Annual Report
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Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Past-Exhibitions-2011.Pdf
Past Exhibitions: 2011 ground floor... BATIK OF JAVA: POETICS AND POLITICS THE PROMISED LAND: ZOOKINI A CALOUNDRA REGIONAL ART GALLERY THE ART OF LAWRENCE DAWS 2011 XSTRATA CHILDRENS EXHIBITION TOURING EXHIBITION A CALOUNDRA REGIONAL GALLERY FEATURING JENNY ORCHARD 3 December 2010 until 6 February 2011 TOURING EXHIBITION 15 April until 10 July 11 February until 10 April Batik, a cloth that traditionally uses a manual Zookini is the 2011 Xstrata Children’s Exhibition, wax-resist dyeing technique, has special meanings The Promised Land: The Art of Lawrence Daws is and centres on the wild ceramic creatures and rooted to the Javanese conceptualisation of the a major touring exhibition that celebrates the life illustrations of celebrated artist Jenny Orchard. universe. The three major Hindu Gods, Brahmā, and career of long-time Glasshouse Mountains Visnu, and Śiva, are represented by the colours resident and iconic Australian painter, Lawrence The exhibition also includes prominent local artists, indigo, brown and white, dictated by the fact Daws. In recognition of his unique place in known for their creativity; Christine Spain and Mel natural dyes are most commonly available in Australia’s art history, The Promised Land features Williams, Hugh Martin, Jenny Finn and Robert indigo and brown. Patterns in the batik also reflect over 50 paintings and sketch books from National, Crispe. a person’s nobility. State, regional, public and private collections, including work from each of the six decades that this respected artist has been painting. -
Janet Laurence
JANET LAURENCE BIOGRAPHY Born Sydney 1947, Australia. Lives and works in Sydney, Australia. 2008–ongoing Visiting Fellow at COFA, UNSW 2007–09 Visual Arts Board, Australian Council 1996–2005 Trustee, Art Gallery of New South Wales, Sydney 1993 Master of Fine Art, College of Fine Arts, University of New South Wales 1977–81 Studied Sydney, Italy and New York ONGOING PROJECTS The Treelines Track, Bundanon, Australia. SOLO EXHIBITIONS 2019 Janet Laurence: After Nature, Museum of Contemporary Art, Sydney 2018 What Colour is the Sacred?, ARC ONE Gallery, Melbourne 2017 The Matter of The Masters, Art Gallery of New South Wales, Sydney Transplant: A forest for chlorophyll collapse, Momentum, Berlin Inside the Flower, IGA Berlin Lost Habitats, Nautilus Exhibition, Oldenburger, Germany Phytophilia, Hugo Michell Gallery, Adelaide 2016 The Pleasure of Love, October Salon, Belgrade The 13th Cuenca Biennial, Ecuador Habitat, Darling Harbour, Sydney, NSW Auftrag Landschaft, Schloss Biesdorf, Berlin, Germany Deep Breathing, Australian Musueum, Sydney. Habitat, Darling Harbour, Sydney, NSW H2O Water Bar, Paddington Water Reservoir, City of Sydney, NSW 2015 Deep Breathing: Resuscitation for the Reef, Grande Galerie de l’Evolution at Museum National d’Histoire Naturelle (MNHN), Paris. Antrhopocene, Fine Arts Society Contemporary, London, UK Momentum, Kuntsquartier Bethanien, Berlin 2014 Plants Eye View, Dominik Mersch Gallery, Sydney, NSW. A Case Study, Lake Macquarie City Art Gallery, Austrlaia. Residue, Hugo Mitchell Gallery, Adelaide. 2013 The Ferment, Fine Art Society Contemporary, London. Plants Eye View, Cat Street Gallery, Hong Kong. 2012 After Eden, Sherman Contemporary Art Foundation, Sydney. Avalanche, ARC ONE Gallery, Melbourne. Fabeled, BREENSPACE, Sydney. The Alchemical Garden of Desire, McClelland Gallery, VIC. -
South Australia's National Parks Guide
SOUTH AUSTRALIA’S NATIONAL PARKS GUIDE Explore some of South Australia’s most inspirational places INTRODUCTION Generations of South Australians and visitors to our State cherish memories of our national parks. From camping with family and friends in the iconic Flinders Ranges, picnicking at popular Adelaide parks such as Belair National Park or fishing and swimming along our long and winding coast, there are countless opportunities to connect with nature and discover landscapes of both natural and cultural significance. South Australia’s parks make an important contribution to the economic development of the State through nature- based tourism, recreation and biodiversity. They also contribute to the healthy lifestyles we as a community enjoy and they are cornerstones of our efforts to conserve South Australia’s native plants and animals. In recognition of the importance of our parks, the Department of Environment, Water and Natural Resources is enhancing experiences for visitors, such as improving park infrastructure and providing opportunities for volunteers to contribute to conservation efforts. It is important that we all continue to celebrate South Australia’s parks and recognise the contribution that people make to conservation. Helping achieve that vision is the fun part – all you need to do is visit a park and take advantage of all it has to offer. Hon lan Hunter MLC Minister for Sustainability, Environment and Conservation CONTENTS GENERAL INFORMATION FOR PARKS VISITORS ................11 Park categories.......................................................................11 -
Escape Artists Education
ESCAPEartists modernists in the tropics education kit INTRODUC TION & H TEAC ERS NOTES Almost two years in development, Escape Artists: Modernists in the Tropics is the first exhibition by Cairns Regional Gallery to tour nationally. In this exhibition, you and your students will see how the tropical north of Australia has influenced Australia’s greatest artists, some of whom you will be familiar with, others less familiar. The artists featured in the exhibition are: • Harold Abbott • Valerie Albiston • Douglas Annand • Yvonne Atkinson • John Bell • Yvonne Cohen • Ray Crooke • Lawrence Daws • Russell Drysdale • Ian Fairweather • John Firth-smith • Donald Friend • Bruce Goold • Elaine Haxton • Frank Hinder • Frank Hodginson • Sydney Nolan • Alan Oldfield • Margaret Olley • John Olsen • Tony Tuckson • Brett Whitely • Fred Williams • Noel Wood The lure of an exotic, untouched, tropical paradise has a tradition in modern art beginning with Gaugin in Tahiti. It was this desire to discover and explore new worlds which attracted these artists to the Far North - a part of Australia like no other they had seen. Here they found a region of extraordinary, abundant natural beauty and a cultural pot pourri of indigenous inhabitants and people from all over the world. This exciting mixture of important artworks was assembled from major private and public collections by Gavin Wilson,curator of the successful Artists of Hill End exhibition at The Art Gallery of News South Wales. Escape Artists provides a significant look at the cultural and historic heritage of North Queensland and the rest of northern Australia. You and your students will find some pleasant surprises among the works in the exhibition. -
Reading and Remembering Place Through Digital Photography: Exploration of an Ancient Site Diane Goodman University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2010 Reading and remembering place through digital photography: exploration of an ancient site Diane Goodman University of Wollongong Recommended Citation Goodman, Diane, Reading and remembering place through digital photography: exploration of an ancient site, Master of Arts thesis, University of Wollongong. School of Art and Design, University of Wollongong, 2010. http://ro.uow.edu.au/theses/3174 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. Reading and Remembering Place through Digital Photography: Exploration of an Ancient Site A thesis presented in partial fulfilment of the requirements for the award of the degree Master of Arts Research from University of Wollongong by Diane Goodman School of Art & Design Faculty of Creative Arts 2010 VOLUME 1 Certification I, Diane Goodman, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Master of Arts, Research, in the School of Art & Design, Faculty of Creative Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. This document has not been submitted for qualifications at any other academic institution. Diane Goodman May 2010 ACKNOWLEDGEMENTS A very special thank you to Professor Diana Wood Conroy for her continuous supervision and support throughout this project. It would have been impossible to complete the project without her encouragement, compassion, humour and warmth, and above all, her belief in my ability to overcome the various personal obstacles I confronted along the way. -
Important Australian and Aboriginal
IMPORTANT AUSTRALIAN AND ABORIGINAL ART including The Hobbs Collection and The Croft Zemaitis Collection Wednesday 20 June 2018 Sydney INSIDE FRONT COVER IMPORTANT AUSTRALIAN AND ABORIGINAL ART including the Collection of the Late Michael Hobbs OAM the Collection of Bonita Croft and the Late Gene Zemaitis Wednesday 20 June 6:00pm NCJWA Hall, Sydney MELBOURNE VIEWING BIDS ENQUIRIES PHYSICAL CONDITION Tasma Terrace Online bidding will be available Merryn Schriever OF LOTS IN THIS AUCTION 6 Parliament Place, for the auction. For further Director PLEASE NOTE THAT THERE East Melbourne VIC 3002 information please visit: +61 (0) 414 846 493 mob IS NO REFERENCE IN THIS www.bonhams.com [email protected] CATALOGUE TO THE PHYSICAL Friday 1 – Sunday 3 June CONDITION OF ANY LOT. 10am – 5pm All bidders are advised to Alex Clark INTENDING BIDDERS MUST read the important information Australian and International Art SATISFY THEMSELVES AS SYDNEY VIEWING on the following pages relating Specialist TO THE CONDITION OF ANY NCJWA Hall to bidding, payment, collection, +61 (0) 413 283 326 mob LOT AS SPECIFIED IN CLAUSE 111 Queen Street and storage of any purchases. [email protected] 14 OF THE NOTICE TO Woollahra NSW 2025 BIDDERS CONTAINED AT THE IMPORTANT INFORMATION Francesca Cavazzini END OF THIS CATALOGUE. Friday 14 – Tuesday 19 June The United States Government Aboriginal and International Art 10am – 5pm has banned the import of ivory Art Specialist As a courtesy to intending into the USA. Lots containing +61 (0) 416 022 822 mob bidders, Bonhams will provide a SALE NUMBER ivory are indicated by the symbol francesca.cavazzini@bonhams. -
Presentation Tile
Authentic and engaging artist-led Education Programs with Thomas Readett Ngarrindjeri, Arrernte peoples 1 Acknowledgement 2 Warm up: Round Robin 3 4 See image caption from slide 2. installation view: TARNANTHI featuring Mumu by Pepai Jangala Carroll, 2015, Art Gallery of South Australia, Adelaide; photo: Saul Steed. 5 What is TARNANTHI? TARNANTHI is a platform for Aboriginal and Torres Strait Islander artists from across the country to share important stories through contemporary art. TARNANTHI is a national event held annually by the Art Gallery of South Australia. Although TARNANTHI at AGSA is annual, biannually TARNANTHI turns into a city-wide festival and hosts hundreds of artists across multiple venues across Adelaide. On the year that the festival isn’t on, TARNANTHI focuses on only one feature artist or artist collective at AGSA. Jimmy Donegan, born 1940, Roma Young, born 1952, Ngaanyatjarra people, Western Australia/Pitjantjatjara people, South Australia; Kunmanara (Ray) Ken, 1940–2018, Brenton Ken, born 1944, Witjiti George, born 1938, Sammy Dodd, born 1946, Pitjantjatjara/Yankunytjatjara people, South Australia; Freddy Ken, born 1951, Naomi Kantjuriny, born 1944, Nyurpaya Kaika Burton, born 1940, Willy Kaika Burton, born 1941, Rupert Jack, born 1951, Adrian Intjalki, born 1943, Kunmanara (Gordon) Ingkatji, c.1930–2016, Arnie Frank, born 1960, Stanley Douglas, born 1944, Maureen Douglas, born 1966, Willy Muntjantji Martin, born 1950, Taylor Wanyima Cooper, born 1940, Noel Burton, born 1994, Kunmanara (Hector) Burton, 1937–2017, -
Ben Quilty: a Case Study(PDF, 558KB)
EDUCATION RESOURCE KIT A CASE STUDY BEN QUILTY 1 INTRODUCTION Written by Kate Caddey and published by Lake Macquarie City Art Gallery (LMCAG), this education kit is designed to assist senior secondary Visual Arts teachers and students in the preparation, appreciation and understanding of the case study component of the HSC syllabus. LMCAG is proud to support educators and students in the community with an ongoing series of case studies as they relate to the gallery’s exhibition program. This education kit is available in hard copy directly from the gallery or online at www.artgallery.lakemac.com.au/learn/schools. A CASE STUDY A series of case studies (a minimum of FIVE) should be undertaken with students in the Higher School Certificate (HSC) course. The selection of content for the case study should relate to various aspects of critical and historical investigations, taking into account practice, the conceptual framework and the frames. Emphasis may be given to a particular aspect of content although all should remain in play. Case studies should be 4–10 hours in duration in the HSC course. Cover: Ben Quilty Cook Rorschach 2009 NSW Board of Studies, Visual Arts Stage 6 Syllabus, 2012 oil on linen 140 x 190cm © the artist CONTENTS THE ARTIST 5 PRACTICE 7 Conceptual Practice 7 Explorations of masculinity and mortality 7 Humanitarianism and social issues 14 Australian identity and history 15 Material Practice 16 THE FRAMES 18 Artwork Analysis Using the Frames 18 Structural frame 18 Cultural frame 20 Subjective frame 21 Postmodern frame 23 THE CONCEPTUAL FRAMEWORK 24 Artist 25 Audience 24 Artwork 24 World 24 PREVIOUS HSC EXAMINATION QUESTIONS RELEVANT TO THIS CASE STUDY 26 GLOSSARY 27 REFERENCES AND FURTHER READING 28 Websites 28 Videos 29 Articles and catalogues 30 A CASE STUDY BEN QUILTY 3 A CASE STUDY BEN QUILTY 4 THE ARTIST Ben Quilty in front ‘I am an Artist. -
Coffin Bay National Park
Coffin Bay National Park asick Bay % Elliston Se Campground Toilets Point Sir Isaac Caravan sites Lookout The Pool Information Picnic area Point Burgess COFFIN Mullalong Beach Fishing Hut Phantom BAY Cove Parking Canoeing FLINDERS THORNY PASSAGE Wheelchair access Boat ramp MARINE PARK Mount ¸ Morgans Landing h Dutton Accessible toilets 4WD access only c S a eve e FA n Mi B RM 'The Hut' le B m each Far B EA C H Little GREAT Douglas Reef Point Sensation COFFIN BAY Whidbey Beach Point NATIONAL PARK Longnose G RO AUSTRALIAN Wilderness Area AD Murrunatta Boarding House Lake Wangary (walking access only) Conservation BIGHT Bay COFFIN BAY Park Sensation Black Horse Be PENINSULA Wangary ac Springs h Black Springs Hike Peninsula Mount EYRE Boarding House Bay Hike Dutton Sudden Jerk Port Island Black Rocks Hike Bay PENINSULA Douglas HIGHWAY Point Lake COF Eely Point Whidbey Hike Damascus FI N Whidbey Avoid Bay Islands Yangie Bay enlargement The Kellidie Bay Conservation Park Kellidie ROAD Point Sir Isaac % Note: track access Brothers YANGIE BAY Big Yangie Bay Conservation C by 4WD only SANCTUARY ZONE O Campgound THORNY PASSAGE Park F Note: track access F Black Rocks Lake Rabbit BAY I MARINE PARK N JessieT Island % by 4WD only R Big Yangie AVOID BAY A COFFIN LincolnPort Port C Yangie Bay K Beach T Douglas Long R Big Yangie Coffin Bay A C Bay K Yangie Bay refer to enlargement - YANGIE BAY mouth Yangie Bay Yangie Bay SANCTUARY ZONE THORNY PASSAGE Campgound MARINE PARK COFFIN ROAD Little Yangie Bay Yangie Island COFFIN BAY 0 500 1,000 GUNYAH BEACH Point -
Annual Report 2010–11
ANNUAL REPORT 2010–11 ANNUAL REPORT 2010–11 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Act 1975. Thapich Gloria Fletcher Dhaynagwidh (Thaynakwith) people The vision of the National Gallery of Australia is the Eran 2010 cultural enrichment of all Australians through access aluminium to their national art gallery, the quality of the national 270 cm (diam) collection, the exceptional displays, exhibitions and National Gallery of Australia, Canberra programs, and the professionalism of Gallery staff. acquired through the Founding Donors 2010 Fund, 2010 Photograph: John Gollings The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, (back cover) corporate governance, administration and financial and Hans Heysen business management. Morning light 1913 oil on canvas In 2010–11, the National Gallery of Australia received 118.6 x 102 cm an appropriation from the Australian Government National Gallery of Australia, Canberra totalling $50.373 million (including an equity injection purchased with funds from the Ruth Robertson Bequest Fund, 2011 of $15.775 million for development of the national in memory of Edwin Clive and Leila Jeanne Robertson collection and $2 million for the Stage 1 South Entrance and Australian Indigenous Galleries project), raised $27.421 million, and employed 262 full‑time equivalent staff. © National Gallery of Australia 2011 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. -
Afternoon Art Club at Home Ben Quilty
Goulburn Regional Art Gallery Afternoon Art Club at Home Ben Quilty Goulburn Regional Art Gallery is supported by the NSW government through Create NSW About Afternoon Art Club at Home The Afternoon Art Club at Home has been developed to support all of our art club- bers during the COVID-19 closures. It is prepared by Janet Gordon, Outreach Of- ficer. Gordon has a Bachelor of Teaching (birth to 5yrs) and a Diploma in Children’s Services (Centre based care), with 20 years experience in early childhood educa- tion. Gordon has several years experience in relief-teaching the afternoon art club at Goulburn Regional Art Gallery. This Afternoon Art Club at Home explores Ben Quilty. I find Quilty’s work fascinating. I like the way the paint looks like it’s just waiting to drip and has me staring at it in anticipation. Who was Ben Quilty? Ben Quilty was born in Sydney in 1973 and now resides in Robertson, just up the highway. After finishing high school, Quilty graduated from Sydney College of Arts at the Uni- versity of Sydney with a Bachelor of Visual Arts in Painting. He didn’t finish his studies there. He went on to study at Western Sydney University graduating with a Bachelor of Arts in 2002. In 2011 Quilty was stationed in Afghanistan with soldiers from the Australian Defence force. He was employed as an official war artist and quickly sketched and painted the daily lives and struggles of the soldiers. Art- works from this time are part of the Australian War Memorial’s National Collection.