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The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Hollywood Theology: the Commodification of Religion in Twentieth-Century Films Author(S): Jeffery A
Center for the Study of Religion and American Culture Hollywood Theology: The Commodification of Religion in Twentieth-Century Films Author(s): Jeffery A. Smith Reviewed work(s): Source: Religion and American Culture: A Journal of Interpretation, Vol. 11, No. 2 (Summer 2001), pp. 191-231 Published by: University of California Press on behalf of the Center for the Study of Religion and American Culture Stable URL: http://www.jstor.org/stable/10.1525/rac.2001.11.2.191 . Accessed: 29/01/2013 11:41 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and Center for the Study of Religion and American Culture are collaborating with JSTOR to digitize, preserve and extend access to Religion and American Culture: A Journal of Interpretation. http://www.jstor.org This content downloaded on Tue, 29 Jan 2013 11:41:14 AM All use subject to JSTOR Terms and Conditions Hollywood Theology: The Commodication of Religion in Twentieth-Century Films Jeffery A. Smith A motion picture is a product formed by the intricate inter- play of lm industry forces and cultural expectations. Hollywood must attract audiences and audiences crave gratication or, perhaps, edication. -
The Big Goodbye
Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in. -
To Download The
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PERRY/REECE CASTING Penny Perry 310-422-1581-Cell Phone 818-905-9917-Home Phone
PERRY/REECE CASTING Penny Perry 310-422-1581-Cell Phone 818-905-9917-Home Phone MOTION PICTURES PORKY’S: THE COLLEGE YEARS Larry Levinson Productions Adam Wylie Producer: Larry Levinson Vic Polizos Director: Brian Trenchard-Smith THE INVITED Dark Portal, LLC. Lou Diamond Phillips Producer: Dan Kaplow Megan Ward Director: Ryan McKinney Brenda Vaccaro Pam Greer WHEN CALLS THE HEART Maggie Grace Producer & Director: Michael Landon Peter Coyote DISAPPEARANCES Border Run Productions Kris Kristofferson Producer & Director: Jay Craven Genevieve Bujold Lothaire Bluteau Luis Guzman FEAR X John Turturro Producer: Henrik Danstrup James Remar Director: Nicolas Winding Refn Deborah Unger DIAL 9 FOR LOVE Pleswin Entertainment Jeanne Tripplehorn Producer: Eric Pleskow /Leon de Winter Liev Schreiber Director: Kees Van Oostrom Louise Fletcher Co-Producer: Penny Perry THE HOLLYWOOD SIGN Pleswin Entertainment Burt Reynolds Producer: Eric Pleskow/Leon de Winter Rod Steiger Producer: Penny Perry Tom Berenger Director: Sonke Wortmann EXTREME OPS Diamant/Cohen Productions Brigette Wilson-Sampras Director: Christian Dugay Devon Sawa Rupert Graves FEAR.COM Diamant/Cohen Productions Stephen Dorff Producer: Moshe Diamant Natascha McElhone Director: William Malone Stephen Rea BIG BAD LOVE Sun, Moon & Stars Prod. Deborah Winger Producer: Barry Navidi Arliss Howard Director: Arliss Howard Rosanna Arquette Paul LeMat THE MUSKETEER Universal Mena Suvari Director: Peter Hyams Tim Roth Producer: Moshe Diamant Catherine Denueve Producer: Mark Damon Stephen Rea Nick Moran -
Hdnet Movies May 2013 Program Highlights -Version 1
May 2013 Programming Highlights *All times listed are Eastern Standard Time *Please check the complete Program Schedule or www.hdnetmovies.com for additional films, dates and times Spotlight Features – Highlighted feature films airing throughout the month on HDNet Movies See program schedule or www.hdnetmovies.com for additional listings of dates and times A Few Good Men – Thursday, May 2nd at 8:30pm Starring Tom Cruise, Jack Nicholson, Demi Moore. Directed by Rob Reiner Academy Award nomination for Best Picture, Best Film Editing, Best Actor in a Supporting Role: Jack Nicholson and Best Sound. Golden Globe Award nomination for Best Motion Picture Drama, Best Performance by an Actor in a Motion Picture: Tom Cruise, Best Performance by an Actor in a Supporting Role: Jack Nicholson, Best Director and Best Screenplay Glory – Wednesday, May 1st at 8:15pm Starring Matthew Broderick, Denzel Washington, Cary Elwes, Morgan Freeman. Directed by Edward Zwick Academy Award winner for Best Supporting Actor: Denzel Washington, Best Cinematography, and Best Sound. Nominated for Best Art Direction-Set Decoration and Best Film Editing Golden Globe Award winner for Best Performance by an Actor in a Supporting Role: Denzel Washington. Nominated for Best Motion Picture – Drama, Best Director, Best Screenplay and Best Original Score. Ice Age – Premieres Friday, May 3rd at 6:30pm (*kidScene Friday Night) Featuring the voices of Ray Romano, John Leguizamo, Denis Leary, and Jack Black. Directed by Chris Wedge Academy Award nomination for Best Animated Feature The Last Waltz – Sunday, May 5th at 4:30pm and 11:00pm (*In Retro) Featuring “The Band” - Rick Danko, Levon Helm, Garth Hudson, Richard Manuel, and Robbie Robertson. -
FNEEDED Stroke 9 SA,Sam Adams Scars on 45 SA,Sholem Aleichem Scene 23 SA,Sparky Anderson Sixx:A.M
MEN WOMEN 1. SA Steven Adler=American rock musician=33,099=89 Sunrise Adams=Pornographic actress=37,445=226 Scott Adkins=British actor and martial Sasha Alexander=Actress=198,312=33 artist=16,924=161 Summer Altice=Fashion model and actress=35,458=239 Shahid Afridi=Cricketer=251,431=6 Susie Amy=British, Actress=38,891=220 Sergio Aguero=An Argentine professional Sue Ane+Langdon=Actress=97,053=74 association football player=25,463=108 Shiri Appleby=Actress=89,641=85 Saif Ali=Actor=17,983=153 Samaire Armstrong=American, Actress=33,728=249 Stephen Amell=Canadian, Actor=21,478=122 Sedef Avci=Turkish, Actress=75,051=113 Steven Anthony=Actor=9,368=254 …………… Steve Antin=American, Actor=7,820=292 Sunrise Avenue Shawn Ashmore=Canadian, Actor=20,767=128 Soul Asylum Skylar Astin=American, Actor=23,534=113 Sonata Arctica Steve Austin+Khan=American, Say Anything Wrestling=17,660=154 Sunshine Anderson Sean Avery=Canadian ice hockey Skunk Anansie player=21,937=118 Sammy Adams Saving Abel FNEEDED Stroke 9 SA,Sam Adams Scars On 45 SA,Sholem Aleichem Scene 23 SA,Sparky Anderson Sixx:a.m. SA,Spiro Agnew Sani ,Abacha ,Head of State ,Dictator of Nigeria, 1993-98 SA,Sri Aurobindo Shinzo ,Abe ,Head of State ,Prime Minister of Japan, 2006- SA,Steve Allen 07 SA,Steve Austin Sid ,Abel ,Hockey ,Detroit Red Wings, NHL Hall of Famer SA,Stone Cold Steve Austin Spencer ,Abraham ,Politician ,US Secretary of Energy, SA,Susan Anton 2001-05 SA,Susan B. Anthony Sharon ,Acker ,Actor ,Point Blank Sam ,Adams ,Politician ,Mayor of Portland Samuel ,Adams ,Politician ,Brewer led -
Examining the Dialogic Construction of Women In
“TAKE HER CLOTHES OFF AND BRING HER TO ME!”: EXAMINING THE DIALOGIC CONSTRUCTION OF WOMEN IN ROBERT ALTMAN’S FILMS A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF ENGLISH, SPEECH, AND FOREIGN LANGUAGES COLLEGE OF ARTS AND SCIENCES BY CHARLENE SMITH GREEN B.A., M.A. DENTON, TEXAS DECEMBER 2017 Copyright © 2017 by Charlene Smith Green DEDICATION For my daughters, Christianne and Natalie Build your castles in the air, and then put foundations under them. ii ACKNOWLEDGEMENTS I would like to express deep and sincere gratitude to my advisor and director Dr. Lou Thompson for her support and encouragement throughout my academic journey, which began so many years ago. I am especially grateful for her thoughtful insight and tireless dedication to my research and writing about films, most especially her guidance with this project on the women in Robert Altman’s films. I would have never completed this project without her unwavering commitment to my research and writing. I would also like to thank my committee members Dr. Genevieve West and Dr. Brian Fehler for providing invaluable comments and feedback on my work. I am especially grateful for the tough questions they asked because those questions made me dig deeper and think harder when I made revisions. Their comments and questions have also led me toward ideas for future research and writing, and that is a priceless contribution indeed. Finally, there are two additional professors I would like to thank for their contributions to my research, writing, and academic growth. -
R Icsa S" Cs Ui
s6s r i w°/Ia ym ICsa ui S" cs . .. ....................... ....... Dear Colleagues, Writers and directors, working in the kind of collaboration that dignifies both of our profes- sions, stand together once again in our official identities as the Writers Guild of America, west and the Directors Guild of America, to present the Preston Sturges Award in recognition of a career achievement in filmmaking. Our honoree is Blake Edwards, the third artist to be so selected, preceded by Richard Brooks and Billy Wilder. How proud we are to have been in their presence and to be working at the same crafts! Somewhere, Preston Sturges is smiling; surely Blake Edwards is a talent after his own heart. Consider Blake's body of work, outlined in detail elsewhere in this publication. It is the journey of an instinctive artist learning his craft. A journey through the latter days of the legendary Hollywood studio system, writing low-budget westerns and romantic comedies, then directing his own scripts. Then the gradual development of a personal style, a "touch." Then, in 1963, his script (with Maurice Richlin) and his direction of The Pink Panther,and film buffs throughout the world knew that they had another stylist to enjoy. (Remember the spinning globe of the earth, and Inspector Clouseau inadvertently touching it, and spinning himself right to the floor?) After that, Blake's work, unaffected by the storytelling fads of the moment, showed the maturing of a master. He developed into one of those rare creative minds who holds true to his unique talent and to the cinematic tradition of the great era of visual comedy of Chaplin, Keaton and Harold Lloyd, and later, Preston Sturges himself. -
VOTE DEMOCRATIC ■ Churches
PAGE TWENTY - EVENING HERALD. Fri.. .Oct. 19. 1979 Farr Named Diana Aide Voter Issue Vexes CofG Pnzeweek Puzsle Inside -^Win $250! MANCHESTER - William J. in 1977. In addition. Bill worked to MANCHESTER -Directors of the Greater The Chamber says it had pledged support to the voter 1------ L _ U 1 U L U 1 _ L I . ^ J ----------------------------------------------------------------------------------------I I I e , Diana. Republican candidate seeking give the people of Manchester an op Manchester Chamber of Commerce have expressed dis turnout effort, making it clear it did not wish to have paiv re-election to the Board of Directors, portunity to approve the Sunday sale appointment that the question of getting out the vote has tisan differqnces injected into the program. ) Canadians Appreciate Population Growth Turek Denies Allegations Danielson Coaches has announced the appointment of of liquor. Bill also served as a become a political issue in the current campaign, but the The ietter says in part: f James Farr as his campaign representative of the board to work Chamber intends to continue its part in the effort to en “Throughout our participation in the planning for the $2 BilVs Convenience Threatens JResources He Was Withhqlding Bills 300th Soccer Triumph manager. with members of the 8th Utilities voter turnout program we continued to operate with the courage voter turnout. Page 4 ' Page 8 Page 12 Farr, a life-long resident of Board of Directors. The Chamber made its views on the subject known in understanding that this effort would not and should not Manchester, owns and operates Through these meetings mutual identical letters sent to Ted Cummings, Democratic town become an election "issue.” Recently, however, we have' Farr's at 2 Main St. -
Enneagram Styles of Famous People Famous Ones
Enneagram Styles of Famous People Compiled by Thomas Condon Famous Ones Actress Jane Alexander, Ayman Al-Zawahiri, Historian Stephen Ambrose, the culture of the Amish, Julie Andrews, Hanan Ashrawi, St. Augustine, the Ayatollah Khomeini, Joan Baez, Ethel Barrymore, Harry Belafonte, William Bennett, Father Phillip Berrigan, Ambrose Bierce, John Bolton, Debby Boone, Psychologist John Bradshaw, Lloyd Bridges, Tom Brokaw, Sierra Club foun- der David Brower, Feminist author Susan Brownmiller, William F. Buckley, Helen Caldicott, John Calvin, Tucker Carlson, Cesar Chavez, Singapore’s Ong Teng Cheong, Noam Chomsky, John Cleese, Hillary Clinton, Confucius, Anderson Cooper, Ann Coulter, Jane Curtin, Angela Davis, Howard Dean, Morris Dees, Carla del Ponte, Lou Dobbs, W. E. B. DuBois, Michael Dukakis, John C. Dvorak, Christian Scientist Mary Baker Eddy, Dr. Dean Edell, Activist Daniel Ellsworth, Anne Frank, Henry Fonda Harrison Ford, Jodie Foster, John Fund, Buckminster Fuller, Melinda Gates, Emma Goldman, Barry Goldwater, Amy Goodman, Al Gore, Stephen Jay Gould, Peter Graves, Patricia Heaton, Lillian Hellman, Jesse Helms, Katharine Hepburn, Charlton Heston, Gordon Hinckley, St. Ignatius, Glenda Jackson, Peter Jennings, Samuel Johnson, Dean Jones, John Kasich, John Kerry, Dr. Jack Kevorkian, Alan Keyes, Ted Koppel, the NRA's Wayne LaPi- erre, Laura Linney, The Lone Ranger, Shelley Long, Martin Luther, Bill Ma- her, Michelle Malkin, Nelson Mandela, Miss Manners, Thurgood Marshall, John McCain, George McGovern, Playwright Arthur Miller, Author Jessica Mitford, Sir Thomas More, Farley Mowat, Bill Moyers, Ralph Nader, the cul- tural aura of New Zealand, Leonard Nimoy, Christiane Northrup, Robert No- vak, John Cardinal O'Connor, Maureen O’Hara, Keith Olbermann Ian Paisley, Gregory Peck, H. -
The World of Robert Altman: Auteur, Innovator and Iconoclast
The world of Robert Altman: Auteur, Innovator and Iconoclast By Seán Durack 1 This Dissertation has been submitted in partial fulfilment of the BA (Hons) Film degree at Dublin Business School 2016. I confirm that all my work is my own unless otherwise stated. 2 Table of Contents Acknowledgements …………………………………………... 4 Chapter 1 ……………………………………………………... 5 Chapter 2 ……………………………………………………... 16 Chapter 3 ……………………………………………………... 22 Chapter 4 ……………………………………………………... 29 Chapter 5 ……………………………………………………... 39 End Notes …………………………………………………….. 42 Bibliography ………………………………………………….. 47 Filmography …………………………………………………... 51 3 Acknowledgements I would like to thank Dr. Barnaby Taylor, Programme Leader of the BA (Hons) Film for his invaluable help, guidance and support to me in not only in my research and writing of this dissertation but also for enthusiastically imparting his knowledge in all things film. Dublin Business School and their library for their helpfulness throughout the year. I would also like to thank my parents Susan and Gerard for their encouragement and unwavering interest throughout my degree. 4 Chapter 1: The early years and the Hollywood Studio System Filmmaker Ron Mann’s recent documentary Altman (2014), features interviews with various notable filmmakers and actors who worked with Robert Altman over the years. Mann said that people who come to see his documentary “just to see Bob’s films” then he has done his job. Mann also more poignantly said that “Altman was America’s greatest filmmaker and that his work matters more than ever now because it stands in contrast to all the sequels that Hollywood makes to sell lunch boxes”. (Gilbey, 2015)1 This quote encapsulates what Robert Altman stood for as a film director in that it illustrates his innovative approaches to filmmaking, his maverick tendencies and individuality.