CASE 11 American Studio Glass Shelf 1 #1

Total Page:16

File Type:pdf, Size:1020Kb

CASE 11 American Studio Glass Shelf 1 #1 CASE 11 American Studio Glass Shelf 1 #1. 1984.115 Stephen Matt Orange Lattice Off-hand worked Funds provided Dee Physalia, 1984 glass, cane work, by Susan and Edwards, sandblasted, acid- Raymond J. American, etched, glass powders Hage Memorial b. 1954 Endowment Fund for Acquisitions #2. 1980.135 Michael Beano 1, 1980 Green blown glass, Funds provided Glancy, sandblast carving, by Collector's American, polish and texture with Corner, HMA’s b. 1950 hydrofluoric acid, museum store electroformed copper, patina #3. 1976.49 Joel Philip Vessel, 1976 Black and white Gift of Joel Myers, From the New blown glass cased in Philip Myers American, American Glass: colorless glass b. 1934 Focus West Seneca Virginia, Artist in Glass Co. the Factory Project, 1976 #4. 1976.47 Joel Philip Untitled Off-hand blown glass Gift of Joel Myers, Phillip Myers American, b. 1934 #5. 1991.75 Minnie Black Bear Vase, Cameo glass, mold- Gift of The Adkins, 1991 blown, cased glass in Pilgrim Glass American, cranberry/white Corp. b. 1934 opal/black/crystal/slate The Pilgrim green Glass Corp. #6. 1986.24 Richard Faun, 1985 Colorless off-hand Museum Jolley, blown glass, direct purchase American, drawing, etched b. 1952 CASE 11 - Page 1 Shelf 2 #7. 1995.12 David The Glass Blowing Enamel painting on Gift of The Hopper, Process, 1995 blown, cased glass Pilgrim Glass American, Corp. b. 1946 The Pilgrim Glass Corp. #8. 1986.88.1 Michael Twin Silos, 1985 Cast glass Gift of Ms. Rogers, Takako Sano American, b. 1955 #9. 1981.57 Roberto Seated Figure, ca. Off-hand blown and Gift of Mr. Larry Moretti, 1970 carved glass, red W. Laishley American with white and blue (b. Murano, inclusions Italy), 1929- 1986 The Pilgrim Glass Corp. #10. 1986.87 Concetta Blue Breeze, 1985 Blue and colorless Gift of Ms. Mason, blown glass with Concetta Mason American, controlled breaking b. 1956 technique, enamels #11. 1976.45 Flora Carrie Ridge Backs, 1976 Pink off-hand blown Gift of Ms. Flora Mace, glass, marvered Carrie Mace American, surface design b. 1949 created with glass filaments #12. 1990.69 Paul Pink Lady's Slipper Lampworked, Museum Stankard, Footed Botanical, inclusion, polished purchase American, 1989 glass b. 1943 #13. 2018.4 Richard Vase, 1985 Blown glass with Gift of Leonard Marquis, glass cane inclusions and Gail American, Davenport b. 1945 CASE 11 - Page 2 #14. 1978.106 Dale Red and White Blown glass cylinder Funds provided Chihuly, Serape, 1977 vase with marvered Collector’s American, color surface, opaque Corner, HMA’s b. 1941 white rim museum store Shelf 3 #15. 1980.130 Fritz Mongo Vase in Colorless cased Funds provided Dreisbach, Pretty Pastel Colors, blown crystal with by Collector’s American, 1980 latticinio linear Corner, HMA’s b. 1941 drawing in various museum store colors #16.1983.233AB Doug Fishes Box, 1982 Pale turquoise pâté- Museum Anderson, de-verre glass purchase American, b. 1952 #17. 1980.134 Jon Kuhn, CTVF #12, 1980 Blown glass vase Funds provided American, form with sections by Civic League b. 1949 cut and polished Huntington revealing various Endowment interior color Fund #18. 1976.51 Harvey Untitled, 1976 Cranberry hot drawn Museum Littleton, glass rod loop on purchase American, colorless base 1922-2013 #19. 1976.52 Harvey Untitled, 1976 Colorless hot drawn Museum Littleton, glass, rod loop with purchase American, white stripe 1922-2013 surrounded by blue, on colorless base #20. 1998.5 Harvey Untitled, 1972 Amber hot drawn Gift of Littleton, glass, blown glass Kennerly, American, with applied frit, Jonathan, and 1922-2013 applied hot and Kirk Emerson in worked in. memory of Roberta Shinn Emerson CASE 11 - Page 3 #21. 1986.89 Toots The Exotic Birds, Fused and Museum Zynsky, African Dream thermoformed color purchase American, Series, 1985 glass threads b. 1951 #22. 1977.6 Joel Philip White Cylinder Opaque white off- Museum Myers, Form, 1976 hand blown glass purchase American, with multi-hued b. 1934 additions of Kugler colors Shelf 4 #23. 1983.154 David R. LS1282, 1982 Opaque Funds Huchthausen, black/amethyst provided by American, b. vitrolite glass, Sixth Annual 1951 photo sensitive Benefit mirror panel on Antiques side and cased Show geometric design on top #24. 2016.15 Dominick Emergence Hot-worked Gift of Labino, Series, 1982 colorless glass Brenda S. American, encasing interior Sweeney in 1910-1987 veils of dichroic memory of color Dr. and Mrs. Verlin W. Lee #25. 1977.5 Dominick Fountain Series, Hot-worked Museum Labino. 1975 colorless glass purchase American, with internal color 1910-1987 and gold veiling #26. 2018.6 Dominick Bud Vase, 1984 Blown glass Gift of Labino, paperweight-type John Weber American, vase with 1910-1987 iridescent inclusions CASE 11 - Page 4 #27. 1982.150 Howard Ben From Joe H, Sandcast glass Museum Tre, 1980 formed of six purchase American, b. protrusions 1949 emanating from a central shaft that has copper foil fused to the glass and an inserted copper pipe #28. 1989.94.2 David Untitled, 1989 Hot formed Funds Hopper, figural bust provided by American, b. sandblasted, Raymond 1946 painted and Hage encased in Memorial successive layers Endowment of colorless glass. Fund CASE 11 - Page 5 .
Recommended publications
  • Art Glass Classes 2017 CONTENTS
    Art Glass Classes 2017 CONTENTS About Kiln-Glass 2 Kilncasting 15 Bullseye Resource Centers 3 Open Studio 17 Introductory Classes 4 Instructors 18 Kilnforming Techniques 7 Registration and Policies 23 Drawing, Painting and Printmaking 13 Locations 23 ABOUT KILN GLASS Richard Parrish. See his class on page 11. Kiln-glass provides an enormous range of levels—from glass fusing beginners to advanced kilnformers—in a techniques and results that are easily accessible. supportive and inspirational environment. Working with this remarkable material requires two things that most artists already possess: an And as you learn to do amazing things with kiln-glass, you’ll also benefit from Bullseye’s decades of research into materials, processes, understanding of design, composition, and color products, and equipment. theory; and the ability to conceive of layers of process and material application. Note: This catalog provides an overview of the kinds of courses we offer, but our Research & Education team continues to design While kiln-glass does require technical knowledge, this can be new courses. The complete schedule of offerings is available at obtained in short order through courses in this catalog, developed bullseyeglass.com/classes. You can also sign up for email updates at by Bullseye through years of collaboration with artists from bullseyeglass.com/email (we never share or sell your address). many mediums. We offer classes year round for students at all 2 BULLSEYE RESOURCE CENTERS Bullseye’s Resource Centers are world-class teaching centers, offering short courses year round for students at all levels, as well as free artist talks and demonstrations.
    [Show full text]
  • The Investigation Into the Development of Glass As an Expressive Medium in China Through Direct Contact with Western Methods of Making, Decoration and Forming
    The investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming. By XUE LU (Shelly) MA. BA (Hons) A thesis submitted in partial fulfilment of the requirement of the University of Wolverhampton for the Degree of Doctor of Philosophy 2009 This work or any part thereof has not previously been presented in any form to the University or to any other body whether for the purpose of assessment, publications or for any other purpose (unless previously indicated). Save for any express acknowledgements, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own effects and of no other person. The right of XUE LU to be identified as author of this work is asserted in accordance with ss.77 and 78 of the copyright, Design and Patents Act 1988. At this date copyright is owned by the author. Signature: …………………. Date: ………………………. Abstract 2 Abstract This thesis is an investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming glass. The investigation proceeds through an analysis of the parallels between glass objects produced from Kangxi (1662-1722) to Qianlong period (1736-96), and contemporary practitioners’ (2000-2009), which is complemented by my own practice. The investigation mainly looks at three aspects and their inter-relationship within these strands. They are: 1) the history of glassmaking from 1696 to 1795 in the Qing dynasty with Western influences; 2) the analysis of Contemporary Chinese studio/academic glass within the imported UK model; 3) the development of my personal glass practice within this matrix.
    [Show full text]
  • Glass News 19
    Glass of the Roman Empire and Elsewhere Glass A celebration of the contribution of Jennifer Price to the study of archaeological glass th th News Tuesday and Wednesday 14 and 15 March 2006 10.00-16.30 at The Wallace Collection, Manchester Square, Number 19 January 2006 London W1 Published by THE ASSOCIATION FOR THE HISTORY OF GLASS LIMITED This meeting on archaeological glass will include Reg’d Charity: 275236 ISSN 1362-5195 major contributions from David Whitehouse, Yael www.historyofglass.org.uk Israeli, Marie-Dominique Nenna, Marianne Stern, Hilary Cool and Ian Freestone as well as many other speakers. Offers of papers to fill the few remaining IN THIS ISSUE spaces in the programme should be sent as soon as possible to Ian Freestone: School of History and Page 1. AIHV Congress 2006, Meeting: Glass of the Archaeology, Cardiff University, Humanities Roman Empire and Elsewhere Building, Colum Drive, Cardiff CF10 3EU Page 2. The International Festival of Glass and Email: [email protected] British Glass Bienale 2006, 8th ESG Conference on Glass Science and Meeting fee: £40 for AHG members, £45 for non- Technology, CRAFTS 2007 International members, £20 for students, to include tea/coffee each Conference, AHG Bursaries day and a wine reception on the Tuesday evening. Page 3. Glass Collaboration Workshops, Roman Glass Furnace Project 2006, Stained Glass Further details will be available later in January from Weekend, Exhibitions at The Corning the AHG Meetings Secretary, Martine Newby: Page 4. Cylinder Glass for restoring the pinery at Garden Flat, 68 Goldhurst Terrace, Tatton Park, Study Day at the Fitzwilliam London NW6 3HT Museum: Review and abstracts Email: [email protected] Page 7.
    [Show full text]
  • Voices of Contemporary Glass: the Heineman Collection Illustrated Checklist of Objects in the Exhibition
    Voices of Contemporary Glass: The Heineman Collection Illustrated Checklist of Objects in the Exhibition 1. Peter S. Aldridge (British, b. 1947) Astrolabe Peter S. Aldridge (British, b. 1947) United States, Corning, New York, 1993 Mold-melted optical lead glass, ground, polished, bonded; precision-machined aluminum H. 152.3 cm, W. 74.5 cm, D. 78.5 cm 2007.4.132, gift of the Ben W. Heineman Sr. Family 2. Tina Aufiero (American, b. 1959) Untitled Tina Aufiero (American, b. 1959) United States, New York, New York, 1984–1985 Kiln-formed glass, colored glass powders H. 25.1 cm, W. 18 cm, D. 9.5 cm 2007.4.133, gift of the Ben W. Heineman Sr. Family Modern Man Tina Aufiero (American, b. 1959) United States, New York, New York, 1988 Kiln-formed glass H. 25.5 cm, W. 21 cm, D. 9 cm 2006.4.76, gift of the Ben W. Heineman Sr. Family 3. Howard Ben Tré (American, b. 1949) Cast Form Type VI Howard Ben Tré (American, b. 1949) United States, Providence, Rhode Island, 1979 Cast glass, added colored glass H. 8.8 cm, W. 11.7 cm, D. 7.5 cm 2006.4.17, gift of the Ben W. Heineman Sr. Family From Joe H. 2 Howard Ben Tré (American, b. 1949) United States, Providence, Rhode Island, 1980 Sand-cast glass, copper H. 19 cm, W. 53 cm, D. 23 cm 2006.4.19, gift of the Ben W. Heineman Sr. Family Dedicant 7 Howard Ben Tré (American, b. 1949) United States, Brooklyn, New York, and Providence, Rhode Island, 1987 Sand-cast glass, brass, lead, gold leaf, pigmented waxes H.
    [Show full text]
  • A NEW TECHNIQUE in GLASS ART JOANNE MITCHELL a Thesis Su
    PRECISION AIR ENTRAPMENT THROUGH APPLIED DIGITAL AND KILN TECHNOLOGIES: A NEW TECHNIQUE IN GLASS ART JOANNE MITCHELL A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy August 2015 Precision Air Entrapment through Applied Digital and Kiln Technologies: A New Technique in Glass Art Joanne Mitchell PhD 2015 1 Precision Air Entrapment through Applied Digital and Kiln Technologies: A New Technique in Glass Art Joanne Mitchell 2015 Abstract The motivation for the research was to expand on the creative possibilities of air bubbles in glass, through the application of digital and kiln technologies to formulate and control complex air entrapment, for new configurations in glass art. In comparison to glassblowing, air entrapment in kiln forming glass practice is under-developed and undocumented. This investigation has devised new, replicable techniques to position and manipulate air in kiln-formed glass, termed collectively as Kiln-controlled Precision Air Entrapment. As a result of the inquiry, complex assemblages of text and figurative imagery have been produced that allow the articulation of expressive ideas using air voids, which were not previously possible. The research establishes several new innovations for air-entrapment in glass, as well as forming a technical hypotheses and a practice-based methodology. The research focuses primarily on float glass and the application of CNC abrasive waterjet cutting technology; incorporating computer aided design and fabrication alongside more conventional glass-forming methods. The 3-axis CNC abrasive waterjet cutting process offers accuracy of cut and complexity of form and scale, across a flat plane of sheet glass.
    [Show full text]
  • The Coming Museum of Glass Newglass Review 23
    The Coming Museum of Glass NewGlass Review 23 The Corning Museum of Glass Corning, New York 2002 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made between der Voraussetzung ausgewahlt, dass sie zwi- October 1, 2000, and October 1, 2001. schen dem 1. Oktober 2000 und dem 1. Okto- ber 2001 entworfen und gefertig wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Rew'ewkonnen angefordert werden bei: The Corning Museum of Glass Buying Office One Museum Way Corning, New York 14830-2253 Telephone: (607) 974-6821 Fax: (607) 974-7365 E-mail: [email protected] To Our Readers An unsere Leser Since 1985, New Glass Review has been printed by Seit 1985 wird New Glass Review von der Ritterbach Ritterbach Verlag GmbH in Frechen, Germany. This Verlag GmbH in Frechen, Deutschland, gedruckt. Dieser firm also publishes NEUES GLAS/NEW GLASS, a Verlag veroffentlicht seit 1980 auBerdem NEUES GLAS/ quarterly magazine devoted to contemporary glass- NEW GLASS, eine zweisprachige (deutsch/englisch), making. vierteljahrlich erscheinende Zeitschrift, die iiber zeitge- New Glass Review is published annually as part of the nossische Glaskunst weltweit berichtet. April/June issue of NEUES GLAS/NEW GLASS. It is Die New Glass Review wird jedes Jahr als Teil der Mai- also available as an offprint. Both of these publications, ausgabe von NEUES GLAS/NEW GLASS veroffentlicht. as well as subscriptions to New Glass Review, are avail­ Sie ist aber auch als Sonderdruck erhaltlich.
    [Show full text]
  • The Corning Museum of Glass Annual Report 2018 Cover: Officers of the Board Antony E
    The Corning Museum of Glass Annual Report 2018 Cover: Officers of the Board Antony E. Snow* Jim Oliveira The Manhattan skyline at dusk Susan M. Taylor Jutta-Annette Page Jeffrey W. Evenson Peter F. Volanakis* Elmerina L. Parkman creates a beautiful backdrop Chairman for GlassBarge at its stop in Wendell P. Weeks Paul D. Parkman Brooklyn, New York. James B. Flaws Ian McKibbin White* Lindsy R. Parrott Vice Chairman Karol B. Wight Paul N. Perrot + Opposite: John V. B. Perry Linda E. Jolly * Trustee Emeritus Joan P. Randles Staff members of The Corning Secretary Richard F. Randles Museum of Glass and the crew Peter B. Rath of GlassBarge stand on its upper Melissa J. Gambol The Fellows of The Corning Rachel Russell Assistant Secretary deck for a group photo. Museum of Glass Josh Simpson John P. Smith Mark S. Rogus Carole Allaire Treasurer Walter Spiegl+ John Allaire Jane Shadel Spillman+ Michael J. Burns III James K. Asselstine Paul J. Stankard§ Assistant Treasurer Sheldon Barr Arlie Sulka Mike Belkin Lino Tagliapietra Alan L. Cameros§ Jennifer Thalheimer Officers of the Lt. Gen. Christian Clausen, retired§ Catherine M. V. Thuro-Gripton+ Corporation Simon Cottle Kenneth R. Treis Damon Crain Deborah Truitt Karol B. Wight Kenneth C. Depew Durk Valkema President and Executive Thomas P. Dimitroff William Warmus Director Jay R. Doros† Mark J. West Alan T. Eusden Micki Doros Karol B. Wight Chief Operating Officer Paul E. Doros Diane C. Wright David Dowler Rainer M. Zietz Roland “Max” Erlacher+ Maris Zuika Trustees Christopher T. G. Fish Alice Cooney Frelinghuysen * Life Fellow Roger G.
    [Show full text]
  • Illustrated Checklist
    European An international traveling exhibition Glass placing the work of eighty artists and Experience designers in the context of European glass production today. European Glass Experience Illustrated Checklist European Glass Experience is coordinated by the City of Venice, and supported by the European Culture Programme 2007–2013. European Glass Experience Illustrated Checklist 2 An international traveling exhibition placing the work of eighty artists and designers in the context of European glass production today. Principal exhibitions will be in Finland, Italy, and Spain, and further venues are proposed in Great Britain, Poland, Sweden, and the United States, among others. Features: applications for contemporary art and design a survey of regional tendencies a guide to workshops and artisans festivals, schools, museums and distribution Outline: European Glass Experience is a European-wide survey of the complex world of glass, mapping its most recent artistic forms in order to promote an ancient and magnificent artisanal tradition. Promoted by Consorzio Promovetro Murano, del Vidrio) in July 2014, and to Venice (Murano coordinated by the City of Venice and in Glass Museum) in Spring 2015. Additional venues collaboration with the Murano Glass Museum, will follow, including the Muzeum Witrazu Fondazione Musei Civici di Venezia, the project was (Stained Glass Museum) in Krakow, Poland; the conceived to recognize a world heritage and artistic International Festival of Glass in Stourbridge, patrimony, with its origins in the Mediterranean, England, and The Glass Factory in Boda Glasbruk, and historic center of production, Venice. Sweden. Other possibilities in North America and This legacy is interpreted across Europe in a major Asia are currently under discussion.
    [Show full text]
  • Extrinsic Ornamentation of Glass in the Morgantown Area
    Extrinsic Ornamentation of Glass In The Morgantown Area Rebeccah J. Ball Riverfront Museums, Inc . - Morgantown, West Virgini a Opening a window on the history of Monongalia County Extrinsic Ornamentation of Glass in th e Morgantown Area By Rebeccah Jane Louise Ball Morgantown West Virginia 1960 Rebeccah J . Balls Extrinsic Ornamentation of Glass In The Morgantown Area was published as a typed document in 1960 as a thesis for the degree of Master of Fine Arts at West Virgini a University . The typography and illustrations in this edition have been redone by volunteers on behalf o f Riverfront Museums, Inc . Edition © 2001 by Riverfront Museums, Inc . All rights reserved . Third printing Riverfront Museums, Inc . PO Box 469 Morgantown, West Virginia 26507-0469 Acknowledgments The author realizes that the willing help and cooperation of numerous individual s has greatly contributed to the completion of this paper . Thus, to these many persons, sh e wishes to express appreciation . This extended family list includes several members of the authors family, Anita , Gator, Lucy, Patsy, J.P., and Talumatta; friends - Theodosia, Florence, Margaret, Josephine, and Gilbert ; the management and personnel of the eight local glass companies involved in this study, particularly Nick Dorohovich, George F . Jones, Senior, John R . Gentile, John E. Toth, Rose Marie Orosz, M .R . Davis, R . Emmett Lynch, John Wimer , Amer Lindquist, Samuel K . Hayden, Sylvia Long, Paul Sacco, Carl Sacco, and Delber t F. Howett; and her graduate advisor, Professor Charles E . Patton . 1 1 TABLE OF CONTENTS Chapter Page I. Introduction . 1 A. Purpose B. Methods and Procedure s C.
    [Show full text]
  • Antiques and Collectables Saturday 04 December 2010 14:00
    Antiques and Collectables Saturday 04 December 2010 14:00 Michael Bowman Chudleigh Town Hall Chudleigh Newton Abbot TQ13 0HL Michael Bowman (Antiques and Collectables) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 A small chrystoleum - Organist playing in church After Marie Laurencin - colour print - with studio stamp Lot: 16 Lot: 2 A small oval watercolour overpainted photo - Portrait of a lady Attributed to John Miller - oil on panel - After Gainsborough's 'Market Cart' Estimate: £150.00 - £200.00 Lot: 17 Graham Clilverd - coloured drypoint - 'Top o the Field' Lot: 3 Spaj - a butterfly wing picture - Dutch street scene at night Lot: 18 A Victorian chrystoleum - Portrait of a Lady Lot: 4 Captain William Giles - oil on board - 'Cornish Fisherwoman' Lot: 19 A pair of Victorian oil on metal circular plaques - Dog portraits Lot: 5 Late Victorian School - watercolour - Dittisham Lot: 20 William Henry Dyer - watercolour - Moorland scene Lot: 6 W. H. Wright-Rudby - a collection of eight watercolours Lot: 21 depicting; River Pyddle, Corfe Castle, Durlston Castle, A late 19thC oil on glass - Officer of the 13th Bengal Lancers on Wareham, etc horseback Estimate: £150.00 - £200.00 Lot: 22 Lot: 7 William Henry Dyer - watercolour - Ilsham Valley and Torbay A pair of Victorian coloured miniature prints - Queen Victoria & from the Marine Drive, Torquay Prince Albert Lot: 23 Lot: 8 A collection of unframed prints A set of four colour prints depicting young 18thC ladies of Society Lot: 24 Beryl (Trist) Newman - oval pastel - Female portrait, 1974 Lot: 9 I. Wilton - watercolour - Cottage scene Lot: 25 19thC School - watercolour - a pair of humorous equestrian Lot: 10 scenes showing cavalry training - monogrammed 'AB' (?) - Simone - a large modern three-dimensional wall mural in oils - framed as one 60" x 48" Estimate: £80.00 - £120.00 Estimate: £500.00 - £750.00 Lot: 26 Lot: 11 M.
    [Show full text]
  • Fine & Decorative Arts
    FINE & DECORATIVE ARTS Thursday 3rd October Friday 4th October Saturday 5th October 2019 FINE AND DECORATIVE ARTS To be held at: Davies House, Davies Road, Evesham, Worcestershire WR11 1YZ THURSDAY 3RD OCTOBER 10.00AM FRIDAY 4TH OCTOBER 10.00AM SATURDAY 5TH OCTOBER 10.00AM Viewing Tuesday 1st October - 10.00am to 5.00pm Wednesday 2nd October - 10.00am to 7.00pm Day of the Sale The auction is scheduled to start at 10.00am. Bids will only be accepted from registered bidders. Please ensure you obtain a paddle number on arrival. You will need to be registered before the sale. Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, and www.easyliveauction.com together with fully illustrated catalogue. Catalogue £10.00 (£12.00 by post) Kingham & Orme Auctioneers Ltd (Collection Address) Davies House, Davies Road, Evesham, Worcestershire, WR11 1YZ NB. Please telephone to arrange collection. Telephone: 01386 244224 Email: [email protected] Website: www.kinghamandorme.com 2 MAP AND DIRECTIONS Our auction site is based in the market town of Evesham just north of the Cotswolds. By Car We are centrally located in reach of motorways the M5, M4, M40, M42, a short way from the A44 By Rail Evesham’s train station is less than two miles from the auction site By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 90 miles DELIVERY SERVICES FOR BUYERS For Furniture: Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222 For Paintings: Aardvark Art Services Ltd Telephone: 01253 794673 Email: [email protected] For Small Items: Mailboxes, Cheltenham Branch Tel: 01242 530130 Email: [email protected] We also offer an in-house packing service for small items.
    [Show full text]
  • Gerrards Auction Rooms
    Gerrards Auction Rooms St Georges Road Two Day Sale of Fine Arts, Antiques, Jewellery, Silver and St Annes Lancashire Quality Collectables FY8 2AE United Kingdom Started Feb 14, 2013 10am GMT Lot Description 1 9ct Gold Opal Set Dress Ring, Fully Hallmarked Ring Size O. 2 Fresh Water Pearl Bracelet & Necklace Set, Set With Two Jade Coloured Spacers. 3 9ct Gold Bar Brooch, Set With A Central red Faceted Stone. 5 Gents Stainless Steel Quartz Wristwatch With White Enamelled Dial And Digital Display. 6 Gents Limit Wristwatch, With Box And Paperwork 7 Three 9ct Gold Diamond & Gem Set Dress Rings, All Hallmarked. 8 Gents Red LED Digital Wristwatch, Working Order 9 18ct Gold Sapphire & Diamond Dress Ring, Fully Hallmarked, Ring Size O. 10 Victorian Base Metal Knot Brooch, Set With Four Green Stones. 11 9ct Gold Smoky Quartz Set Ring, Fully Hallmarked, Ring Size P. 12 14ct Gold Emerald And Diamond Cluster Ring, Central Emerald Surrounded By Eight Round Cut Diamonds, Ring Size M. Stamped 585 13 Silver Box Link Bracelet, With Small Tab Marked Tiffany & Co. Together With Pouch And Outer Box. Length 7½ Inches Collection Of Silver Jewellery, Comprising Two Chains With Pendants, Two Gemset Silver Rings, Pair Of Earrings Set With Amber 14 Coloured Stones And a Simulated Pearl Necklace With Gold Clasp. 15 Black Fountain Pen, Marked Montblanc Meisterstuck A/F 16 Bueche-Girod Gents 9ct Gold Wrist Watch, supported on fine 9ct gold mesh bracelet. Excellent condition and working order. 17 Two Necklaces, Set With Amber And Coral Coloured Beads. 19 Triple Strand Fresh Water Pearl Necklace.
    [Show full text]