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Tracing the Origin of Blue and White Chinese Porcelain Ordered for the Portuguese Market During the Ming Dynasty Using INAA
Journal of Archaeological Science 40 (2013) 3046e3057 Contents lists available at SciVerse ScienceDirect Journal of Archaeological Science journal homepage: http://www.elsevier.com/locate/jas Tracing the origin of blue and white Chinese Porcelain ordered for the Portuguese market during the Ming dynasty using INAA M. Isabel Dias a,*, M. Isabel Prudêncio a, M.A. Pinto De Matos b, A. Luisa Rodrigues a a Campus Tecnológico e Nuclear/Instituto Superior Técnico, Universidade Técnica de Lisboa, EN 10 (Km 139,7), 2686-953 Sacavém, Portugal b Museu Nacional do Azulejo, Rua da Madre de Deus no 4, 1900-312 Lisboa, Portugal article info abstract Article history: The existing documentary history of Chinese porcelain ordered for the Portuguese market (mainly Ming Received 21 March 2012 dynasty.) is reasonably advanced; nevertheless detailed laboratory analyses able to reveal new aspects Received in revised form like the number and/or diversity of producing centers involved in the trade with Portugal are lacking. 26 February 2013 In this work, the chemical characterization of porcelain fragments collected during recent archaeo- Accepted 3 March 2013 logical excavations from Portugal (Lisbon and Coimbra) was done for provenance issues: identification/ differentiation of Chinese porcelain kilns used. Chemical analysis was performed by instrumental Keywords: neutron activation analysis (INAA) using the Portuguese Research Reactor. Core samples were taken from Ancient Chinese porcelain for Portuguese market the ceramic body avoiding contamination form the surface layers constituents. The results obtained so INAA far point to: (1) the existence of three main chemical-based clusters; and (2) a general attribution of the Chemical composition porcelains studied to southern China kilns; (3) a few samples are specifically attributed to Jingdezhen Ming dynasty and Zhangzhou kiln sites. -
Art Glass Classes 2017 CONTENTS
Art Glass Classes 2017 CONTENTS About Kiln-Glass 2 Kilncasting 15 Bullseye Resource Centers 3 Open Studio 17 Introductory Classes 4 Instructors 18 Kilnforming Techniques 7 Registration and Policies 23 Drawing, Painting and Printmaking 13 Locations 23 ABOUT KILN GLASS Richard Parrish. See his class on page 11. Kiln-glass provides an enormous range of levels—from glass fusing beginners to advanced kilnformers—in a techniques and results that are easily accessible. supportive and inspirational environment. Working with this remarkable material requires two things that most artists already possess: an And as you learn to do amazing things with kiln-glass, you’ll also benefit from Bullseye’s decades of research into materials, processes, understanding of design, composition, and color products, and equipment. theory; and the ability to conceive of layers of process and material application. Note: This catalog provides an overview of the kinds of courses we offer, but our Research & Education team continues to design While kiln-glass does require technical knowledge, this can be new courses. The complete schedule of offerings is available at obtained in short order through courses in this catalog, developed bullseyeglass.com/classes. You can also sign up for email updates at by Bullseye through years of collaboration with artists from bullseyeglass.com/email (we never share or sell your address). many mediums. We offer classes year round for students at all 2 BULLSEYE RESOURCE CENTERS Bullseye’s Resource Centers are world-class teaching centers, offering short courses year round for students at all levels, as well as free artist talks and demonstrations. -
The Best of England and Wales 10 Days
The Best of England and Wales 10 days Tour Description This tour covers the breadth of England and Wales including impressive castles, fairytale cottages, porcelain factories, iconic monuments and more. In between visits to a historic university, the birthplace of Shakespeare and impressive museums, you will delight in the scenic views of Wales and the English countryside. Highlights Investigate mysterious Stonehenge Learn the history of the Roman Baths View the large Impressionist collection at the National Museum and Gallery in Wales Savor a Welsh Banquet Admire the scenery of Snowdonia National Park Visit ‘the Potteries’ and area famous for fine porcelain and china Learn the process of making a piece of China on the Wedgwood Factory Tour Enjoy a performance by the Royal Shakespeare Company Visit historic Oxford University, also a site of the Harry Potter films Visit the largest inhabited castle in the world, Windsor Castle Full day tour of London’s most famous sites including Parliament, Big Ben and the Tower of London Sample Tour Itinerary Bath – 1 night Day 1: Arrive London - Bath Upon arrival in London, you clear customs and your welcoming coach driver and tour director will escort you to your waiting motorcoach. We will head out through England’s West Country. Travel through quaint towns with thatched roofs and red bricked cottages to Salisbury where we will visit mysterious Stonehenge. More than 4,000 years ago, the people of the Neolithic period decided to build a massive monument using earth and stones, placing it high on Salisbury Plain. Marvel at this work of primeval architecture. -
The Investigation Into the Development of Glass As an Expressive Medium in China Through Direct Contact with Western Methods of Making, Decoration and Forming
The investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming. By XUE LU (Shelly) MA. BA (Hons) A thesis submitted in partial fulfilment of the requirement of the University of Wolverhampton for the Degree of Doctor of Philosophy 2009 This work or any part thereof has not previously been presented in any form to the University or to any other body whether for the purpose of assessment, publications or for any other purpose (unless previously indicated). Save for any express acknowledgements, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own effects and of no other person. The right of XUE LU to be identified as author of this work is asserted in accordance with ss.77 and 78 of the copyright, Design and Patents Act 1988. At this date copyright is owned by the author. Signature: …………………. Date: ………………………. Abstract 2 Abstract This thesis is an investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming glass. The investigation proceeds through an analysis of the parallels between glass objects produced from Kangxi (1662-1722) to Qianlong period (1736-96), and contemporary practitioners’ (2000-2009), which is complemented by my own practice. The investigation mainly looks at three aspects and their inter-relationship within these strands. They are: 1) the history of glassmaking from 1696 to 1795 in the Qing dynasty with Western influences; 2) the analysis of Contemporary Chinese studio/academic glass within the imported UK model; 3) the development of my personal glass practice within this matrix. -
Ceramics Monthly Jun90 Cei069
William C. Hunt........................................Editor Ruth C. Buder.......................... Associate Editor Robert L. Creager........................... Art Director Kim Schomburg....................Editorial Assistant Mary Rushley................... Circulation Manager Mary E. Beaver.................Circulation Assistant Jayne Lx>hr.......................Circulation Assistant Connie Belcher.................Advertising Manager Spencer L. Davis.................................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub lished monthly except July and August by Professional Publications, Inc., 1609 North west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the magazine address label and your new ad dress to: Ceramics Monthly, Circulation Of fices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustra tions, announcements and news releases about ceramics are welcome and will be considered for publication. A booklet de scribing standards and procedures for the preparation and submission of a manu script is available upon request. Mail sub missions to: The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Infor mation may also be sent by fax: (614) 488- 4561; or submitted on 3.5-inch microdisk- ettes readable with an Apple Macintosh™ computer system. Indexing: An index of each year’s articles appears in the December issue. Addition ally, articles in each issue ofCeramics Monthly are indexed in the Art Index; on-line (com puter) indexing is available through Wilson- line, 950 University Avenue, Bronx, New York 10452. -
Empire of Tea
Empire of Tea Empire of Tea The Asian Leaf that Conquered the Wor ld Markman Ellis, Richard Coulton, Matthew Mauger reaktion books For Ceri, Bey, Chelle Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx, uk www.reaktionbooks.co.uk First published 2015 Copyright © Markman Ellis, Richard Coulton, Matthew Mauger 2015 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers Printed and bound in China by 1010 Printing International Ltd A catalogue record for this book is available from the British Library isbn 978 1 78023 440 3 Contents Introduction 7 one: Early European Encounters with Tea 14 two: Establishing the Taste for Tea in Britain 31 three: The Tea Trade with China 53 four: The Elevation of Tea 73 five: The Natural Philosophy of Tea 93 six: The Market for Tea in Britain 115 seven: The British Way of Tea 139 eight: Smuggling and Taxation 161 nine: The Democratization of Tea Drinking 179 ten: Tea in the Politics of Empire 202 eleven: The National Drink of Victorian Britain 221 twelve: Twentieth-century Tea 247 Epilogue: Global Tea 267 References 277 Bibliography 307 Acknowledgements 315 Photo Acknowledgements 317 Index 319 ‘A Sort of Tea from China’, c. 1700, a material survival of Britain’s encounter with tea in the late seventeenth century. e specimen was acquired by James Cuninghame, a physician and ship’s surgeon who visited Amoy (Xiamen) in 1698–9 and Chusan (Zhoushan) in 1700–1703. -
Seattle 2015
Peripheries and Boundaries SEATTLE 2015 48th Annual Conference on Historical and Underwater Archaeology January 6-11, 2015 Seattle, Washington CONFERENCE ABSTRACTS (Our conference logo, "Peripheries and Boundaries," by Coast Salish artist lessLIE) TABLE OF CONTENTS Page 01 – Symposium Abstracts Page 13 – General Sessions Page 16 – Forum/Panel Abstracts Page 24 – Paper and Poster Abstracts (All listings include room and session time information) SYMPOSIUM ABSTRACTS [SYM-01] The Multicultural Caribbean and Its Overlooked Histories Chairs: Shea Henry (Simon Fraser University), Alexis K Ohman (College of William and Mary) Discussants: Krysta Ryzewski (Wayne State University) Many recent historical archaeological investigations in the Caribbean have explored the peoples and cultures that have been largely overlooked. The historical era of the Caribbean has seen the decline and introduction of various different and opposing cultures. Because of this, the cultural landscape of the Caribbean today is one of the most diverse in the world. However, some of these cultures have been more extensively explored archaeologically than others. A few of the areas of study that have begun to receive more attention in recent years are contact era interaction, indentured labor populations, historical environment and landscape, re-excavation of colonial sites with new discoveries and interpretations, and other aspects of daily life in the colonial Caribbean. This symposium seeks to explore new areas of overlooked peoples, cultures, and activities that have -
Newsletter Mar 06
Southeast Asian Ceramics Museum Newsletter Editors : Roxanna M. Brown Volume III Number 2 March-April 2006 Pariwat Thammapreechakorn Reporters : Chu Dau Ceramic Factory Ang Choulean, Ann Proctor, Augustine Vinh, owned by the Hanoi Trade Berenice Bellina, Bonnie Chu Dau village, about 60 Corporation and employs Baskin, Chang Kuang-Jen, kms east of Hanoi, is located several hundred workers, Chhay Visoth, David Rehfuss, Dawn Rooney, Eusebio Dizon, i n a c o un ty that is still called including traditional potters Gary Hill, Guo Li, Heidi Tan, ‘Nam Sach’ — the same who were brought from Ian Glover, Jennifer Rodrigo, name as shown in Chinese- around the province. At pre- Louise Cort, Marie-France derived Vietnamese chu nom sent the factory exports Dupoizat, Melody Rod-ari, Mohd. Sherman bin Sauffi, characters on old 15th- mainly to Spain and Japan. Pamela Gutman, Peter Burns, century maps of Vietnam and Philippe Colomban, Rasmi on the famous Vietnamese Shoocongdej, Rita Tan, Sayan bottle-vase of the Topkapi Praicharnjit, Sten Sjostrand, S a r ay i Mu seum. Besides a Timothy Rebbeck, Walter Photos show (clockwise from upper Kassela, Zheng Jin Le place name, the vase inscrip- right) Entrance to the factory sales- tion also includes a reign room. Copies of antique wares, in- date equivalent to AD 1450. cluding a finished example of the Old kiln sites were discov- vase being decorated at lower left. Museum staff : Hanoi ceramics specialist Augustine ered at Chu Dau in the late Vinh beside a vase that he auto- Burin Singtoaj 1980s. graphed on a previous visit. The The modern factory was factory’s main kiln. -
Auction Results SA240421 Saturday, 24 April 2021
Auction Results SA240421 Saturday, 24 April 2021 Lot No Description 2 A Victorian blue and white transfer meat plate liner printed with dog rose border to/w various other ceramics, including Royal £25.00 Worcester Astley coffee service, jasper ware, Japanese eggshell coffee service etc (box) 4 Two cut-glass ring-neck decanters and stoppers to/w three claret jugs with ep tops and give various other decanters (box) £70.00 5 Studio glass lustrous vase, signed Siddy Langley 1997 to/w an Imari cache-pot, Victorian china fruit dishes with matching £85.00 sauce tureens, Denby fruit bowl etc (box) 6 Two boxed Bilston enamel Easter eggs to/w two patch-boxes and two Halcyon Days boxes, lot also includes Victorian £65.00 rosewood tea caddy, coach lamp and eight various pewter mugs (box) 8 A Victorian Shelley blue and white cylindrical vase printed with dragons to/w various collectables including silver oddments, £40.00 Pathescope Ace projector, three Decca Toytown gramophone records, candles etc (box) 9 AnA Clarice 18th century Cliff honey-glazed style enamel dinner box with service hinged with cover, green painted banded with decoration, courting couples37 pieces in includingArcadian tureenssettings, and 9.5 cover cm wide to/w a £40.00 10 (possibly) Capodimonte box with painted interior to lid depicting 18th century family scene, Royal Doulton terrier cleaning £110.00 plate HN1158, Karl Ens owl, Dresden floral-painted heart-shaped pin-dish and an advertising jug for Worthingtons beer 11 A PottschapelMeakin pottery (Dresden) 'Nordic' Carlpattern -
The Sunday Times
OCUS F 17.05.15 Psaros’s KPS has restored theprestige of the Waterford Wedgwood brands and earned an estimated €350m profit from their sale CRYSTAL AMAZEMENT solicit potential investors and buyers. The still manufactured in Ireland. It was marketing and sales. for making orange-handled scissors, and bank contacted 182 potential investors. beyond saving. Waterford, Wedgwood, Royal Doulton was one of the rst companies in Europe Only two, KPS and Golden Gate Capital, It was a very different story for the and Royal Albert operated as four to make microwave ovens. WaterfordWedgwood wasawhite elephant progressed past the preliminary stage. brand. “One of the things that people separate businesses, each with their own It started looking seriously at Golden Gate said it would be willing to said was that nobody was buying crystal marketing and distribution functions. diversi cation to high- end consumer thatbrokeabillionaire but, six yearson invest only if Waterford Wedgwood were or ceramics any more,” he said. “That There were too many warehouses, products just eight years ago, buying put into an insolvency process. Deloitte was wrong. These were four global iconic and warehouses in the wrong places. Littala, a Finnish homeware designer. was appointed receiver in January 2009. brands that sold in 80 countries.” Villemejane closed unpro table shops.“ It added ceramics companies Rorstrand from receivership, its china crisis has been The receiver obtained 78 expressions Early in the due diligence, KPS There was quadruple redundancy, if such and Royal Copenhagen in 2010 and of interest and hired JM Cazenove to run retained Pierre de Villemejane, a former a term can exist,” he said. -
EX090811 Sale
For Sale by Auction to be held at St Edmund’s Court, Okehampton Street, Exeter 01392 413100 TUESDAY 9th August 2011 Watches and Jewellery Silver Ceramics and Glass Works of Art and Collectables Pictures yeer and Furniture SALE REFERENCE EX30 Sale Commences at 10.00am Catalogues £1.50 On View: Order of Sale: Saturday 6th August Watches and Jewellery Lots 1-188 Silver Lots 250-455 9.00am to 12 noon Monday 8th August Ceramics and Glass Lots 456-570 9:00.am to 7.00pm Works of Art Lots 571-680 & Morning of Sale Pictures Lot 681-708 Furniture Lots 716-810 Tuesday 9th August 2011 Sale commences at 10am WATCHES AND JEWELLERY 1. Rotary. A lady's 9ct gold wristwatch, a 1/10th Krugerand pendant on chain, a circular locket on chain, a curb-link bracelet, a gem-set pendant on chain, a diamond mounted three-stone ring, a diamond mounted two-stone crossover ring, various jewellery and costume jewellery. £440-480 2. A cultured pearl single-string necklace, a cultured pearl two-string necklace, an oval shell cameo brooch, two gold necklaces, two wristwatches and a small group of brooches and earrings. £140-180 3. A cultured pearl single-string necklace, a coral fragment necklace, a coral bead necklace, a lady's stainless steel 'Movado' wristwatch, a large unmounted smoky quartz, 40mm wide and a quantity of silver and costume jewellery contained in a purple leather jewellery case and green and tan 'Antler' vanity case. 4. A Ruskin pottery panel mounted round brooch, two cigarette holders and a quantity of various costume jewellery. -
Newsletter 31-3M
UK Belleek Collectors’ Group Newsletter 31/3 October 2010 Page 111 UK Belleek Collectors’ Group Newsletter 31/3 October 2010 Contacts: Chris Marvell is the Newsletter editor. Please let him have your contributions for future Newsletters, comments, suggestions, letters for publication, criticisms etc. If you want, Gina Kelland is still happy to receive material for the Newsletter: she will be assisting Chris with her advice and proofreading. If you are sending published articles please either get Copyright clearance yourself or enclose the details of the publisher so Chris can ask for permission. You can contact Chris by email to [email protected] Chris and Bev Marvell publish and distribute the Newsletter. Chris has set up a database which forms the Group’s “digital” archive, keeping a record of relevant publications and photographs (including photos etc. gathered at meetings and not published in the Newsletter). Some or all of this information will be available on the Internet as our website develops - working with Simon Whitlock, we intend to publish all the back issues of the Newsletter and all of the research done by our Group members on our website. If you have questions about the publication and distribution of the Newsletter, contact Chris or Bev by email at [email protected] . The Group’s Chairman is Patricia Russell , email [email protected] Our Treasurer is Paul Ewings , contact him by email at [email protected] The Group's Administrator is Bev Marvell , email to [email protected] Our website is administered by Simon Whitlock and can be found at http://www.belleek.org.uk/ .