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Tracing the Origin of Blue and White Chinese Porcelain Ordered for the Portuguese Market During the Ming Dynasty Using INAA
Journal of Archaeological Science 40 (2013) 3046e3057 Contents lists available at SciVerse ScienceDirect Journal of Archaeological Science journal homepage: http://www.elsevier.com/locate/jas Tracing the origin of blue and white Chinese Porcelain ordered for the Portuguese market during the Ming dynasty using INAA M. Isabel Dias a,*, M. Isabel Prudêncio a, M.A. Pinto De Matos b, A. Luisa Rodrigues a a Campus Tecnológico e Nuclear/Instituto Superior Técnico, Universidade Técnica de Lisboa, EN 10 (Km 139,7), 2686-953 Sacavém, Portugal b Museu Nacional do Azulejo, Rua da Madre de Deus no 4, 1900-312 Lisboa, Portugal article info abstract Article history: The existing documentary history of Chinese porcelain ordered for the Portuguese market (mainly Ming Received 21 March 2012 dynasty.) is reasonably advanced; nevertheless detailed laboratory analyses able to reveal new aspects Received in revised form like the number and/or diversity of producing centers involved in the trade with Portugal are lacking. 26 February 2013 In this work, the chemical characterization of porcelain fragments collected during recent archaeo- Accepted 3 March 2013 logical excavations from Portugal (Lisbon and Coimbra) was done for provenance issues: identification/ differentiation of Chinese porcelain kilns used. Chemical analysis was performed by instrumental Keywords: neutron activation analysis (INAA) using the Portuguese Research Reactor. Core samples were taken from Ancient Chinese porcelain for Portuguese market the ceramic body avoiding contamination form the surface layers constituents. The results obtained so INAA far point to: (1) the existence of three main chemical-based clusters; and (2) a general attribution of the Chemical composition porcelains studied to southern China kilns; (3) a few samples are specifically attributed to Jingdezhen Ming dynasty and Zhangzhou kiln sites. -
Bulletin Describes the Operations of the Artmobile, Presents Some
DOCUMENT RESUME' ED 027 356 UD 007 709 Artmobile Exhibit # I: A Manual on, Operations and Instructions. Los Angeles City Schools, Calif. Div. of Secondary Education. Report No- LACS -ESEA-T -A-127-67 Pub Date 30 Jun 67 . Note-60p. EDRS Price MF-$0.50 HC-$3.10 Descriptors-Art Activities, *Art Education, Artists, *Art Materials, Educational Objectives, Instructional Materials, Learning Activities, *Mobile Educational services, *Secondary Schools Identifiers-Californik Los Angeles . An Artmobile exhibit was developed for Los Angeles secondary schools underan ESEA specially funded program. The exhibit involves two trailers and packaged instructional materials for a display of the work of 33 local artists. An instructional bulletin describes the operations of the Artmobile, presents some relevant art concepts, outlines several art education objectives, and offers some suggested learning activities for art classrooms. The document includes information about the 33 artists 'and their work (NH) r SPECIALLY FUNDED PROGRAMS" FOR CLASSROOM TRIAL ONLY ESEA NO. T - -61., SUMMER, 1967 ....... : . ,.. ARTMOBILE Exhibit #1 ii . .:: .... ... A AAANIJAL A*. :?.....,.... On Oporations ..::::::...,.. .(44,E.... .... .. :......,...:.::, AndInstructions ,.-....:E.:::::.....,. : " U.3. UtVAKIMUll Ut MAW!, CUULAIIUM Ca WELIMIL OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION MHITMNORPOLMt LoSANGELES CITY SCHOOL DISTRICTS Divi9ion of Secondary Education Beverly Boulevard Center Specially-PundedPrograms DATE: June 30, 1967 ............-______...............CLASSROOM TRIAL APPROVAL PROJECT: FINE ARTS --ART (ARTmOBILE) ARTMOBILE EXHIBIT # I TITLE OF PUBLICATION: A Manual on Operations and Instruction The material isaccepted and approvedfor classroom trial. c../ onsultant in Charge , Project Coordinator .../ . -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
Ceramics Monthly Jun90 Cei069
William C. Hunt........................................Editor Ruth C. Buder.......................... Associate Editor Robert L. Creager........................... Art Director Kim Schomburg....................Editorial Assistant Mary Rushley................... Circulation Manager Mary E. Beaver.................Circulation Assistant Jayne Lx>hr.......................Circulation Assistant Connie Belcher.................Advertising Manager Spencer L. Davis.................................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub lished monthly except July and August by Professional Publications, Inc., 1609 North west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the magazine address label and your new ad dress to: Ceramics Monthly, Circulation Of fices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustra tions, announcements and news releases about ceramics are welcome and will be considered for publication. A booklet de scribing standards and procedures for the preparation and submission of a manu script is available upon request. Mail sub missions to: The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Infor mation may also be sent by fax: (614) 488- 4561; or submitted on 3.5-inch microdisk- ettes readable with an Apple Macintosh™ computer system. Indexing: An index of each year’s articles appears in the December issue. Addition ally, articles in each issue ofCeramics Monthly are indexed in the Art Index; on-line (com puter) indexing is available through Wilson- line, 950 University Avenue, Bronx, New York 10452. -
Empire of Tea
Empire of Tea Empire of Tea The Asian Leaf that Conquered the Wor ld Markman Ellis, Richard Coulton, Matthew Mauger reaktion books For Ceri, Bey, Chelle Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx, uk www.reaktionbooks.co.uk First published 2015 Copyright © Markman Ellis, Richard Coulton, Matthew Mauger 2015 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers Printed and bound in China by 1010 Printing International Ltd A catalogue record for this book is available from the British Library isbn 978 1 78023 440 3 Contents Introduction 7 one: Early European Encounters with Tea 14 two: Establishing the Taste for Tea in Britain 31 three: The Tea Trade with China 53 four: The Elevation of Tea 73 five: The Natural Philosophy of Tea 93 six: The Market for Tea in Britain 115 seven: The British Way of Tea 139 eight: Smuggling and Taxation 161 nine: The Democratization of Tea Drinking 179 ten: Tea in the Politics of Empire 202 eleven: The National Drink of Victorian Britain 221 twelve: Twentieth-century Tea 247 Epilogue: Global Tea 267 References 277 Bibliography 307 Acknowledgements 315 Photo Acknowledgements 317 Index 319 ‘A Sort of Tea from China’, c. 1700, a material survival of Britain’s encounter with tea in the late seventeenth century. e specimen was acquired by James Cuninghame, a physician and ship’s surgeon who visited Amoy (Xiamen) in 1698–9 and Chusan (Zhoushan) in 1700–1703. -
Seattle 2015
Peripheries and Boundaries SEATTLE 2015 48th Annual Conference on Historical and Underwater Archaeology January 6-11, 2015 Seattle, Washington CONFERENCE ABSTRACTS (Our conference logo, "Peripheries and Boundaries," by Coast Salish artist lessLIE) TABLE OF CONTENTS Page 01 – Symposium Abstracts Page 13 – General Sessions Page 16 – Forum/Panel Abstracts Page 24 – Paper and Poster Abstracts (All listings include room and session time information) SYMPOSIUM ABSTRACTS [SYM-01] The Multicultural Caribbean and Its Overlooked Histories Chairs: Shea Henry (Simon Fraser University), Alexis K Ohman (College of William and Mary) Discussants: Krysta Ryzewski (Wayne State University) Many recent historical archaeological investigations in the Caribbean have explored the peoples and cultures that have been largely overlooked. The historical era of the Caribbean has seen the decline and introduction of various different and opposing cultures. Because of this, the cultural landscape of the Caribbean today is one of the most diverse in the world. However, some of these cultures have been more extensively explored archaeologically than others. A few of the areas of study that have begun to receive more attention in recent years are contact era interaction, indentured labor populations, historical environment and landscape, re-excavation of colonial sites with new discoveries and interpretations, and other aspects of daily life in the colonial Caribbean. This symposium seeks to explore new areas of overlooked peoples, cultures, and activities that have -
Newsletter Mar 06
Southeast Asian Ceramics Museum Newsletter Editors : Roxanna M. Brown Volume III Number 2 March-April 2006 Pariwat Thammapreechakorn Reporters : Chu Dau Ceramic Factory Ang Choulean, Ann Proctor, Augustine Vinh, owned by the Hanoi Trade Berenice Bellina, Bonnie Chu Dau village, about 60 Corporation and employs Baskin, Chang Kuang-Jen, kms east of Hanoi, is located several hundred workers, Chhay Visoth, David Rehfuss, Dawn Rooney, Eusebio Dizon, i n a c o un ty that is still called including traditional potters Gary Hill, Guo Li, Heidi Tan, ‘Nam Sach’ — the same who were brought from Ian Glover, Jennifer Rodrigo, name as shown in Chinese- around the province. At pre- Louise Cort, Marie-France derived Vietnamese chu nom sent the factory exports Dupoizat, Melody Rod-ari, Mohd. Sherman bin Sauffi, characters on old 15th- mainly to Spain and Japan. Pamela Gutman, Peter Burns, century maps of Vietnam and Philippe Colomban, Rasmi on the famous Vietnamese Shoocongdej, Rita Tan, Sayan bottle-vase of the Topkapi Praicharnjit, Sten Sjostrand, S a r ay i Mu seum. Besides a Timothy Rebbeck, Walter Photos show (clockwise from upper Kassela, Zheng Jin Le place name, the vase inscrip- right) Entrance to the factory sales- tion also includes a reign room. Copies of antique wares, in- date equivalent to AD 1450. cluding a finished example of the Old kiln sites were discov- vase being decorated at lower left. Museum staff : Hanoi ceramics specialist Augustine ered at Chu Dau in the late Vinh beside a vase that he auto- Burin Singtoaj 1980s. graphed on a previous visit. The The modern factory was factory’s main kiln. -
February 5, 2002 - JANUARY 5, 2003
february 5, 2002 - JANUARY 5, 2003 WINTER PARK, FLORIDA American Terra Cotta and Ceramic lines, exotic and extremely ornamental Art Nouveau refers to a style that developed in the last Company [Teco] (1895 - 1921) forms with whiplash and tendril two decades of the 19th century. It waned quickly and Pottery in Terra Cotta, Illinois. designs, sometimes dusted with gilt. Founder William Day Gates (1852- virtually disappeared by World War I. During its peak at 1935), a lawyer, won two gold medals Ashbee, Charles Robert (1863 – 1942) the turn of the century, Art Nouveau revolutionized the for his crystalline glaze art ware at the English architect, interior designer, decorative arts and architecture. St. Louis world’s fair in 1904. Lotus silversmith, artist craftsman, art theo- blossoms, water lilies, leaves, and plant retician, and poet. Inspired by William stalks influenced Teco’s green matte- Morris (1834-1996), Ashbee founded glazed ware, a pottery trademark for Art Nouveau is French for “new subject, they favored attractive, often the Guild and School of Handicraft ten years. Afterwards brown, buff and art.” Centers of this new art arose in sensuous images of flowers, vines, in London in 1888. The guild was so shades of red were introduced. Pottery Paris, Vienna, Munich, London, and youth, and women. successful that several London firms, pieces were always molded or carved Milan, and in short order designers In seeking liberation from the including Liberty & Co., copied and in relief. from Central Europe to the American past, the practitioners of the new art sold its versions of his designs. Ashbee Midwest adopted and adapted the ideas zealously turned away from historical published books and essays on the of the new art. -
Name: 00000314
\ K§i Contents Board and Committees, 2002-2003 Volume 14, 2002-2003 Photography and reproduction credits: Reports of the Chairman and Director Copyright © 2004 by The David and Alfred Front and back covers and pages 21, 22, 26, Smart Museum of Art, The University of 29, 31, 33, 35-37, 39, 41, 43, 45: photography Mission Statement Chicago, 5550 South Greenwood Avenue, by Tom van Eynde. Chicago, Illinois, 60637. AH rights reserved, http: / / smartmuseum.uchicago.edu Pages 47, 50, 54, 56, 57, 58 (FIGURE 1), 59 ISSN: 1099-2413 (FIGURES 1 and 2), 60 (FIGURES 2 and 3), 63, The Idea of Things and the Ideas in Them, Bill Brown 65, 67: photography by Jim Newberry. Editor: Stephanie Smith Publication Assistants: Amanda Ruch, Page 14: © 1971 Aperture Foundation Inc., Sophie Hackett Paul Strand Archive, and the Baltimore Acquisitions Design: Froeter Design Company, Inc. Museum of Art, purchase with exchange funds Printing: Lowitz & Sons, Chicago from the Edward Joseph Gallagher III Memorial Collection; and partial gift of George H. Front cover: Installation view of Dawoud Bey: Dalsheimer, Baltimore, BMA 1988.575. Exhibitions The Chicago Project, April 24-June 15, 2003 Page 21: courtesy Luise Ross Gallery, New York. Education Back cover: Installation view of Reflections of Beauty: Late Nineteenth-Century Japanese Prints Page 22: © 2004 Estate of Alexander Archipenko Public Programs in the Smart Museum Collection, December 15, / Artists Rights Society (ARS), New York. 2002-March 23, 2003 Sources of Support Page 26: © 2004 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Operating Statement Page 29: © Aaron Siskind Foundation, courtesy Smart Museum Staff Robert Mann Gallery, New York. -
Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 by Nancy E
Elizabeth Fowler book review of Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 by Nancy E. Owen Nineteenth-Century Art Worldwide 2, no. 3 (Autumn 2003) Citation: Elizabeth Fowler, book review of “Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 by Nancy E. Owen,” Nineteenth-Century Art Worldwide 2, no. 3 (Autumn 2003), http://www.19thc-artworldwide.org/autumn03/263-rookwood-and-the- industry-of-art-women-culture-and-commerce-1880-1913-by-nancy-owen. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2003 Nineteenth-Century Art Worldwide Fowler: Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 Nineteenth-Century Art Worldwide 2, no. 3 (Autumn 2003) Nancy E. Owen Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 Athens, Ohio: Ohio University Press, 2001 335 pp.; 16 color ills.; 96 b/w ills.; bibliography, index; $49.95 (hardcover), $24.95 (paperback) ISBN 0821413376 (hardcover); 0821413384 (paperback) Nancy Owen's book, Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913, is the outgrowth of the author's doctoral dissertation written under Hollis Clayson at Northwestern University in Evanston, Illinois. Owen's text is an invaluable addition to Rookwood scholarship and contributes to a better understanding of such fields as nineteenth- and early twentieth-century decorative arts, material culture, gender studies, and cultural history. As indicated in the title, the author discusses women, culture, and commerce and the complex and often contradictory relationship between them. -
EX090811 Sale
For Sale by Auction to be held at St Edmund’s Court, Okehampton Street, Exeter 01392 413100 TUESDAY 9th August 2011 Watches and Jewellery Silver Ceramics and Glass Works of Art and Collectables Pictures yeer and Furniture SALE REFERENCE EX30 Sale Commences at 10.00am Catalogues £1.50 On View: Order of Sale: Saturday 6th August Watches and Jewellery Lots 1-188 Silver Lots 250-455 9.00am to 12 noon Monday 8th August Ceramics and Glass Lots 456-570 9:00.am to 7.00pm Works of Art Lots 571-680 & Morning of Sale Pictures Lot 681-708 Furniture Lots 716-810 Tuesday 9th August 2011 Sale commences at 10am WATCHES AND JEWELLERY 1. Rotary. A lady's 9ct gold wristwatch, a 1/10th Krugerand pendant on chain, a circular locket on chain, a curb-link bracelet, a gem-set pendant on chain, a diamond mounted three-stone ring, a diamond mounted two-stone crossover ring, various jewellery and costume jewellery. £440-480 2. A cultured pearl single-string necklace, a cultured pearl two-string necklace, an oval shell cameo brooch, two gold necklaces, two wristwatches and a small group of brooches and earrings. £140-180 3. A cultured pearl single-string necklace, a coral fragment necklace, a coral bead necklace, a lady's stainless steel 'Movado' wristwatch, a large unmounted smoky quartz, 40mm wide and a quantity of silver and costume jewellery contained in a purple leather jewellery case and green and tan 'Antler' vanity case. 4. A Ruskin pottery panel mounted round brooch, two cigarette holders and a quantity of various costume jewellery. -
The California Art Quilt Revolution
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Public Access Theses and Dissertations from Education and Human Sciences, College of the College of Education and Human Sciences (CEHS) Spring 4-14-2011 The California Art Quilt Revolution Nancy C. Bavor University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/cehsdiss Part of the Arts and Humanities Commons, and the Education Commons Bavor, Nancy C., "The California Art Quilt Revolution" (2011). Public Access Theses and Dissertations from the College of Education and Human Sciences. 98. https://digitalcommons.unl.edu/cehsdiss/98 This Article is brought to you for free and open access by the Education and Human Sciences, College of (CEHS) at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Public Access Theses and Dissertations from the College of Education and Human Sciences by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE CALIFORNIA ART QUILT REVOLUTION by Nancy Curry Bavor A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Textiles, Clothing & Design Under the Supervision of Professor Michael F. James Lincoln, Nebraska April 2011 THE CALIFORNIA ART QUILT REVOLUTION Nancy Curry Bavor, M.A. University of Nebraska, 2011 Adviser: Michael F. James The American studio art quilt movement that emerged in the last decades of the twentieth century had its primary origins in Ohio and California, and to a lesser degree, Massachusetts. There is no study that considers the early quilt artists in California as a group nor are there studies that consider their work from an art historical viewpoint.