested simplifying it. In friends, including writer Henryk Sienkiewicz (who later won her Memoirs and Impressions, the actress describes the the Noble Prize in Literature in 1905.) This was a politically moment when she changed her name Modrzejewska to driven immigration as the Chlapowskis’ patriotic stand put Modjeska: them in trouble with the authorities in the Russian Partition. After the rehearsal Mr. John McCullough came to speak While their ship neared the American shore, the actress to me. -
Theater Und Transmigration: Die Schauspielerin Helena Modrzejewska (1840-1909) Zwischen USA Und Polen Szymanski-Düll, Berenika
www.ssoar.info Theater und Transmigration: die Schauspielerin Helena Modrzejewska (1840-1909) zwischen USA und Polen Szymanski-Düll, Berenika Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: Verlag Barbara Budrich Empfohlene Zitierung / Suggested Citation: Szymanski-Düll, B. (2015). Theater und Transmigration: die Schauspielerin Helena Modrzejewska (1840-1909) zwischen USA und Polen. BIOS - Zeitschrift für Biographieforschung, Oral History und Lebensverlaufsanalysen, 28(1-2), 66-79. https://doi.org/10.3224/bios.v28i1-2.04 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-SA Lizenz (Namensnennung- This document is made available under a CC BY-SA Licence Weitergabe unter gleichen Bedingungen) zur Verfügung gestellt. (Attribution-ShareAlike). For more Information see: Nähere Auskünfte zu den CC-Lizenzen finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.de Diese Version ist zitierbar unter / This version is citable under: https://nbn-resolving.org/urn:nbn:de:0168-ssoar-51024-5 Theater und Transmigration Die Schauspielerin Helena Modrzejewska (1840-1909) zwischen USA und Polen Berenika Szymanski-Düll […] though there is a saying that art has no nationality, yet the French plays are always best rendered by the French actors, while Shakespeare or plays from the German are almost impossible with them. I heard that ‘Hamlet’ was produced in Paris, but I am sure that I would not travel far to see a French ‘Hamlet.’ Germans can play Shakespeare because the spirit of the language is similar. Moreover, they possess the necessary weight and repose, and their translations of Shakespeare and other English plays are excellent (Modjeska 1910: 232). -
PMA Polonica Catalog
PMA Polonica Catalog PLACE OF AUTHOR TITLE PUBLISHER DATE DESCRIPTION CALL NR PUBLICATION Concerns the Soviet-Polish War of Eighteenth Decisive Battle Abernon, De London Hodder & Stoughton, Ltd. 1931 1920, also called the Miracle on the PE.PB-ab of the World-Warsaw 1920 Vistula. Illus., index, maps. Ackermann, And We Are Civilized New York Covici Friede Publ. 1936 Poland in World War I. PE.PB-ac Wolfgang Form letter to Polish-Americans asking for their help in book on Appeal: "To Polish Adamic, Louis New Jersey 1939 immigration author is planning to PE.PP-ad Americans" write. (Filed with PP-ad-1, another work by this author). Questionnaire regarding book Plymouth Rock and Ellis author is planning to write. (Filed Adamic, Louis New Jersey 1939 PE.PP-ad-1 Island with PE.PP-ad, another work by this author). A factual report affecting the lives Adamowski, and security of every citizen of the It Did Happen Here. Chicago unknown 1942 PA.A-ad Benjamin S. U.S. of America. United States in World War II New York Biography of Jan Kostanecki, PE.PC-kost- Adams , Dorothy We Stood Alone Longmans, Green & Co. 1944 Toronto diplomat and economist. ad Addinsell, Piano solo. Arranged from the Warsaw Concerto New York Chappell & Co. Inc. 1942 PE.PG-ad Richard original score by Henry Geehl. Great moments of Kosciuszko's life Ajdukiewicz, Kosciuszko--Hero of Two New York Cosmopolitan Art Company 1945 immortalized in 8 famous paintings PE.PG-aj Zygumunt Worlds by the celebrated Polish artist. Z roznymi ludzmi o roznych polsko- Ciekawe Gawedy Macieja amerykanskich sprawach. -
Polish Heritage Club of May Maj June Czerwiec Wisconsin, Inc. – Madison 2013 Vol
Polish Heritage Club of May maj June czerwiec Wisconsin, Inc. – Madison 2013 Vol. 12, Issue 5 Founded in 1979 as a non-profit organization to promote Polish Heritage through educational, cultural, charitable and social activities. PO Box 45438, Madison, WI 53744-5438 http://www.phcwi-madison.org Email: [email protected] and Facebook Board of Directors LETTER FROM THE PRESIDENT There are many May/June Polish events. See the list + stories inside . Executive Committee: 1999 SENATE JOINT RESOLUTION 11 Enjoy Polish culture! …proclaiming May 3rd of every year, President Club sponsored events include: "Trzeciego Maja Day" in the state of Wisconsin… Stan Graiewski (608) 249 -2304 Reservations due May 1st Part of our club's letter sent to several newspapers: rd Join the PHCWI of Madison Vice-Pres /P -Elect May 3 is Polish Constitution Day. The world Tomasz Borowiecki commemorates … the first democratic consti- Brewers’ Polish Heritage Game (734) 730-1155 tution in Europe and the second in the world,… June 23 Brewers vs. Braves Poland’s Constitution created political and Past-President class equality between townspeople and nobil- 10:30 Depart Hyvee on E. Washington Ave. Butch Luick ity. Peasants became lawfully protected …… on an air-conditioned coach bus. (608) 219-9842 A bicameral legislature was created. Citizenship Arrive at Miller Park early enough to walk was granted to all individuals. Townspeople Secretary around the stadium, or enjoy cold beverages! were granted property ownership rights and Patricia Brinkman '14 1:10 game starts, seats in Loge Bleachers. military commissions, voting and holding h-243-8912 $55 per person includes: chartered bus, c-212-2413 public office. -
National Convention 2009
National Convention 2009 American Association for the Advancement of Slavic Studies November 12–15, 2009 Boston, Massachusetts American Association for the Advancement of Slavic Studies 41st National Convention November 12–15, 2009 Marriott Copley Place Boston, Massachusetts American Association for the Advancement of Slavic Studies 8 Story Street, 3rd fl oor Cambridge, MA 02138 tel.: 617-495-0677, fax: 617-495-0680 e-mail: [email protected] web site: www.aaass.org iii CONTENTS Convention Schedule Overview ................................................................. iv List of the Meeting Rooms at the Marriott Copley Place ............................ v Diagrams of Meeting Rooms .................................................................vi–ix Exhibit Hall Diagram ...................................................................................x Index of Exhibitors, Alphabetical................................................................ xi Index of Exhibitors, by Booth Number .......................................................xii 2009 AAASS Board of Directors ...............................................................xiii AAASS National Offi ce .............................................................................xiii Program Committee for the Boston, MA Convention ................................xiii AAASS Affi liates .......................................................................................xiv 2009 AAASS Institutional Members ......................................................... xv Program -
Performing Illness in the Late-Nineteenth-Century Theatre
STAGES OF SUFFERING: PERFORMING ILLNESS IN THE LATE-NINETEENTH-CENTURY THEATRE by Meredith Ann Conti Bachelor of Fine Arts, Denison University, 2001 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Meredith Ann Conti It was defended on April 11, 2011 and approved by Attilio Favorini, PhD, Professor, Theatre Arts Kathleen George, PhD, Professor, Theatre Arts Michael Chemers, PhD, Associate Professor, Carnegie Mellon University, Drama Dissertation Advisor: Bruce McConachie, PhD, Professor, Theatre Arts ii Copyright © by Meredith Ann Conti 2011 iii STAGES OF SUFFERING: PERFORMING ILLNESS IN THE LATE-NINETEENTH-CENTURY THEATRE Meredith Ann Conti, PhD University of Pittsburgh, 2011 Few life occurrences shaped individual and collective identities within Victorian society as critically as suffering (or witnessing a loved one suffering) from illness. Boasting both a material reality of pathologies, morbidities, and symptoms and a metaphorical life of stigmas, icons, and sentiments, the cultural construct of illness was an indisputable staple on the late-nineteenth- century stage. This dissertation analyzes popular performances of illness (both somatic and psychological) to determine how such embodiments confirmed or counteracted salient medical, cultural, and individualized expressions of illness. I also locate within general nineteenth-century acting practices an embodied lexicon of performed illness (comprised of readily identifiable physical and vocal signs) that traversed generic divides and aesthetic movements. Performances of contagious disease are evaluated using over sixty years of consumptive Camilles; William Gillette’s embodiment of the cocaine-injecting Sherlock Holmes and Richard Mansfield’s fiendishly grotesque transformations in the double role of Dr. -
Ignacy Jan Paderewski's Sonata in E-Flat Minor
IGNACY JAN PADEREWSKI’S PIANO SONATA IN E-FLAT MINOR, OPUS 21: INSIGHTS INTO HIS COMPOSITIONAL TECHNIQUE AND PERFORMANCE STYLE Anne Marie Nelson, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2003 APPROVED: Adam Wodnicki, Major Professor and Examination Chair Deanna Bush, Minor Professor Pamela Mia Paul, Committee Member James C. Scott, Dean of the College of Music C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Nelson, Anne Marie, Ignacy Jan Paderewski’s Sonata in E-Flat Minor, Op. 21: Insights into his compositional technique and performance style. Doctor of Musical Arts (Performance), May 2003, 192 pp., 9 tables, 80 examples, references, 132 titles. The recordings of the legendary pianist Ignacy Jan Paderewski are a valuable documentation of his piano performance style. Knowledge of late-Romantic performance practices gleaned from Paderewski’s recordings suggest ways of approaching the performance of his Sonata in E-Flat Minor, Op. 21. This Sonata, composed in 1903 near the end of his compositional career, is a work of the highest caliber, deserving a permanent place in the concert pianist’s repertoire. The purpose of this paper is to provide performance suggestions based on Paderewski’s performance style which will produce a performance closer to the spirit of the times in which it was written. This study provides an overview of the project in Chapter 1, and a background of Paderewski’s life as pianist, composer, and statesman in Chapter 2. A time-line chart of his complete works is included for reference. -
Modjeska-Opid Family Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8xw4r2c No online items Modjeska-Opid Family Papers: Finding Aid Finding aid prepared by Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © December 2017 The Huntington Library. All rights reserved. Modjeska-Opid Family Papers: mssModjeska 1 Finding Aid Overview of the Collection Title: Modjeska-Opid Family Papers Dates (inclusive): 1869-1982 Collection Number: mssModjeska Creator: Opid family. Extent: approximately 300 items in 4 boxes and 1 four-flap envelope Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains correspondence, photographs, and ephemera of Polish actress Helena Modjeska (1840-1909) and members of the family of Ludwik Opid (1865-1948), whom Modjeska considered to be a nephew, dating from 1869-1982. The bulk of the materials consists of correspondence, in Polish, between members of the Opid family in Poland and Ludwik Opid in Los Angeles, California, dating from the 1910s-1940s. Languages: English and Polish. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
View Full Program and Program Notes
Sounds of PADEREWSKI Lecture-Recital October 14, 2018 | 7 PM Alfred Newman Recital Hall, USC Independence 2018 PADEREWSKI LECTURE-RECITAL Sounds of Independence: Music by Polish Composers of the Interwar Era Lecture by Dr. Lisa Cooper Vest FEATURING Bradley Bascon & Leonard Chong, violins Sérgio Coelho, clarinet Allan Hon, cello So-Mang Jeagal, piano Stephanie Jones, soprano Yun-Chieh ( Jenny) Sung, viola USC Chamber Singers with Dr. Jo-Michael Scheibe and Andrew Schultz, conductors Sunday, October 14, 2018 | 7:00 p.m. Alfred Newman Recital Hall University of Southern California Los Angeles, California Presented by the Polish Music Center at the USC Th ornton School of Music in celebration of 100 Years of Poland’s Independence Polish Music Center Composing the Nation: Intersections of Modernity and Tradition in Interwar Poland Lecture by Dr. Lisa Cooper Vest, USC Thornton School of Music • • • Ignacy Jan Paderewski (1860-1941) HEJ, ORLE BIAŁY (1917) USC Chamber Singers Andrew Schultz, conductor | So-Mang Jeagal, piano Ludomir Różycki (1883-1953) KRAKOWIAK FROM THE BALLET PAN TWARDOWSKI (1920) ARR. MAREK ZEBROWSKI Bradley Bascon & Leonard Chong, violin Yun-Chieh (Jenny) Sung, viola | Allan Hon, cello Sergio Coelho, clarinet | So-Mang Jeagal, piano Aleksander Tansman (1897-1986) CINQ MÉLODIES (1927) Dans le secret de mon âme Hélas Sommeil Chats de gouttière Bonheur Stephanie Jones, soprano | So-Mang Jeagal, piano Józef Koffl er (1896-1944) DIE LIEBE/ MIŁOŚĆ (1931) Adagio Andante tranquillo Allegro moderato Tempo I Stephanie Jones, soprano | Sergio Coelho, clarinet Yun-Chieh (Jenny) Sung, viola | Allan Hon, cello Grażyna Bacewicz (1909-1969) STRING QUARTET NO. 1 (1938) Moderato Tema con variazioni Vivo Bradley Bascon & Leonard Chong, violin Yun-Chieh (Jenny) Sung, viola | Allan Hon, cello Karol Szymanowski (1882-1937) KURPIE SONGS OP. -
Helena Modjeska Collection
http://oac.cdlib.org/findaid/ark:/13030/tf0489n6gt No online items Guide to the Helena Modjeska Collection Processed by Su Kim Chung; machine-readable finding aid created by William Landis Special Collections and Archives The UCI Libraries P.O. Box 19557 University of California Irvine, California 92623-9557 Phone: (949) 824-3947 Fax: (949) 824-2472 Email: [email protected] URL: http://www.lib.uci.edu/rrsc/speccoll.html © 2000 The Regents of the University of California. All rights reserved. Note Arts and Humanities--Theater--ActingGeographical (By Place)--California--Los Angeles AreaHistory--California History--Los Angeles Area History Guide to the Helena Modjeska MS-R037 1 Collection Guide to the Helena Modjeska Collection Collection number: MS-R37 Special Collections and Archives The UCI Libraries University of California Irvine, California Contact Information Special Collections and Archives The UCI Libraries P.O. Box 19557 University of California Irvine, California 92623-9557 Phone: (949) 824-3947 Fax: (949) 824-2472 Email: [email protected] URL: http://www.lib.uci.edu/rrsc/speccoll.html Processed by: Su Kim Chung Date Completed: 1998 Encoded by: William Landis © 2000 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Helena Modjeska collection, Date: 1881-1989 Collection number: MS-R037 Extent: 1.7 linear feet (4 boxes and 3 oversize folders) Repository: University of California, Irvine. Library. Special Collections and Archives. Irvine, California 92623-9557 Abstract: The artificial collection comprises primary and secondary source materials on Helena Modjeska, a nineteenth-century Polish stage actress who had a successful career in the United States. Most items pertain to her stage career, while others provide insight into Modjeska's life at her Santiago Canyon ranch, Arden, in Orange County, California. -
Performing Shakespeare in the Age of Empire
PERFORMING SHAKESPEARE IN THE AGE OF EMPIRE RICHARD FOULKES PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CBRU,UK West th Street, New York, NY -, USA Williamstown Road, Port Melbourne, VIC , Australia Ruiz de Alarc´on , Madrid, Spain Dock House, The Waterfront, Cape Town , South Africa http://www.cambridge.org C Richard Foulkes Thisbook isin copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeface Baskerville Monotype /. pt. System LATEX ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Foulkes, Richard. Performing Shakespeare in the age of empire / Richard Foulkes. p. cm. Includesbibliographical referencesand index. ISBN . Shakespeare, William, – – Stage history – –. Shakespeare, William, – – Stage history – Great Britain. Shakespeare, William, – – Stage history – North America. Shakespeare, William, – – Stage history – Europe. Theater – Great Britain – History – th century. Theater – Great Britain – History – th century. Theater – History – th century. Theater – History – th century. I. Title. PR.F . –dc ISBN hardback Contents List of illustrations page viii Acknowledgements