Theatre Collections in Germany*

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Theatre Collections and Museums in Germany 1 Theatre Collections in Germany* Nationalarchiv der Richard Wagner Stiftung e.V. BAYREUTH https://www.wagnermuseum.de/nationalarchiv/informationen_16.html @ [email protected] ⇒ photos, press clippings, Richard Wagner’s papers, engravings, etc. related to Richard Wagner Archiv der Universität der Künste BERLIN http://www.udk-berlin.de/sites/universitaetsarchiv/content/index_ger.html @ [email protected] ⇒ more than 100,000 engravings, thousands of press clippings, papers Theaterhistorisches Archiv, FU BERLIN http://www.geisteswissenschaften.fu-berlin.de/we07/institut/sammlungen @ [email protected] ⇒ library, 10,000 playbills/ programmes, 15,000 stage portraits/ photographs Theatre Collections and Museums in Germany 2 Heiner Müller Archiv / Transitraum BERLIN https://www.literatur.hu-berlin.de/ort @ [email protected] ⇒ Heiner Müller’s papers, photos, library Theatergeschichtliche Sammlung Kurt Dörnemann BOCHUM http://www.archiv.ruhr-uni-bochum.de/ @ [email protected] ⇒ 5,000 engravings, 300 stage designs and costume designs Theatermuseum Landeshauptstadt DÜSSELDORF http://www.duesseldorf.de/theatermuseum/ @ [email protected] ⇒ ca. 250,000 photographs, 1,500 images and sound recordings, 350,000 press clippings, 12,500 text books Theatre Collections and Museums in Germany 3 Theatermuseum HANNOVER http://www.staatstheater-hannover.de/schauspiel/index.php?m=104&f=07_seiten&ID_Seite=40 @ [email protected] ⇒ playbills/ programmes, stage photos, reviews, stage designs, figurines Theaterwissenschaftliche Sammlung COLOGNE http://tws.phil-fak.uni-koeln.de/ @ [email protected] ⇒ library, engravings, drawings, photography, stage design, costume design, circus Tanzarchiv COLOGNE http://www.sk-kultur.de/tanz/ @ [email protected] ⇒ ca. 155,000 photographs, more than 117,000 original negatives and slides, 650,000 press clippings, 3,000 sound recordings Theatre Collections and Museums in Germany 4 Deutsches Kabarettarchiv MAINZ http://www.kabarettarchiv.de/ @ [email protected] ⇒ library, film library, audio recordings, engravings, poster collection, photos, manuscripts, text books, programmes, etc. Deutsches Theatermuseum MUNICH http://www.deutschestheatermuseum.de/ @ [email protected] ⇒ 250,000 engravings, 50,000 autographs, 4.3 mio photographs Orff-Zentrum MUNICH http://www.orff-zentrum.de/dokumentation_archivbestand.asp @ [email protected] ⇒ papers of Carl Orff, autographs, photographs, press clippings *) list compiled by Nic Leonhardt, LMU, Theatre Studies Munich, with the help of Lion Piehl, January 2015. Contact n.leonhardt [ at ] lmu.de for comments and corrections, please. .

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Weaponized Humor: the Cultural Politics Of
WEAPONIZED HUMOR: THE CULTURAL POLITICS OF TURKISH-GERMAN ETHNO-COMEDY by TIM HÖLLERING B.A. Georg-August Universität Göttingen, 2008 M.Ed., Georg-August Universität Göttingen, 2010 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Germanic Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2016 © Tim Höllering, 2016 Abstract My thesis aims to show how the humor of Turkish-German ethno-comedians fulfills a double purpose of entertaining its audience while advancing a cultural political agenda that Kathrin Bower called “transnational humanism.” It includes notions of human rights consensus, critical self-reflection, respect, tolerance, and openness to cultural diversity. Promoting these values through comedy, the artists hope to contribute to abating prejudice and discrimination in Germany’s multi-ethnic society. Fusing the traditional theatrical principle of “prodesse et delectare” with contemporary cultural politics, these comedians produce something of political relevance: making their audience aware of its conceptions of “self” and “other” and fostering a sense of community across diverse cultural identifications. My thesis builds mainly on the works of Kathrin Bower, Maha El Hissy, Erol Boran, Deniz Göktürk, and Christie Davies. Whereas Davies denies humor’s potential for cultural impact, Göktürk elucidates its destabilizing power in immigrant films. Boran elaborates this function for Turkish-German Kabarett. El Hissy connects Kabarett, film, and theater of polycultural artists and ties them to Bakhtin’s concept of the carnivalesque and the medieval jester. Bower published several essays on the works of ethno-comedians as humorous catalysts for advancing a multiethnic Germany.
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