Lester Donahue Performing Arts Collection
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Xerox University Microfilms 300 North Zaab Road Ann Arbor, Michigan 46106 I I
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Cary M. Mazer 8132 Cadwalader Ave. Elkins Park, PA 19027
Cary M. Mazer 8132 Cadwalader Ave. Elkins Park, PA 19027 Phone and FAX: (215) 635-1365 [email protected] http://web.sas.upenn.edu/cmazer/ Education: PhD Columbia University 1980 Theatre MA Columbia University 1976 Theatre AB Princeton University 1974 English Academic Employment: Professor of Theatre Arts and English (with tenure), University of Pennsylvania, 2016- present. Associate Professor of Theatre Arts and English (with tenure), University of Pennsylvania, 2002-2016. Associate Professor of English (with tenure), University of Pennsylvania, 1987-2002. Assistant Professor of English, University of Pennsylvania, 1980-87. Lecturer in English, University of Pennsylvania, 1979-80. Preceptor in Theatre, Columbia University, summer 1979. Publications: Books: Double Shakespeares: Emotional-Realist Acting and Contemporary Performance (Madison, NJ: Fairleigh Dickinson University Press, 2015). Reviews: Katherine Steele Brokaw, Theatre Survey 57 (2016), 473-5; Russell Jackson, Shakespeare Survey 69 (2016), 462-3. Editor, volume 15 (William Poel, H. Granville Barker, Tyrone Guthrie, Sam Wanamaker) of Great Shakespeareans, general editors Peter Holland and Adrian Poole (London: Bloomsbury/Arden, 2013). Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages (Ann Arbor: UMI Research Press, 1981). Reviews: Ralph Berry, Dalhousie Review 63 (1983): 526- 32; Richard Allen Cave. Theatre Notebook 37 (1983): 140-41. Plays: Dear Birthmother Letter Got Your Back Benefit Performance, or, The Other Jew. Swing Set. Mazer February 26, 2018 2 A Puppeteer with the Palsy Perform Scenes from Shakespeare, or, The Ghost in the Machine. Seven Lectures on Hamlet. Script-in-hand reading, Drake Theatre, Philadelphia, 2017. Shylock’s Beard. Winner of the Association for Theatre in Higher Education (ATHE) Award for Excellence in Playwriting, 2016. -
First Steps on the American Soil and Stage Portrait of Helena Modrzejewska by Tadeuszajdukiewicz.1880 National Museum in Krakow
January - February 2018 A Monthly Publication of the U.S. Consulate Krakow Volume XIV. Issue 152 First Steps on the American Soil and Stage Portrait of Helena Modrzejewska by TadeuszAjdukiewicz.1880 National Museum in Krakow In this issue: Helena & Raplh Modjeski Zoom in on America From Modrzejewska to Modjeska Helena Modrzejewska’s first name is present in a num- the “g” into a “j”. He spelled aloud “Modjeska.” “Now,” he ber of different languages, or has related versions such said, “it is quite easy to read, and sounds pretty, I think.” as Elena or Lena, her surname “Modrzejewska”, however, We parted good friends, and I began to make prepara- poses a real challenge to pronounce for any non-native tions for the performance of “Adrienne Lecouvreur.” speaker of the Polish language. It is no wonder then that when Modrzejewska, an already accomplished actress in Modjeska had come to America the previous year (1876) Poland, wanted to pursue her acting career in America, her with her second husband, Count Karol Bozenta Chlapow- name became a concern. It was actor John McCullough ski, and her son, Ralph, from her first marriage, and a few of the California Theater who suggested simplifying it. In friends, including writer Henryk Sienkiewicz (who later won her Memoirs and Impressions, the actress describes the the Noble Prize in Literature in 1905.) This was a politically moment when she changed her name Modrzejewska to driven immigration as the Chlapowskis’ patriotic stand put Modjeska: them in trouble with the authorities in the Russian Partition. After the rehearsal Mr. John McCullough came to speak While their ship neared the American shore, the actress to me. -
Noted English Actresses in American Vaudeville, 1904-1916
“The Golden Calf”: Noted English Actresses in American Vaudeville, 1904-1916 Leigh Woods Vaudeville began as a popular American form, with roots in barrooms before audiences of generally Z unsophisticated tastes. By the time it reached its Jessie Millward was known in her native zenith as a popular form during the first two decades country as a heroine in melodramas. Wholesome of this century, however, it showed a pronounced and fresh-faced, she had entered professional acting taste for foreign attractions rather than for the native in 1881, and joined Sir Henry Irving’s prestigious ones that earlier had anchored its broad accessibility. Lyceum company in London as an ingenue the In these years just after the turn of the century, following year. Her first tour of the United States notable foreign actors from the English-speaking came in 1885, and later that year she acted at what theatre made their ways into vaudeville, aligning would become the citadel of London melodrama, the form, though usually in fleeting and superficial at the Adelphi with William Terriss (Millward, ways, with the glamor and prestige the contempor- Myself 315-16). Her name became indissolubly ary stage enjoyed. This pattern bespeaks the linked with Terriss’ as her leading man through willingness to borrow and the permutable profile their appearances in a series of popular melodramas; that have characterized many forms of popular and this link was forged even more firmly when, entertainment. in 1897, Terriss died a real death in her arms Maurice Barrymore (father to Ethel, Lionel and backstage at the Adelphi, following his stabbing John) foreshadowed what would become the wave by a crazed fan in one of the earliest instances of of the future when, in 1897, he became the first violence which can attend modern celebrity (Rowel1 important actor to enter vaudeville. -
You Never Can Tell
You Never Can Tell October 12-November 11, 1995 By George Bernard Shaw Directed by Nagle Jackson Study Guide Catch Us In The Act. Denver Center Theatre Company A Division of The Denver Center for the Performing Arts / Donovan Marley, Artistic Director 1995-96 Season Sponsor n order to find more information about Shaw’s life and works, take a trip to your school or local library. There is a wealth of material on these subjects for both adults and children. Ask your librarian for help in finding the books, videos, records, tapes, and magazines you need. IBecome familiar with your library and you will find that a world of infor- mation will be at your fingertips. Most libraries are not restricted by their own collections but can borrow from other libraries to satisfy your infor- mational needs. Become a skillful library consumer. Never hesitate to ask questions. Planning is important however, and the farther you plan ahead, the more time you give your librarian and yourself to find the best resources. Each show the Denver Center Theatre Company produces has its own unique informational needs. We, here at the theatre, use the resources of our own and other libraries continually. Without access to information, it would not be possible to do what we do whether it is searching for the costumes of a particular period; defining the language of a specific time; discovering the customs and culture of when and where the play takes place; or finding technical information to produce the special effects on stage. Our people have to be well informed. -
Pygmalion Study Guide April 16
STUDY GUIDE 2004 CONTAINS ONTARIO CURRICULUM SUPPORT MATERIAL PYGMALION by Bernard Shaw Education Partner PRESENTS Pygmalion by Bernard Shaw This study guide for Pygmalion contains background informa- tion for the play, suggested themes and topics for discussion, and curriculum-based lessons that are designed by educators and theatre professionals. TABLE OF CONTENTS The lessons and themes for discussion are organized in mod- ules that can be used independently or interdependently ac- cording to your class’s level and time availability. The Players ..............................................................................3 The general information is on white paper and the lessons are on green. Running Time .........................................................................3 The Author..............................................................................4 THIS GUIDE WAS WRITTEN AND COMPILED BY DENIS The Characters ........................................................................5 JOHNSTON, DEBRA MCLAUCHLAN, AND JOHN SWEENEY. The Story .............................................................................6-7 ADDITIONAL MATERIALS WERE PROVIDED BY BARBARA WORTHY, JACKIE MAXWELL, AND SUE LEPAGE West End Gossip Sheet.........................................................8 Director’s Notes .....................................................................9 Classroom Application Before Attending the Play .............................................10-17 Pygmalion After Attending the Play................................................18-24 -
Theater Und Transmigration: Die Schauspielerin Helena Modrzejewska (1840-1909) Zwischen USA Und Polen Szymanski-Düll, Berenika
www.ssoar.info Theater und Transmigration: die Schauspielerin Helena Modrzejewska (1840-1909) zwischen USA und Polen Szymanski-Düll, Berenika Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: Verlag Barbara Budrich Empfohlene Zitierung / Suggested Citation: Szymanski-Düll, B. (2015). Theater und Transmigration: die Schauspielerin Helena Modrzejewska (1840-1909) zwischen USA und Polen. BIOS - Zeitschrift für Biographieforschung, Oral History und Lebensverlaufsanalysen, 28(1-2), 66-79. https://doi.org/10.3224/bios.v28i1-2.04 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-SA Lizenz (Namensnennung- This document is made available under a CC BY-SA Licence Weitergabe unter gleichen Bedingungen) zur Verfügung gestellt. (Attribution-ShareAlike). For more Information see: Nähere Auskünfte zu den CC-Lizenzen finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.de Diese Version ist zitierbar unter / This version is citable under: https://nbn-resolving.org/urn:nbn:de:0168-ssoar-51024-5 Theater und Transmigration Die Schauspielerin Helena Modrzejewska (1840-1909) zwischen USA und Polen Berenika Szymanski-Düll […] though there is a saying that art has no nationality, yet the French plays are always best rendered by the French actors, while Shakespeare or plays from the German are almost impossible with them. I heard that ‘Hamlet’ was produced in Paris, but I am sure that I would not travel far to see a French ‘Hamlet.’ Germans can play Shakespeare because the spirit of the language is similar. Moreover, they possess the necessary weight and repose, and their translations of Shakespeare and other English plays are excellent (Modjeska 1910: 232). -
The Generation After Oral History Project
Generation After Oral History Project: Paula Peltz Interview Marquette University Libraries The Generation After Oral History Project Marquette University Libraries Department of Special Collections and University Archives Interviewee: Paula Peltz Interviewer: Unknown Interviewer & Michael Phayer Date of Interview: 1983‐19‐03 Terms of Use: Material on cassettes may be used anonymously until the year 2000 1 Generation After Oral History Project: Paula Peltz Interview Marquette University Libraries Phayer: ‐‐interview today, March the 19th, with Mrs. Peltz. Mrs. Peltz now lives in Miami, Florida but she formerly lived here in Milwaukee for 16 years. This interview is taking place in Milwaukee as I said on March the 19th. So Mrs. Peltz I just wanted to explain a few things, how we’re going to do this, we’re going to ask you some ordinary questions about your life before you came over here and just let the interview kind of go along as, wherever you want to take it. Is that alright? Peltz: It’s ok. Phayer: Are you comfortable? Peltz: I am comfortable. Phayer: Are you, do you wish you were in Florida? Instead of here doing this? Peltz: Yes, I wish so because it’s too cold here. Phayer: You’re too cold. Well, I don’t think we have any more sweaters for you. Peltz: I am comfortable in 2. [laughs] Phayer: How long have you been here now? Peltz: 10 days. Phayer: 10 days. And when was the last time you were in Milwaukee? Peltz: [Unintelligible] the 8th [unintelligible]. Unknown Interviewer: ‐‐ January. Peltz: The 8th of January. -
PMA Polonica Catalog
PMA Polonica Catalog PLACE OF AUTHOR TITLE PUBLISHER DATE DESCRIPTION CALL NR PUBLICATION Concerns the Soviet-Polish War of Eighteenth Decisive Battle Abernon, De London Hodder & Stoughton, Ltd. 1931 1920, also called the Miracle on the PE.PB-ab of the World-Warsaw 1920 Vistula. Illus., index, maps. Ackermann, And We Are Civilized New York Covici Friede Publ. 1936 Poland in World War I. PE.PB-ac Wolfgang Form letter to Polish-Americans asking for their help in book on Appeal: "To Polish Adamic, Louis New Jersey 1939 immigration author is planning to PE.PP-ad Americans" write. (Filed with PP-ad-1, another work by this author). Questionnaire regarding book Plymouth Rock and Ellis author is planning to write. (Filed Adamic, Louis New Jersey 1939 PE.PP-ad-1 Island with PE.PP-ad, another work by this author). A factual report affecting the lives Adamowski, and security of every citizen of the It Did Happen Here. Chicago unknown 1942 PA.A-ad Benjamin S. U.S. of America. United States in World War II New York Biography of Jan Kostanecki, PE.PC-kost- Adams , Dorothy We Stood Alone Longmans, Green & Co. 1944 Toronto diplomat and economist. ad Addinsell, Piano solo. Arranged from the Warsaw Concerto New York Chappell & Co. Inc. 1942 PE.PG-ad Richard original score by Henry Geehl. Great moments of Kosciuszko's life Ajdukiewicz, Kosciuszko--Hero of Two New York Cosmopolitan Art Company 1945 immortalized in 8 famous paintings PE.PG-aj Zygumunt Worlds by the celebrated Polish artist. Z roznymi ludzmi o roznych polsko- Ciekawe Gawedy Macieja amerykanskich sprawach. -
Mrs. Patrick Campbell, Caesar in Ccarsnr Or~Rlclcopatrn for Forbes Robertson, and Lady Cicely in Captain Brassbot~~Rd'j Cor~~,Crsiorlfor Ellen Terry
This document is from the Cornell University Library's Division of Rare and Manuscript Collections located in the Carl A. Kroch Library. If you have questions regarding this document or the information it contains, contact us at the phone number or e-mail listed below. Our website also contains research information and answers to frequently asked questions. http://rmc.library.cornell.edu Division of Rare and Manuscript Collections 2B Carl A. Kroch Library Cornell University, Ithaca, NY 14853 Phone: (607) 255-3530 Fax: (607) 255-9524 E-mail: [email protected] This publication has been prepared with the generous support of the Arnold '44 and Gloria Tofias Fund and the Bernard E Burgunder Fund for George Bernard Shaw. + Issued on the Occasion of "77re Instinct of an Artist:" Straw and the Theatre. An Exhibition from the Bernard F. Hurgunder Collection of George Bernard Shaur, Division of Rare and Manuscript Collections Carl A. Kroch Library April 17-June 13,1997 Cover and lnsidc Cover Illustrations: Shown are Shaw's photographic postcards sent to actress Evlarparet Halstan, critiquin~her performance as Raina in Arnold Dnly's ign revival of Annr and the )Man. [Item iA] Title page illustration by Antnny Wysard Note: Shaw ohcn spelled words phonetically, and sometimes used archaic forms of words. In quoting Shaw, we have retained his unusual spelling throughout O 1997 Cornell University Library The Instinct of an Artist + he Bernard F. Burgunder Collection of George Bernard Shaw was established at Cornell University in 1956, the centennial of Shaw's birth. The Collection repre- T sents a lifelong enthusiasm of the donor, Bernard Rurgundcr, who began collect- ing Shaviana soon after his graduation from Cornell in 1918. -
Polish Heritage Club of May Maj June Czerwiec Wisconsin, Inc. – Madison 2013 Vol
Polish Heritage Club of May maj June czerwiec Wisconsin, Inc. – Madison 2013 Vol. 12, Issue 5 Founded in 1979 as a non-profit organization to promote Polish Heritage through educational, cultural, charitable and social activities. PO Box 45438, Madison, WI 53744-5438 http://www.phcwi-madison.org Email: [email protected] and Facebook Board of Directors LETTER FROM THE PRESIDENT There are many May/June Polish events. See the list + stories inside . Executive Committee: 1999 SENATE JOINT RESOLUTION 11 Enjoy Polish culture! …proclaiming May 3rd of every year, President Club sponsored events include: "Trzeciego Maja Day" in the state of Wisconsin… Stan Graiewski (608) 249 -2304 Reservations due May 1st Part of our club's letter sent to several newspapers: rd Join the PHCWI of Madison Vice-Pres /P -Elect May 3 is Polish Constitution Day. The world Tomasz Borowiecki commemorates … the first democratic consti- Brewers’ Polish Heritage Game (734) 730-1155 tution in Europe and the second in the world,… June 23 Brewers vs. Braves Poland’s Constitution created political and Past-President class equality between townspeople and nobil- 10:30 Depart Hyvee on E. Washington Ave. Butch Luick ity. Peasants became lawfully protected …… on an air-conditioned coach bus. (608) 219-9842 A bicameral legislature was created. Citizenship Arrive at Miller Park early enough to walk was granted to all individuals. Townspeople Secretary around the stadium, or enjoy cold beverages! were granted property ownership rights and Patricia Brinkman '14 1:10 game starts, seats in Loge Bleachers. military commissions, voting and holding h-243-8912 $55 per person includes: chartered bus, c-212-2413 public office. -
Chapter 1: the Seventeenth Century Actresses
Notes CHAPTER 1: THE SEVENTEENTH CENTURY ACTRESSES 1. John Genest, Some Account of the English Stage from the Restoration to 1830, vol. I (Bath, 1832), p. 37. 2. Dr John Doran, Their Majesties' Servants: Annals of the English Stage, vol. I (London: William H. Allen & Co., 1864), p. 60. 3. E. K. Chambers, Modern Language Review, XI (October 1916) 466. Also, see Chambers's book The Medieval Stage, vol. II (London, 1948), p. 409. 4. As quoted in Genest, vol. I, p. 37 from Richard Brome's The Court Beggar (1632) and James Shirley's The Ball (1639) in which Freshwater, speaking of the plays in Paris, says, 'Yet the women are the best actors, they Play their own parts, a thing much desir'd in England.' 5. Thornton Shirley Graves, 'Women of the Pre-Restoration Stage,' Studies in Philology, XXII, No.2 (1925) 189, 192-3. The record on which Graves draws is Reyher's Les Masques Anglais, p. 25. 6. Robert Latham and William Matthews (eds), The Diary of Samuel Pepys, vol. I (London, 1970), p. 224. 7. John Downes, Roscius Anglicanus (London, 1708), p. 19. 8. Pepys, vol. II, p. 7. 9. Colley Cibber, An Apology for His Life (London, 1740), p. 55. 10. Pepys, vol. IX, p. 425. 11. Downes, p. 19. 12. She was introduced to the world by means of a hilarious prologue especially written by Thomas Jordan to show what a ridiculous figure the boy- actor had been cutting: Henry Wisham Lanier, The First English Actresses: 1660-1700 (New York, 1930), p. 31.