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Rock and Roll Rockandrollismyaddiction.Wordpress.Com
The Band, Ten Years After , Keef Hartley Band , Doris Troy, John Lennon ,George Harrison, Leslie West, Grant Green, Eagles, Paul Pena, Bruce Springsteen, Peter Green, Rory Gallagher, Stephen Stills, KGB, Fenton Robinson, Jesse “Ed” Davis, Chicken Shack, Alan Haynes,Stone The Crows, Buffalo Springfield, Jimmy Johnson Band, The Outlaws, Jerry Lee Lewis, The Byrds , Willie Dixon, Free, Herbie Mann, Grateful Dead, Buddy Guy & Junior Wells, Colosseum, Bo Diddley, Taste Iron Butterfly, Buddy Miles, Nirvana, Grand Funk Railroad, Jimi Hendrix, The Allman Brothers, Delaney & Bonnie & Friends Rolling Stones , Pink Floyd, J.J. Cale, Doors, Jefferson Airplane, Humble Pie, Otis Spann Freddie King, Mike Fleetwood Mac, Aretha Bloomfield, Al Kooper Franklin , ZZ Top, Steve Stills, Johnny Cash The Charlie Daniels Band Wilson Pickett, Scorpions Black Sabbath, Iron Butterfly, Buddy Bachman-Turner Overdrive Miles, Nirvana, Son Seals, Jeff Beck, Eric Clapton John Mayall, Neil Young Cream, Elliott Murphy, Años Creedence Clearwater Bob Dylan Thin Lizzy Albert King 2 Deep Purple B.B. King Años Blodwyn Pig The Faces De Rock And Roll rockandrollismyaddiction.wordpress.com 1 2012 - 2013 Cuando decidimos dedicar varios meses de nuestras vidas a escribir este segundo libro recopilatorio de más de 100 páginas, en realidad no pensamos que tendríamos que dar las gracias a tantas personas. En primer lugar, es de justicia que agradezcamos a toda la gente que sigue nuestro blog, la paciencia que han tenido con nosotros a lo largo de estos dos años. En segundo lugar, agradecer a todos los que en determinados momentos nos han criticado, ya que de ellas se aprende. Quizás, en ocasiones pecamos de pasión desmedida por un arte al que llaman rock and roll. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
Hartlepool Sport Hartlepool Snail
HartlepoolHartlepool SportSport HartlepoolHartlepool SnailSnail est, 2001 SPECIAL EDITION No 666 Price :- Freedom of Speech for all ‘Angus the Monkey’ sent off in Scunthorpe groping incident. Editor: Larry Deadwood Silly Comments: Jon Fool Saturdays League match was brought to a stand still as ‘out-of-control’ A round-up of last years News Highlights from your favourite local ‘Angus’ was escorted from the pitch after allegedly ‘groping the referee. newspaper: ‘Angus the Monkey’ sent off in Darlington groping incident. Tuesday Night’s friendly match was marred as ‘out-of-control’ ‘Angus’ PANGOLINS - Three weeks news items on the first presentation in Africa - a was escorted from the pitch after allegedly ‘groping’ the ball boy. failed acknowledgment of its arrival in Hartlepool - and a typical ‘Snail’ report ‘Angus the Monkey’ sent off in Wrexham groping incident. months later bearing no relevance to the topic. Next Saturday’s match will be brought to a stand still by an ‘out-of-con- trol’ ‘Angus’ who will be escorted from the pitch after allegedly ‘groping TETHERED HORSES - 300 photo’s of the same two tethered horses in the linesman. Brenda Road taken from the same angle (actually the same photo) which readers have grown to love. ‘Angus the Monkey’ Identified It was revealed today that ‘Angus the Monkey’ is none other than the ‘Snails’ ♦ MISPRINTS -A selection of our more famous (unintentional) howlers Jon Fool. He was identified after ‘groping’ the Chairman of ‘Pools’ while attempting to get his own page in the ‘clubs programme‘. ♦ MISQUOTES -
Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
Steve Harley Lee Nelson
SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM SEPT – DEC 2014 BAKA BEYOND LUNASA THE INNER VISION ORCHESTRA STEVE HARLEY GEORGIE FAME LEE NELSON TOYAH WILLCOX CURVED AIR SHAKATAK ROPETACKLECENTRE.CO.UK SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this autumn and winter. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first- class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious pre-show suppers from 6pm before most of our Thursday events. Advance With support from booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme or visit page 58 for the full list of pre-show meals. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 SARA SPADE & THE NOISY BOYS Sara Spade & The Noisy Boys: World War One Centenary Concert She’s back! After a sell-out Ropetackle show in January, Sara Spade & The Noisy Boys return with flapper classics like ‘Five Foot Two, Eyes of Blue’ and other popular Charlestons, plus favourite Great War-era songs including Pack up your Troubles in your Old Kit Bag and Long Way to Tipperary. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Cropredy Report.Indd 43 25/11/2010 12:03
FEATURE: FAIRPORT’S CROPREDY CONVENTION 2010 2010 FAIRPORT’S Despite its size, the single stage, eclectic line- CROPREDY up and one-bar-serves-all formula makes Cropredy the great leveller. Words and CONVENTION pictures by Noel Harvey. n the 60s and early 70s, you’re all in it together. labelling of the music as ‘Bible of the great and good (announced festival punters were not Local band Leatherat played a belt noir’, while Martyn Joseph’s or otherwise) stepped up for a overly keen on having too thrashing, metal-hued blend of interjected analysis of Bruce turn. Johnny Logan, Martin Barre, much choice. Perhaps folk-rock that amply justifi ed the Springsteen’s ‘One Step Up, Two Jacqui McShee, and yes, even the it was the pervading ideals of preponderance of fans proudly Steps Back’ may yet fi nd itself (once) late, great Dave Swarbrick Iegalitarianism and free love, or wearing their T-shirts. Cornwall transcribed and handed in as part made an appearance. ere were maybe it was something in the air trio 3 Daft Monkeys delivered an of an essay by some hopeful media classics aplenty, of course. ‘Walk (or the roll-ups). But whatever it eclectic melee of folk, Gypsy and studies student. Awhile’, ‘Crazy Man Michael’, was, you needed neither a degree goodness knows what else with ose in search of bona fi de ‘Matty Groves’ and a fi nal, rousing in logistics nor a clear head to be an energy that was anarchic and legends could happily return home ‘Meet On e Ledge’ must have at the right stage at the right time exuberant enough to permeate and announce they’d seen Rick fi red up many a fading memory. -
Representation Through Music in a Non-Parliamentary Nation
MEDIANZ ! VOL 15, NO 1 ! 2015 DOI: 10.11157/medianz-vol15iss1id8 - ARTICLE - Re-Establishing Britishness / Englishness: Representation Through Music in a non-Parliamentary Nation Robert Burns Abstract The absence of a contemporary English identity distinct from right wing political elements has reinforced negative and apathetic perceptions of English folk culture and tradition among populist media. Negative perceptions such as these have to some extent been countered by the emergence of a post–progressive rock–orientated English folk–protest style that has enabled new folk music fusions to establish themselves in a populist performance medium that attracts a new folk audience. In this way, English politicised folk music has facilitated an English cultural identity that is distinct from negative social and political connotations. A significant contemporary national identity for British folk music in general therefore can be found in contemporary English folk as it is presented in a homogenous mix of popular and world music styles, despite a struggle both for and against European identity as the United Kingdom debates ‘Brexit’, the current term for its possible departure from the EU. My mother was half English and I'm half English too I'm a great big bundle of culture tied up in the red, white and blue (Billy Bragg and the Blokes 2002). When the singer and songwriter, Billy Bragg wrote the above song, England, Half English, a friend asked him whether he was being ironic. He replied ‘Do you know what, I’m not’, a statement which shocked his friends. Bragg is a social commentator, political activist and staunch socialist who is proudly English and an outspoken anti–racist, which his opponents may see as arguably diametrically opposed combination. -
PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1. -
We Wish All Our Readers a Very Happy Christmas
Life in a New Age Leopardstown Park Hospital Newsletter DECEMBER 2014 Issue 40 Vol 10 In this Issue Irish Christmas Traditions ……………………1 We wish all our Birds ……………………………………………2 readers a very Annual Garden Fete, September 7th ………3 Leopardstown Park Hospital Golf Society …5 Happy Christmas Darts Competition ………………………………5 A Welcome to a New Arrival …………………5 Frankie Hennel’s Corner ………………………5 21st June 2014 – Staverton Airport at Gloucester ………………………………………6 RAF Association says Thanks for Help with Garden Party ………………………………7 Irish Christmas Traditions Condolences ……………………………………7 An article provided by The Information about Ireland Site Coming Events …………………………………7 Ireland, like most countries, has a number of Christmas traditions that Richard McEvoy (A Clevis Resident) ………8 are all of its own. Many of these customs have their root in the time A Tale of the Dunkirk Evacuation ……………9 when the Gaelic culture and religion of the country were being suppressed and it is perhaps because of that they have survived into Two Limericks ………………………………10 modern times. New Life – Tale of a First Time Father ……11 Paddy O’Rourke (Clevis Resident) …………12 The Candle in the Window The placing of a lighted candle in the window of a house on Christmas A chance in a million …………………………13 Eve is still practised today. It has a number of purposes but primarily it Operation Market Garden 70th Anniversary. was a symbol of welcome to Mary and Joseph as they travelled looking Forgotten heroes? ……………………………14 for shelter. World War 1 Veterans Ecumenical Service 29th June 2014 ………………………………17 The candle also indicated a safe place for priests to perform Mass as To Moan or not to Moan ……………………18 during Penal Times this was not allowed. -
02.01.2019 Bis 12.05.2020
Programminfos vom 08.05.2020 bis 12.05.2020 75 Jahre Kriegsende Eigentlich hätte es jetzt auch in Kassel zahlreiche öffentliche Veranstaltungen zum 75. Jahrestag des Kriegsendes in Europa geben sollen – leider wurden sie allesamt vom Virus verspeist. Glücklicherweise verfügt das Freie Radio über ein umfangreiches Archiv mit Vorträgen, Diskussionen und sonstigen Beiträgen aller Art, auf das nun zurückgegriffen werden kann. Zum Jahrestag am 8. Mai senden wir einen Vortrag von Dr. Ulrich Schneider aus dem Jahr 2000, in dem er sich mit der Situation in Kassel und Nordhessen zum Kriegsende befaßt. • Sendetermin: „Themenwechsel“, Freitag, 8. Mai 2020, 18 Uhr Wiedervereinigung des Jahres: Tresenlesen Auch wenn die (West)deutschen mit Wiedervereinigungen ihre traurigen Erfahrungen machen mußten, so sollte man Ereignisse dieser Art nicht pauschal verteufeln. Über eine ebenso erfreuliche wie unerwartete Reunion durften sich die Kabarettfreunde kürzlich freuen: Tresenlesen, das legendäre Duo aus dem Ruhrpott, das in den 90er Jahren die Lesebühnen- Tradition mitbegründete und zu den Pionieren der Komischen Literatur gehört, hat sich kürzlich wieder zusammengetan – nach 20 Jahren. Jochen Malmsheimer und Frank Goosen, die im Jahr 2000 ihre Zusammenarbeit beendeten und jeweils erfolgreiche Solokarrieren starteten, trafen sich am Ostersamstag auf einer Theaterbühne in Bochum und präsentierten dem umständehalber nur virtuell vorhandenen Publikum alte und neue Texte. Und es funktionierte: Die alte Magie war wieder da, die Chemie stimmte, die Interaktion klappte wie in alten Zeiten. Steht nur zu hoffen, daß dies kein einmaliges Ereignis bleibt, sondern daß die beiden Kabarett-Titanen weiterhin gemeinsam ihr Publikum begeistern – vielleicht auch mit einem neuen Bühnenprogramm, sobald es die äußeren Umstände wieder zulassen.