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Tracing the Origin of Blue and White Chinese Porcelain Ordered for the Portuguese Market During the Ming Dynasty Using INAA
Journal of Archaeological Science 40 (2013) 3046e3057 Contents lists available at SciVerse ScienceDirect Journal of Archaeological Science journal homepage: http://www.elsevier.com/locate/jas Tracing the origin of blue and white Chinese Porcelain ordered for the Portuguese market during the Ming dynasty using INAA M. Isabel Dias a,*, M. Isabel Prudêncio a, M.A. Pinto De Matos b, A. Luisa Rodrigues a a Campus Tecnológico e Nuclear/Instituto Superior Técnico, Universidade Técnica de Lisboa, EN 10 (Km 139,7), 2686-953 Sacavém, Portugal b Museu Nacional do Azulejo, Rua da Madre de Deus no 4, 1900-312 Lisboa, Portugal article info abstract Article history: The existing documentary history of Chinese porcelain ordered for the Portuguese market (mainly Ming Received 21 March 2012 dynasty.) is reasonably advanced; nevertheless detailed laboratory analyses able to reveal new aspects Received in revised form like the number and/or diversity of producing centers involved in the trade with Portugal are lacking. 26 February 2013 In this work, the chemical characterization of porcelain fragments collected during recent archaeo- Accepted 3 March 2013 logical excavations from Portugal (Lisbon and Coimbra) was done for provenance issues: identification/ differentiation of Chinese porcelain kilns used. Chemical analysis was performed by instrumental Keywords: neutron activation analysis (INAA) using the Portuguese Research Reactor. Core samples were taken from Ancient Chinese porcelain for Portuguese market the ceramic body avoiding contamination form the surface layers constituents. The results obtained so INAA far point to: (1) the existence of three main chemical-based clusters; and (2) a general attribution of the Chemical composition porcelains studied to southern China kilns; (3) a few samples are specifically attributed to Jingdezhen Ming dynasty and Zhangzhou kiln sites. -
Empire of Tea
Empire of Tea Empire of Tea The Asian Leaf that Conquered the Wor ld Markman Ellis, Richard Coulton, Matthew Mauger reaktion books For Ceri, Bey, Chelle Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx, uk www.reaktionbooks.co.uk First published 2015 Copyright © Markman Ellis, Richard Coulton, Matthew Mauger 2015 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers Printed and bound in China by 1010 Printing International Ltd A catalogue record for this book is available from the British Library isbn 978 1 78023 440 3 Contents Introduction 7 one: Early European Encounters with Tea 14 two: Establishing the Taste for Tea in Britain 31 three: The Tea Trade with China 53 four: The Elevation of Tea 73 five: The Natural Philosophy of Tea 93 six: The Market for Tea in Britain 115 seven: The British Way of Tea 139 eight: Smuggling and Taxation 161 nine: The Democratization of Tea Drinking 179 ten: Tea in the Politics of Empire 202 eleven: The National Drink of Victorian Britain 221 twelve: Twentieth-century Tea 247 Epilogue: Global Tea 267 References 277 Bibliography 307 Acknowledgements 315 Photo Acknowledgements 317 Index 319 ‘A Sort of Tea from China’, c. 1700, a material survival of Britain’s encounter with tea in the late seventeenth century. e specimen was acquired by James Cuninghame, a physician and ship’s surgeon who visited Amoy (Xiamen) in 1698–9 and Chusan (Zhoushan) in 1700–1703. -
Page 1 578 a Japanese Porcelain Polychrome Kendi, Kutani, 17Th C
Ordre Designation Estimation Estimation basse haute 551 A Chinese mythological bronze group, 19/20th C. H: 28 cm 250 350 552 A Chinese bronze elongated bottle-shaped vase, Ming Dynasty H.: 31 600 1200 cm 553 A partial gilt seated bronze buddha, Yongzheng mark, 19th C. or earlier 800 1200 H: 39 cm L: 40 cm Condition: good. The gold paint somewhat worn. 554 A Chinese bronze jardiniere on wooden stand, 19/20th C. H.: 32 cm 300 600 555 A Chinese figural bronze incense burner, 17/18th C. H.: 29 cm 1000 1500 556 A Chinese bronze and cloisonne figure of an immortal, 18/19th C. H.: 31 300 600 cm 557 A Chinese bronze figure of an emperor on a throne, 18/19th C. H.: 30 cm 800 1200 Condition: missing a foot on the right bottom side. 558 A bronze figure of Samanthabadra, inlaid with semi-precious stones, 4000 8000 Ming Dynasty H: 28 cm 559 A Chinese gilt bronze seated buddha and a bronze Tara, 18/19th C. H.: 600 1200 14 cm (the tallest) 560 A Chinese bronze tripod incense burner with trigrams, 18/19th C. H.: 350 700 22,3 cm 561 A tall pair of Chinese bronze “Luduan� figures, 18/19th C. H.: 29 1200 1800 cm 562 A tall gilt bronze head of a Boddhisatva with semi-precious stones, Tibet, 1000 1500 17/18th C. H.: 33 cm 563 A dark bronze animal subject group, China, Ming Dynasty, 15-16th C. H.: 1500 2500 25,5 cm 564 A Chinese dragon censer in champlevé enameled bronze, 18/19th C. -
Seattle 2015
Peripheries and Boundaries SEATTLE 2015 48th Annual Conference on Historical and Underwater Archaeology January 6-11, 2015 Seattle, Washington CONFERENCE ABSTRACTS (Our conference logo, "Peripheries and Boundaries," by Coast Salish artist lessLIE) TABLE OF CONTENTS Page 01 – Symposium Abstracts Page 13 – General Sessions Page 16 – Forum/Panel Abstracts Page 24 – Paper and Poster Abstracts (All listings include room and session time information) SYMPOSIUM ABSTRACTS [SYM-01] The Multicultural Caribbean and Its Overlooked Histories Chairs: Shea Henry (Simon Fraser University), Alexis K Ohman (College of William and Mary) Discussants: Krysta Ryzewski (Wayne State University) Many recent historical archaeological investigations in the Caribbean have explored the peoples and cultures that have been largely overlooked. The historical era of the Caribbean has seen the decline and introduction of various different and opposing cultures. Because of this, the cultural landscape of the Caribbean today is one of the most diverse in the world. However, some of these cultures have been more extensively explored archaeologically than others. A few of the areas of study that have begun to receive more attention in recent years are contact era interaction, indentured labor populations, historical environment and landscape, re-excavation of colonial sites with new discoveries and interpretations, and other aspects of daily life in the colonial Caribbean. This symposium seeks to explore new areas of overlooked peoples, cultures, and activities that have -
Newsletter Mar 06
Southeast Asian Ceramics Museum Newsletter Editors : Roxanna M. Brown Volume III Number 2 March-April 2006 Pariwat Thammapreechakorn Reporters : Chu Dau Ceramic Factory Ang Choulean, Ann Proctor, Augustine Vinh, owned by the Hanoi Trade Berenice Bellina, Bonnie Chu Dau village, about 60 Corporation and employs Baskin, Chang Kuang-Jen, kms east of Hanoi, is located several hundred workers, Chhay Visoth, David Rehfuss, Dawn Rooney, Eusebio Dizon, i n a c o un ty that is still called including traditional potters Gary Hill, Guo Li, Heidi Tan, ‘Nam Sach’ — the same who were brought from Ian Glover, Jennifer Rodrigo, name as shown in Chinese- around the province. At pre- Louise Cort, Marie-France derived Vietnamese chu nom sent the factory exports Dupoizat, Melody Rod-ari, Mohd. Sherman bin Sauffi, characters on old 15th- mainly to Spain and Japan. Pamela Gutman, Peter Burns, century maps of Vietnam and Philippe Colomban, Rasmi on the famous Vietnamese Shoocongdej, Rita Tan, Sayan bottle-vase of the Topkapi Praicharnjit, Sten Sjostrand, S a r ay i Mu seum. Besides a Timothy Rebbeck, Walter Photos show (clockwise from upper Kassela, Zheng Jin Le place name, the vase inscrip- right) Entrance to the factory sales- tion also includes a reign room. Copies of antique wares, in- date equivalent to AD 1450. cluding a finished example of the Old kiln sites were discov- vase being decorated at lower left. Museum staff : Hanoi ceramics specialist Augustine ered at Chu Dau in the late Vinh beside a vase that he auto- Burin Singtoaj 1980s. graphed on a previous visit. The The modern factory was factory’s main kiln. -
EX090811 Sale
For Sale by Auction to be held at St Edmund’s Court, Okehampton Street, Exeter 01392 413100 TUESDAY 9th August 2011 Watches and Jewellery Silver Ceramics and Glass Works of Art and Collectables Pictures yeer and Furniture SALE REFERENCE EX30 Sale Commences at 10.00am Catalogues £1.50 On View: Order of Sale: Saturday 6th August Watches and Jewellery Lots 1-188 Silver Lots 250-455 9.00am to 12 noon Monday 8th August Ceramics and Glass Lots 456-570 9:00.am to 7.00pm Works of Art Lots 571-680 & Morning of Sale Pictures Lot 681-708 Furniture Lots 716-810 Tuesday 9th August 2011 Sale commences at 10am WATCHES AND JEWELLERY 1. Rotary. A lady's 9ct gold wristwatch, a 1/10th Krugerand pendant on chain, a circular locket on chain, a curb-link bracelet, a gem-set pendant on chain, a diamond mounted three-stone ring, a diamond mounted two-stone crossover ring, various jewellery and costume jewellery. £440-480 2. A cultured pearl single-string necklace, a cultured pearl two-string necklace, an oval shell cameo brooch, two gold necklaces, two wristwatches and a small group of brooches and earrings. £140-180 3. A cultured pearl single-string necklace, a coral fragment necklace, a coral bead necklace, a lady's stainless steel 'Movado' wristwatch, a large unmounted smoky quartz, 40mm wide and a quantity of silver and costume jewellery contained in a purple leather jewellery case and green and tan 'Antler' vanity case. 4. A Ruskin pottery panel mounted round brooch, two cigarette holders and a quantity of various costume jewellery. -
Chinese Art the Szekeres Collection
Chinese Art The Szekeres Collection J. J. Lally & Co. oriental art Chinese Art The Szekeres Collection Chinese Art The Szekeres Collection March 13 to 29, 2019 J. J. Lally & Co. oriental art 41 East 57th Street New York, NY 10022 Tel (212) 371-3380 Fax (212) 593-4699 e-mail [email protected] www.jjlally.com Janos Szekeres ANOS Szekeres was a scientist, an When his success in business gave him greater resources for collecting art, he first inventor, an aviator, a businessman and a formed a collection of Post-Impressionist paintings, which he had always loved, but Jfamily man. The outline of his life reads as business affairs brought him back to Asia he once again began to visit the antiques like a classic American success story. Born in shops looking for Chinese art, and soon he had a significant collection of Chinese snuff Hungary in 1914, Janos attended the University bottles. His interest and sophistication grew rapidly and eventually he served on the of Vienna for his graduate studies in chemistry. Board of Directors of the International Chinese Snuff Bottle Society and on the Chinese When war in Europe was imminent he signed Art Collections Committee of the Harvard University Art Museums. A trip to China in on as a seaman on a commercial freighter and, 1982 visiting Chinese art museums, kiln sites and monuments reinforced a wider interest on arrival in New York harbor, “jumped ship.” in Chinese ceramics and works of art. He enlisted in the US Army Air Force in 1941 Janos took great pleasure in collecting. -
John Alexander Pope Papers
John Alexander Pope Papers Dr. Elizabeth Graves 2015 Freer Gallery of Art and Arthur M. Sackler Gallery Archives Washington, D.C. 20013 [email protected] https://www.freersackler.si.edu/research/archives/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Arrangement note............................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographic Material................................................................................... 5 Series 2: John A. Pope Asian Ceramics and Art Collection................................... 15 Series 3: Published and Unpublished Materials.................................................... 19 Series 4: Research Materials: Subject Files.......................................................... 31 Series 5: Travel...................................................................................................... 85 Series 6: Correspondence..................................................................................... -
Fourteenth-Century Blue-And-White : a Group of Chinese Porcelains in the Topkapu Sarayi Müzesi, Istanbul
SMITHSONIAN INSTITUTION! FREER GALLERY OF ART OCCASIONAL PAPERS VOLUME TWO NUMBER ONE FOURTEENTH-CENTURY BLUE-AND-WHITE A GROUP OF CHINESE PORCELAINS IN THE TOPKAPU SARAYI MUZESI, ISTANBUL By JOHN ALEXANDER POPE WASHINGTON 1952 FREER GALLERY OF ART OCCASIONAL PAPERS The Freer Gallery of Art Occasional Papers, published from time to time, present material pertaining to the cultures represented in the Freer Collection, prepared by members of the Gallery staff. Articles dealing with objects in the Freer Collection and involving original research in Near Eastern or Far Eastern language sources by scholars not associated with the Gallery may be considered for publication. The Freer Gallery of Art Occasional Papers are not sold by subscrip- tion. The price of each number is determined with reference to the cost of publication. = SMITHSONI AN INSTITUTIONS FREER GALLERY OF ART OCCASIONAL PAPERS VOLUME TWO NUMBER ONE FOURTEENTH-CENTURY BLUE-AND-WHITE A GROUP OF CHINESE PORCELAINS IN THE TOPKAPU SARAYI MUZESI, ISTANBUL - By JOHN ALEXANDER POPE Publication 4089 WASHINGTON 1952 BALTIMORE, MS., XT. S. A. CONTENTS Page Introduction 1 The background 1 Acknowledgments 4 Numerical list = 6 Chronological data 7 The Topkapu Sarayi Collection 8 History 8 Scope 18 The early blue-and-white wares 24 The painter's repertory 30 Flora 33 Fauna 40 Miscellaneous 44 Description of plates A-D 49 The argument 50 Descriptions of the pieces as illustrated 53 Appendix I: Checklist 66 II: Locale 69 III : Zimmermann's attributions 72 Bibliography 74 Index 79 iii FOURTEENTH-CENTURY BLUE-AND- WHITE: A GROUP OF CHINESE PORCELAINS IN THE TOPKAPU SARAYI MiiZESI, ISTANBUL By JOHN ALEXANDER POPE Assistant Director, Freer Gallery of Art [With 44 Plates] INTRODUCTION THE BACKGROUND Attempts to assign pre-Ming dates to Chinese porcelains decorated in underglaze cobalt blue are by no means new, but they have never ceased to be troublesome; certainly no general agreement in the matter has been reached beyond the fact that such porcelains do exist. -
AMERICAN Ceramic Circle
AMERICAN Ceramic Circle SPRING NEWSLETTER 2016 The American Ceramic Circle (ACC) was founded in 1970 as a non-profit educational organization committed to the study and appreciation of ceramics. Its purpose is to promote scholarship and research in the history, use, and preservation of ceramics of all kinds, periods, and origins. The current active membership of approximately five hundred is composed of museum professionals, collectors, institutions, and a limited number of dealers in ceramics. Member interest is focused on post-Medieval pottery and porcelain of Europe, Asian ceramics of all periods, and ceramics made, used, or owned in North America. The ACC is chartered in the State of Maine as a 501 (c) 3 Corporation and is governed by a volunteer Board of Trustees. Thank you for all your contributions to this edition of the Newsletter. A special thanks to Beth Wees who provided additional editorial assistance. Please continue to send any news you would like to share with the ACC membership to David Conradsen, [email protected] and Adrienne Spinozzi, [email protected] AMERICAN Ceramic Circle SPRING NEWSLETTER 2016 2016 OFFICERS Donna Corbin Chairman Anne Forschler-Tarrasch CONTENTS President Adrienne Spinozzi LETTER FROM THE PRESIDENT 4 Vice President Margaret Zimmermann 2016 ANNUAL SYMPOSIUM 5 Secretary M. L. Coolidge GRANTS AND SCHOLARSHIPS 6 Treasurer Suzanne Findlen Hood BOOK AWARD 7 Administrator Anne Forschler-Tarrasch CERAMIC NOTES AND RESEARCH 8 Symposium Chair Elizabeth Williams EXHIBITIONS AND INSTALLATION S 12 Grants Chair Dorothy Cobb CONFERENCES, SYMPOSIA, AND LECTURES 20 Development Chair Barbara Veith ANNOUNCEMENTS 23 Events Chair Vanessa Sigalas NEW ACQUISITIONS 28 Journal Editor David Conradsen, Adrienne Spinozzi UPCOMING AUCTIONS AND FAIRS 35 Newsletter Editors Amy Dehan ANNUAL MEETING MINUTES 36 Book Award Chair Angelika Kuettner NEW MEMBERS AND 2015 CONTRIBUTORS 37 Website Coordinator Barbara McRitchie Archivist John Austin, Alice Cooney Cover Image: Detail, Pair of Covered Jars, ca. -
Chemical Composition and Provenance of Chinese Porcelain Shards 0$5
-RXUQDORI$UFKDHRORJLFDO6FLHQFH5HSRUWV ² Contents lists available at ScienceDirect Journal of Archaeological Science: Reports journal homepage: www.elsevier.com/locate/jasrep Chemical composition and provenance of Chinese porcelain shards 0$5. recovered from Old Goa, west coast of India Sila Tripati⁎, G. Parthiban, J.N. Pattan, Andrew Menezes CSIR-National Institute of Oceanography, Dona Paula 403 004, Goa, India ARTICLE INFO ABSTRACT Keywords: During recent archaeological explorations at Old Goa, west coast of India, twenty three Chinese porcelain shards Chinese porcelain of the Ming (Middle to late 16th century), Qing (17th century) and late Qing period (late 17th century) have Jingdezhen kiln been recovered. In order to understand the nature and source of raw material and kilns, these shards were Maritime trade analysed for major elements with X-ray fluorescence (XRF), trace and rare earth elements by Inductively Ming and Qing period Coupled Plasma-Mass Spectrometer (ICP-MS). The analysis suggests that porcelain shards are siliceous in nature Old Goa (SiO ~ 70%) and contain high Al O (21.6%), Rb (388 ppm) and Ba (160 ppm) but have low Sr (48 ppm). This South China 2 2 3 ICP-MS and XRF analysis composition suggests that the raw materials used for producing porcelain were silica, kaolinite and sericite which are characteristics of porcelains manufactured in Southern China. Comparatively, high Al2O3 (kaolinite) content in porcelains of the Qing Dynasty suggest improvement of quality, particularly mechanical strength, of Jingdezhen porcelain. In general, major element composition, trace metals, total rare earth elements (∑REE- 67 ppm) and their chondrite - normalized pattern of the Ming, Qing and late Qing period are nearly similar and appear to be made of identical raw materials. -
Fine Chinese Works Of
AUCTION JUNE, 16TH 2018 Fine Chinese Works of Art 慵天ᷕ⚳喅埻⑩ and Buddhist Sculpturesġ ⍲ἃ㔁晽⁷ AUCTION Fine Chinese Works of Art FRONT COVER: Lot 120 – Detail A LARGE AND VERY RARE KANGXI 慵天ᷕ⚳喅埻⑩ PERIOD FAMILLE VERTE BALUSTER VASE ‘LIU HAI AND FEMALE IMMORTALS’ and Buddhist Sculptures BACK COVER: Lot 77 ⍲ἃ㔁晽⁷ A LARGE YUAN / MING DYNASTY PAINTING OF FEMALE DEITIES WITH th pm GESSO HIGHLIGHTS Saturday, June 16 2018 at 2 CET CATALOG CA0618 VIEWING www.zacke.at IN OUR GALLERY June 11th - June 16th Monday - Friday 10am - 6pm Saturday - June 16th 10am - 1pm and by appointment GALERIE ZACKE MARIAHILFERSTRASSE 112 Lot 98 A LARGE AND IMPORTANT MING 1070 VIENNA AUSTRIA DYNASTY POLYCHROME-LACQUERED WOOD FIGURE OF GUANYIN Tel +43 1 532 04 52 Fax +20 E-mail offi[email protected] 1 IMPORTANT INFORMATION ABSENTEE BIDDING FORM (According to the general terms and conditions of business Gallery Zacke Vienna) FOR THE AUCTION FINE CHINESE WORKS OF ART AND BUDDHIST SCULPTURES CATALOG CA0618 ON DATE Saturday, June 16th 2018 at 2pm CET NO. TITLE BID IN EURO Endangered Species / CITES Information Some items in this catalogue may consist of material such as for example ivory, rhinoceros horn, tortoise shell, coral or any rare types of tropical wood, and are therefore subject to the Convention on International Trade in Endangered Species of Wild Fauna and Flora [CITES]. Such items may only be exported outside the European Union after an export permit in accordance with CITES has been granted by the Austrian authorities. Zacke Gallery cannot and does not guarantee that such export permit may or will be obtained, but will by order of the winning bidder, once and exclusively after the item in question has been paid in full, apply to obtain such a permit at a fixed administrative fee of euro 500, - per application.