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Tracing the Origin of Blue and White Chinese Porcelain Ordered for the Portuguese Market During the Ming Dynasty Using INAA
Journal of Archaeological Science 40 (2013) 3046e3057 Contents lists available at SciVerse ScienceDirect Journal of Archaeological Science journal homepage: http://www.elsevier.com/locate/jas Tracing the origin of blue and white Chinese Porcelain ordered for the Portuguese market during the Ming dynasty using INAA M. Isabel Dias a,*, M. Isabel Prudêncio a, M.A. Pinto De Matos b, A. Luisa Rodrigues a a Campus Tecnológico e Nuclear/Instituto Superior Técnico, Universidade Técnica de Lisboa, EN 10 (Km 139,7), 2686-953 Sacavém, Portugal b Museu Nacional do Azulejo, Rua da Madre de Deus no 4, 1900-312 Lisboa, Portugal article info abstract Article history: The existing documentary history of Chinese porcelain ordered for the Portuguese market (mainly Ming Received 21 March 2012 dynasty.) is reasonably advanced; nevertheless detailed laboratory analyses able to reveal new aspects Received in revised form like the number and/or diversity of producing centers involved in the trade with Portugal are lacking. 26 February 2013 In this work, the chemical characterization of porcelain fragments collected during recent archaeo- Accepted 3 March 2013 logical excavations from Portugal (Lisbon and Coimbra) was done for provenance issues: identification/ differentiation of Chinese porcelain kilns used. Chemical analysis was performed by instrumental Keywords: neutron activation analysis (INAA) using the Portuguese Research Reactor. Core samples were taken from Ancient Chinese porcelain for Portuguese market the ceramic body avoiding contamination form the surface layers constituents. The results obtained so INAA far point to: (1) the existence of three main chemical-based clusters; and (2) a general attribution of the Chemical composition porcelains studied to southern China kilns; (3) a few samples are specifically attributed to Jingdezhen Ming dynasty and Zhangzhou kiln sites. -
Empire of Tea
Empire of Tea Empire of Tea The Asian Leaf that Conquered the Wor ld Markman Ellis, Richard Coulton, Matthew Mauger reaktion books For Ceri, Bey, Chelle Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx, uk www.reaktionbooks.co.uk First published 2015 Copyright © Markman Ellis, Richard Coulton, Matthew Mauger 2015 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers Printed and bound in China by 1010 Printing International Ltd A catalogue record for this book is available from the British Library isbn 978 1 78023 440 3 Contents Introduction 7 one: Early European Encounters with Tea 14 two: Establishing the Taste for Tea in Britain 31 three: The Tea Trade with China 53 four: The Elevation of Tea 73 five: The Natural Philosophy of Tea 93 six: The Market for Tea in Britain 115 seven: The British Way of Tea 139 eight: Smuggling and Taxation 161 nine: The Democratization of Tea Drinking 179 ten: Tea in the Politics of Empire 202 eleven: The National Drink of Victorian Britain 221 twelve: Twentieth-century Tea 247 Epilogue: Global Tea 267 References 277 Bibliography 307 Acknowledgements 315 Photo Acknowledgements 317 Index 319 ‘A Sort of Tea from China’, c. 1700, a material survival of Britain’s encounter with tea in the late seventeenth century. e specimen was acquired by James Cuninghame, a physician and ship’s surgeon who visited Amoy (Xiamen) in 1698–9 and Chusan (Zhoushan) in 1700–1703. -
Seattle 2015
Peripheries and Boundaries SEATTLE 2015 48th Annual Conference on Historical and Underwater Archaeology January 6-11, 2015 Seattle, Washington CONFERENCE ABSTRACTS (Our conference logo, "Peripheries and Boundaries," by Coast Salish artist lessLIE) TABLE OF CONTENTS Page 01 – Symposium Abstracts Page 13 – General Sessions Page 16 – Forum/Panel Abstracts Page 24 – Paper and Poster Abstracts (All listings include room and session time information) SYMPOSIUM ABSTRACTS [SYM-01] The Multicultural Caribbean and Its Overlooked Histories Chairs: Shea Henry (Simon Fraser University), Alexis K Ohman (College of William and Mary) Discussants: Krysta Ryzewski (Wayne State University) Many recent historical archaeological investigations in the Caribbean have explored the peoples and cultures that have been largely overlooked. The historical era of the Caribbean has seen the decline and introduction of various different and opposing cultures. Because of this, the cultural landscape of the Caribbean today is one of the most diverse in the world. However, some of these cultures have been more extensively explored archaeologically than others. A few of the areas of study that have begun to receive more attention in recent years are contact era interaction, indentured labor populations, historical environment and landscape, re-excavation of colonial sites with new discoveries and interpretations, and other aspects of daily life in the colonial Caribbean. This symposium seeks to explore new areas of overlooked peoples, cultures, and activities that have -
Newsletter Mar 06
Southeast Asian Ceramics Museum Newsletter Editors : Roxanna M. Brown Volume III Number 2 March-April 2006 Pariwat Thammapreechakorn Reporters : Chu Dau Ceramic Factory Ang Choulean, Ann Proctor, Augustine Vinh, owned by the Hanoi Trade Berenice Bellina, Bonnie Chu Dau village, about 60 Corporation and employs Baskin, Chang Kuang-Jen, kms east of Hanoi, is located several hundred workers, Chhay Visoth, David Rehfuss, Dawn Rooney, Eusebio Dizon, i n a c o un ty that is still called including traditional potters Gary Hill, Guo Li, Heidi Tan, ‘Nam Sach’ — the same who were brought from Ian Glover, Jennifer Rodrigo, name as shown in Chinese- around the province. At pre- Louise Cort, Marie-France derived Vietnamese chu nom sent the factory exports Dupoizat, Melody Rod-ari, Mohd. Sherman bin Sauffi, characters on old 15th- mainly to Spain and Japan. Pamela Gutman, Peter Burns, century maps of Vietnam and Philippe Colomban, Rasmi on the famous Vietnamese Shoocongdej, Rita Tan, Sayan bottle-vase of the Topkapi Praicharnjit, Sten Sjostrand, S a r ay i Mu seum. Besides a Timothy Rebbeck, Walter Photos show (clockwise from upper Kassela, Zheng Jin Le place name, the vase inscrip- right) Entrance to the factory sales- tion also includes a reign room. Copies of antique wares, in- date equivalent to AD 1450. cluding a finished example of the Old kiln sites were discov- vase being decorated at lower left. Museum staff : Hanoi ceramics specialist Augustine ered at Chu Dau in the late Vinh beside a vase that he auto- Burin Singtoaj 1980s. graphed on a previous visit. The The modern factory was factory’s main kiln. -
EX090811 Sale
For Sale by Auction to be held at St Edmund’s Court, Okehampton Street, Exeter 01392 413100 TUESDAY 9th August 2011 Watches and Jewellery Silver Ceramics and Glass Works of Art and Collectables Pictures yeer and Furniture SALE REFERENCE EX30 Sale Commences at 10.00am Catalogues £1.50 On View: Order of Sale: Saturday 6th August Watches and Jewellery Lots 1-188 Silver Lots 250-455 9.00am to 12 noon Monday 8th August Ceramics and Glass Lots 456-570 9:00.am to 7.00pm Works of Art Lots 571-680 & Morning of Sale Pictures Lot 681-708 Furniture Lots 716-810 Tuesday 9th August 2011 Sale commences at 10am WATCHES AND JEWELLERY 1. Rotary. A lady's 9ct gold wristwatch, a 1/10th Krugerand pendant on chain, a circular locket on chain, a curb-link bracelet, a gem-set pendant on chain, a diamond mounted three-stone ring, a diamond mounted two-stone crossover ring, various jewellery and costume jewellery. £440-480 2. A cultured pearl single-string necklace, a cultured pearl two-string necklace, an oval shell cameo brooch, two gold necklaces, two wristwatches and a small group of brooches and earrings. £140-180 3. A cultured pearl single-string necklace, a coral fragment necklace, a coral bead necklace, a lady's stainless steel 'Movado' wristwatch, a large unmounted smoky quartz, 40mm wide and a quantity of silver and costume jewellery contained in a purple leather jewellery case and green and tan 'Antler' vanity case. 4. A Ruskin pottery panel mounted round brooch, two cigarette holders and a quantity of various costume jewellery. -
Warning Over VAT Refunds on Premium
antiques trade gazette User: IVAN Issue No: 2152 Issue Date: 02/09/08/14 File Name: NE01-03 PROOFED: Issue 2152 | 2nd & 9th August 2014 UK £2.25 – USA $6.50 – Europe €3.95 Warning over VAT ref u nd s Above and below: two views of the Nicole Frères music box c.1828 – £22,000 at Hannams. on premium that Her Majesty’s Revenue and Customs ■ HMRC will hand auctioneers set high standards to which buyers must the bill if paperwork is not in conform in order qualify for the refund. order, warns ATG columnist On page 50 of this issue, Mr Silverman, a partner in London law firm Streathers Music box sings at £22,000 Ivan Macquisten and a specialist in art market-related SELBORNE, Hampshire, auctioneer Hannams produced a YouTube video to reports legal issues, sets out details of the VAT promote the presence of this very early key-wind musical box by Nicole Frères in Auctioneers’ Scheme in a specially their inaugural sale on July 10. commissioned article following a number Rather like the medium by which it was marketed, the box had represented the AUCTION houses who refund of approaches to ATG by auctioneers cutting edge of entertainment when made around 1828. It thus ranks among the VAT on the buyer’s premium uncertain of their position in the face of first instruments created by the celebrated Geneva firm and one of only a few of demands for VAT refunds from buyers in this period in private hands. to overseas purchasers China and other countries. -
ISSUE 2489 | Antiquestradegazette.Com | 24 April 2021 | UK £4.99 | USA $7.95 | Europe €5.50
To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp 7 1 -2 0 2 1 9 1 ISSUE 2489 | antiquestradegazette.com | 24 April 2021 | UK £4.99 | USA $7.95 | Europe €5.50 S E E R 50years D koopman rare art V A I R N T antiques trade G T H E KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Kempton back with a bang – and entrance fees Sunbury Antiques Market, better known simply as Kempton due to its Surrey racecourse location, last week became the first open-air fair to return after the most recent lockdown. The event’s Covid-restricted capacity of 300 stalls sold out quickly when organiser Sunbury Antiques announced new dates in March, with queues of buyers forming before opening time at 6.30am. “Demand was such that we could have sold out 10 times over but for this first fair we Milking the sale tried to accommodate traders with existing bookings from postponed dates,” said Edward Cruttenden, who with wife Jennie of ‘Breadboard runs Sunbury Antiques. Entrance ways were reduced from three Annie’ collection to two, with stalls primarily sited outside. “Hopefully in future we will be able to The mouthwatering kitchenalia collection of Annie Marchant increase stall capacity,” Cruttenden said. (1951-2020) certainly served to please when it came to auction The next Kempton fair is on April 27. -
AMERICAN Ceramic Circle
AMERICAN Ceramic Circle SPRING NEWSLETTER 2016 The American Ceramic Circle (ACC) was founded in 1970 as a non-profit educational organization committed to the study and appreciation of ceramics. Its purpose is to promote scholarship and research in the history, use, and preservation of ceramics of all kinds, periods, and origins. The current active membership of approximately five hundred is composed of museum professionals, collectors, institutions, and a limited number of dealers in ceramics. Member interest is focused on post-Medieval pottery and porcelain of Europe, Asian ceramics of all periods, and ceramics made, used, or owned in North America. The ACC is chartered in the State of Maine as a 501 (c) 3 Corporation and is governed by a volunteer Board of Trustees. Thank you for all your contributions to this edition of the Newsletter. A special thanks to Beth Wees who provided additional editorial assistance. Please continue to send any news you would like to share with the ACC membership to David Conradsen, [email protected] and Adrienne Spinozzi, [email protected] AMERICAN Ceramic Circle SPRING NEWSLETTER 2016 2016 OFFICERS Donna Corbin Chairman Anne Forschler-Tarrasch CONTENTS President Adrienne Spinozzi LETTER FROM THE PRESIDENT 4 Vice President Margaret Zimmermann 2016 ANNUAL SYMPOSIUM 5 Secretary M. L. Coolidge GRANTS AND SCHOLARSHIPS 6 Treasurer Suzanne Findlen Hood BOOK AWARD 7 Administrator Anne Forschler-Tarrasch CERAMIC NOTES AND RESEARCH 8 Symposium Chair Elizabeth Williams EXHIBITIONS AND INSTALLATION S 12 Grants Chair Dorothy Cobb CONFERENCES, SYMPOSIA, AND LECTURES 20 Development Chair Barbara Veith ANNOUNCEMENTS 23 Events Chair Vanessa Sigalas NEW ACQUISITIONS 28 Journal Editor David Conradsen, Adrienne Spinozzi UPCOMING AUCTIONS AND FAIRS 35 Newsletter Editors Amy Dehan ANNUAL MEETING MINUTES 36 Book Award Chair Angelika Kuettner NEW MEMBERS AND 2015 CONTRIBUTORS 37 Website Coordinator Barbara McRitchie Archivist John Austin, Alice Cooney Cover Image: Detail, Pair of Covered Jars, ca. -
Chemical Composition and Provenance of Chinese Porcelain Shards 0$5
-RXUQDORI$UFKDHRORJLFDO6FLHQFH5HSRUWV ² Contents lists available at ScienceDirect Journal of Archaeological Science: Reports journal homepage: www.elsevier.com/locate/jasrep Chemical composition and provenance of Chinese porcelain shards 0$5. recovered from Old Goa, west coast of India Sila Tripati⁎, G. Parthiban, J.N. Pattan, Andrew Menezes CSIR-National Institute of Oceanography, Dona Paula 403 004, Goa, India ARTICLE INFO ABSTRACT Keywords: During recent archaeological explorations at Old Goa, west coast of India, twenty three Chinese porcelain shards Chinese porcelain of the Ming (Middle to late 16th century), Qing (17th century) and late Qing period (late 17th century) have Jingdezhen kiln been recovered. In order to understand the nature and source of raw material and kilns, these shards were Maritime trade analysed for major elements with X-ray fluorescence (XRF), trace and rare earth elements by Inductively Ming and Qing period Coupled Plasma-Mass Spectrometer (ICP-MS). The analysis suggests that porcelain shards are siliceous in nature Old Goa (SiO ~ 70%) and contain high Al O (21.6%), Rb (388 ppm) and Ba (160 ppm) but have low Sr (48 ppm). This South China 2 2 3 ICP-MS and XRF analysis composition suggests that the raw materials used for producing porcelain were silica, kaolinite and sericite which are characteristics of porcelains manufactured in Southern China. Comparatively, high Al2O3 (kaolinite) content in porcelains of the Qing Dynasty suggest improvement of quality, particularly mechanical strength, of Jingdezhen porcelain. In general, major element composition, trace metals, total rare earth elements (∑REE- 67 ppm) and their chondrite - normalized pattern of the Ming, Qing and late Qing period are nearly similar and appear to be made of identical raw materials. -
Introduction to Bronzes
Metalware 1 6 Introduction to Bronzes with Price Guide By Chris Murray Antoine Louis Barye (1795- 1875), French bronze Eléphant ronzes generally appeal to a comparatively small and knowledgeable du Sénégal (Running Elephant), Bgroup of buyers, and on the whole avoid the sometimes dramatic fluctua- oval base, signed Barye with Art Deco bronze, ivory and tions seen in other areas of the art market. They have weathered the recent uncer- gold FB plaque, Barbedienne enamel figure, by Gerda Iro tainties comparatively well and remain a solid investment. foundary inscription and Gerdago, ‘Exotic Dancer’. Bronzes are usually catalogued independently of ‘art’ painting and graphic incised no.9 to underside, 5.5 x Cotswold Auction Company, works, even sculpture. This is largely because bronzes range from high art 7.75in. Gorringes, Lewes. Dec Cheltenham. Mar 08. HP: (Henry Moore bronzes in an edition of only 4) to works that have little artistic 06. HP: £6,000. ABP: £7,057. £6,000. ABP: £7,057. merit and are produced in thousands. In other words they are multiples. But then so are prints. The key to buying bronzes is to acquire the skill of identifying where a specific bronze stands on this continuum - the ‘same’ bronze may occur at several points, according to its edition, so novices need to be careful. 2 Several things determine value. First, of course, the artist. With anonymous works or those by lesser artists, period and school are important; because of the unparalleled achievement of French bronzes during the nineteenth century, the Bronze figure of a bull cast 7 after a model by Rosa designation ‘French’ nearly always adds value - as does ‘Art Deco.’ Bonheur, standing with raised Rarity is also important: early casting in a long series are far more sought after tail, brown/green patination, than later ones, and some bronzes are limited editions. -
Kraak Plate Design Sequence 1550 to 1655
Kraak Plate Deslgn Sequence 1550-1655 by Clarence Shangraw and Edward Von der Parten Kraak Plate Design Sequence 1550-1655 by C1 arence Shangraw and Edward Von der Porten coPV6ight © 1997 ,. by Clarence Shangraw and Edward Von der Porten All Rights Reserved Drake Navigators Gui ld 143 Springfield Drive San Francisco Californla 94132-1456 The Porce 1al ns The great Chinese export porcelain trade emerged during the Ming Dynasty's Wan-1i era (t573-1619), concurrently with a dramatic decline in court patronage of the former imperial kilns. To offset this severe reduction in demands on the Ching-te Chen porcelain factories, idled potters set up many private, short-lived kllns. In their new endeavours, they remained, at first, in the far-inland Ching-te Chen area with its extensive clay deposits, kilning materials, and well-developed inland waterway transportation system. Eventually, however, the art found its way into a network of kilns near the seacoast which had ready access to overseas shipping. This led ultimately to the creation of a vast assortment of qualities and styles of export porcelains, with a burgeoning production in the late sixteenth century as local potters also took up the art. Thus, lack of patronage at home and rapidly growing overseas demands, especially the bir'th o-r the Manila Galleon Trade in 1573,1 caused a resurgence and redirection of a fading industrial art. Even though the variety of these Chinese b lue-on-white export porce lains proliferated in forms and decorations during the late sixteenth and early seventeenth centuries, they have been little studied until recently. -
ABSTRACT Title of Document: AMALIA VAN SOLMS and THE
ABSTRACT Title of Document: AMALIA VAN SOLMS AND THE FORMATION OF THE STADHOUDER’S ART COLLECTION, 1625-1675 Virginia C. Treanor, Doctor of Philosophy, 2012 Directed By: Professor Arthur K. Wheelock, Jr. Department of Art History and Archaeology This dissertation examines the role of Amalia van Solms (1602-1675), wife of Frederik Hendrik, Prince of Orange and Stadhouder of the United Provinces of the Netherlands (1584-1647), in the formation of the couple’s art collection. Amalia and Frederik Hendrik’s collection of fine and decorative arts was modeled after foreign, royal courts and they cultivated it to rival those of other great European treasure houses. While some scholars have recognized isolated instances of Amalia’s involvement with artistic projects at the Stadhouder’s court, this dissertation presents a more comprehensive account of these activities by highlighing specific examples of Amalia’s patronage and collecting practices. Through an examination of gifts of art, portraits of Amalia and her porcelain collection, this study considers the ways in which Amalia contributed to the formation of the Stadhouder’s art collection. This dissertation seeks to provide a greater knowledge not only of Amalia’s activities as a patron and collector, but also a more throrough understanding of the genesis and function of the collection as a whole, which reflected the power and glory of the House of Orange during the Dutch Golden Age. AMALIA VAN SOLMS AND THE FORMATION OF THE STADHOUDER’S ART COLLECTION, 1625-1675 By Virginia Clare Treanor Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2012 Advisory Committee: Professor Arthur K.