The Corning Museum of Annual Report 2018 Cover: Officers of the Board Antony E. Snow* Jim Oliveira The Manhattan skyline at dusk Susan M. Taylor Jutta-Annette Page Jeffrey W. Evenson Peter F. Volanakis* Elmerina L. Parkman creates a beautiful backdrop Chairman for GlassBarge at its stop in Wendell P. Weeks Paul D. Parkman , New York. James B. Flaws Ian McKibbin White* Lindsy R. Parrott Vice Chairman Karol B. Wight Paul N. Perrot + Opposite: John V. B. Perry Linda E. Jolly * Trustee Emeritus Joan P. Randles Staff members of The Corning Secretary Richard F. Randles Museum of Glass and the crew Peter B. Rath of GlassBarge stand on its upper Melissa J. Gambol The Fellows of The Corning Rachel Russell Assistant Secretary deck for a group photo. Museum of Glass Josh Simpson John P. Smith Mark S. Rogus Carole Allaire Treasurer Walter Spiegl+ John Allaire Jane Shadel Spillman+ Michael J. Burns III James K. Asselstine Paul J. Stankard§ Assistant Treasurer Sheldon Barr Arlie Sulka Mike Belkin Alan L. Cameros§ Jennifer Thalheimer Officers of the Lt. Gen. Christian Clausen, retired§ Catherine M. V. Thuro-Gripton+ Corporation Simon Cottle Kenneth R. Treis Damon Crain Deborah Truitt Karol B. Wight Kenneth C. Depew Durk Valkema President and Executive Thomas P. Dimitroff William Warmus Director Jay R. Doros† Mark J. West Alan T. Eusden Micki Doros Karol B. Wight Chief Operating Officer Paul E. Doros Diane C. Wright David Dowler Rainer M. Zietz Roland “Max” Erlacher+ Maris Zuika Trustees Christopher T. G. Fish Alice Cooney Frelinghuysen * Life Fellow Roger G. Ackerman* David Fuchshuber + Honorary Fellow Peter S. Aldridge Sidney Goldstein+ § Fellow Emeritus Van C. Campbell* John Stuart Gordon † Deceased, May 4, 2018 * William Gudenrath The Fellows of The Corning Patricia T. Dann* Douglas B. Heller Robert Duke* Dorothy-Lee Jones+ Alan T. Eusden Olive Jones+ Photo Credits Jeffrey W. Evenson Helena Koenigsmarková+ James B. Flaws Stephen P. Koob All of the photographs in this Annual Museum of Glass are among Report are by The Corning Museum John P. Fox* Michael Kovacek the world’s leading glass col­- of Glass (Andrew M. Fortune, Allison S. Randi L. Hewit Anna Laméris lectors, scholars, dealers, and Lavine, Bryan H. Buchanan, Mickey Amory Houghton Jr.* Kitty Laméris glassmakers. The objectives Dann, Amanda Sterling, Jason Thayer, Arthur A. Houghton III* Willem Laméris of this organization are (1) and Jessica Trump), with the following James D. Houghton David Landau to disseminate knowl­edge exceptions: James R. Houghton* Dwight P. Lanmon+ about the history and art of glassmaking and (2) to sup- Cover and frontispiece: Sir Mark Ellis Powell Jones Howard J. Lockwood port the acquisitions program © Jeffrey Foote Photography E. Marie McKee* Malcolm N. MacNeil of the Museum’s Rakow David L. Morse Douglas C. McCorkle Page 2: Jonathan Atkin Research Library. Admission Carl H. Pforzheimer III* Gregory A. Merkel to the fellowship is intended Page 4 (top): Chris Walters Carlos A. Picón* Mary Cheek Mills to recognize accomplishment, Pages 12, 39 (bottom), and 42: Helmut Ricke* Kirk J. Nelson+ and is by invitation. Matt Wittmeyer Mark S. Rogus Tina Oldknow+ The Corning Museum of Glass Annual Report 2018

An educational institution dedicated to the history, art, and science of glass

Chartered by the Board of Regents of the University of the State of New York April 27, 1951 (6026)

Accredited by the American Alliance of Museums 1973, 1986, 1999, 2010 In 1868, the Brooklyn Flint Glass Company style with an evening celebration complete The Year decided to relocate its firm to Corning, New with fireworks, live music, and hot glass. in Review York. It dismantled its glassmaking equipment A new Web-based app was developed to in Brooklyn, loaded it onto canal barges, and complement the GlassBarge journey: PastPort sailed up the Hudson River and across the Erie allowed users to locate GlassBarge’s current Canal to the company’s new home. In honor and future positions along the waterways, of the 150th anniversary of the glass firm’s and included historical information about the historic voyage, the Museum spent much of towns visited during the trip. This app, like 2018 executing a series of programs and the voyage itself, enabled the Museum to make events that celebrated the arrival of glassmak- many new friends and partners as we engaged ing in our town, an act that forever changed with cultural institutions across New York the nature of Corning, New York. Foremost State to create the content for PastPort. among them was the re-creation of the canal Other celebratory events occurred on the barge journey during the summer months. Museum’s campus, and among the most nota- (It was a happy coincidence that 2018 also ble was the redesign and reinstallation of the marked the bicentennial of the Erie Canal.) Crystal City Gallery, a space that tells the story A mobile hot shop was placed on the deck of of glass in Corning. The 150th anniversary a canal barge, visitor seating was added, and provided us with the perfect opportunity to GlassBarge was christened. refresh the displays and to prepare new inter- The journey commenced in May in Brooklyn pretive materials that more fully relate the Bridge Park, very near the location of the story of Corning Glass Works (rechristened Brooklyn Flint Glass Company. In September, from Brooklyn Flint Glass Company) and the trip on water was completed in the village glassmaking in our town. The gallery was of Watkins Glen at the southern end of Seneca opened to the public in May on “Crystal City Lake. Although feeder canals had once exist- Saturday,” and our entire community was ed to connect the Erie Canal system to the invited to come and see the new displays. To Chemung River, they have long been out of complement the new presentations of Ameri- use. We were therefore unable to make the can , new glassmaking demonstrations entire journey by water, but we nevertheless were designed: one focused on glass cutting, marked the completion of the voyage in grand and the other, The Story of the Crystal City,

Yonkers, New York, was one of nearly 30 stops that GlassBarge made during its journey to the Finger Lakes region.

2 explained the physical transfer of the company and the innovative work undertaken by Cor­ ning Glass Works in its new hometown. “Glass of the Architects: Vienna, 1900– 1937” was the Museum’s special exhibition in 2018. A cooperation of the MAK – Austrian Museum of Applied Arts / Contemporary Art in Vienna and Le Stanze del Vetro in Venice, “Glass of the Architects” explored the changes in glass design in Austria in the first decades of the 20th century. Most of the works on view were from the collection of the MAK, supplemented by the Corning Museum’s hold- ings and works from private collections. At the Rakow Research Library, “Curious and Curiouser: Surprising Finds from the Rakow Library” remained on view, with works on paper changed every three months to refresh the displays. “Curious and Curiouser” shared some of the unusual holdings within the li- brary’s special collections, and demonstrated how those holdings have influenced the cre- ative work of artists who have come to study and make glass at the Museum. Our glassmaking demonstrations remain a visitor favorite. In addition to special demonstrations designed to complement the 150th-anniversary programs and our special exhibitions, we hosted 30 guest artists on our various demonstration stages (see page 14 for our roster of guest artists). Some of these artists also undertook a residency or taught a course at The Studio. Almost 26 percent of our 245,040 individual and family visitors partici- pated in a Make Your Own Glass experience at The Studio, a record high for a single year. After a decade of success, our Hot Glass at Sea program aboard three Celebrity Cruises Solstice-class ships took its final voyage in 2018. Through our shipboard demonstrations, we reached about three million cruise guests Our Guest Services staff and front-line staff The mobile app Past­ during those 10 years and converted them to in The Shops, in The Studio, in the Café, in Port was developed to glass enthusiasts. We thank Celebrity Cruises Security, and all across the campus performed allow users to track the current and future loca­ for providing us with this wonderful oppor­ their work graciously and attentively. Our tions of GlassBarge. tunity and appreciate the way in which the guest satisfaction rating for “friendliness of Museum and its many glass artists who served staff and volunteers” reached a new high of on-board the ships became global ambassadors 9.6 out of 10, a fantastic outcome of all their View of the newly re­ for through this collaboration. hard work. I thank the Guest Services Team designed Crystal City The mobile hot shop also continued to and all of our staff members for their dedica- Gallery. be an ambassador for the Museum. It was tion and their attention to ensuring that our deployed to Domaine de Boisbuchet in Lessac, visitors had a world-class experience while at France, for a design workshop, and in No- the Museum. vember it was front and center on Chicago’s The Advancement Department at the Mu­ Navy Pier for our annual appearance at SOFA seum­ was fully staffed by the end of 2018 with Chicago. the addition of Daniel DeRusha as manager

3 of institutional giving and Joeliene Magoto November, visiting artists’ studios, museums as senior advancement officer. Levels of donor and galleries, and historical sites. Our Museum giving continued to increase, particularly Members enjoyed exhibition openings and commitments in support of our plan to expand other receptions before our “Behind the Glass” our Studio and its operations. (See pages 44– lecture programs, and remain among our most 56 for a complete list of gifts to the Museum.) ardent supporters. I thank all of the members Three “Explorations” events were held for of our “friends” groups for their continued our Ennion Society members, enabling them loyalty to the Museum, and for being among to spend time with leading glass artists such our best ambassadors. as Kristina Logan, Dan Clayman, and Mary The Museum’s annual Rakow Commission Branson. In other Ennion Society news, mem- was awarded in 2018 to the Japanese artist bers took a memorable trip to in Rui Sasaki. This commission, which supports the development of new works of art in glass, has richly expanded the collection with im- portant works by emerging and established artists. Sasaki’s work, titled Liquid Sunshine / I am a Pluviophile, is a room-size installation of suspended glass droplets that were made with phosphorescent elements that permit them to glow softly in the dark (see page 24). When visitors enter the room, the lights dim, allowing these droplets, which embody the essence of rain, to glow. When visitors depart, the lights turn back on to let the phospho­ rescent material “recharge.” Sasaki’s work Visitors of all ages can will be on public view in late March 2019. experience glassmaking In addition to the Rakow Commission, new by participating in the works were added to all parts of the Museum’s Make Your Own Glass glass and library collections. Perhaps the most program. significant acquisition was the monumental mosaic column created by Louis Comfort Tiffany’s firm, Tiffany Studios. This archi­ Glass artist Dan Clayman speaks with tectural masterpiece is one of six identical members of the Ennion columns that once stood in Tiffany’s show- Society during one of room at the corner of 45th Street and Madison three “Explorations” Avenue in . After the firm events. closed, they were moved to Laurelton Hall, Tiffany’s residence in Laurel Hollow, Long Island, New York. Ultimately they were dis- persed to public and private collections. We are delighted to add this important piece to our American glass collection, and thank the donors who contributed funds to aid in its acquisition, including the Ennion Society and James B. Flaws and Marcia D. Weber. The Ennion Society also supported the acquisition of an Anglo-Saxon cabochon pendant that dates to about A.D. 650–700. It is known as the Covehithe Pendant because of its chance find near the village of Covehithe in . Works of Anglo-Saxon glass jewelry are quite rare, and we are fortunate to be able to add such a distinguished work to our hold- ings. Made by embedding canes of colorless glass wrapped with white and blue threads

4 in an amber matrix of glass, the piece demon- strates the very capable skills of glassmakers in England at that time. It is housed in a gilded silver frame, and signs of wear on the ring-loop closure at the top indicate that it was worn by its owner, likely a woman, for some time. At the Rakow Library, materials related to the guilds and of science also expanded in 2018, with important vol- umes such as Clavis Horologiae; or, A Key to the Whole Art of Arithmetical Dyalling (see pages 10 and 11). The library’s growing collection of artist archives expanded signifi- cantly with the ad­dition of papers from Joel Philip Myers and Lucartha Kohler (see pages 10 and 47). In addition, a diminutive volume of Blanche Marguerite, bound with reverse- painted glass covers, was acquired with funds from The Fellows of The Corning Museum of Glass (see pages 6 and 10). The Museum published its annual list of Mosaic column, glass titles, Notable Acquisitions 2017, the Annual mosaic, glass “jewels,” Report for 2017, volume 60 of the Journal wood, metal, gilding. U.S., New York, NY, of Glass Studies, and a redesigned version Tiffany Studios, about of New Glass Review. The new approach for 1905. H. 339.1 cm, New Glass Review was in preparation for our W. 61.6 cm, D. 58.4 cm 2019 special exhibition, “New Glass Now,” (2018.4.11). Purchased which will honor exhibitions held at the Mu- in part with funds from seum in 1959 and 1979 that presented glass the Arthur Rubloff Residuary Trust, the made at those times, and will celebrate and Ennion Society, the explore the work that contemporary glass Clara S. Peck Endow­ artists are fashioning today. ment, and James B. The Museum had a sound financial year, Flaws and Marcia D. despite challenges with visitation, and closed Weber. its books with a small surplus. Our earned revenues were just under $19 million, and the Steuben glass business sales achieved their highest level since the Museum assumed brand stewardship in 2013. More information will be found in the “Financial Report” on pages 64–65. The institution took further strides to con- tinue an initiative begun in 2017 to embrace diversity, equity, and inclusion (DEI) among our staff and visitors. A cross-institutional DEI team has been working to define what these terms mean to the Museum, has under- gone equity and inclusion training, and has participated in external workshops to help us Covehithe Pendant, determine how we plan to change who we are twisted, applied, and as an institution in terms of achieving a more marvered glass; gilded silver. England, about diverse, equitable, and inclusive workforce and 650–700. H. 3.7 cm, museum environment for our visitors. One step W. 2.6 cm, D. 0.6 cm along this path was the conducting of an equity (2018.1.1). Gift of the audit by those who work at the Museum. The Ennion Society.

5 Blanche Marguerite, results of this audit will help us to understand It is impossible in this review to make note Paris: Louis Janet, 1829. where we are as an organization in regard to of every activity undertaken by the Museum 71 pp., illustrations, cal­ DEI, and where we need to be. I look forward and its extraordinary staff in 2018. I encourage endar. H. 11 cm, W. 7 cm to continuing to work with our staff to address you to review the entire contents of this (CMGL 714543). Pur­ Annual chased with funds from these issues for our organization in the coming Report to appreciate all that was achieved The Fellows of The Cor­ years. Our work in this area will profoundly across the institution. As always, we thank ning Museum of Glass. shape our staff, the presentation of our collec- our benefactors, large and small. Most notable tion, and all that we do as a museum. Related among them is Corning Incorporated, which to our DEI work was an evaluation of the continues to support our work in significant institution’s mission, vision, and values state- ways. The corporation annually provides sub- ments. Following an 18-month process that stantial operating funds to enable us to fulfill engaged all staff members, we have redrafted our mission “to inspire people to see glass in all of these important words to reflect who and a new light.” Its unwavering support of the what we are as an institution and as a staff. Museum is gratefully acknowledged and most I encourage you to take a look at this impor- deeply appreciated. tant new language, which can be found on page 66. Karol Wight President and Executive Director

6 Ancient William Northwood (British, 1857–1937), about 1889. H. 10.4 cm, W. 9.1 cm, D. 8.3 cm Selected Marsh bowl with fish, molded and painted (2018.2.3). Gift of James and Becky Summar. Additions faience. Egypt, about 1550–1350 B.C. H. 4.3 William E. Gladstone portrait medallion, cm, Diam. 15 cm (2018.1.3). cased glass, acid-etched, cameo-carved. U.K., to the Covehithe Pendant, twisted, applied, and England, George Woodall (British, 1850– marvered glass; gilded silver. England, about 1925), about 1898. Diam. 6.1 cm, D. 0.6 cm Glass 650–700. H. 3.7 cm, W. 2.6 cm, D. 0.6 cm (2018.2.5). Gift of James and Becky Summar. * (2018.1.1). Gift of the Ennion Society. Plaque with girl carrying fruit, cased glass, Collection acid-etched, cameo-carved. U.K., England, European George Woodall (British, 1850–1925), about 1898. H. 16 cm, W. 11.2 cm, D. 0.7 cm Wineglass, blown glass, applied, engraved. (2018.2.6). Gift of James and Becky Summar. Possibly England, , glasshouse of Place card holder, cased glass, acid-etched, the Duke of Buckingham, Hawley Bishopp cameo-carved; brass; assembled. U.K., Eng- (fl. 1676–1685) or George Ravenscroft (1632– land, Thomas Webb & Sons, about 1900. 1683), or Ireland, Dublin, about 1680–1690. H. 7.6 cm, Diam. 6.4 cm (2018.2.7). Gift of H. 16.2 cm, Diam. 8 cm (2018.2.2). Gift of James and Becky Summar. Pure Insurance. Swan’s head perfume flask, blown glass, Two mirrors engraved with figures from the cased, acid-etched, cameo-carved, assembled. commedia dell’arte, mercury-tin amalgam, U.K., England, Thomas Webb & Sons, about carved and gilded wood frame, assembled. 1900. H. 4.8 cm, W. 23.3 cm, D. 3.5 cm Venice, about 1740. Each: H. 115 cm, (2018.2.4). Gift of James and Becky Summar. W. 75 cm, D. 12 cm (2018.3.3A, B). Mirror, mercury-tin amalgam, carved and gilded wood frame, assembled. Probably England, London (glass); Scotland (frame), carved by William Mathie (Scottish, fl. 1739– about 1761), based on designs by Thomas Chippendale (English, 1718–1779); about 1760. H. 174 cm, W. 105.5 cm, D. 12.5 cm (2018.2.8). Set of 24 gold dessert knives with reverse- gilded glass handles; mahogany case with velvet lining. France, Paris, gold blades made by Pierre Bizos (French, fl. 1800–1811), re- verse gilding probably executed by Antoine Rascalon (French, about 1742–1830), case possibly made by Martin-Guillaume Biennais (French, 1764–1843), 1805–1810. Knives: Marsh bowl with fish, H. 0.3 cm, W. 18.1 cm, D. 1.3 cm; case: molded and painted H. 3.6 cm, W. 32.8 cm, D. 16.4 cm (2018.3.1). faience. Egypt, about Purchased in part with funds from Dwight 1550–1350 B.C. and Lorri Lanmon. H. 4.3 cm, Diam. Metalliforme vase, blown glass, applied, 15 cm (2018.1.3). iridized. Italy, Venice/, Dott. Antonio, about 1880. H. 32.4 cm, W. 10.4 cm, William E. Gladstone D. 10 cm (2018.3.2). portrait medallion, The Muses Vase, blown glass, cased, acid- cased glass, acid-etched, etched, cameo-carved. U.K., England, cameo­-carved. U.K., England, George Woodall (British, 1850– * For more information about many of these 1925), about 1898. acquisitions, see The Corning Museum of Glass: Diam. 6.1 cm, D. 0.6 cm Notable Acquisitions 2018 (May 2019) or visit (2018.2.5). Gift of James www.cmog.org. and Becky Summar.

7 American Hoffmann (Austrian, 1870–1956), decoration possibly designed by Leopoldine Kolbe (Aus- Celery vase, blown glass, cut. U.S., Brooklyn, trian, 1870–1912), manufactured by the Wie- NY, Brooklyn Flint Glass Company (blank), ner Werkstätte, and Bohemia or Czechoslova- and probably New York, NY, Joseph Stouvenel kia, Nový Bor (Haida), manufactured by Joh. and Company (cutting), about 1850–1855. Oertel & Co., 1918. Enameled: “LK”, “WW.” H. 24 cm, Diam. 12.5 cm (2018.4.38). Gift H. 15.7 cm, Diam. 16.5 cm (2018.3.4). of James Asselstine and Bette Davis. Vetro mosaico vase, fused and blown glass. Cane, cased and hot-worked glass. U.S., Italy, Venice/Murano, designed by Anna Åker- Phila­delphia, PA, Herman M. Ludwig (Ameri- dahl Balsamo-Stella (Swedish, 1879–1957), can, 1852–1933), about 1870–1920. H. 102 manufactured by S.A.I.A.R. (Società Anonima cm, W. 8 cm, D. 2.2 cm (2018.4.14). Gift of Industrie Artistiche Riunite) Ferro Toso & C., Gregg Silvis in memory of Robert H. Ludwig. about 1920–1921. H. 21 cm, Diam. 16.8 cm Mosaic column, , glass (2018.3.10). Gift of Donna and Neil Weisman. “jewels,” wood, metal, gilding. U.S., New Respecting the Bag, engraved, enameled, York, NY, Tiffany Studios, about 1905. and sandblasted glass; lead came, wood, light H. 339.1 cm, W. 61.6 cm, D. 58.4 cm box; assembled. U.S., , PA, Judith Celery vase, blown glass, cut. U.S., Brooklyn, NY, (2018.4.11). Purchased in part with funds Schaechter (American, b. 1961), 1992. H. 62.7 Brooklyn Flint Glass from the Arthur Rubloff Residuary Trust, cm, W. 82.8 cm, D. 15.4 cm (2018.4.35). Gift Company (blank), and the Ennion Society, the Clara S. Peck Endow- of Paul and Elmerina Parkman. probably New York, NY, ment, and James B. Flaws and Marcia D. Cracker, cast glass; copper. U.S., Millville, Joseph Stouvenel and Weber. NJ, Hank Murta Adams (American, b. 1956), Com­pany (cutting), 1997. H. 51.5 cm, W. 21.5 cm, D. 24 cm about 1850–1855. (2018.4.15). Gift of Paul and Elmerina H. 24 cm, Diam. 12.5 cm Modern and Contemporary (2018.4.38). Gift of Parkman. James Asselstine and Vase, mold-blown glass, etched, enameled. Roly-Poly Chair / Water (“Assemblage 5” Bette Davis. Austria, Vienna, glass form designed by Josef series), kiln-cast lithium-barium glass, assem- bled. Designed in the U.K., London, England, by Faye Toogood (British, b. 1977), 2016, and made in the Czech Republic, 2018. H. 58.5 cm, W. 85 cm, D. 63 cm (2018.3.9). Speckled Suction Cups, mold-blown and lampworked glass, hot-worked, cold-worked, assembled; mussel shell. U.S., Wheaton, NJ, and Brooklyn, NY, Alison Siegel (American, b. 1987) and Pamela Sabroso (American, b. Venezuela, 1982), 2017. H. 21.4 cm, W. 13.2 cm, D. 11.6 cm (2018.4.12). VFZ 1, laminated UV glass, colored PET film, silicon epoxy. U.S., Venice and Van Nuys, CA, Larry Bell (American, b. 1939), 2017. H. 182.9 cm, W. 243.8 cm, D. 243.8 cm (2018.4.13). Purchased in part with special funds provided by Corning Incorporated in honor of the opening of the Contemporary Art + Design Wing, March 2015. Liquid Sunshine / I am a Pluviophile, blown glass with phosphorescent material, broad- spectrum UV lights, motion detector. Japan, Kanazawa, Ishikawa, Rui Sasaki (Japanese, b. 1984), 33rd Rakow Commission, 2018. H. 335.3 cm, W. 426.7 cm, D. 365.8 cm (2018.6.2). Purchased with funds from the Juliette K. and Leonard S. Rakow Endowment Fund.

8 Mining Industries: Corning, 2018, kiln-cast glass from 3-D printed model; steel, mirrored glass, transparencies. U.S., Plainwell, MI, Norwood Viviano (American, b. 1972), 2018. H. 48 cm, W. 85 cm, D. 58 cm (2018.4.10). Gift of James B. Flaws and Marcia D. Weber.

Science and Technology

Stained glass window sundial with modern stand, blown and spun glass; metal frame. England, unknown artist, about 1675. Overall: H. 50.4 cm, W. 26 cm, D. 9.3 cm; : H. 27.6 cm, W. 26 cm, D. 1.8 cm (2018.8.1). Acorn simple microscope compendium, ground and polished lenses; turned ivory and ebony. England, unknown maker, about 1775. H. 5.2 cm, Diam. 2.7 cm (2018.8.14). Grand universal equinoctial dial with preci- sion oculus, rolled brass, ground and polished glass. Spain, Madrid, Pierre Bernard Mégnié (French, 1751–1807), about 1790. Closed: H. 4.6 cm, W. 21.5 cm, D. 21 cm; open: H. 14.5 cm (2018.8.2). Volta’s straw electroscope, turned and lacquered brass; blown glass, cut. Continental Europe, unknown maker, about 1790. H. 13 cm, W. 7 cm (2018.8.17). Incandescent light bulb in display case, blown glass; carbonized paper; metal, mahogany,­ velvet; assembled. U.K., London, England, Joseph Swan (British, 1828–1914), about 1877. H. 17.2 cm, W. 26.7 cm, D. 17.6 cm (2018.8.6).

Incandescent light bulb VFZ 1, laminated UV in display case, blown glass, colored PET film, glass; carbonized paper; silicon epoxy. U.S., Ven­ metal, mahogany, ice and Van Nuys, CA, velvet; assembled. U.K., Larry Bell (American, b. London, England, 1939), 2017. H. 182.9 Joseph Swan (British, cm, W. 243.8 cm, D. 1828–1914), about 243.8 cm (2018.4.13). 1877. H. 17.2 cm, Purchased in part with W. 26.7 cm, D. 17.6 cm special funds provided (2018.8.6). by Corning Incorporated in honor of the opening of the Contemporary Art + Design Wing, March 2015.

9 Ordonnantie van de pot en glas-verkoopers Wilhelmus Greve (Dutch, 1762–1819), Selected (Ordinance of the pottery and glass sellers), “Alchymische, chemische & pharmaceutische Additions [Leiden]: gedruckt by de Erfgenamen van Jan aanteekeningen uit verscheide autheuren ge­ Claesz, 1665. Six pp. (unnumbered). H. 21 cm trokken” (Alchemical, chemical & pharma­ to the (CMGL 715194). ceutical notes drawn from various authori- John Holwell (English, 1649–1686?), Clavis ties), 1787–1815. One volume with 11 Library Horologiae; or, A Key to the Whole Art of engravings and one woodcut. H. 22 cm Arithmetical Dyalling, bound with appendix, (CMGL 714871). Purchased in part with Collection “An Explication of the Pyramidical Dyal Set funds from the Juliette K. and Leonard S. Up in His Majesties Garden at White-Hall, Rakow Library Endowment Fund. Anno 1669” by Francis Hall or Line, also Blanche Marguerite, Paris: Louis Janet, known as Linus of Liège (French, 1595–1675). 1829. 71 pp., illustrations, calendar. H. 11 cm, London: printed by Will. Bonny, for the author, W. 7 cm (CMGL 714543). Purchased with 1686. 287 pp. (some missing), 21 plates, and funds from The Fellows of The Corning Mu- 38 pp., 18 plates. H. 21 cm (CMGL 706022). seum of Glass. Purchased with funds from the Juliette K. and Handbill, Notice! For Preserving the Eyes, Leonard S. Rakow Library Endowment Fund. place and publisher not identified, 1850– 1869. Ink on paper. H. 33 cm, W. 17 cm (CMGL 705006). [Catalog of shape patterns]. Italy, Venice / Murano, Vetri Soffiati Muranesi Venini & C., [about 1925–1935]. 88 plates, illustrations. H. 24 cm, W. 35 cm (CMGL 712632). Pur- chased with funds from the Juliette K. and Leonard S. Rakow Library Endowment Fund. Papers compiled by Joel Philip Myers (American, b. 1934), 1958–2014. 10.5 linear feet (CMGL 705970). Gift of Joel Philip Myers and Karen Birthe Eriksen Noer Myers. Artist files compiled by Lucartha Kohler (American, 1938–2017), 1972–2016. Seven linear feet (CMGL 115771). Gift of the estate of Lucartha Kohler. Karen LaMonte (American, b. 1967), Impression 2, 2001. Monotype, Charbonnel etching ink on Arches Cover White paper. H. 183 cm, W. 130 cm (CMGL 705304). Gift of Dale and Doug Anderson. Edward T. Schmid (American, b. 1964), Maestro Archimede Seguso, 2017. Pen and ink on paper. H. 31 cm, W. 23 cm (CMGL 705632). Gift of Edward Schmid.

Joel Philip Myers shows Karen LaMonte his whimsical nature by (American, b. 1967), posing behind one of his Impression 2, 2001. glass creations. From Monotype, Charbonnel papers compiled by Joel etching ink on Arches Philip Myers (American, Cover White paper. b. 1934), 1958–2014. H. 183 cm, W. 130 cm 10.5 linear feet (CMGL (CMGL 705304). Gift 705970). Gift of Joel of Dale and Doug Philip Myers and Karen Anderson. Birthe Eriksen Noer Myers.

10 Top: Left: Title page and plate Advertisement from from John Holwell Wilhelmus Greve (Dutch, (English, 1649–1686?), 1762–1819), “Alchy­ Clavis Horologiae; or, mische, chemische & A Key to the Whole Art pharmaceutische aantee­ of Arithmetical Dyalling, keningen uit verscheide bound with appendix, autheuren getrokken” “An Explication of the (Alchemical, chemical & Pyramidical Dyal Set Up pharmaceutical notes in His Majesties Garden drawn from various at White-Hall, Anno authorities), 1787–1815. 1669,” by Francis Hall One volume with 11 or Line, also known as engravings and one Linus of Liège (French, woodcut. H. 22 cm 1595–1675). London: (CMGL 714871). Pur­ printed by Will. Bonny, chased in part with funds for the author, 1686. from the Juliette K. 287 pp. (some missing), and Leonard S. Rakow 21 plates, and 38 pp., Library Endowment 18 plates. H. 21 cm Fund. (CMGL 706022). Pur­ chased with funds from the Juliette K. and Leonard S. Rakow Library Endowment Fund.

11 Special Exhibitions Foundation (Vaduz, Liechtenstein) via The Exhibitions Corning Museum of Glass. and Loans Tiffany’s Glass Mosaics “Vittorio Zecchin: Transparent Glass for Changing Exhibitions Gallery Cappellin and Venini,” Le Stanze del Vetro, Through January 7, 2018 Venice, Italy, through January 7, 2018; four Steinberg Foundation objects. Glass of the Architects: Vienna, 1900–1937 “René Lalique: Enchanted by Glass,” A cooperation of the MAK and LE STANZE Chrysler Museum of Art, Norfolk, VA, DEL VETRO through January 21, 2018; 233 objects. Changing Exhibitions Gallery “Bending Light: Neon Art 1965 to Now,” June 23, 2018–January 6, 2019 Neuberger Museum of Art, Purchase, NY, (MAK – Austrian Museum of Applied January 28, 2018–June 24, 2018; one object. Arts / Contemporary Art, Vienna, and “Grant Wood: American Gothic and Other Le Stanze del Vetro, Venice) Fables,” Whitney Museum of American Art, New York, NY, March 2, 2018–June 10, Other Exhibitions 2018; two objects, including one from the Rakow Research Library. Curious and Curiouser: Surprising Finds “ in Context: Charlotte Potter from the Rakow Library and April Surgent,” Wichita Art Museum, Rakow Research Library Wichita, KS, June 9, 2018–September 9, 2018; Through February 17, 2019 eight objects. “M.V.M. Cappellin Glassworks and the Objects on Loan Young Carlo Scarpa, 1925–1931,” Le Stanze del Vetro, Venice, Italy, September 10, 2018– In 2018, the Museum had 254 objects on January 6, 2019; five objects, including two loan to seven exhibitions in the United States from the Steinberg Foundation. and Europe. These loans are listed below in “Michael Sherrill Retrospective,” Mint chronological order. The objects included Museum Uptown, Charlotte, NC, October 27, managed loans of pieces from the Steinberg 2018–April 7, 2019; one object.

The exhibition “Glass of the Architects: Vienna, 1900–1937” featured a reconstruction of Josef Hoffmann’s Dressing Room for a Star, which was displayed at the 1937 Paris International Exposition.

12 Special Programs Harvest Homecoming, September 22 (Corning community-wide celebration, Education 150th anniversary of the establishment of in partnership with Corning’s Gaffer and Public Corning Glass Works in Corning, NY District, featuring homecoming of gaffers “Crystal City Saturday,” featuring the from GlassBarge, re-creation of Glass- Programs opening of the renovated Crystal City Barge and The Story of the Crystal City Gallery and glass cutting presentations demonstrations, Gaffer District Harvest by glassmaker Aidan Scully of Crystal Festival, and Glass Farmers Market) Traditions of Tiffin Inc. (Tiffin, OH), “Imagination to Creation: Oiva’s Birds,” May 5 celebration of designer ’s glass “150 Years of Glassmaking in Corning,” birds, featuring demonstrations by Finnish new display featuring extensive timeline gaffers Helena Welling and Juha Saarikko, and stunning visuals, including historical October 18–21 photos and maps Marvelous Marble Day (Eli Murphy and Sierra GlassBarge, a floating hot-glass studio offer- Ricci, crowned King and Queen of Marbles ing live glassmaking demonstrations, re- at National Marbles Tournament in Wild- tracing and expanding the route of the wood, NJ; marble games, marble-making relocation of the Brooklyn Flint Glass demonstrations with Mark Matthews, Company to Corning along the Hudson scavenger hunt), February 18 River, the Erie Canal, and the Finger Pumpkin-Making Marathon, October 6 Lakes, visiting: TBEX (Travel Blog Exchange) North America Brooklyn, May 17–20 and 23–28 2018 conference, hosted by the Museum, Yonkers, June 1–3 September 11–13 Poughkeepsie, June 8–10 Kingston, June 15–17 Adult Programs Catskill/Hudson, June 19 Troy, June 22 Hot-Glass Programs Waterford, June 23 and 24 Demonstrations at the Museum Amsterdam, June 26 and in Corning Canajoharie, June 28 Flameworking: Daily demonstrations; The Glass engraver Aidan Little Falls, June 30 and July 1 Artisan’s Hand (inspired by “Glass of the Scully of Crystal Tra­ Ilion, July 3 Architects: Vienna, 1900–1937” exhibition), ditions in Ohio dem­ onstrates how glass Rome, July 5 Innovation Center cutting creates elaborate Sylvan Beach, July 7 and 8 : Daily demonstrations; Gaffer’s and ornate designs Baldwinsville, July 13–15 Choice (two-hour morning session in which during “Crystal City Lyons, July 17 glassmakers explore their own designs); Saturday.” Fairport, July 20–22 Holley, July 24 Lockport, July 28 and 29 Tonawanda, July 31 Buffalo, August 3–5 Middleport, August 7 Medina, August 11 and 12 Brockport, August 17–19 Spencerport, August 21 Pittsford, August 23–26 Palmyra, August 28 Seneca Falls, September 1–3 Watkins Glen, September 14–16 Glassmakers: Catherine Ayers, Michael Beahm, Theresa Jorgensen, G Brian Juk, Jeff Mack, Eric Meek, Lukas Milanack, Lewis Olson, Stephanie Perry, Chris Rochelle, Tom Ryder, Carl Siglin, Helen Tegeler

13 GlassLab “Empreinte Vases” Glass Design Workshop (wood-fired kiln), with Ferréol Babin, Domaine de Boisbuchet, Lessac, France, August 12–22 (glassmakers: Lewis Olson, Damien François)

Mobile Hot Shop SOFA Chicago, Chicago, IL, November 1–4 (glassmakers: George Kennard, Dane Jack, Helen Tegeler)

Hot Glass Show Guest Artist Demonstrations James Mongrain, January 14–16 Robin and Julia Rogers, January 17–21 Eusheen Goines, January 28 and 29 Ben Edols, February 12–15 Mark Matthews, February 18 Crystal Gregory, March 5–9 Dan Friday, April 9–13 Davide Salvadore, May 30–June 3 , June 11–15 Courtney Dodd, June 21 Heather Spiewak, June 28 Micke Johansson, July 12 Michael Schunke and Josie Gluck, July 19 Simone Crestani, July 26 Christa Westbrook, August 2 Jen Violette, August 9 Martin Janecky, August 16 Aaron Jack and Anna Knoll, August 23 Darin Denison, August 30 Cat Labonte, September 1 Chris Ahalt, September 3–6 Demonstrations by Beyond the Bench (gaffer-led tour featuring Taf Schaefer, October 11 and 12 visiting glass artists an object from the collection, which is then Robert Dane, November 14–18 Ben Edols (top) and reproduced by the Museum’s glassmakers), Sigga Heimis, December 5–7 Robin and Julia Rogers (bottom) during the Courtyard Stage; Don’t Try This at Home Todd Ortega, Nikolai Morse, and Jason Guest Artist Series. (exploring the unique properties and possi- Howard, December 19 and 20 bilities of glass, how mistakes can lead to innovation), Courtyard Hot Shop; Glass “Behind the Glass” Lecture Series Cutting (inspired by Crystal City Gallery; Anna Mlasowsky, artist, discussing her work includes brilliant-cutting of blanks, overlay and the work she created during her recent blanks), West Bridge; The Story of the Specialty Glass Residency, a joint program Crystal City (exploring the evolution of of the Museum and Corning Incorporated, Corning’s world-renowned glass industry), February 8 Hot Shop, Innovation Center; Corning, “New Discoveries in Early Nigerian Glass- NY, GlassFest (ninth annual), May 24–27 making,” Dr. Abidemi Babatunde Babalola (glassmakers: Aaron Jack, Lewis Olson, (glass beads, crucible fragments, and raw Tom Ryder, Theresa Jorgensen); You Design glass from Ile-Ife, Nigeria, provide evidence It; We Make It!, Amphitheater for a large workshop making glass beads Properties of Glass Demonstrations: Glass 1,000 years ago), March 8 Breaking, Optical Fiber “New Dawn in Parliament,” Mary Branson, artist, discussing the commissioned work

14 she created for the United Kingdom’s Members-Only Events Houses of Parliament in London, in honor Reception with Anna Mlasowsky, artist, of the 150th anniversary of the 1866 February 8 petition calling for women’s suffrage Reception with Mary Branson, artist, April 19 (the work was unveiled in 2016), April 19 Preview of “Glass of the Architects: Vienna, “Bridging Glass Art and Science,” Dr. G. Jane 1900–1937” exhibition, June 22 Cook, chief scientist, The Corning Museum Tours of “Glass of the Architects” exhibition, of Glass, chronicling the influences in her June 23 journey from bench scientist in Corning Reception with Janis Staggs, director of Incorporated’s research laboratory to curatorial and manager of publications, sought-after lecturer, consultant, teacher, Neue Galerie New York, New York, NY, and adviser to artists, curators, educators, December 13 and the public, serving as a liaison be­ tween the worlds of glass art and science, Seminar on Glass (57th annual): exploring November 8 international influences on cut and engraved “Vienna 1900: The Heart of Modernity,” glass from 1825 to 1945, October 19 and 20 Janis Staggs, director of curatorial and Lectures manager of publications, Neue Galerie October 19 New York, New York, NY, December 13 “Building on the Past: Traditional Techniques and New Aesthetics in ‘Glass of the Archi- Ennion Society Events tects: Vienna, 1900–1937,’” Alexandra “Explorations: A Series of Museum Perspec- Ruggiero tives,” offering members opportunities to “Glass Cutting and Engraving at the Dorflinger exchange views on works in the Museum Factory in White Mills, ,” Jim with staff members and visiting artists: Asselstine Kristina Logan (hosted by Penelope and “Irish Cut and from 1783 to Kirk Gregg), January 19; Dan Clayman circa 1950,” Audrey Whitty (in The Shops), February 16; Mary “Migrating Glass Cutters,” Curt Pederson Branson (hosted by Laura Coleman and and Lars Hansson Tom Halgash), April 18; and Susie Silbert, “One Frenchman’s Glass Cutting Machinery the Museum’s curator of modern and con- and Another’s Lenses: The Brooklyn Flint temporary glass (dinner and conversation, Glass Company’s Prize-Winning Products held at the Foundation for the Carolinas, in the 1850s,” Ian Simmonds Charlotte, NC), June 6 “The Process behind Beauty,” Alex Schwarz, GlassBarge events: Brooklyn, NY (launch), assisted by Eric Meek May 17, and Watkins Glen, NY (return), “Welcome and New Acquisitions,” Karol September 12 Wight Dinner and tour of The European Fine Art Fair (hosted by Christopher Maxwell October 20 and Lindsay Hahnes), New York, NY, “Buying and Selling Brilliant Cut Glass,” October 16 Kelly Conway Annual dinner, October 17 “The Cut Glass Tradition in Austria and SOFA Chicago: Dinner (hosted by the Corning Its Impact on Modernity in Austrian Museum’s Advancement Department at Glassmaking: Cut Glass for the Wiener The Richard H. Driehaus Museum), No- Werkstätte,” Rainald Franz vember 2, and VIP breakfast (at Festival “The Iconographic Sources of Engraved Glass Hall, Navy Pier), November 3 by Caspar Lehman,” Adela Minaříková Trip to Australia (Adelaide, Canberra, and “Mixing Art and Politics: Steuben’s ‘Asian Sydney, visiting private and public glass Artists in Crystal,’” William Warmus studios and collections, as well as univer­ sities with glass programs; also included Other Events a stop at the Cleland Wildlife Park in “Can You Cut It?” trivia game Adelaide and a tour of the Sydney Opera Hot-glass demonstration: relating the story House), November 10–18 of how Corning became an artistic leader

15 in glass cutting, Chris Rochelle and Helen Family Programs Tegeler Tours of the “Glass of the Architects: Vienna, Blue Star Museums Program (active military 1900–1937” exhibition and families), May 25–September 3 Tours of the newly installed Crystal City Family Night at the Museum, March 9 (magic Gallery shows by Mario the Magician, glassmaking Tours of the Museum’s Conservation Labora- demonstrations, make your own magic tory and Rakow Research Library tricks, scavenger hunt) and September 14 (flameworking demonstrations by Eric 2300° Goldschmidt, creating 3-D buildings, inter- Finger Lakes wine and cider tastings, glass- active show in Amphitheater, juggling making by Robin and Julia Rogers, music performance by Nels Ross) by Hannah Gill and The Hours, and by Fun with Glass Svet, January 18 Glass Wonderland, November 10, 2018– “Fire and Ice,” glassmaking by Ben Edols, January 2, 2019 music by Dwayne Dopsie and the Zydeco Holiday Break: December 26, 2018–January 5, Hellraisers, and by Sungbeats, February 15 2019 St. Patrick’s Day, glassmaking by Dane Jack Holiday Open House, December 1 and 2 and Megan Mathie, music by Red Hot Make Your Own Glass Chilli Pipers, March 15 Spring Break: Nature Adventure (exploring GlassFest kickoff, celebrating 150 years of biodiversity with the help of glass instru- glassmaking in Corning, glassmaking by ments–microscopes, binoculars, magnifying Fred Kahl, music by Slambovian Circus , etc.), March 30–April 7 and April of Dreams, May 24 21–28 Glass holidays, interactive glass sculpture Thanksgiving Break: November 23 and 24 making by Jason Howard, Nikolai Morse, Winter Break: February 17–24 (You Design It, Todd Ortega, and Scott Griffin; music by We Make It!; glassmaking demonstrations, Eli “Paper Boy” Reed, December 20 gallery hunt)

Other Programs Children’s Programs Meet Me at the Museum (in partnership with The Rockwell Museum, Corning, NY, and Little Gather (storytelling, ages 3–10) Family Night at the Museum offers the Alzheimer’s Association, Rochester, NY), Taikoza (traditional Japanese instruments a fun-filled evening providing multi-sensory experiences and and powerful rhythms of taiko drums), of entertainment and social bonds for people with Alzheimer’s July 11 activities for all ages. disease Doc Possum (old favorites and new songs), July 18 The Science of Magic with Super Scientific Circus (scientific secrets of magic), July 25 Dave Ruch (banjo, guitar, jaw harp, bones, spoons, and more), August 1 Magical World of Books – Janice Spagnola (value of books and reading), August 8 Mohamed Diaby (West African costumes, instruments, dances, and acrobatics), August 15

Youth Programs

CMoG Challenge (helping participants to understand, use, and sometimes contribute to science), March 6–May 9 (with conclud- ing presentation and reception)

16 Expanding Horizons (for at-risk teens), The Studio, funded by The Robert M. Minkoff Foundation, August 5–11 Explainers (in-gallery program) Fire Up Your Future! Featuring a panel discus- sion about careers in science, technology, engineering, and mathematics (speakers: Marvin Bolt, Jane Cook, and Lianne Uesato of The Corning Museum of Glass; Kaitlin Olmstead of Corning Incorporated; and Nicole Wiles, graduate research assistant at Cornell University), March 22 Junior Curators (60th anniversary), February– June (included exhibition “60 Years of Junior Curators: Interpreting the Past, Speaking to the Future,” June 14–December 31; opening reception for Junior Curators and families/friends, June 14) Teen Leadership Council, June 7–September 4 (with recognition event for teenage volun- teers, September 4) Ancient Civilizations (middle school and up) Warren Bunn, collec­ Architecture (high school and college) tions and exhibitions School Programs Chemistry of Glass (high school) manager, takes partici­ pants in the Expanding Exploring Shapes and Colors (pre-kindergarten Horizons program on a Corning–Painted Post High School Learning and kindergarten) tour of the glass storage Center: flameworking (March/April and Glass and Our Community (third grade) area. November/December) Glass: It’s All Shapes and Sizes (first and second Glass: It’s Art, History, Science, and More! grades) (attended by 10,403 children) Glass in the Ancient World (middle school) Immersion in Glass Studies Glass Matters! (fifth grade) Hendrick Hudson High School, Montrose, Geology (middle school and up) NY, June 1–3 Introduction to the Rakow Library: Services Student Art Show (50th annual), May 16–21 and Collections (all grades/interdisciplinary or subject-focused) Teacher Programs Measurement (third grade) Mixtures and Solutions (fifth grade) Evening for Educators, March 15 (150th Museum Careers (high school and college) anniversary of glassmaking in Corning Pebbles, Sand, and Silt (first grade) and 200th anniversary of the Erie Canal; Science: Glass and Nature (middle school) preview of GlassBarge; preview of “Glass Uses of Glass (elementary school) of the Architects: Vienna, 1900–1937” World Civilizations (high school) exhibition by Alexandra Ruggiero, assistant curator of modern glass) and November 15 Guided Tours and Gallery Activities (talk by Kathryn Wieczorek, the Museum’s science educator; “What’s New at The Glass Detectives (scavenger hunts) Corning Museum of Glass” by Mieke Fay, Garden Gallery Hunt (Glass Collection youth and family programs supervisor; Galleries) Hot Glass Demo team answers questions Harvest Hunt (Glass Collection Galleries) in “Don’t Try This at Home” segment; Scavenger Hunt (Contemporary Art + preview of gallery changes) Design Wing) on GlassApp Searching for Animals (Glass Collection Educational Tours Galleries) Carder Gallery Hunt Adventures in Glass: Art, History, Science (all Winter Wonders Hunt (Glass Collection grades/interdisciplinary or subject-focused) Galleries)

17 Glass through the Ages “An In-Depth Introduction to Venetian Tech- In-Sight Tours for People Who Are Blind niques” (glassblowing), William Gudenrath or Low Vision “Multiple Gathers” (glassblowing), George Museum Explainers’ Gallery Carts Kennard Ancient Glass “Pâte de verre: Grains of Light” (kiln work- Caneworking and Murrine ing), Alicia Lomné Casting Techniques “Patterns and Textures” (cold working), Glass Recipes and Cameo Glass Tomo Sakai Glassworking Tools Optics February 5–10 Pressed and Cut Glass “Combining Lamp, Kiln, and Furnace- Stained Glass Worked Glass” (flameworking), Jeremy Public guided tours Burdge and Gayla Lee Science tours “Luminous Graphics” (sandblasting and Summer youth tours enameling), Denise Stillwaggon Leone Tours of Rakow Research Library “What’s Your Problem?” (kiln working), Tours of The Studio Daniel Clayman “The Wonder from Down Under” (glass­  blowing), Ben Edols The Studio February 12–17 Intensive Courses “Beginning Glassblowing,” Cat Burns January 8–13 “Finding Depth” (kiln working), Douglas “Glassworking through the Ages,” William Randall and Linda Ethier Gudenrath, Kate Larson, Christopher “Graphic and Color Systems in Glass” (glass- Maxwell, Kelly Conway, Susie Silbert, blowing), Mark Matthews and Marvin Bolt “Nature in Glass: Sculptural Bead Techniques “Goblets: Form and Function” (glassblowing), in Soft Glass” (flameworking), Kim Fields James Mongrain “Paperweight Techniques and Inclusions” June 4–9 (flameworking), Victor Trabucco “Creating and Using Murrine” (glassblowing), Davide Salvadore January 8–19 “Luminous Graphics” (sandblasting and “Kiln Forming: Out of Square” (kiln working), enameling), Denise Stillwaggon Leone Emma Varga June 11–16 January 15–20 “Cultivating Casting: Lost-Wax Kiln Casting,” “Beadmaking: Expanding Your Skills” (flame- Evelyn Dunstan working), Kristina Logan “Fine-Tune Your Torch Fundamentals” “Narrative Investments” (), (flameworking), Hugh Salkind Stephanie Trenchard and Jeremy Popelka “Tumblers: Simple Perfection” (glassblowing), “Why Be Normal? From Classical to Cutting Powell Scott Edge” (glassblowing), John Miller “Un-blinded: Scientific Inspirations for Hot- Glass Sculpture” (glassblowing), Jane Cook January 22–27 and Anna Riley “Disk Flips, Design, and Implementation” (flameworking), Eusheen Goines June 18–23 “Drinking outta Cups” (glassblowing), “Coldtwerking 501 Special Topics” (cold Jordana Korsen working), Jennifer Crescuillo and Andrew “Making Your Mark with Murrine” Najarian (kiln working), Janet Dalecki “Corallite Creations: Kiln Forming with Powder, Heat, Gravity, and Flame,” Nikki January 29–February 3 O’Neill “Flameworking Glass Sculpting: Solid “Define, Ideate, Prototype, Test” (glass­ and Blown Forms,” Hugh Salkind blowing), Courtney Dodd

18 “Flameworking: Structural Objects & Forms,” “Inspiration, Pattern, Color, and Technique in Lisa Demagall Kiln Glass” (kiln working), Richard Parrish “An In-Depth Introduction to Venetian Tech- niques” (glassblowing), William Gudenrath August 13–18 “Flameworked Glass Beads,” Nirit Dekel June 25–30 “If You Can Understand It, You Can Do It” August 13–24 (flameworking), Jason Howard “Blowing and Sculpting inside the Bubble” (glassblowing), Martin Janecky June 25–July 6 “Cold Construction and 3-D Thinking” (cold “Form + Color” (glassblowing), Boyd Sugiki working), Martin Rosol and Tomo Sakai and Lisa Zerkowitz “Experimental Glass Engraving,” Pavlína “Glass Engraving,” Katharine Coleman Čambalová “Knitting Glass” (kiln working), Carol Milne “An In-Depth Introduction to Venetian Tech- niques” (glassblowing), William Gudenrath July 2–7 “Kiln Casting: Demystifying the Digital,” “Flameworking for Everybody,” Emilio Santini Norwood Viviano

July 9–14 August 27–September 1 “Ariel and Graal Techniques” (glassblowing), “Advanced Basic Boot Camp” (glassblowing), Micke Johansson Darin Denison “Cold Working: Jewelry and Sculptural “Experimental Glass Engraving,” Pavlína Forms,” Donald Friedlich Čambalová “Form, Function, and Pattern” (flame­ “Hollow Sculpting in a Hollow World” working), Eusheen Goines (flameworking), Chris Ahalt “Glass Engraving,” Matteo Seguso “Surface, Texture, and Mark-Making” (kiln August 27–September 7 working), Marina Hanser “Linearity” (kiln working and cold working), Mel Douglas July 16–27 “ Engraving,” Jaroslav Šára September 3–8 “Cups and Color” (glassblowing), Michael “Introduction to Flameworking,” Tim Drier Schunke and Josie Gluck “Over the Rainbow” (glassblowing), Nancy “Developing Your Idea in Boro” (flame­ Callan working), Simone Crestani “Mosaic Glass” (kiln working and cold Ten-Week Courses (one session each week) working), Gabriele Küstner Spring “Back to Basics” (glassblowing), Ross Delano July 30–August 4 “Beginning Glassblowing,” Catherine Ayers “Beginning with Basic Bubbles” (glassblowing), “Introduction to Caneworking” (glassblowing), Christa Westbrook Jeremy Unterman “Forces of Nature” (flameworking), Bandhu Dunham Fall “Murano Glass Objects with Kiln Murrine” “Beginning Glassblowing,” Catherine Ayers (kiln working), Manuela Milan “Optics 101” (glassblowing), Jeremy Unterman “Some Like It Cold: The Art of the Grind” July 30–August 10 (cold working), Chris Giordano “Texturing Glass” (cold working), Pietro and Riccardo Ferro Weekend Workshops Spring August 6–11 Flameworking “Creative Glass Sculpting Techniques” “Basics of Borosilicate Bracelets,” Miles (glassblowing), Jen Violette Parker “Flameworking Using Ultimate Details,” “Beginning Flameworking,” Jim Byrnes Loren Stump

19 “Borosilicate Marbles: Tiny Worlds Within,” Kiln Working Miles Parker “Beginning Fusing,” Janet Dalecki “Introduction to Borosilicate,” Stephen “Geometric Patterns in Glass,” Gayla Lee Brucker “Introduction to Pâte de verre,” Jessi Moore “Next Steps in Flameworking,” Jim Byrnes “Smoke Signals,” Noah Drew Other “Turbulent Flow,” Aaron Verity “Cold Connections with Glass and Metal” (kiln working and metalsmithing), Ed Glassblowing and Martha Biggar “Beginning Glassblowing,” Ross Delano, “Glass and Yoga” (flameworking and yoga), Corinne Everhart, Chris Giordano, Shilo Hethre Larivee Parker, Christa Westbrook “Graphic Possibilities Using Sandblasting “Frenemies: Hot Glass and Metal Together,” and Enameling” (kiln working and cold Jane Cook and Anna Riley working), Denise Stillwaggon Leone “Next Steps in Glassblowing,” Lee Babbitt “Level I: Introduction to Stained Glass,” Joseph Barlett Kiln Working “Level II: Stained Glass Window Building,” “Beginning Fusing,” Janet Dalecki Joseph Barlett “Frit Overlay Techniques,” Roy Gruver “Sandblasting and Photosandblasting Glass” (cold working), Denise Stillwaggon Leone Other “Graphic Possibilities Using Sandblasting and Three-Day Workshops Enameling” (kiln working and cold work- Spring/Summer ing), Denise Stillwaggon Leone “All the Fun Stuff” (kiln working), Gayla Lee “Introduction to Pâte de verre,” Jessi Moore “Bugs of Summer” (flameworking), Wesley “Introduction to Stained Glass,” Joseph Fleming Barlett “Engraving and Cold-Working Techniques,” “Some Like It Cold: The Art of the Grind” Max Erlacher (cold working), Chris Giordano “Tumblers: Simple Perfection” (glassblowing), Powell Scott Fall Flameworking One-Day Workshops “Borosilicate Marbles: Tiny Worlds Within,” Spring Miles Parker “Beadmaking” (flameworking), Kalli Snodgrass “Dots and More Dots,” Phil Rogerson “Exploring the Art of Surface-Work Pendants” “Exploring the Art of Surface-Work Pendants,” (flameworking), Aaron Verity Aaron Verity “Paperweights at the Furnace” (glassblowing), “Flameworking Borosilicate Sculpture,” Corinne Everhart, Shilo Parker Corinne Everhart “Stained Glass Box Class,” Joseph Barlett “Introduction to Borosilicate,” Stephen Brucker Fall “Turbulent Flow,” Aaron Verity “Beadmaking” (flameworking), Corinne Everhart Glassblowing “Pumpkins!” (glassblowing), Cat Burns “Beginning Glassblowing,” Catherine Ayers, Cat Burns, Christa Westbrook Other “Cane If You’re Able,” Dane Jack Road Scholars at The Studio, May 7–10, “My Coloring Book: Science Fun with September 17–20, October 22–25, Furnace Glass Color,” Jane Cook and and November 5–8 Jeremy Unterman Sale, December 1 and 2 “Next Steps in Glassblowing,” Ross Delano Veterans’ Glassworking Experience, November 10 and 11

20 To the Museum Other Awards Carpenter Foundation Fellow for Asian Glass Awards Distinguished Dozen award (bronze in (funded by the E. Rhodes and Leona B. “Museums for Groups” category), awarded Carpenter Foundation): Shelly Xue by the National Tour Association for quality GlassLab Fellowship (in conjunction with the of service to tour groups. Rochester Institute of Technology): David YouTube Silver Play Button Award, presented Villarreal to organizations with more than 100,000 Rakow Commission: Rui Sasaki subscribers. Rakow Grant for Glass Research: Dr. Elliot H. Blair, David J. Govantes-Edwards, From the Museum Dr. Catherine Raymond, and Dr. Mary B. Shepard Residencies Student Art Show scholarship: Kezia Hatch Artists in Residence and Ariah LyWarner (Corning–Painted Post Anne Vibeke Mou (U.K., b. Denmark), High School) March 22–April 20 Jim Butler (U.S.) and Frederick Kahl (U.S.), April 26–May 25 Aaron Pexa (U.S.), September 27–October 26 Penelope Rakov (U.S.), November 1–28 Top: Instructor Collaborative Residency Artist in Residence Pavlína Čambalová (Czech Republic), Aaron Pexa works Trenton Quiocho (U.S.), and Erika Tada on an object in The (Japan), September 12–24 Studio’s hot shop. Specialty Glass Residency (in cooperation with Corning Incorporated) Karen LaMonte (U.S.), January–December, Center: Trenton Quiocho (left) exploring methods of hot-casting bio- was one of the partici­ glasses and bioglass-ceramics pants in the Instructor David Whitehouse Research Residency Collaborative Residency for Artists at The Studio. Annie Cattrell (U.K., b. Scotland), March 20–April 6 Claire Bell (U.K., lives in New Zealand), Bottom: David Whitehouse June 4–22 Research Residency Josh Simpson (U.S.), October 17–19 scholars Joseph Larnerd, Anna Riley (U.S.), July 9–27 Nicole Georgopulos, David Whitehouse Research Residency and Jake Short. for Scholars Joseph Larnerd (U.S.), August 6–30, “The Makings of Cut Glass in America, 1876– 1916” Nicole Georgopulos (U.S.), October 4–29, “Mirror Histories: Shifts in the Produc- tion of Mirrored Glass in France, 1789– 1914” Jake Short (U.S.), November 26–Decem­ber 14, “The Social Life of Science: The Blaschkas and the World Trade in Natural History” (The Whitehouse residencies are funded in part by The Studio Scholarship and Residency Fund and by contributions from Daniel and Welmoet B. van Kammen.)

21 Publications ——. “Murano’s Rich Past,” GASnews (Glass Professional Art Society newsletter), v. 28, no. 4, Winter Activities Bolt, Marvin P. Contributor to The Corning 2018, pp. 5–6. Museum of Glass: Notable Acquisitions ——. “No Animals Were Harmed in the 2017, Corning: the museum, 2018 (here­ Writing of This Article: Batch Books at after, Notable Acquisitions 2017). the Rakow Library” (with Lori Fuller), ——. “Defining Scientific Instruments in Astro- GASnews, v. 29, no. 1, Spring 2018, pp. logical Practice: A Response,” in Heaven 4–5. and Earth United: Instruments in Astro­ Set of 24 gold dessert logical Contexts, ed. Richard Dunn, Silke Conway, Kelly A. Contributor to Notable knives with reverse- Ackermann, and Giorgio Strano, Scientific Acquisitions 2017. gilded glass handles; Instruments and Collections, v. 6, Leiden ——. “Becoming the Crystal City,” Gather, mahogany case with velvet lining. France, and Boston: Brill, 2018, pp. 253–262. no. 32, Summer 2018, pp. 4–7. Paris, gold blades made ——. “Johannes Hudde and His Flameworked ——. Contributor to “Objects in Focus” section by Pierre Bizos (French, Microscope Lenses” (with Tiemen Cocquyt of Gather, no. 32, Summer 2018, p. 19. fl. 1800–1811), reverse and Michael Korey), Journal of Glass gilding probably execut­ Studies, v. 60, Corning: The Corning Mu­ Fuller, Lori A. See Brumagen, Regan. ed by Antoine Rascalon seum of Glass, 2018 (hereafter, JGS), pp. (French, about 1742– 207–222. Also appearing as “Hudde en zijn Galbraith, James A. Contributor to Notable 1830), case possibly made by Martin- gesmolten microscooplensjes,” Studium: Acquisitions 2017. Guillaume Biennais Tijdschrift voor Wetenschaps- en Univer­ (French, 1764–1843), siteitsgeschiedenis, Revue d’Histoire des Gudenrath, William. Eighteen photographs 1805–1810. Knives: Sciences et des Universités, v. 11, no. 1, and captions in “Reconstructed Manufac- H. 0.3 cm, W. 18.1 cm, 2018, pp. 78–95. turing Process for a Typical Low Countries D. 1.3 cm; case: Serpent Goblet,” in Anna Laméris and Kitty H. 3.6 cm, W. 32.8 cm, Brumagen, Regan. Contributor to “Objects Laméris, Canes, Serpents and Ships: The D. 16.4 cm (2018.3.1). Purchased in part with in Focus” section of Gather (The Corning Van der Poel Glass Collection, Amsterdam: funds from Dwight Museum of Glass), no. 33, Winter 2019 Frides Laméris Glass and Antiques, 2018, and Lorri Lanmon. (publ. 2018), p. 20. pp. 28–30. ——. “A Remarkable Iridescent Goblet with a Double-Walled, Silvered Bowl: 17th- or 19th-Century?” (with Dwight P. Lanmon), Glass Matters (The Glass Circle and The Glass Association), issue 2, June 2018, pp. 7–11.

Heath, Jonathan E. “Junior Curator Program Turns 60,” Gather, no. 32, Summer 2018, pp. 22–23. ——. “The Red Vase,” Gather, no. 33, Winter 2019 (publ. 2018), pp. 4–5.

Hopman, Rebecca C. Contributor to Notable Acquisitions 2017.

Hylen, Beth J. Contributor to Notable Acqui- sitions 2017.

Jumper, Nedra J. “My Favorite Thing” (Maestrale [North wind] by ), Gather, no. 32, Summer 2018, p. 25.

Koob, Stephen P. “Caring for Glass Collec- tions: The Importance of Maintaining En­ vironmental Controls” (with N. Astrid R.

22 van Giffen, Jerzy J. Kunicki-Goldfinger, and of Michigan, 2018, pp. 79–136, 137–144, Robert H. Brill), in Preventive Conservation: and 145–210 respectively. The State of the Art. Contributions to the ——. Review of Anastassios Antonaras, Glass- Turin Congress, 10–14 September 2018, ware and Glassworking in Thessaloniki: ed. Austin Nevin and others, Studies in 1st Century BC–6th Century AD, , Conservation, Supplement 1, London: The U.K.: Archaeopress, 2017, in American International Institute for Conservation, Journal of Archaeology, v. 122, no. 2, 2018, pp. S146–S150. April 2018, www.ajaonline.org/book ——. “Conservation of Vitreous Materials” -review/3652. (with N. Astrid R. van Giffen), inThe En- cyclopedia of Archaeological Sciences, ed. Maxwell, Christopher L. Contributor to Nota- Sandra L. López Varela, Chichester, U.K.: ble Acquisitions 2017. Wiley Blackwell, 2018, pp. 322–327 (also ——. “The Color White in Art,” online at www.onlinelibrary.wiley.com). in Study Days on : Venetian ——. “The Influence of Glass Transition Filigrana Glass through the Centuries, Atti: Temperature on the Performance of Acrylic Classe di scienze, fisiche, matematiche e Thermoplastic Adhesives” (with Jessica naturali, Venice: Istituto Veneto di Scienze, Betz Abel, George Wheeler, and Carolyn Lettere ed Arti (hereafter, IVSLA), 2017– Riccardelli), Preventive Conservation: The 2018 (publ. 2018), pp. 169–177. State of the Art, www.iicturincongress2018 ——. Contributor to “Objects in Focus,” .com/sites/default/files/Poster_FINAL_IIC Gather, no. 32, Summer 2018, p. 17, and _TURIN.compressed.pdf (accessed Octo- no. 33, Winter 2019 (publ. 2018), pp. 20 ber 1, 2018). and 21. ——. “Problems with Unstable Glasses Manu- factured in Europe and Asia during the Rademaker, Colleen McFarland. Contributor 17th to 20th Centuries,” in Conference to Notable Acquisitions 2017. Proceedings, International Conference on ——. “The Rakow Research Library Acquires Glass in Archaeology and History: Cultural, the SGAA [Stained Glass Association of Economic and Artistic Exchanges, Taipei, America] Records,” Stained Glass, v. 112, Taiwan: Institute of History and Philology, no. 4, Winter 2017 (2018), pp. 48–49. Academia Sinica and the National Palace Museum, 2018, pp. 94–101. Ruggiero, Alexandra M. Contributor to See also Van Giffen, N. Astrid R. Notable Acquisitions 2017. ——. “Glass of the Architects: Vienna, 1900– Larson, Katherine A. Contributor to Notable 1937,” Gather, no. 32, Summer 2018, pp. Acquisitions 2017. 12–15. ——. “‘A Collection for Scholars and Scien- ——. Contributor to “Objects in Focus,” tists’: The Moritz Sobernheim Collection Gather, no. 32, Summer 2018, p. 18, and of Ancient Glass,” JGS, pp. 322–326. no. 33, Winter 2019 (publ. 2018), p. 19. ——. Contributor to “Objects in Focus,” Gather, no. 32, Summer 2018, p. 18, and Savard, Tracy L. Contributor to Notable no. 33, Winter 2019 (publ. 2018), p. 21. Acquisitions 2017. ——. “Personal Adornment: Glass, Stone, Bone, and Shell,” “Glass Counters,” and Silbert, Susie J. Editor and contributor, New “Tools for Textile Manufacture” (with Glass Review 39, Corning: The Corning Cane, cased and Katherine M. Erdman), in Tel Anafa II, iii: Museum of Glass, 2018. hot-worked glass. U.S., Decorative Wall Plaster, Objects of Personal ——. Contributor to Notable Acquisitions Phila­delphia, PA, Adornment and Glass Counters, Tools for 2017. Herman M. Ludwig Textile Manufacture and Miscellaneous ——. Contributor to “Objects in Focus,” (American, 1852–1933), Bone, Terracotta and Stone Figurines, Pre- Gather, no. 32, Summer 2018, p. 16, and about 1870–1920. H. 102 cm, W. 8 cm, Persian Pottery, Attic Pottery, and Medieval no. 33, Winter 2019 (publ. 2018), pp. 18 D. 2.2 cm (2018.4.14). Pottery, ed. Andrea M. Berlin and Sharon C. and 19. Gift of Gregg Silvis Herbert, Kelsey Museum Fieldwork Series, ——. “Curator’s Perspective” and “The 2017 in memory of Robert H. Ann Arbor: Kelsey Museum of the University Rakow Commission: Karlyn Sutherland,” Ludwig.

23 ——. “[Director’s Letter],” Gather, no. 32, Summer 2018, p. 3, and no. 33, Winter 2019 (publ. 2018), p. 3. ——. “Looking Closer at Roman Cameo Glass,” Gather, no. 32, Summer 2018, p. 24.

Lectures

Anthony, Russel W. See Langille, Ryan R.

Berry, Sally K. “Nine Ways to Get More Chinese Visitors through Your Doors,” Great Lakes Association, Chicago, IL. ——. “Using WeChat as a Sales Tool,” Active America China, Atlanta, GA.

Bolt, Marvin P. “Blown, Ground, Flame- Worked, or Dropped? Re-Examining van Leeuwenhoek’s Microscope Lenses” (with Tiemen Cocquyt, Michael Korey, and Huib Zuidervaart), symposium, Scientific Instru- ment Commission, Leiden, the Netherlands. ——. “Glass Fun-damentals” (with G. Jane Cook), for glass students and faculty from Sheridan College, Oakville, ON, Canada, The Studio, The Corning Museum of Glass. ——. “Glass in Corning: Its History, Arrival, Evolution, and Museum,” NYSLAA: Past, Present, and Future, annual conference, Liquid Sunshine / I am a New Glass Review 39, pp. 72–75 and 92– New York State Library Assistants’ Associ- Pluviophile, blown glass 95 respectively. ation (hereafter, NYSLAA), Corning, NY. with phosphorescent ——. “Using Artifacts to Launch a Compelling material, broad- spectrum UV lights, Thompson, Kimberly A. “GlassBarge: Re­ Narrative for Audience Engagement,” His- motion detector. Japan, tracing the Journey from Brooklyn to tory of Science Society, Seattle, WA. Kanazawa, Ishikawa, Corning,” Gather, no. 32, Summer 2018, Rui Sasaki (Japanese, pp. 8–11. Brumagen, Regan. “Discovering Primo: The b. 1984), 33rd Rakow Library’s New Online System,” Docent Commission, 2018. H. Urban, Richard J. “My Favorite Thing” (light Research Days, The Corning Museum of 335.3 cm, W. 426.7 cm, bulb tester by Maxfield Parrish),Gather , Glass (hereafter, Docent Research Days). D. 365.8 cm (2018.6.2). Purchased with funds no. 33, Winter 2019 (publ. 2018), p. 24. from the Juliette K. Cassetti, Robert K. “Architecture of Corning and Leonard S. Rakow Van Giffen, N. Astrid R. “Deterioration of Incorporated: A Legacy of Excellence,” Endowment Fund. Vitreous Materials” (with Stephen P. Koob), lecture series, Corning–Painted Post His­ in The Encyclopedia of Archaeological torical Society, Corning, NY. Sciences, ed. Sandra L. López Varela, ——. “Big, Bold, Shared Social Experiences Chichester, U.K.: Wiley Blackwell, 2018, That People Don’t Forget,” Expo 2018, pp. 484–487 (also online at www.online International Association of Amusement library.wiley.com). Parks and Attractions, Orlando, FL. See also Koob, Stephen P. ——. “GlassBarge 2018 Tour,” annual meeting and maritime heritage conference, National Wight, Karol B. Editor, Journal of Glass Maritime Historical Society, New Orleans, Studies, The Corning Museum of Glass. LA; New York State Canal Conference, ——. Contributor to Notable Acquisitions Staten Island, New York, NY; and New 2017. York State Tourism Conference, Buffalo, NY.

24 ——. “Introducing GlassBarge,” Docent Lec- The Wolfsonian–Florida International ture Series, The Corning Museum of Glass University, Miami Beach, FL. (hereafter, Docent Lecture Series). ——. “Introduction and Welcome,” annual Goldschmidt, Eric S. See Hylen, Beth J. conference, Museum Association of New York, Rochester, NY. Gudenrath, William. “Ancient (and Not So Ancient) Glass in the Wadsworth Athene- Conway, Kelly A.* um,” Wadsworth Atheneum Museum of ——. “Refreshing the Crystal City Galleries,” Art, Hartford, CT. Docent Lecture Series. ——. “Mistaken Identities in Old Glass,” Art ——. “Tiffany’s Glass Mosaics,” The Hunting- Glass Forum, New York, NY. ton Library, Art Collections, and Botanical ——. “Of Moulds and Morise: A Survey of Gardens, San Marino, CA. Their Types and Processes in Renaissance- ——. “Transparency at the Table: Contents and Period Venetian Glass,” Study Days on Customs of American Glass,” Winterthur Venetian Glass (hereafter, SDVG): Mould- Museum, Garden & Library, Winterthur, ing and Applying Hot Glass through the DE, and Trust for Seminarians – An Ameri- Centuries, IVSLA, Venice, Italy (including can Decorative Arts Study Group, Boston, demonstration presented on Murano). MA. Hawbaker, Myrna L. “Creating Valuable Cook, G. Jane. “Impassable Bridges: Bringing Volunteer and Internship Experiences” Stained glass window Science to Artists,” Pennsylvania State Uni- (with Jessica L. Trump), annual conference, sundial with modern versity, State College, PA. NYSLAA, Corning, NY. stand, blown and spun ——. “Impassable Bridges: Teaching Science glass; metal frame. to Artists,” Glass Nexus Forum, North Hewitt, Brian J. “Anonymous and Cheap: England, unknown Lands Creative, Lybster, Scotland, U.K. Experimenting with Unobtrusive Methods artist, about 1675. Overall: H. 50.4 cm, ——. “In Conversation: At the Heart of of Measuring User Experience and Engage- W. 26 cm, D. 9.3 cm; Glass,” Spectra 2018, Australian Network ment for In-Gallery Interactives,” Museums stained glass: H. 27.6 for Art and Technology, Adelaide, SA, and the Web conference, Vancouver, BC, cm, W. 26 cm, D. 1.8 cm Australia. Canada. (2018.8.1). ——. “oSTEM to oSTEAM: Stories of a Queer Sciartentist,” Pennsylvania State University, State College, PA. ——. “Reconciliation: Approaches to Metal / Glass (In)Compatibility,” International Conference on Contemporary Cast Iron Art, Scranton, PA. ——. “Subtleties of Making,” Australian Na- tional University, Canberra, ACT, Australia. ——. “What Does All This Glass DO in the World, Anyway?” education panel, annual conference, Glass Art Society, Murano (Venice), Italy. See also Bolt, Marvin P.

Fay, Mieke L. “Impact of Art Museum Programs on K–12” (Part 2), Docent Lecture Series.

Galbraith, James A. See Hylen, Beth J.

Gibbs, Steven T. “Corning Museum of Glass,” Hot Glass Outreach–Museum Network Conference (MUSCON), Design Miami,

25 Hopman, Rebecca C. “The Case of the Glass ——. “Remembering the Library’s Beginnings, Eye Smuggler” and “The Wonderful Mech- Buildings, the Rakows, and More,” Docent anisms of Fancy Glass Blowers,” Docent Research Days. Research Days. ——. “Torch Talk: Corning Museum of ——. “Connecting with Primary Sources at Glass” (with Rebecca Hopman and James the Rakow Library” (with Mikki Smith), Galbraith), Rakow Research Library tour Primary Partners: Making Local and Re- (video presentation). gional Connections webinar series, South Central Regional Library Council. Koob, Stephen P. “Caring for Glass Collec- See also Hylen, Beth J. tions: The Importance of Maintaining En­ vironmental Controls” (with N. Astrid R. Mirror, mercury-tin Hylen, Beth J. “Annals of the Rakow Research van Giffen, Jerzy J. Kunicki-Goldfinger, and amalgam, carved and Library: Remembering the Library’s Begin- Robert H. Brill), Preventive Conservation: gilded wood frame, assembled. Probably nings, Buildings, the Rakows, and More,” The State of the Art, biennial congress, England, London (glass); annual symposium, Carder Steuben Club, International Institute for Conservation of Scotland (frame), carved Corning, NY (hereafter, Carder symposium). Historic and Artistic Works, Turin, Italy. by William Mathie ——. “The Growing Field of Women Glass ——. “Changes in the Refractive Indices of (Scottish, fl. 1739–about Artists,” Road Scholars class Women at the Epotek Epoxies: How This Affects Choosing 1761), based on designs Fire: An Art Intensive with Glass, Clay, and One to Match Glass” and “How to Better by Thomas Chippendale Iron, Watson Homestead, Painted Post, NY. and More Easily Cast B-72 Films for Loss (English, 1718–1779); about 1760. H. 174 cm, ——. “ History” (with Eric Compensation” (both with N. Astrid R. W. 105.5 cm, D. 12.5 cm Goldschmidt), Corning Museum of Glass van Giffen and Lianne Uesato), and “Ma- (2018.2.8). Hot Glass Demo Team. nipulating Materials: Preparing and Using Paraloid B-72 Adhesive Mixtures,” Material Matters, annual meeting, American Institute for Conservation, Houston, TX. ——. “Nature, Chemistry, and Manufacture of Glass,” Conservation of Photographs on Glass Symposium, Art Gallery of Ontario, Toronto, ON, Canada. ——. “Problems with Unstable Glasses Man­ ufactured in Europe and Asia during the 17th to 20th Centuries,” International Conference on Glass in Archaeology and History: Cultural, Economic, and Artistic Exchanges, Institute of History and Philol- ogy, Academia Sinica, and the National Palace Museum, Taipei, Taiwan. ——. “Synthetic Polymers Used as Adhesives for Glass Conservation,” Polymers in Cul- tural Heritage session, national meeting, American Chemical Society, Boston, MA.

Langille, Ryan R. “Drupal 8 and Commerce” (with Russel Anthony), national conference, DrupalCon, Nashville, TN. ——. “Drupal 8 and Commerce 2.x,” Drupal .org, Promet, Commerce Guys meeting.

Larson, Katherine A. “Building a Collection: Ray Winfield Smith and The Corning Mu- seum of Glass,” 21st Congress, Association Internationale pour l’Histoire du Verre, Istanbul, Turkey.

26 ——. “Glass Vessels from the Omrit Temple Lybster, Scotland, U.K., and symposium, Complex and the Glass Industry of Upper Glass Education Network, Seto, Japan. Galilee,” annual meeting, American Schools of Oriental Research, Denver, CO. Silbert, Susie J. “Blue Chip Artists, Glassy ——. “Glassblowing: Invention and Innova- Thinkers, and Boro Boys: Navigating the tion,” Women in IT Forum, Corning Incor- Landscape of Contemporary Glass,” Alfred porated, Corning, NY. University, Alfred, NY, and Center for ——. “Glassmaking in the Ancient World,” Craft, Asheville, NC. Docent Lecture Series. ——. “The ‘New’ New Glass Review,” Fellows ——. “Rethinking and Reinstalling the Ancient meeting and Docent Lecture Series. Collection at The Corning Museum of ——. “Sprawl, #F*nked, and a Bit of Glass,” Glass,” University of Pennsylvania Archae- keynote address, Craft Capacities sympo- ology Colloquium, Philadelphia, PA. sium, Australia National University, Can- berra, ACT, Australia. Vetro mosaico vase, Maxwell, Christopher L. “A Glittering ——. “Updates from the Contemporary Design fused and blown glass. Occasion:­ Reflectivity and Dining in 18th- Gallery,” Docent Lecture Series. Italy, Venice/Murano, designed by Anna Century Europe,” San Francisco Ceramics Åkerdahl Balsamo- Circle, Legion of Honor Museum, San Smith, Mikki. “How to Use Primo” and Stella (Swedish, 1879– Francisco, CA. “Researching Artists @ the Rakow Library,” 1957), manufactured ——. “In Sparkling Company: Reflections Docent Research Days. by S.A.I.A.R. (Società on Glass in 18th-Century Britain,” Docent ——. “Researching Steuben Using Primo,” Anonima Industrie Lecture Series. Carder symposium. Artistiche Riunite) Ferro Toso & C., about 1920– See also Hopman, Rebecca C. 1921. H. 21 cm, Diam. Meek, Eric T.* 16.8 cm (2018.3.10). Smythe, J. Troy. “A Brief History of Bathing,” Gift of Donna and Neil Rademaker, Colleen McFarland. “I Am Not Docent Lecture Series. Weisman. Throwing Away My Shot: Making the Most of One-Shot Interactions in the Archives” (with Patricia Carroll and Carrie Phillips) and “Strategic Planning for Small Archival Programs,” annual meeting, Midwest Ar- chives Conference, Chicago, IL.

Rochelle, Christopher A.*

Ruggiero, Alexandra M.* “Glass of the Architects:­ Vienna, 1900–1937,” Forum, New York, NY, and Docent Lec­ture Series. ——. “Materials and Making: Glass,” Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York, NY.

Savard, Tracy L. “You Catalog What?!,” annual conference, NYSLAA, Corning, NY.

Sayre, Scott A. “Creating and Sustaining Public-Facing Digital Content: Let’s Make a Manifesto!” (with Richard Urban), annual conference, Museum Computer Network, Denver, CO.

Schwartz, Amy J. “Artist Resources at The Studio and the Museum,” keynote, Glass Nexus Forum, North Lands Creative,

27 Volta’s straw electro­ Tegeler, Helen M.* Van Giffen, N. Astrid R. “10 Conservation scope, turned and Stories from the Galleries,” Docent Lecture lacquered brass; blown Trump, Jessica L. See Hawbaker, Myrna L. Series. glass, cut. Continental Europe, unknown maker, See also Koob, Stephen P. about 1790. H. 13 cm, Truxon, James M. “Right Here in River City – W. 7 cm (2018.8.17). Misdirection in the Digital Age,” annual Wetterlund, Kris A. “Finding the Words: Inter- conference, NYSLAA, Corning, NY. pretive Writing Strategies for Museums,” annual conference, Museum Association of Ordonnantie van de Uesato, Lianne T. “Art Conservation: It’s a New York, Rochester, NY. pot en glas-verkoopers Real Job,” Hobart and William Smith (Ordinance of the pottery ——. “How to Be a Change Agent in Your and glass sellers), Colleges, Geneva, NY. Museum,” keynote, annual conference, [Leiden]: gedruckt by See also Koob, Stephen P. Canadian Art Gallery Educators, Ottawa, de Erfgenamen van Jan ON, Canada. Claesz, 1665. Six pp. Urban, Richard J. “Managing Digital Assets: ——. “Impact of Art Museum Programs on (unnumbered). H. 21 cm A Journey,” keynote, annual conference, K–12” (Part 1), Docent Lecture Series. (CMGL 715194). Society of American Archivists, AMIS – ——. “Timing and Tracking Visitor Use of the VMCAS – VMS joint section meeting, ‘ Mosaics’ Exhibition,” Docent Washington, DC. Lecture Series. ——. “Preserving MCN’s Legacy/Advocating MCN’s Future” and “Towards a DAM- Wight, Karol B.* Driven Licensing Platform,” annual con­ ——. “The Ancient Roman Origins of Mold- ference, Museum Computer Network, Blown Glass,” SDVG. Denver, CO. ——. “The Corning Museum of Glass,” Venice See also Sayre, Scott A. Glass Week, Museo Correr, Venice, Italy.

28 ——. “A Month at the American Academy in American Alliance of Museums Advocacy Rome,” Volunteer Recognition Dinner, The Days, Orlando, FL. Corning Museum of Glass. Conway, Kelly A. Secretary, board of directors * For lecture at Seminar on Glass, see page 15. and executive, development, and finance committees, Glass Art Society. Participant, Other Activities Leadership Development Program, Center for Creative Leadership, Greensboro, NC, Berry, Sally K. Board chairman, Tour Supplier and Workshop on Inclusive Hiring, Associ- Network, National Tour Association, Lex- ation of Art Museum Curators, New York, ington, KY. NY.

Bliss, Kelly L. Presenter (with Ben Hogben and Cook, G. Jane. Member, Technology Advanc- David Schuster) for “Alma/Primo Show ing Glass (TAG) grant committee, Glass Art and Tell,” annual conference, NYSLAA, Society. Corning, NY. Corradini, Ellen D. Board member, Chemung Bolt, Marvin P. Curatorial adviser, “Amor- County Historical Society, Elmira, NY. Metalliforme vase, phous: A Graphic Exploration of Glass,” blown glass, applied, iridized. Italy, Venice/ temporary exhibition produced by Doolittle, Ryan F. Chairman, Steuben County Murano, Salviati Dott. ARTS410, Graphic Design III, Binghamton Conference and Visitors Bureau, Corning, Antonio, about 1880. University Art Museum, Binghamton, NY. NY; member, marketing committee, Finger H. 32.4 cm, W. 10.4 cm, Content adviser and juror, Graphic Design Lakes Tourism Alliance, Penn Yan, NY. D. 10 cm (2018.3.2). III and Material Matters classes, Bingham- ton University. Judge, Southern Tier Re- gional History Day Competition, Chemung Valley History Museum, Elmira, NY. Reader, African-American Read-In of the Southern Tier, Fassett Elementary School, Elmira, NY. Conducted research at Museum Boer- haave (Leiden) and Degenaar Collection, Planetarium Zuylenburgh (Oud-Zuilen), the Netherlands; Skokloster Castle and Uppsala University (Sweden); Mathematisch- Physikalischer Salon and Grünes Gewölbe (Dresden, Germany); and Laser Interfer­ ometer Gravitational-Wave Observatory (LIGO), Hanford, WA. Member, nominating committee, Scientific Instrument Commis- sion, International Union for the History and Philosophy of Science.

Brumagen, Regan. Member, digitization ad­ visory committee, South Central Regional Library Council, and print media committee, GASnews. Representative, global council, Americas Regional Council, Online Com- puter Library Center (OCLC). Moderator, annual meeting, Ex Libris Users of North America (ELUNA), Spokane, WA.

Cassetti, Robert K. Board president, Museum Association of New York. Board member, Sagamore Institute of the Adirondacks. Chairman of New York State delegation to

29 Duane, Elizabeth M. Board member, Gaffer Brooklyn, NY. Co-chairman (with Lino District (second vice president) and Finger Tagliapietra), technical committee, IVSLA; Lakes Wine Country (past chairman), taught six classes at The Studio of The Corning, NY; and New York State Tourism Corning Museum of Glass. Presented glass- Industry Association, Troy, NY. blowing demonstrations: “The Limits of Solo Furnace Glassblowing,” annual confer- Fay, Mieke L. Member, advisory board, ence, Glass Art Society, Murano (Venice), and co-chairman, membership work­group, Italy; and “Traditional Venetian Glassblow- Expanded Learning Network of the South- ing Techniques,” Royal College of Art, ern Tier, a regional chapter of the New London, England, U.K. Played recital of York State Network for Youth Success. organ music by Johann Sebastian Bach at Representative-elect, Eastern region, devel- the Church of San Pietro Martire, Murano, opment committee, Museum Education Di- during the annual conference of the Glass vision, National Art Education Association. Art Society. Co-led (with Amy Schwartz) Ennion Society trip to Australia. Fuller, Lori A. Presented opening remarks and welcome, annual conference, NYSLAA, Hawbaker, Myrna L. Member, Association for Corning, NY. Leaders in Volunteer Engagement.

Gerhardt, James S. Juror, International Design Hopman, Rebecca C. Member, print media and Communication Awards, Chicago, IL. committee, GASnews, and educational Member, Art Museum Development Asso- services advisory committee, South Central ciation. Regional Library Council. Roly-Poly Chair / Water (“Assemblage 5” series), kiln-cast lithium-barium Goldschmidt, Eric S. Participant in Goblets as Hot Glass Demo Team. Presented The Story glass, assembled. De­ a Tool for Growth workshop, Salem Com- of the Crystal City, demonstrating the tech- signed in the U.K., munity College, Carneys Point, NJ; demon- nique of cutting and relating the story of London, England, by strating artist at The Michigan Glass Project, how Corning came to be an artistic leader Faye Toogood (British, Russell Industrial Center, Detroit, MI. in that field, Carder symposium. b. 1977), 2016, and made in the Czech Re­ public, 2018. H. 58.5 cm, Gudenrath, William. Member, The Fellows of Hylen, Beth J. Co-coordinator, Decorative W. 85 cm, D. 63 cm The Corning Museum of Glass, and Inter- Arts Special Interest Group, Art Libraries (2018.3.9). national Advisory Committee, UrbanGlass, Society of North America; co-chairman, history committee, Glass Art Society.

Kennard, George M. Participant in From Flame to Furnace workshop, Salem Com- munity College, Carneys Point, NJ.

Koob, Stephen P. Member, Fellows of The Corning Museum of Glass; chairman, Tech- nical Committee 17 (TC 17), International Commission on Glass; associate editor, Studies in Conservation; national peer, General Services Administration for the De- sign and Construction Excellence Programs and Art in Architecture Program; member, Public Art Committee, City of Corning, NY; council member, International Institute for Conservation of Historic and Artistic Works, London, U.K. Taught “Conservation and Restoration of Glass,” one-week course co-sponsored by The Corning Museum of Glass and International Academic Projects, at the Academy of Art and Design, Wrocław,

30 ; and “Sleeping Beauty: The Precious “Curious & Curiouser” exhibition, 2,079 Reserves of Italian Museums,” one-week of whom used the exhibition’s touchscreen master class, Venice, Italy. Taught and su- table. Answered 5,256 reference questions. pervised (with N. Astrid R. van Giffen and Ask a Glass Question, the library’s online Lianne Uesato) one intern at the Corning knowledge base, received 69,661 page Museum, from the Conservation of Ceram- views from 51,671 users in 169 countries. ics and Related Materials Programme at The library’s Web site was visited 315,703 West Dean College of Arts and Conserva- times, its Potluck Web site received tion, West Sussex, Chichester, U.K. Taught 506,823 views, and there were 22,662 and supervised two student conservators views of online research guides. New guides from the Conservation developed during the year included “Cor­ Program for three weeks at the Samothrace ning, NY: The Crystal City” (2,090 views Museum, Samothrace, Greece. Presented since May 15), “Glass of the Architects,” one-day workshop, “Preparation and Use of “Oral Histories at the Rakow Library,” Paraloid B-72 Adhesive” (with N. Astrid R. “Popular Fiction,” and “Rakow Reads” van Giffen and Lianne Uesato) at Material (book lists and discussion guides). Received Matters, annual meeting, American Institute 1,009 interlibrary loan requests. for Conservation, Houston, TX. Rademaker, Colleen McFarland. Treasurer, Kritzeck, Amanda S. Chairman, media pro- Midwest Archives Conference. Member, duction and branding special interest group, scholarship committee, Mid-Atlantic Museum Computer Network. Elected Regional Archives Conference, and member, leadership team, Media & Tech- publications board, Society of American nology Professional Network, American Archivists. Alliance of Museums. Ruggiero, Alexandra M. Curator, “Glass of Mack, Jeff W. Participant in Cabinet of Curios- the Architects: Vienna, 1900–1937” exhi­ ities workshop, Pilchuck Glass School, bition. Ambassador, steering committee, Stanwood, WA. Glass artist in residence, The Rockwell Museum, Corning, NY. Led Flint Institute of Arts, Flint, MI. tour of “Glass of the Architects,” Carder sympo­sium, Rakow Reads (Rakow Re- Patocka, Bradley C. Selected works and search Library), and Seminar on Glass. awards: featured exhibit cover photo, selected work, and jurors award for Settlers Sayre, Scott A. Museum professional mentor- of Chernobyl: The Atomgrad Refugee ship, Museum Computer Network. Cultur- Families, and merits award and selected ally interpretive technology adviser, Emo- work, We Go to Water – Excerpt 3, Photo- tive workshop, Athens, Greece. Place Gallery, Middlebury, VT. Selected work and featured portfolio, Light, in All Schwartz, Amy J. Panelist/moderator, “Four About Photo, issue 1, which also published Women Artists Working in Glass,” annual an exclusive interview with the artist. Fea- conference, Glass Art Society, Murano ture filmHigher Education: Principles of (Venice), Italy. Board member, North Lands Gasnier official selection in Creation Interna- Creative, Lybster, Scotland, U.K.; Berlin tional Film Festival, Ottawa, ON, Canada. Glas e.V. (Berlin Art Glas GmbH), Berlin, Germany; , Min­ Public Services Team, Rakow Research neapolis, MN; Fund for Women of the Library. Offered several behind-the-scenes Southern Tier Inc., Corning, NY; and library tours to Museum Members, mem- Alternative School for Math and Science, bers of the Ennion Society, participants in Corning, NY. Member, review committee, the Seminar on Glass, college classes, and Fine Arts and Design Program, Corning Studio students. Offered programs for the Community College, Corning, NY. See also public, including Rakow Reads and the Gudenrath, William. Art + Feminism Wikipedia Edit-a-Thon. Welcomed 6,675 visitors to the library, Silbert, Susie J. Panelist, “In Conversation with 194 groups, and 5,077 visitors to the Susie Silbert and Genevieve Bell,” moderated

31 by Mitchell Whitelaw, and panel chairman, Tshudy, Sheila A. Chairman, conference com- “Engaging with the World through Craft mittee and donations committee, NYSLAA. Practice: Panel Discussion with Daniel Kruger, , and Dr. Robyn Uesato, Lianne T. See Koob, Stephen P. McKenzie,” Craft Capacities symposium, Australia National University, Canberra, Urban, Richard J. Taught IS560 Digital Li- ACT, Australia. Participant, Paul Hollister braries course as adjunct professor, School Early Studio Glass workshop, Bard Graduate of Information, University of Illinois at Center, New York, NY. Juror, sixth annual Urbana–Champaign, IL. Member, Ameri- Irwin S. Borowsky International Prize in can Alliance of Museums collections Glass Art, Philadelphia, PA. Moderator, stewardship – lexicon task force, and “Panel Discussion: Curatorial Practice & Rightsstatements.org technical working Glass” (with Milan HlaveŠ and Cathy group. Shankland), and “In Conversation with Emma Baker,” Glass Nexus Forum, North Van Giffen, N. Astrid R. Assistant coordinator Lands Creative, Lybster, Scotland, U.K. in charge of glass deterioration, and news- Panelist, “AACG [Art Alliance for Contem- letter editor, International Council of Mu­ porary Glass] Teleconference Panel: Attract- seums (hereafter, ICOM) Committee for ing a Younger, More Diverse Membership” Conservation, Glass and Ceramics Working (with Nancy Kerr and Alysia Fischer, mod- Group. Member, scientific review commit- erated by Merrily Orsini). tee, for joint meeting of the ICOM Glass and Ceramics Working Group and the Ceramics Smith, Mikki. Member, awareness and advo- and Glass Group of the Institute of Con­ cacy advisory committee, and diversity, servation (United Kingdom), to be held in equity, and inclusion subcommittee, London in 2019. See also Koob, Stephen P. South Central Regional Library Council, Ithaca, NY. Wetterlund, Kris A. Presented interpretive writing workshop at annual conference, Smythe, J. Troy. Board member, Museum-Ed, Canadian Art Gallery Educators, Ottawa, a nonprofit online organization dedicated ON, Canada, and storytelling workshop at to the professional development of museum the Museum of Contemporary Art Chicago, educators. Invited panel participant, annual Chicago, IL. Member, New York State conference, Association of Art Museum In- Regents Advisory Council on Museums. terpretation, Chicago, IL. Invited instructor, Appointed to the museum advisory com- Narrative in Gallery Teaching, Interpretive mittee of the board of trustees, Munson Writing, and Persuasive Communication, Williams Proctor Arts Institute, Utica, NY. Museum of Contemporary Art Chicago, Chicago, IL. Wight, Karol B. Member, Cultural Property Advisory Committee, U.S. Department of Togni, David R. Member, finance committee, State. Member, Association of Art Museum Corning Children’s Center, Corning, NY. Directors. Member, board of trustees and Fellows of The Corning Museum of Glass. Trump, Jessica L. Board member, Big Flats Board member, Association Internationale Historical Society, Big Flats, NY. Volunteer pour l’Histoire du Verre. Member, advisory mentor, Junior Achievement of Central committee, Intercollegiate Center for Upstate New York, Corning–Painted Post Classical Studies, Rome, Italy; and glass Middle School, Corning, NY. Member, subcommittee, ICOM. Participant in panel Association for Leaders in Volunteer discussion, “Helping Your Client Navigate Engagement. Antiquities,” Art Law Day, Appraisers Association of America, New York, NY. Truxon, James M. Secretary, executive board, 171 Cedar Arts Center, Corning, NY.

32 Publications

The Corning Museum of Glass: Notable Acquisitions 2017 67 pp., 55 color and 12 b/w illustrations

Journal of Glass Studies Volume 60 360 pp., illustrations

New Glass Review 39 127 pp., 213 color illustrations

33 The Digital Media Team of The Corning “60 Years of Junior Curators: Interpreting the Digital Museum of Glass pursues excellence in pro- Past, Speaking to the Future” Media viding agile, growing, and sustainable digital Video documentary of experiences of partici- services and resources for the Museum’s world- pants in the Junior Curators program, pre- wide audiences. This includes cmog.org and sented on a screen in the exhibition. all related Web sites, video production and livestreams, in-gallery interactives, and digital Museum Programming Support Projects marketing and wayfinding. All videos are available on the Museum’s YouTube channel. GlassBarge PastPort: Digital resource providing informa- Exhibition- and Gallery-Related Projects tion on the 150th anniversary of glassmak- ing in Corning, an interactive map of the “Glass of the Architects: Vienna, 1900–1937” Erie Canal highlighting GlassBarge stops Tablet-based program that gave guests access with tour schedule, and social media feed to explore digital images of complete inte­ of posts about GlassBarge. riors and exteriors of buildings designed Six videos showing stops along the GlassBarge by architects featured in the exhibition. tour, with exclusive drone footage of the barge navigating the canal. Crystal City Gallery Looped video demonstrating the glass engrav- The Studio ing process, with footage filmed with Max Studio instructor livestreams: 12 one- to two- Erlacher at his studio in Corning, New hour live Webcasts of artists demonstrating York, and showing glass cutting with Kathy for their classes in the hot and flameworking LaTournous at the Dorflinger Glass Museum shops at The Studio. in White Mills, Pennsylvania. Artist-in-residence profile videos: short videos Touchscreen program for browsing various providing interviews with three of the 2018 digitized trade catalogs from the Rakow Studio artists in residence and overviews of Digital images allowed Research Library collection featuring glass their work. Artists featured are Anne Vibeke guests to explore interiors made in and around Corning, New York. Mou, Fred Kahl, and Aaron Pexa. and exteriors of buildings designed by architects Contemporary Art + Design Galleries StudioNEXT whose work was dis­ played in the exhibition GlassApp mobile Web app: section and video Short video for use in the advancement activi- “Glass of the Architects: added for new acquisition VFZ 1 by the ties for the StudioNEXT initiative. Vienna, 1900–1937.” American artist Larry Bell. Hot-Glass Programs Guest Artist livestreams: 20 live Webcasts of artists producing work in the Amphitheater Hot Shop. Gaffer profile video: video featuring Eric Goldschmidt, with interview and a close look at his flameworking process. Travels of the Glass Pilgrim: two video inter- views with international glass artists in their own studios.

Conservation Behind-the-scenes livestream video programs: two livestreams featuring a tour of the Museum’s conservation laboratory and a conversation about the issues and concerns that conservators keep an eye out for when managing a collection of glass objects that spans the period from antiquity to the present.

34 Rakow Research Library Conversations Series: two clips edited from oral history interviews with former Corning­­ Incorporated staff members who share stories about the company’s history.

Marketing and Public Relations Promotional videos: • Group tours at The Corning Museum of Glass: a short, narrated video showcasing all there is for tour groups to see and do at the Museum and in the surrounding Finger Lakes region. • Guest Artist Series: a one-minute video highlighting the guest artists who have demonstrated at the Museum over the past four years. • 2300°: a one-minute video showcasing the bands, guest artist demonstrations, lively crowds, and fun atmosphere of 2300° events. • Holiday Ornament Tree: a one-minute hyper-lapse video showing the annual reconstruction of the glass tree.

The Shops The Sunburst Vase by Waterford: a short pro- motional video for the limited-edition vase sold exclusively in the Museum Shops, featuring interviews with the master Tom Power and Waterford’s inter­ national spokesman, Tom Brennan.

Blog Forty-seven blog posts reporting on stories from the Museum, including news and events, and objects in the exhibitions, the glass collection, and the collection of the Display with video for Rakow Research Library. GlassBarge as it made its way along the Erie Digital Signage Canal. New outdoor digital signage installed and programmed in the Courtyard to assist Brad Patocka, lead video with guest wayfinding. production specialist, More than 175 promotional messages pre- films master glass cutter sented on digital screens across the Museum Tom Power of Waterford campus, providing guests with news about Crystal as he works on public programs, events, Shops sales, and the Sunburst Vase. more. New screens installed and a new program Looped video showing developed to show and update the daily a demonstration of the menu in the Museum Café. glass engraving process in the Crystal City Gallery.

35 Russel W. Anthony Kenneth L. Burns Museum Retail E-commerce Coordinator of Access Services Development Specialist Staff Edward E. Callahan Chelsea J. Arnold Facilities Technician Staff as of Guest Services Lead Group Tours December 31, 2018 Associate Ann M. Campbell Marketing and Communications Lyman C. Babbitt Manager Executive Leadership Team Special Projects Team Leader, The Studio Angela M. Carlineo Karol B. Wight Retail Sales Associate President and Executive Director Peter Bambo-Kocze Bibliographer Kimberly A. Carlisle-Locey Alan T. Eusden Executive Assistant Chief Operating Officer Jeannine M. Bates Retail Coordinator Kurt B. Carlson Leadership Team Make Your Own Glass Workshop Steven C. Bender Team Leader, The Studio Robert K. Cassetti Steuben Business Manager Senior Director of Creative Strategy/ Maura C. Cody Audience Engagement Valerie M. Bigelow Advancement Associate Accounting Associate Ellen D. Corradini Kelly A. Conway Director of Human Resources Whitney B. Birkett Curator of American Glass and Safety Assistant Registrar, Records Management Christy L. Cook Elizabeth M. Duane Associate Registrar Chief Marketing Kelly L. Bliss and Communications Officer Lead Cataloguer G. Jane Cook Chief Scientist Carole Ann Fabian Marvin P. Bolt Director of Collections Curator of Science and Technology Theresa F. Cornelissen Marketing Content Manager James S. Gerhardt Jacqueline M. Brandow Chief Advancement Officer Make Your Own Glass Workshop Hannah D. Cox Assistant, The Studio Manuscripts Archivist Scott A. Sayre Chief Information Officer Stephen R. Brucker Chad D. Crans Special Projects Manager, The Studio Events Production Lead Technician Amy J. Schwartz Director of The Studio Regan Brumagen Lynn M. Creeley Associate Librarian, Public Services Retail Operations/Inventory Associate David R. Togni Jr. Chief Financial Officer Bryan H. Buchanan Nancy L. Curren Photographer Advancement Assistant Kris A. Wetterlund and Presentation Specialist Director of Education Ann M. Bullock and Interpretation Human Resource Manager Emily S. Davis Cataloguing Specialist, Continuing

   Warren M. Bunn II Resources and Digital Collections Collections and Exhibitions Manager Robin M. Adornato Victoria B. Davis Preparator Supervisor Meghan D. Bunnell Guest Services Associate Buyer

36 Courtney E. DeRusha Brandy L. Harold Ryan R. Langille Graphics and Marketing Projects Registrar Lead Web/Interactive Developer Specialist Myrna L. Hawbaker Katherine A. Larson Daniel G. DeRusha Volunteer Program Coordinator/ Assistant Curator of Ancient Manager of Institutional Giving Telephone Administrator and Islamic Glass

Ryan F. Doolittle Stephen Hazlett Kyle A. Lavery Tourism Sales Specialist Preparator/Mount Maker Facility Coordinator, The Studio

Hilarie A. Dyer Jonathan E. Heath Allison S. Lavine Administrative Assistant, Collections Marketing and Communications Assistant Photographer Coordinator Kelly E. Fairbanks Wesley D. Lobdell Guest Services Associate Brian J. Hewitt Network Security and Cloud Analyst Designer/Front-End Developer Shirley K. Faucett Suzette L. Lutcher Retail Coordinator Evan B. Hill Retail Purchasing and Sales Associate Education Programs Coordinator Mieke L. Fay Amanda S. Machuga Youth and Family Programs Supervisor Rebecca C. Hopman Member Services Specialist Outreach Librarian Terry E. Finnefrock Jeffrey W. Mack Senior Production Manager Brittany D. Hughes Hot Glass Programs Retail Coordinator and Projects Supervisor Kathleen D. Force Storage Facility Coordinator Caitlin B. Hyde Joeliene Magoto Properties of Glass Demonstrations Senior Advancement Officer Andrew M. Fortune Team Leader Collections Photography Department Megan C. Mathie Manager Beth J. Hylen Program Coordinator, The Studio Reference Librarian Lori A. Fuller Erika B. Mattoon Associate Librarian, Collections Scott R. Ignaszewski Senior Financial Analyst Management Event Planning and Production Manager Christopher L. Maxwell Steven T. Gibbs Nedra J. Jumper Curator of European Glass Senior Manager, Hot Glass Business Administrative Project Planner and Technology Development Cordelia C. McBride Julie M. Kabelac Client Services Support Analyst William J. Gilbert Acquisitions and Serials Supervisor Senior Manager, Safety and Security Grace F. McCann George M. Kennard Event Planner Eric S. Goldschmidt Hot Glass Show and Roadshow Flameworking and Properties Team Leader/Gaffer Michael A. McCullough of Glass Supervisor Controller Olivia J. Khristan William Gudenrath School Services Educator Eric T. Meek Resident Adviser, The Studio Senior Manager, Hot Glass Programs Stephen P. Koob Loghan N. Guiles Chief Conservator Lindsay R. Milano Guest Services Supervisor Preparator Amanda S. Kritzeck Lindsay M. Hahnes Digital Media Producer/Project Manager Michael J. Milano Manager of Individual Maintenance Technician and Planned Giving David A. Kuentz Innovation Center Technician/Preparator

37 Maureen L. Miller Christopher A. Rochelle Tara S. Simons Human Resource Benefits Hot Glass Projects Team Leader Guest Services Associate and Payroll Specialist Melissa M. Rose Damon V. Smith Joseph A. Mitchell Tour Sales and Reservations Coordinator Senior Analyst, Security Maintenance Supervisor and Network Systems Alexandra M. Ruggiero Timothy L. Morgan Assistant Curator of Modern Glass Emily E. Smith Maintenance Technician Assistant Registrar, Loans Stephanie M. Russell Timothy M. Morgan Retail Team Leader Mikki Smith Inventory Control and Storage Facility Reference and Visitor Services Librarian Team Leader Alexandra K. Salisbury Accounting Associate J. Troy Smythe David R. Murray Education and Interpretation Supervisor Operations Manager Brittany A. Sanford Retail Sales Associate Kalli A. Snodgrass Victor A. Nemard Jr. Make Your Own Glass Workshop Senior Merchandising Manager Jacolyn S. Saunders Coordinator, The Studio Publications Designer Thomas P. Oberg Mark A. Sorensen Preparator Tracy L. Savard Retail Customer Service Specialist Cataloguing Specialist, Artwork Lewis R. Olson and Documents Sara L. Squires Hot Glass Technical Team Leader Accounting Associate Devon W. Sczudlo Kimberly M. Owen Assistant Controller Krystopher A. Sullivan Retail Sales and Web Specialist Maintenance Technician Harry E. Seaman Michelle M. Padilla Senior Facility Manager, The Studio Helen M. Tegeler Digital Content Specialist Hot Glass Demonstrator/Narrator Linnea P. Seidling Bradley C. Patocka Curatorial Assistant Jason M. Thayer Lead Video Production Specialist Lead Digital Media Technician JoAnne M. Sharman Siyao Peng Retail and Customer Service Supervisor Kimberly A. Thompson Financial Analyst Media and Public Relations Manager Debra C. Sharretts El L. Peterson Human Resource Coordinator Timothy C. Thompson Maintenance Technician Information Technology Operations Hsiao-Ying T. Shih Supervisor Shelley M. Peterson Narrator/Interpreter, Mandarin Merchandise Team Manager Team Leader Jessica L. Trump Volunteer and Internship Program Martin J. Pierce Carl A. Siglin Supervisor Digital Imaging Specialist Hot Glass Maintenance, Supply, and Technical Team Leader James M. Truxon Cynthia J. Price Manager of Development and Deep School and Docent Programs Susie J. Silbert Learning Coordinator Curator of Modern and Contemporary Glass Sheila A. Tshudy Richard W. Price Cataloguing Specialist, Trade Catalogs Head of Publications Department Erica L. Simon and Audiovisual Materials Make Your Own Glass Workshop Colleen McFarland Rademaker Assistant, The Studio Lianne T. Uesato Associate Librarian, Special Collections Assistant Conservator

38 Jeremy I. Unterman Facility Team Leader, The Studio

Richard J. Urban Digital Asset Manager and Strategist

N. Astrid R. van Giffen Kathryn Wieczorek, Associate Conservator science educator, assists a participant during Randy T. Vargason CMoG Challenge, a Information Technology Manager program that helps youth to understand, Karen L. Vaughn use, and sometimes Student and Instructor Services contribute to science. Coordinator, The Studio

Regina L. Wagner Guest and Member Relations Manager

Peggy S. Walters Events Coordinator Caitlin Hyde, properties Diane E. Webster of glass demonstrations Guest Services Studio and Fun team leader, creates a with Glass Coordinator flameworked object as a Museum visitor watches. Gladys M. West Make Your Own Glass Workshop Manager, The Studio

Christa R. Westbrook Studio Assistant

Autumn N. White Storage Facility Associate Alexandra Ruggiero, assistant curator of Kathryn E. Wieczorek modern glass, discusses Science Educator the exhibition “Glass of the Architects” during Matthew A. Wilbur the Members’ opening. Events Production Lead Technician

Nicholas C. Wilson Retail and Guest Services Technical Coordinator

Violet J. Wilson Senior Administrative Assistant

Shelly Xue Carpenter Foundation Fellow for Asian Glass

39 Eileen Kremer, 12 Elizabeth Whitehouse, 8 Docents Jennifer Kuhn, 7 Penny Wilson, 3 and Barbara Kurcoba, 8 Lynn Woodard, 6 Pam Lally, 7 Mary Young, 12 Volunteers Richard LaVere, 3 Yizhou Zhang, 8 Tricia Louiz, 11 Ravit Zinger, 3 Les Malcovitch, 5 Mary Margeson, 14 The Museum’s 62 docents led 2,829 tours Edwin Marosek, 5 Honorary docents, who in 2018 (a total of 4,601 hours). Sophie Mayolet, 10 have given more than Connie McCarrick, 13 10 years of service to the Our docents, and their years of service James McCarthy, 6 Museum but are no longer to the Museum, are: Sandra Mentuck, 5 able to provide tours, are: Karen Navaie, 7 Laura Acuto, 6 Martha Custer, 8 Nancy O’Loughlin, 5 Louise Bush Anita Adelsberg, 10 Kimberly Cutler, 10 Charles Paone, 3 Anne Darling Jerry Altilio, 13 Lindy DiPietro, 6 Joanna Porreca, 3 Charles Ellis Malinda Applebaum, 12 Richard Dreifuss, 6 William Powell, 14 Sherry Gehl Roger Bartholomew, 8 Nadine Farrell, 5 Judith Prentice, 12 John Kohut Melissa Bauco, 13 Pamela Fraboni, 5 Thomas Reynolds, 10 Lenore Lewis Elizabeth Berliner, 5 Gretchen Halpert, 10 Anna Rice, 20 William Mecum Karen Biesanz, 14 Thomas Hart, 17 Karen Rowe, 14 Francine Murray Caroline Bissmeyer, 5 Brenda Hill, 3 Gordon Shedd, 3 William Plummer Andrea Bocko, 6 Janis Hobbs-White, 12 Gisela Smith, 15 Patricia Thiel Catherine Caneau, 3 William Horsfall, 16 Shao-Fung Sun, 13 Edward Trexler Zung Sing Chang, 16 Christine Hoyler, 8 Steve Tong, 15 Florence Villa Sharon Colacino, 13 David Kallenborn, 5 Paul Topichak, 6 Joseph Coletta, 8 Jean Krebs, 16 Susan Weibel, 5

In 2018, our volunteers worked 10,385 hours as they served at special events and helped many Museum departments.

Volunteers in 2018 were:

Hilda Allington Shirley Brzezinski Jacob Curreri Barbara Fisher Alexander Alonzo Sofia Budachina Jeanette Currie Dale Fisher Sr. Alternative School Nancy Burdick Martha Custer Kaewmanee Fisher for Math and Science Louise Bush Kimberly Cutler Milton French (ASMS, Corning, NY) Margaret Butler Whitney Dann Moira French Student Volunteers Aidan Cagwin Ryan Davis Yule Fu Julia Ballance Asli Can Reka de Falussy James Gensel Amanda Bansil Betsy Carisetti Piper Dean Andrea Giganti Gail Bardhan Florence Cecce Claudia DeGrande Susan Goodrich Griffin Bates Benjamin Chouinard Abigail Dejneka Terri Grace Elizabeth Berliner Mary Ellen Clarke Aaryaa Donthu Elyza Greene McKenzie Bibalo Sharon Colacino Robin Dowden Ria Gupta Karen Biesanz Darren Cole Danielle Drury Rachel Hageman Drew Blencowe Helen Coleman Jamison Edinger-VanAtta Anna Halgash Katelyn Blencowe Madelyn Collier Kelley Elliott Gretchen Halpert Paige Boutelle Maureen Connaughton Charlie Ellis Imanni Harewood Taylor Boutelle Abigail Connolly Kia Eshraghi Dilann Harris James Bowdy Rory Coughlin Marcos Ferriter-Haines Morgan Harris Mary Ellen Brennan Marilyn Cristofaro Jacob Fifield Haley Hart

40 Kendall Harter Mary Margeson Deborah Smith Interns Emily Hauryski Ray Margeson Georgia Smith Our internship program Willliam Haxton Ed Marosek Gisela Smith hosted 29 interns from John Hazlett Lauren McRae Jeffrey Smith around the world. They Andy He Mildred Miles Pat Starzec represented a diverse range Marlene Heikkila Elena Millett Emily Stein of academic interests and Emma Herbst John Moore Carolyn Stephenson worked with Museum staff Brandon Hibbard Brigid Mountain Sharron Stone mentors from many depart- Brenda Hill Joey Mucci Brandon Storms ments. Interns served a total Jennifer Hill Nicholas Mucci Laura Storms of 8,166 hours. Janis Hobbs-White Teresa Mullooly Leah Storms Elizabeth Hogrefe Catherine Newton Brandon Sun Interns in 2018 were: Karin Hoover Rozita Salehi Nezami Raghav Tandon Kristy Huang Beene Ng’oma Stephen Thomas Abigail Allard Kaylie Jacobs Kyle Nguyen Torey Thompson Thomas Benedetto Kathryn Jakobson Marge Nieber Adesh Tiwari Ilaria Camerini Alivia Jiang Michelle Nishimoto Sara Togni Maria Alice Carvalho Abby Johnson Preston Ogunwumi Monique Tovey Bonilha Carol Johnson Sailor Ong Christina Trinh Stephen Coles Nicholas Jubilee Macey Page Rachel Tsang Sarah Darro Sameen Khalid Aniello Palumbo Victor Tsang Reanna Esmail Joanne Kim Clemence Paris Prema Vaddi Erin Fitterer Ariel Kirk Kavita Patil Wyke Valkerna Adelheid Hansen Abigail Kohnke Rebecca Peng Bridget van Otterloo Joe Hartigan John Kohut Rich Peng Sahiti Vemury Henna Holopainen Darla Kosty Alexander Peterson Eshwar Venkataswamy Mary Kwandras-Langille Marianne Kosty Jim Pfiffer Brendan Wacenske Gregory Lastrapes Robert Kosty Joanna Porreca Patty Wakefield-Brown John Lehman Henry Kramer Rebecca Potash Ling Wang Claire Madigan Jean Krebs Mary Jo Powley Eileen Warren Anna Millers Elijah Kruger Judith Prentice Hannah Waschezyn Adela Minaříková Josie Kubrich Peter Prescott Douglas Watters Tanya Mirza Jennifer Kuhn Latha Ramachandran Dongqun Wei Henriikka Pollanen Matthew Kurniawan Suzanne Abrams Rebillard Sue Weibel Rachael Rice Jonathan Landolf Linda Reimer Hillary Whipple Allison Shanafelter Kathryn Larrabee Anna Rice Judy Whitbred Bryan Smith Logan Larrabee Kianna Richards Elizabeth Whitehouse Aimee Spisak Allan Layman Caroline Rogers Mimi Whittenhall Tifa Tossmann Severine Layouni Terrance Schmitz Dana Widmer-Quiel Elliot Tuazon Shane Lehman Peggy Schuckers Silas Wieland Fredrick Van Atta Belinda Lint Steven Segal Carter Wilcox Meghan Wagner Robin Liu Christine Sellers Daniel Woolaway Georgia Westbrook Greta Lorey Clayton Senkiw Radha Wusirika Conner White Tricia Louiz Rose Senkiw Eunyoung Yang Erica Macapinlac Barbara Serdula Matthew Yao Ethan Mai Indira Sharma Brooke Yorio Valerie Mai Laurel Shaut Yizhou Zhang Les Malcovitch Colbe Sick Evan Zhou Lainey Zink

41 Advancement Advancement first to make a major commitment to support the planned expansion. and The Corning Museum of Glass gratefully The State of New York continues its strong acknowledges the many donors in 2018 whose support of the Museum. In December, Empire Member­ship support strengthened our collections, facilitated State Development awarded the Museum a our exhibitions and publications, promoted $900,000 grant to expand The Studio, with research, sponsored artist and scholar residen- a particular emphasis on Make Your Own cies, enhanced our educational programming, Glass experiences. enriched The Studio, augmented The Juliette K. Giving by foundations also increased during and Leonard S. Rakow Research Library, and 2018. Notably, the Paul Mellon Centre for accomplished much, much more. This support Studies in British Art awarded a grant to un- builds on the stalwart funding from Corning derwrite the publication that will be associated Incorporated. In addition to this ongoing and with our exhibition on British glass of the 18th noteworthy philanthropic support, we raised century, which is planned for 2020. This is the nearly $2.7 million in new gifts and commit- first time we have secured a grant from the ments during the year. Paul Mellon Centre, and we are most proud We achieved our goal of fully staffing the and appreciative to have earned its support. newly established Advancement Department. A particular highlight of the year is the Our team now consists of the following: additional support we raised for GlassBarge. Joeliene Magoto, senior advancement officer; The year’s total for new gifts and commitments Lindsay Hahnes, manager of individual and was $258,000. (Combined with the $469,625 planned giving; Daniel DeRusha, manager in grants we received for this project in 2017, of institutional giving; Maura Cody, advance- we raised a total of $727,625.) In addition to ment associate; and James Gerhardt, chief Corning Incorporated’s remarkable generosity, advancement officer. Each facet of our ad- we want to celebrate and thank the following vancement program showed results and con- for their special gifts to make the GlassBarge tinued promise. tour across the state a reality: New York Lisa Francesca-Rogerson Our plan to expand The Studio, which is State Canal Corporation, Empire State Devel- and Phil Rogerson view moving steadily forward, was bolstered by an opment’s I LOVE NEW YORK program, the Covehithe Pendant, early, inspiring commitment made by Susan W. and New York State Council on the Arts, which was a gift to the Mu­seum from the Schwartz, Ph.D., a founding member of the under Governor Andrew Cuomo’s Regional Ennion Society, at the Ennion Society. We are humbled by her belief Economic Development Council initiative. society’s annual dinner. in our vision and honored to have her as the Chemung Canal Trust Company, Betty and Carl Pforzheimer, Welliver McGuire Inc., Nis- san North America Inc., and Pricewaterhouse­ Coopers LLP provided further important support. Gifts also came from the J. M. Kaplan Fund, Brands Holdings Inc., Humani- ties New York, Dutchess County Tourism, Oath Inc., Hudson Valley Tourism, Erie Canal­ way National Heritage Corridor, James B. Flaws and Marcia D. Weber, Seneca Lake Wine Trail, The Bonadio Group, Watkins Glen Inter- national, E. Marie McKee and Robert Cole Jr., and Carol Yorke and Gerard Conn. The Ennion Society, which is our leadership- level annual giving program, continues to pro- vide vital funding to strengthen the Museum’s annual operating budget, especially our collec- tions and glass-related resources. Members contributed $333,915 during 2018, and those who joined at the Collectors Circle level and above voted to direct a portion of their giving

42 to the acquisition of a rare work, the Covehithe (ASTC) Travel Passport Program, the North Pendant. Discovered in England in 1993, this American Reciprocal Museum (NARM) As­ Anglo-Saxon pendant consists of a glass cabo- sociation, and the Reciprocal Organization chon with twisted glass canes set in a gilded of Associated Museums (ROAM). silver mount. Made in the mid- to late seventh The Museum presented several successful century, it is a masterpiece of Anglo-Saxon Member events in 2018. We celebrated the luxury craft. opening of our special exhibition, “Glass of The high point in the year for our Ennion the Architects: Vienna, 1900–1937,” complete Society members and other special guests con- with a Members-only preview and Members- tinues to be the October dinner to recognize only curator-led tours. Members at the Donor this most important and loyal community of level and above also enjoyed private receptions supporters. One hundred sixty-one members before three lectures in the “Behind the Glass” and guests attended the evening event, which series. In February, Anna Mlasowsky, the was graciously hosted by Dr. Jeffrey Evenson, Museum’s 2016–2017 specialty glass artist chairman of the Museum’s Board of Trustees, in residence, joined us for our reception, and and Dr. Karyn Cepek. in April we welcomed Parliament’s artist in The annual Ennion Society travel program residence, Mary Branson, before her lecture visited Australia in November. Led by Amy on the creation of her work New Dawn in Schwartz and William Gudenrath, The Studio’s Parliament. December brought us Janis director and resident adviser respectively, the Staggs, director of curatorial and manager participants enjoyed private tours of glass art- of publications at the Neue Galerie in New ists’ studios, important museums, and other York City, before her talk titled “Vienna cultural sites. The travel program will tour 1900: The Heart of Modernity.” Japan in November 2019. Members at all levels attended 2300° events On behalf of our Board of Trustees, Muse- in large numbers while taking advantage of um leadership, staff, Members, docents, volun- the Members-only ticket line and bar, as well teers, and others, I thank you for all you have as the opportunity to socialize and network. done to add so meaningfully to the vitality of Members continue to receive their primary the Museum in 2018. benefits: complimentary Museum admission and a 15-percent discount in The Shops and James S. Gerhardt Café. Our Members-only spring and holiday Chief Advancement Officer sales allowed Members to receive a total of 25 percent off regular-priced items. As in    2017, we extended our Members-only Holiday Sale, giving Members a total of 71 days in Membership 2018 with 25 percent off storewide. At our annual Seminar on Glass, which focused on Whether they hail from Corning, New cut and engraved glass, Members also took York City, Australia, Finland, or anywhere advantage of the 15-percent discount off the else in the world, our Members have two registration price. things in common: their devotion and their The Museum sincerely appreciates the generosity. These attributes are indispensable ongoing support and commitment of our for fueling the Museum’s growth and success, Members at every level. We look forward as well as for supporting our mission to inspire to a flourishing 2019 and encourage our people to see glass in a new light. Members to continue seeking opportunities In 2018, we further enhanced the Museum to take advantage of their benefits, both at Member experience by participating in three the Museum and around the world. reciprocal programs that provide complimen- tary admission and discounts at nearly 1,400 Amanda Machuga cultural institutions worldwide. All Members Member Services Specialist at the Donor level and above are able to enjoy these privileges, through membership in the Association of Science-Technology Centers

43 Donors to the Glass Collection Corning Incorporated, Corning, NY Donors to (purchased in part with special funds pro­ the Museum The generosity of 27 donors allowed the vided by Corning Incorporated in honor Museum to add 60 objects to the collection of the opening of the Contemporary Art + during the year. Design Wing, March 2015) Sculpture, VFZ 1. U.S., Venice and Van Estate of Richard Andrasi, Hazleton, PA Nuys, CA, Larry Bell, 2017. (funds) Decanter. France, 1680–1710. Ennion Society of The Corning Museum Wineglass commemorating “VRIEND­ of Glass, Corning, NY SCHAP” (Friendship). Possibly the Nether- Covehithe Pendant. England, about lands or England (vessel), the Netherlands, 650–700. possibly Rotterdam, engraved by L. Adams, about 1800. James B. Flaws and Marcia D. Weber, Painted Post, NY Estate of Richard Andrasi, Hazleton, PA; Sculpture, Mining Industries: Corning, and Dwight and Lorri Lanmon, Phoenix, AZ 2018. U.S., Plainwell, MI, Norwood Viviano, (funds, in part) 2018. Mining Industries: Corning, 2018, kiln-cast Engraved rock crystal tazza with enameled glass from 3-D printed gold mounts. Italy, Milan, workshop of Sidney Goldstein, St. Louis, MO model; steel, mirrored Gasparo Miseroni, about 1560. Gold-glass medallion. Iran, Salman glass, transparencies. Durandish, about 1980–2000. U.S., Plainwell, MI, James Asselstine and Bette J. Davis, Norwood Viviano (Amer­ Tyler Hill, PA Ann Jakle and Richard Whiteley, Canberra, ican, b. 1972), 2018. Celery vase. U.S., Brooklyn, NY, Brooklyn ACT, Australia H. 48 cm, W. 85 cm, D. 58 cm (2018.4.10). Flint Glass Company (blank), and probably Earrings in original box, Spin. Australia, Gift of James B. Flaws New York, NY, Joseph Stouvenel and Com­ Melbourne, VIC, Blanche Tilden, 2018. and Marcia D. Weber. pany (cutting), about 1850–1855. Dwight and Lorri Lanmon, Phoenix, AZ (funds, in part) Set of 24 gold dessert knives with reverse- gilded glass handles. France, Paris, Pierre Bizos (gold blades); probably Antoine Rascalon (reverse gilding), and possibly Martin-Guillaume Biennais (case), 1805–1810.

Paul Marioni, Seattle, WA Kinetic sculpture. , 2005.

Norlan Whisky Two whisky glasses with polishing cloth and original packaging, Norlan Whisky Glass: Original, and two whisky glasses with original packaging, Norlan Whisky Glass: VAILD. Designed in Iceland, refined in Scotland, manufactured in China, designed by Sruli Recht in 2015 and made in 2017.

Paul and Elmerina Parkman, Auburn, NY Paperweight Vase. , 1972. Vessel. U.S., San Jose, CA, Robert C. Fritz, 1972. Vessel, Backup for 10th Anniversary Cup. U.S., Freeland, WA, , 1974.

44 Vessel, Navajo Blanket Cylinder. U.S., Sculpture, Cracker. U.S., Millville, NJ, Respecting the Bag, Seattle, WA, Dale Chihuly assisted by Flora C. Hank Murta Adams, 1997. engraved, enameled, Mace, 1975. Sculpture, Retrostuff: Stars and Stripes and sandblasted glass; lead came, wood, light Vase. U.S., Normal, IL, David R. Coffee Pot. U.S., Berkeley, CA, and Puget box; assembled. U.S., Huchthausen, 1976. Sound region, WA, , 1997. Philadelphia, PA, Judith Plate, Two Sisters. U.S., probably New Sculpture, Cherries. U.S., Sheboygan, WI, Schaechter (American, York, NY, Maurice Heaton, 1978. Beth Lipman, 2007. b. 1961), 1992. H. 62.7 Sculpture, Crazy Quilt Coffee Pot. U.S., Sculpture, Resonance IV. U.S., Honeoye cm, W. 82.8 cm, D. 15.4 Berkeley, CA, and Puget Sound region, WA, Falls, NY, Michael Rogers, 2007. cm (2018.4.35). Gift Richard Marquis, 1978. of Paul and Elmerina Parkman. Two untitled sculptures. Tom Patti, 1978 Pure Insurance, White Plains, NY and 1979. Wineglass. Possibly England, London, Vessel, Warriors. U.S., Boston, MA, Dan glasshouse of the Duke of Buckingham, Dailey, 1980. Hawley Bishopp or George Ravenscroft, Vessel, Pilchuck Cylinder. U.S., Seattle, WA, or Ireland, Dublin, about 1680–1690. Dale Chihuly, 1984. Goblet-Vase. U.S., State College, PA, Tom Arthur Rubloff Residuary Trust; Ennion Farbanish, 1987. Society of The Corning Museum of Glass; Sculpture, Estuaries II. U.S., probably Clara S. Peck Endowment; and James B. Providence, RI, Robin Grebe, 1988–1989. Flaws and Marcia D. Weber, Painted Post, Vessel, Chrome Yellow Venetian with NY (funds, in part) Amber Prunts. U.S., Seattle, WA, Dale Chihuly, Mosaic column. U.S., New York, NY, 1989. Tiffany Studios, about 1905. Teacup and Saucer. U.S., Seattle, WA, Preston Singletary, 1991. Sally and Gordon Schenck, Palm Harbor, FL Vessel, Violet Aurora Venetian. U.S., Seattle, Gathering ball. U.S., Corning, NY, 1910– WA, Dale Chihuly, 1991. 1920. Scallop Goblet. U.S., Freeland, WA, Fritz Dreisbach, 1992. Gregg Silvis, Newark, DE (in memory Stained glass panel, Respecting the Bag. of Robert H. Ludwig) U.S., Philadelphia, PA, , Cane. U.S., Philadelphia, PA, Herman M. 1992. Ludwig, about 1870–1920.

45 Wineglass, blown glass, Melissa Strite and Family, Ottawa, OH Donors to the Rakow Research Library applied, engraved. Pos­ “Opelle” ornaments. U.S., Erwin, NY, sibly England, London, Corning Glass Works, 1986–1988, and Financial Donors glasshouse of the Duke of Buckingham, Hawley Cor­ning Incorporated, 1990–1993 and 1995. Donations in memory of Jay Doros Bishopp (fl. 1676–1685) James K. Asselstine and Bette J. Davis, or George Ravenscroft James and Becky Summar, Nashville, TN Tyler Hill, PA (1632–1683), or Ireland, The Muses Vase. U.K., England, William Kenneth C. Depew, Fort Myers, FL Dublin, about 1680– Northwood, about 1889. Cecile Fern, Springfield, NJ 1690. H. 16.2 cm, Diam. William E. Gladstone portrait medallion, David B. Goldstein, Naples, FL 8 cm (2018.2.2). Gift of and cameo plaque with girl carrying fruit. Carol and Michael Kessler, Union, NJ Pure Insurance. U.K., England, George Woodall, about 1898. Rona and Al Lehner, Springfield, NJ Swan’s head perfume flask, and cameo Howard J. Lockwood and Margaret Best, Plaque with girl carrying place card holder. U.K., England, Thomas Fort Lee, NJ fruit, cased glass, acid- Webb & Sons, about 1900. Barbara and Elliot Merkin, Springfield, NJ etched, cameo-carved. Bruce and Normajeanne Mitchell, Orange, CT U.K., England, George Donna and Neil Weisman, New York, NY Arlie Sulka and Andrew Freedman, New Woodall (British, 1850– 1925), about 1898. Vetro mosaico vase. Italy, Venice/Murano, York, NY H. 16 cm, W. 11.2 cm, designed by Anna Åkerdahl Balsamo-Stella, Beth H. Vilinsky, New York, NY D. 0.7 cm (2018.2.6). manufactured by S.A.I.A.R. Ferro Toso & C., George Wagner and Roberta Mayer, Gift of James and Becky about 1920–1921. Hopewell, NJ Summar. Bowl, Finestre, and cup, Blu. Italy, Venice/ Westchester Glass Club, Orange, CT Murano, Yoichi Ohira, 1997. Timothy and Gwendolyn Ziek, North East, PA

David Wilson, South New Berlin, NY Other Stained glass panel. David Wilson. The Fellows of The Corning Museum of Glass, Corning, NY    John Kohut, Elkland, PA

46 Lenders of Materials Edmund Optics Inc., Barrington, NJ Chemung County Historical Society, Kathleen Elliot, Cupertino, CA Elmira, NY Louise M. Erskine, Paxton, MA Mr./Mrs. Jon P. Dorsey, Byron Center, MI Linda Ethier, Portland, OR Mr./Mrs. Roderick E. Dorsey Jr., Colorado , Williamstown, Springs, CO WV New Museum of Glass, New Fire Mountain Gems and Beads, Grants Bedford, MA Pass, OR Peggy O’Hara, Corning, NY Almut Flentje, Berlin, Germany Pilchuck Glass School, Seattle, WA Flint Institute of Arts, Flint, MI John P. Fox, Corning, NY Donors to the Library Collection Richard Franoux, Nancy, France Anonymous Lothar Franze, Potsdam, Germany Allen Memorial Art Museum, Oberlin College John Frazier, Phoenix Award Committee, & Conservatory, Oberlin, OH Washington, PA American Institute of the History of Pharmacy, The Frick , Pittsburgh, PA University of Wisconsin–Madison, Madison, Galerie bei der Albertina Zetter GmbH, WI Vienna, Austria Dale and Doug Anderson, New York, NY Gessell Studios, Dallas, TX Artists’ Legacy Foundation, Oakland, CA Glass Eye Studio Co., Seattle, WA Poem from artist files Philip Baldwin and Monica Guggisberg, Eusheen Goines, Evergreen, CO compiled by Lucartha Kohler (American, 1938– Presteigne, Powys, Wales, U.K. Nancy Gong, Rochester, NY 2017), 1972–2016. Sheldon Barr, New York, NY Jamie Gray, Calgary, AB, Canada Seven linear feet (CMGL Best Life Media, Gilbert, AZ Katherine Gray, Los Angeles, CA 115771). Gift of the Pat Blair, American Cut Glass Association, Judy Greeson, Clinton, TN estate of Lucartha Kohler. Bernalillo, NM Jody Bliss, Rock Stream, NY Nancy Blum, Brooklyn, NY Marvin and Linda Bolt, Corning, NY Flora Bonzo, Corning, NY Barbara Boroff, Wynnewood, PA Robin Brailsford, Dulzura, CA Burchfield Penney Art Center, Buffalo, NY Câmara Municipal da Marinha Grande, Marinha Grande, Portugal Annie Cattrell, London, England, U.K. Château de Nyon, Nyon, Switzerland Daniel Clayman, East Providence, RI Arthur B. Cohn, Vergennes, VT Cooper Hewitt, Smithsonian Design Museum, New York, NY Corning Incorporated, Corning, NY Róisín de Buitléar, Dublin, Ireland Han de Kluijver, Geervliet, The Netherlands Robert Deutsch, Old City of Jaffa, Israel Adrienne Di Salvo and Chadd Lacy, West Palm Beach, FL Thomas P. and Peetie Dimitroff, Corning, NY Micki Doros, Little Falls, NJ Mr./Mrs. Jon P. Dorsey, Byron Center, MI Mr./Mrs. Roderick E. Dorsey Jr., Colorado Springs, CO DOX Centre for Contemporary Art, Prague, Czech Republic Mack and Shirley Durham, Ferndale, WA

47 William Gudenrath, Corning, NY David E. Martin, Ogdensburg, NY Habatat Galleries, Royal Oak, MI Zesty Meyers, New York, NY Henry Halem, Kent, OH Nathan Miers, Evergreen, CO Norman C. Heckler & Co., Woodstock Anna Millers and Manuel Fadat, Sumène, Valley, CT France Estate of Irene Hollister, Lebanon, NH Leatrice Minzter, West Windsor, NJ Holy Trinity Anglican Church, Goondiwindi Anne Vibeke Mou, Newcastle upon Tyne, Parish, Goondiwindi, QLD, Australia England, U.K. Beth Hylen, Painted Post, NY Musée du Verre, Conches-en-Ouche, France International Festival of Glass, Stourbridge, Joel Philip Myers and Karen Birthe Eriksen England, U.K. Noer Myers, Marietta, PA David A. Kaplan and Glenn A. Ostergaard, The New School Libraries & Archives, Rancho Mirage, CA The New School, New York, NY Jennifer Kemarre Martiniello, Canberra, ACT, Niijima International Glass Art Festival, Australia Tokyo, Tokyo, Japan Chantal Kiener, Paris, France Mark Peiser Inc., Penland, NC Estate of Lucartha Kohler, Underhill, VT Aaron Pexa, Providence, RI Glenn Kohnke, Corning, NY Philbrook Museum of Art, Tulsa, OK Stephen Koob, Corning, NY Anne M. Price, Painted Post, NY Jean K. Krebs, Corning, NY Mike Raman, address not provided Alexandra Kress, Missoula, MT Rogers Turner Books, Le Mesnil-le-Roi, Dr. Jerzy J. Kunicki-Goldfinger, , France Poland John Stanislav Sadar, Brooklyn, NY Karen LaMonte, Prague, Czech Republic Hermann Schaedel, Neuhaus am Rennweg, Dwight P. Lanmon, Phoenix, AZ Germany Louis Leloup, Neupré, Belgium Ed Schmid, Bellingham, WA Robert E. Leyon Family, Carlisle, PA David Schnuckel, Rochester, NY B Team members mak­ J. & L. Lobmeyr, Vienna, Austria Amy Schwartz, Corning, NY ing “Fear Jar” during a Howard J. Lockwood, Fort Lee, NJ Seeck Auctions, Mason City, IA performance in 1996 or Karen Lorene, Seattle, WA Matteo Seguso, Murano, Venice, Italy 1997. From B Team rec­ LWL-Industriemuseum, Westfälisches Landes- Marc Selvaggio, Berkeley, CA ords compiled by Zesty museum für Industriekultur, Glashütte SFA Press, Lyneham, ACT, Australia Meyers (American, Gernheim, Petershagen, Germany b. 1969), 1989–1999. Bill Sheriff, Silver Spring, MD Six linear feet (CMGL Dennis J. Mahr, Sioux City, IA Buster Simpson, Seattle, WA 169702). Gift of Zesty Målerås Glasbruk AB, Målerås, Sweden Josh Simpson and Cady Coleman, Shelburne Meyers. Jiří Mareš, Železný Brod, Czech Republic Falls, MA Merrily A. Smith, Washington, DC Stained Glass Association of America (SGAA), Buffalo, NY Le Stanze del Vetro, Venice, Italy Dr. Karlyn Sutherland, Lybster, Scotland, U.K. Tesseract, Hastings-on-Hudson, NY The Louis Comfort Tiffany Foundation, New York, NY Toyama Glass Art Museum, Toyama City, Toyama, Japan Michelle Trammel, Malden, MA Traver Gallery, Seattle, WA William Warmus and Patricia Driscoll, Ithaca, NY George Whitbred, Campbell, NY Karol and Steven Wight, Corning, NY Nicholas L. Williams, Corning, NY David Wilson, South New Berlin, NY Jay Okun Yedvab, Toronto, ON, Canada

48   

Donors to The Studio

We thank the foundations, individuals, and companies that made generous donations of funds and materials to The Studio’s programs in 2018.

Anonymous (2) Barbara Abeles, Pleasantville, NY Pat Arnold and Dennis McCloud, Alexandria, VA* James K. Asselstine and Bette J. Davis, Tyler Hill, PA Association of Israel’s Decorative Arts, Palm Beach, FL (gift of the association and Jeremy and Marci Cohen, Pippa Cohen, and Tony and Moira Cohen in memory of Andrea Bronfman) Adam Barros, Harmony, RI F. Ross and Laura Jean Birkhill Family Foundation, Bloomfield Hills, MI Frederick and Jean Birkhill, Pinckney, MI Sara Blumberg and Jim Oliveira, New York, NY Betsey Hale, Corning, NY Speckled Suction Cups, Marylou Boynton and Juliea McCall, Rachael Harris, Ngunnawal, ACT, Australia mold-blown and lamp­ Geneseo, NY Sandra Harris and Monte Becker, North­ worked glass, hot- worked, cold-worked, J. Kevin Buchi, Malvern, PA borough, MA assembled; mussel shell. Bullseye Glass Company, Portland, OR James D. Houghton and Connie B. Coburn, U.S., Wheaton, NJ, and Jeffrey J. and Mary E. Burdge Charitable Boston, MA Brooklyn, NY, Alison Trust, Shawnee, KS* Patricia Jackson, Dundee, NY Siegel (American, Jeremy and Angela Burdge, Hilliard, OH* Drs. Allan Jaworski and Deborah Winn, b. 1987) and Pamela Kevin and Mary Campbell Donor Trust, New Silver Spring, MD Sabroso (American, York, NY (in honor of Jared Rosenacker, Gerry King, Crafers, SA, Australia b. Venezuela, 1982), 2017. H. 21.4 cm, Tom Ryder, and Jeremy Shriver-Munsch) Dan LaGasse, Lyons, NY W. 13.2 cm, D. 11.6 cm Ron and Dianne Cappiello, Vestal, NY Veronica Lawlor, Jackson Heights, NY (2018.4.12). Simone Casey, Laguna Beach, CA Robin Lehman and Marie Rolf, Rochester, NY Celebrity Cruises Inc., Miami, FL (for Celebrity Mary McEachern, Rockville, MD Cruises Glassmaking Scholarship Fund) Bette and William McMillan, Port St. Lucie, Corning Incorporated Foundation, Corning, FL (in honor of Jared Rosenacker, Tom NY Ryder, and Jeremy Shriver-Munsch) The Dana Foundation, New York, NY Ron Meshberg, Juno Beach, FL Rob and Sue Elgar, Plainfield, IL The Meshberg Foundation Inc., Juno Beach, Empire State Development, Albany, NY* FL Lynnette and Alan Eusden, Big Flats, NY Metropolitan Contemporary Glass Group, Heather Ferman, Jacksonville, FL New York, NY Fidelity Charitable, Cincinnati, OH Robert Minkoff, Potomac, MD Debra Fitzpatrick, Montrose, PA The Robert M. Minkoff Foundation Ltd., James B. Flaws and Marcia D. Weber, Painted Potomac, MD Post, NY David and Susan Morse, Corning, NY Jane and Terry Francescon, Moline, IL Barry and Ann Nicholson, Painted Post, NY Fund for Women of the Southern Tier, Northstar Glassworks, Tigard, OR Corning, NY Paperweight Collectors Association of Texas Penelope and Kirk Gregg, Corning, NY Inc., Galveston, TX

49 Two mirrors engraved The Rev. James R. Pearce, Arkport, NY Benjamin Wallerstedt, Amherst, NY with figures from the Eleanora Phillips-Burdge, Freeville, NY Wendell P. Weeks and Kim Frock Weeks, commedia dell’arte, Don and Penny Pray, Westfield, NJ (in honor Corning, NY* mercury-tin amalgam, carved and gilded wood of Lauren Hunt, Jared Rosenacker, Evalyn A. Wilkes, Brackney, PA frame, assembled. and Kim Savoie) Jay Okun Yedvab and Carol Chorich, Toronto, Venice, about 1740. Kirstie Rea, Queanbeyan, NSW, Australia* ON, Canada Each: H. 115 cm, James A. Rideout and Diane Murray, Hickory, Carol Yorke and Gerard Conn, Brooklyn, NY W. 75 cm, D. 12 cm NC Nobuyasu Yoshida, Nagata, Kobe, Hyogo, (2018.3.3A, B). Phillip Rogerson and Lisa Francesca-Rogerson, Japan Rochester, NY Rochelle Zabarkes, New York, NY Helene Safire, Chevy Chase, MD Martin Santini and Laura Young, New York, * For Studio expansion NY Archana and Shirish Sathaye, Saratoga, CA    Gregory L. and Cindy Schaefer, Elmira, NY Dr. Susan W. Schwartz, State College, PA* Gifts in Kind Sherry Selevan, Silver Spring, MD* Brittany and Ken Shafer, North Chesterfield, Special thanks to the businesses and individ- VA uals that provided goods, services, and gifts of Iris Shaffer, Flossmoor, IL (in memory of time and talent to the Museum in 2018. Aileen Farber) Terri Sigler, Asheville, NC (in honor of Ginat Christine Adams, Corning, NY Mirowski) All Academy, Corning, NY Gregg A. Silvis, Newark, DE Russel Anthony, Corning, NY Josh Simpson, Shelburne Falls, MA James K. Asselstine and Bette J. Davis, Jeffrey Stauffer, Pequea, PA Tyler Hill, PA Chris and Jennifer Stenzel, Pittsford, NY Atwater Estate Vineyards, Hector, NY The Triangle Fund, Corning, NY Black Diamond Cider, Trumansburg, NY Cynthia Trombino, Antioch, IL (Logan Blue Toad Hard Cider, Rochester, NY Ghormley Memorial Scholarship) Bluestone Brewing Company, South Vanguard Charitable, Warwick, RI Waverly, PA

50 The Brewery of Broken Dreams, Robin Lehman and Marie Rolf, Rochester, NY Hammondsport, NY McGregor Vineyard, Dundee, NY Wendy Brubaker, Corning, NY Katherine Miller, Corning, NY Stephen Brucker, Corning, NY Montezuma Winery & Hidden Marsh Buried Acorn Brewing Company, Syracuse, NY Distillery, Seneca Falls, NY Elementary School, Myer Farm Distillers, Ovid, NY Corning, NY Dwayne Thomas Neal, Corning, NY Casa Larga Vineyards, Fairport, NY Northstar Glassworks, Tigard, OR Castel Grisch, Watkins Glen, NY Paul and Elmerina Parkman, Auburn, NY Derek L. Chalfant, Elmira College, Elmira, NY Railhead Brewing Company, Hornell, NY Cider Creek Hard Cider, Canisteo, NY Ravines Wine Cellars, Geneva, NY Corning Christian Academy, Corning, NY Daniel Roemmelt, Corning, NY Corning–Painted Post High School, Lisa Rossi-Sullivan, Corning, NY Corning, NY Scale House Brewery, Hector, NY Corning–Painted Post Middle School, Jennifer Sekella, Painted Love, Elmira, NY Painted Post, NY Seneca Lake Brewing Company, Rock Damiani Wine Cellars, Burdett, NY Stream, NY J. R. Dill Winery, Burdett, NY Seneca Lodge, Watkins Glen, NY Ellicottville Brewing Company, Ellicottville, William E. Severn Elementary School, NY Corning, NY Eve’s Cidery, Van Etten, NY Sheldrake Point Winery, Ovid, NY The FarmHouse Brewery, Owego, NY Gregg Silvis, Newark, DE Shawn Farwell, Corning, NY Josh Simpson and Cady Coleman, Shelburne Finger Lakes Beer Company, Hammondsport, Falls, MA NY Calvin U. Smith Elementary School, Painted Finger Lakes Cider House, Interlaken, NY Post, NY Grand universal Finger Lakes Distilling, Burdett, NY Southern Tier Brewing Company, Lakewood, equinoctial dial with Four Fights Distilling, Corning, NY NY precision oculus, rolled Fox Run Vineyards, Penn Yan, NY Juliana Sowinski, Corning, NY brass, ground and Fulkerson Winery, Dundee, NY Steuben Brewing Company, Hammondsport, polished glass. Spain, Gael Brewing Company, Geneva, NY NY Madrid, Pierre Bernard Paula Gilboy, Corning, NY Melissa Strite, Ottawa, OH Mégnié (French, 1751– 1807), about 1790. Glenora Wine Cellars Inc., Dundee, NY Swedish Hill Vineyard & Winery, Romulus, Closed: H. 4.6 cm, Dr. Sidney M. Goldstein, St. Louis, MO NY W. 21.5 cm, D. 21 cm; Maria Goldwyn, Painted Post, NY Teresa Telehany, Painted Post, NY open: H. 14.5 cm Sandra Harris and Monte Becker, North­ Upstate Brewing Company, Elmira, NY (2018.8.2). borough, MA Hazlitt 1852 Vineyards, Hector, NY Hector Wine Company, Hector, NY Hickory Hollow Wine Cellars, Dundee, NY David Higgins, Corning Community College, Corning, NY Sharron Holland, Watkins Glen, NY James Horton, Painted Post, NY Hosmer Winery, Ovid, NY Idol Ridge Winery, Lodi, NY Iron Flamingo Brewery, Corning, NY Christina Johnson, The ARTS Council of the Southern Finger Lakes, Corning, NY Joni Kehoe, Corning, NY Krooked Tusker Distillery, Hammondsport, NY Lake Drum Brewing, Geneva, NY Lakewood Vineyards, Watkins Glen, NY Dwight P. and Lorri Lanmon, Phoenix, AZ

51 Wagner Valley Brewing Company, Lodi, NY Directors Circle ($25,000 and above) Wagner Vineyards, Lodi, NY Marian Burke and Russell E. Burke III WeBe Brewing Company, Geneva, NY James B. Flaws and Marcia D. Weber Wegmans, Corning, NY Ron Meshberg Weis Vineyards, Hammondsport, NY Neil and Donna Weisman, New York, NY Curators Circle ($10,000–$24,999) Winfield Elementary School, Corning, NY Drs. Jeffrey W. Evenson and Karyn L. Birgitt Wolf-King, Painted Post, NY Cepek Megan Wukovitz, Corning, NY Roy and Myra Gordon Chelsea Xidis, Corning, NY Jacob D. Price Helene Safire    Wendell P. Weeks and Kim Frock Weeks

Donors to Museum Funds Sustainers Circle ($5,000–$9,999) Vase, mold-blown glass, Mr./Mrs. Roger G. Ackerman etched, enameled. Austria, The Corning Museum of Glass gratefully James K. Asselstine and Bette J. Davis Vienna, glass form de­ acknowledges individuals and organizations Jeremy and Angela Burdge signed by Josef Hoffmann that made substantial financial gifts to enhance David C. Burger (Austrian, 1870–1956), its collections, and to support programs and Laura Coleman and Tom Halgash decoration possibly activities in 2018. Complete lists of donors Charles R. and Trudy Craig designed by Leopoldine Kolbe (Austrian, 1870– to the glass collection, the Rakow Research James D. Houghton and Connie B. Coburn 1912), manufactured by Library, The Studio, and the Museum’s many Clark and Ann Marie Kinlin the Wiener Werkstätte, programs and activities will be found on Lani McGregor and Daniel Schwoerer and Bohemia or Czecho­ pages 44–52. E. Marie McKee and Robert Cole Jr.* slovakia, Nový Bor Mr./Mrs. Carl H. Pforzheimer III (Haida), manufactured Ennion Society Richard and Judy Sphon by Joh. Oertel & Co., Peter and Cathy Volanakis 1918. Enameled: “LK”, “WW.” H. 15.7 cm, Lifetime Members Toots Zynsky and Ernesto Aparicio Diam. 16.5 cm The Ben W. Heineman Sr. Family (2018.3.4). Stanford and Elaine Steppa Collectors Circle ($2,500–$4,999) Frederick and Jean Birkhill Thomas E. and Barbara Blumer Bob and Brenda Brown Sven Carlsson and Monica Tollefeldt- Carlsson Jeremy and Marci Cohen Pippa Cohen Tony and Moira Cohen Dr. Charles and the Rev. Virginia G. Deneka Mr./Mrs. David Dowler Sue and Rob Elgar Alan and Lynnette Eusden Olivia and Harlan Fischer Jane and Terry Francescon Kirk and Penelope Gregg Drs. Allan Jaworski and Deborah M. Winn David A. Kaplan and Glenn A. Ostergaard Xavier Lafosse and Thérèse Arliguie* Robin Levin Marianne and David Lubin Margaret M. MacAvoy† Dr. Douglas C. McCorkle and Dr. Lynn Harris-McCorkle Mike and Frances Mohr David and Susan Morse

52 Ann H. S. and Barry Nicholson Tom Oreck J. Douglas and Patricia Perry Sheilah Y. Prevost Clarice Smith Arlie Sulka and Andrew Freedman Kenneth R. Treis Welmoet B. and Daniel van Kammen Karol and Steven Wight Evalyn A. Wilkes

Members ($1,200–$2,499) James and Julia Alexandre John and Carole Allaire Dale and Doug Anderson Lisa and Dudley Anderson Thomas and Ulrike Appelt Pat Arnold and Dennis McCloud Kate and Ric Asbeck Gail O. and Elijah Baity Monica and Deron Bankston John P. Fox [Catalog of shape Richard and Carolyn Barry Melissa J. Gambol patterns]. Italy, Venice/ Mr./Mrs. Mike Belkin Willard Geller Murano, Vetri Soffiati Muranesi Venini & C., Ronald and Gail Bellohusen Jere Gibber and Jeffrey G. Harrington [about 1925–1935]. 88 Harvey and Janice Berger Virginia Gold plates, illustrations. Michael B. Bono Carol and Joseph Green H. 24 cm, W. 35 cm Mr./Mrs. Thomas Buckles Carl Haberstroh and Margo Corsa (CMGL 712632). Mr./Mrs. Michael J. Burns III Betsey Hale Purchased with funds Van C. and Susan H. Campbell Mr./Mrs. Steven J. Harrold from the Juliette K. Tom and Lisa Capek Jonathan and Pamela Hartman and Leonard S. Rakow Library Endowment Cheryl C. Capps and Brian Stoyer Denise A. Hauselt Fund. Dr. Polly W. Chu and Dr. William Edward Hayes and Svetlana Putintseva Mattingly* Frederick Heath and Merrily Orsini Eleanor T. Cicerchi Chris and Darryl Heckle* James and Doreen Clappin Douglas and Katya Heller Mary and Jack H. Cleland Mr./Mrs. Thomas Hinman Sarah and Daniel Collins The Honorable Amory Houghton Jr. Elisabeth Corveleyn and Thomas E. Reilly James R. and Maisie Houghton Kimberly and Willard A. Cutler Scott and Susie Jacobson C. Matthew and M. Elizabeth Dann Kenneth L. Jobe and Rita Morgan Patricia T. Dann Sir Mark Jones and Dr. Camilla Toulmin Kenneth C. Depew Kimberly and James Kaffenbarger Thomas P. and Peetie Dimitroff Sharon Karmazin and David Greene Micki and Jay R.† Doros Grace and Christopher Kelly* Dr. Kate Douglas and Paul Douglas John L. Kirkman Drs. Walter and Karen Douglas* Michael Kovacek Joe P. and Mary K. Dubendorfer Anna, Kitty, and Willem Laméris Dennis and Barbara DuBois Dr. David Landau and Marie-Rose Kahane Brian and Sherry Effron Jon and Judith Liebman William Eggers and Deborah McLean Mr./Mrs. Doron Livnat Michael and Susan Eisner Howard J. Lockwood and Margaret Best Mr./Mrs. Eric D. Elder Joan Lunney and William W. Idler† Roberta Elliott and Charles Wantman Edward Mainzer and Kevin Chou Dr./Mrs. Adam James Ellison Jean-Pierre and Laurette Mazeau Christopher T. G. Fish Mary E. McEachern

53 John and Bonnie Sirianni Tom Snow and Karen Meriwether Kristin and Charles Swain Mary Ann and Anthony Terranova Mr./Mrs. G. Thomas Tranter Jr. Mary and R. Tony Tripeny Deborah Truitt Gary and Margaret Wendlandt Brian Whisenhunt and Mitchell Smith Elizabeth Whitehouse The Honorable Robert Whiting and Mrs. Audrey J. Randall Whiting Tony and Ann Wimpfheimer Stephen and Ginat Wintermeyer Jay Okun Yedvab and Carol Chorich Carol Yorke and Gerard Conn Marianne W. and James D. Young Mr./Mrs. Rainer M. Zietz

Donors Supporting Special Projects (above $100) Financial gifts from private foundations, corporations, matching gift programs, and other friends of the Museum continue to contribute to the Museum’s ever-expanding Place card holder, cased Dr. Gregory A. Merkel educational programs and special projects. glass, acid-etched, cameo- Robert Minkoff carved; brass; assembled. Victoria and Stephen Morris Studio Expansion U.K., England, Thomas Webb & Sons, about Mr./Mrs. Imran Mukhtar* Pat Arnold and Dennis McCloud 1900. H. 7.6 cm, Diam. Mr./Mrs. Eric S. Musser Jeffrey J. and Mary E. Burdge Charitable 6.4 cm (2018.2.7). Gift Mr./Mrs. David Naylor Trust of James and Becky Tina Oldknow and Peter Herzberg Jeremy and Angela Burdge Summar. Richard A. O’Leary Empire State Development Fran and Mary Helen Olmstead Kirstie Rea Christine and Michael Pambianchi Dr. Susan W. Schwartz Paul and Elmerina Parkman Wendell P. Weeks and Kim Frock Weeks The Rev. James R. Pearce Prof. John V. B. Perry GlassBarge Richard and Joan Randles The Bonadio Group Douglas and Shirley Reed Chemung Canal Trust Company James A. Rideout and Diane Murray* Holdings Inc. Christina Rifkin Corning Incorporated Phillip A. Rogerson and Lisa Francesca- Dutchess County Tourism Rogerson Empire State Development Mark and Kay Rogus* Erie Canalway National Heritage Myrna Ross Corridor Fabio and Brittany Salgado Brian Eslinger Dorothy Saxe James B. Flaws and Marcia D. Weber Jim Schantz and Kim Saul Hudson Valley Tourism Pamela Schneider Humanities New York James and Susan Schuppert J. M. Kaplan Fund Dr. Susan W. Schwartz E. Marie McKee and Robert Cole Jr. Holly A. Segur* New York State Canal Corporation John and Christine G. Sharkey New York State Council on the Arts Josh Simpson and Cady Coleman Nissan North America Inc.

54 Oath Inc. Dartmouth Donor Advised Fund, Mr./Mrs. Carl H. Pforzheimer III Dartmouth College PricewaterhouseCoopers LLP DuBois Family Charitable Fund Seneca Lake Wine Trail Fidelity Charitable Watkins Glen International Goldman Sachs Philanthropy Fund Welliver McGuire Inc. Frederick G. Heath Revocable Trust Carol Yorke and Gerard Conn Jewish Community Foundation, Milwaukee Jewish Federation Individual Contributors Jewish Community Foundation of Southern Anonymous Arizona Barbara Abeles Anna and Karl Koepke Foundation Wendy and Gib Battisti Marketwise Consulting Group Inc. Mr./Mrs. Mike Belkin Paul Mellon Centre for Studies in British Ronald and Gail Bellohusen Art Robert Cassetti John Mills Electric Inc. Dr. Polly W. Chu and Dr. William The Robert M. Minkoff Foundation Ltd. Mattingly New York State Council on the Arts Charles R. and Trudy Craig The Patricia and Douglas Perry Foundation Dennis and Barbara DuBois Robert H. Smith Family Foundation Mr./Mrs. Robert Duke G & H Snyder Memorial Trust Mr./Mrs. Eric D. Elder The Triangle Fund Alan and Lynnette Eusden Twin Tiers Glass Collectors Group James B. Flaws and Marcia D. Weber UBS Donor-Advised Fund James S. Gerhardt and Paula Schlinger Vanguard Charitable Jere Gibber and Jeffrey G. Harrington VISA Inc. Roy and Myra Gordon Vitreus Foundation James and Alison Haskins Robert J. Wilkes Jr. Revocable Trust Douglas and Katya Heller Wineglass Marathon Acorn simple micro­ Randi L. and Dustin Hewit scope compendium, Dwight P. and Lorri Lanmon Matching Gift Organizations ground and polished lenses; turned ivory Marie Lloyd Corning Incorporated Foundation and ebony. England, Audrey A. Mann Duke Energy Foundation unknown maker, about Mike and Frances Mohr IBM Corporation 1775. H. 5.2 cm, Diam. Jane Paine Johnson & Johnson Family of Companies 2.7 cm (2018.8.14). Christine and Michael Pambianchi The Rev. James R. Pearce Kathy Poeppel Richard E. Rahill Daniel and Diane Riccio Michael and Patricia Rosenblatt Archana and Shirish Sathaye Richard and Judy Sphon Paul Spraos and Brette Popper Jay Thoman and Lee Venolia Scott and Renee Torrey Darryl Wood and Helene Wollin

Foundations, Trusts, Corporations, and Other Organizations ($100 and above) Acorn Hill Foundation Inc. The Center for Craft Charities Aid Foundation Community Foundation of Elmira– Corning and the Finger Lakes Inc. Corelle Brands Holdings Inc.

55 Gifts in Memoriam and in Tribute Thomas A. Schwartz The Museum is privileged to recognize Dr. Susan W. Schwartz gifts made in in tribute to someone admired, respected, or re­membered in a special way. Marleen van Kammen Welmoet B. and Daniel van Kammen Gifts in Memoriam VISA Inc. Andrea Bronfman Association of Israel’s Decorative Arts Gifts in Tribute Jeremy and Marci Cohen James Gerhardt and Thomas Reynolds Pippa Cohen Louis and Betsy Narrow Tony and Moira Cohen Lauren Hunt, Jared Rosenacker, Jay Doros and Kim Savoie James K. Asselstine and Bette J. Davis Don and Penny Pray Kenneth C. Depew Vanguard Charitable Cecile Fern David Goldstein Ginat Mirowski Carol and Michael Kessler Terri Sigler Rona and Al Lehner Howard J. Lockwood and Margaret Best Jared Rosenacker, Tom Ryder, Barbara and Elliot Merkin and Jeremy Shriver-Munsch Bruce and Normajeanne Mitchell Kevin and Mary Campbell Donor Trust Arlie Sulka and Andrew Freedman Bette and William McMillan Beth H. Vilinsky George Wagner and Roberta Mayer Amy Schwartz Westchester Glass Club Kirk and Penelope Gregg Timothy and Gwendolyn Ziek Mark Sorensen Aileen E. Farber Archana and Shirish Sathaye Iris Shaffer Laticia Stauffer Frances S. Fox Brittany and Ken Shafer John P. Fox Bob Wood Logan Ghormley Memorial Scholarship Kirsten and Mark Mucci Cynthia Trombino Bob and Barb Wood

Virginia Hauff * Gift matched by a corporate/other matching gift Deborah and Carl Rubenstein † Deceased

Mary Ellen Ivers Jane Paine

Robert H. Ludwig Gregg Silvis

Thomas C. MacAvoy Margaret M. MacAvoy Vitreus Foundation

Clifford E. Randall The Honorable Robert Whiting and Mrs. Audrey J. Randall Whiting

56 The Corning Museum of Glass gratefully Judith H. and Thomas Dwyer recognizes individuals and organizations that Leslie and John Ford Museum have joined at Contributing Membership levels Barbara Fowler and Betty Kratts Contributing ($135 and above). Dr. Anthony E. Gerbasi Charles and Mary Hall Members Corporate Audrey Handler and John Martner Corning Incorporated Sandra L. Helton and Norman M. Edelson Gene Herber Association Mark and Sarah Holford Carder Steuben Club Inc. Michael Horan and Jeremy Brumbaugh Hope and Bruce Irvine Library Paul and Kathryn Jakobson George F. Johnson Memorial Library, Barbara and Carrie Johnson Endicott, NY Charles Kaliski and James Tsugawa Liverpool Public Library, Liverpool, NY Mr./Mrs. Marcus E. Kantz Penfield Public Library, Penfield, NY Jerry and Sally Kersting Southeast Steuben County Library, Daniel and Linda Kramer Corning, NY Adele and Leonard Leight Spalding Memorial Library, Athens, PA Michael and Alicia MacFarland Spencer Library, Spencer, NY Michele A. Manatt and Wolfram Anders Drs. William and Phyllis Martin Patron ($500–$1,199) Matthew and Mary Maslyn Barbara Abeles Maureen Mines and Mark W. Holman Beth and Abbott S. Barclay Marianne and Greg Mukai Michele and Marty Cohen Janet and Wallace Newcomb Mary Laub Cowan H. Barbara Nunan Mary Lou Doebler John and Marcia Scherer Mr./Mrs. W. Wallace Dyer Jr. Q. Phia Sherry Dr./Mrs. Richard Fastiggi Peggy Steffel Jeffrey and Paula Gural Scott and Renee Torrey Patricia and Francis Higgins Charles and Bonnie Tyo Susan Tryon Rogers and James Rogers Jim and Linda Varner David and Jennifer Schoenholz Brent and Susan Wedding Robert J. Smith and Jay Wiesner Darryl Wood and Helene Wollin John Thoman and Lee Venolia John M. Ulrich and Lynn A. Pifer Donor ($135–$269) Jennifer and Rachid Aboud Supporting ($270–$499) Don and Kay Adams Karen Baumgartner Margery and Martin Adams Joseph P. Bleznuck Sr. and Nancy M. Edmund J. Adamus and Mary Sgarlata Bleznuck Adamus David Bliss Dr./Mrs. Richard Ahola Cynthia and Frederick Bloom Kathleen D. and Dennis L. Albrecht Paul and Sarah Bookbinder Susanne Alfonso and Karen Withsosky Debbie Brodsky Keith and Lois Allen Frank G. and Lynne A. Bunke Susan Alley-Mertz and Mort L. Mertz Karl Carter and James Robb Marc Alpert Richard Cerasaro Kathryn Anastasio and William Groome Gene Cooper and Brad Allen Edward Andrewlavage and Madonna Fred and Gail Coveler Cornelissen Martha Custer and David Schissel Julie Andrews and Casandra Foley Lee DeBrish and Marline Riehle Drs. Alan Angell and Beth Dollinger Clare Dus and JoAnne Dus-Zastrow Diane Araki and Leigh Howell Ernie Dusablon Joan and Karl Ash Richard Dutko and Kaitlin Dempsey Richard and Betty Attilio

57 Barbara and Jesse Babonis Iliese and Chris Bowman Thomas and Patricia Bain Daniel and Dianne Box Elzbieta Bakowska and Pawel Bakowski Marylou Boynton and Juliea McCall Mr./Mrs. Sam Balash Jr. Dave Braun and Ricki Schweizer M. Barbu and L. Duffy Edwin and Carol Braunstein Michael F. Barrett Sue Braunstein and Nancy Miller Floyd Beatty and Michelle Thibedeau Ross Bremer and Karen Perrin-Bremer Richard and Catherine Begg Barrett Brenton and Blythe Roveland-Brenton Kathryn Bell and Stuart Houston Fay S. and Phelan A. Bright David M. Berg and Dawn Riedy Gerri and Dan Britton Leslie Berkowitz and Michael Lebowitz Michael Brommer and Miranda Carroll Vicki and Michael Bernard Alisa Brown Steven and Carol Bernardini Gary P. and Sonya Brown Kenneth R. and Rhonda G. Berquist Kenneth and Carol Brubaker Stanley and Sarah Bhasker Rachel H. Brumberg Pair of fire screens, Donna and Robert Biehl Bill and Charlotte Brummett stained and enameled Rich and Jamie Bisignano Cynthia and Stephen Brylinsky glass; mahogany, gilded Jill B. and Thomas R. Blagg James and Rae Burchfiel metal. England, London, Kevin Blalock and Carina Santalucia Elissa Burke and Nancy Martin James Pearson (English, Cindy and Randy Blankis Mr./Mrs. Sean I. Burns b. Ireland, about 1740– 1837 or 1838), 1800. Fred Bloom Steven M. and Lisa Byers Each: H. 120 cm, Diam. Mary Boite and Tom Hoag Janet Campbell and Penny Hogenbuch 31.5 cm (2018.2.9A, B). Broeck and Lee Born Steven R. Campbell and Noreen Mitchell Ron and Dianne Cappiello Robert and Mary Carlson Marie and Thomas Caroscio Dorothy Carpenter Roger and Pauline Cary Adam and Laura Castracane Marcy Cathey and Aaron Frank Douglas and K J Chamberlain Wende Chan-Arnett and Dixon Arnett Grace and Sarat Chandarlapaty Tina and Yung Chang Craig and Marilee Chaplin John T. Chapman and Diane Ospina-Chapman Joyce and Jim Chizick Joseph and Nicole Citriniti Joseph and Lauren Coffee Jackie Coffey and Jeff Whitney Eric and Hila Cohen Howard and Barbara Cohen Abby Cohn and Wilson Manik Melissa Colacino and John Sirianni Marie H. Cole Robert and Jo Cole Timothy and Judith Coleman Ian Collier and Barbara Wetherington Amy Collins J. G. Collins and Joan Walter-Collins George and Barbara Connors Christine D. Conti-Collins and Daniel Collins Nicole and Terrence Conway Margaret and Grant Cooper Margaret Corbit and Wesley Blauvelt

58 Ken and Harriett Corbran Kathryn Cornelius and Norberto Bastia John and Andrea Cosachov Rob and Sandy Costello Randall and Sharon Cross William A. and Elizabeth O. Crowley Catherine Cruz and Ernesto Cruz Jr. Carl and Susan Cuipylo Matthew Dabney and Karen Kelley Robert and Jayne Dane Angela and Tymon Daniels Joe and Judy Darweesh John Dash Megan and Christian DeLamielleure Mark and Elizabeth Demma DeAnna Deneen and Dan Kane Jeremiah and Esther Dewey Umesh and Honey Dhupar Krystall Diamond and Thomas Winward Louise Dickinson and Jeff Klein Aaron L. Dinkin and Stephanie L. Dunckley Dustin Dixon and Jacob Reagan Alexsana Donne and Jeff Hartlove Robin Dowden Robin and Edward Dubovi Sharon M. and Edward Dunscombe Pamela M. Eckel and Patricia R. Rae Mr./Mrs. Robert L. Ecklin Virginia and Karl Ehemann Handbill, Notice! For Anna Eide and Kari Anna Eide-Lindsay Preserving the Eyes, Dorothy and Gary Emmick place and publisher not Paul and Lori Engle identified, 1850–1869. Karen Epstein and Linda Cole Ink on paper. H. 33 cm, Stanley and Rhoda Epstein W. 17 cm (CMGL 705006). Donald Erenberg Matt and Jeanne Estep Alan Evans and Renee Jacobson Timothy J. Frawley Sally and Wayne Evenson Ronald and Gloria Friedman Harold and Margaret Fabinsky Katherine and Andro Gagné Diane S. Farber John C. and Candace Galle Dr./Mrs. Thomas Fassett Kristine M. and Steven C. Garner Marshall and Faye Fay Pattie and Lauren Gayda Betsy and Christopher Fee Lynne Geppi Francis P. Fehlner Richard and Gail Gerard Stan Feingold Vivek Ghosal and Monamee Adhikari Lynne Feldman and Anthony Suchman Monica Giganti Elizabeth and Mark Feulner William and June Gilligan Thomas Fies Jr. Pierre Girardin Finger Lakes House Stephanie Giuffre and John Brett W. K. and Eileen Fisher S. and S. Gliksberg Gary and Janice Fitzpatrick Steve and Deborah Goebel Dalton and Myrna Flatt Martin Goffman and Barbara Dorfman Dawn and Chris Forman Shira and Adina Goldman Patricia A. Frame and Jeffery B. Floyd Carol and Dennis Goldsmith Dawn Franzen Eugene and Anita Goldstein

59 Eileen Hansen and Bob McCann Kathleen and William Harmand Orville P. Harris Sr. and Patricia T. Harris Sandra Harris and Monte Becker Hedy Hartman and Andrew Chait John Hatch and David Henderson Mary and Rex Hawbecker Ann Hayes and Neal Gummoe Tahir Haytoglu and Asburcehan Ozdes- Haytoglu Ryan Heden Ann and Charles Heide Eileen Herrington Douglas and Helen Hill David and Tamara Hodges Pauline P. Holbrook Curt and Rosemary Hooey Katherine Hope and Ron Blackman Keith Horn and Carla Brown Margaret Horn J. Horner Donald and Jennifer Houghtalen Cydnie and Carl Houghton Robert Howard and Catherine Minder Ronald and Valerie Hublall Dorothy and Larry Humm Charlie Hunter Mieke Hunting and Matt Thompson Marshall and Gustav Hyde Engraved rock crystal Jorge A. Gomez-Casais and Diana M. Lori Jackson and Jason Sullivan tazza, carved, engraved, Casais-Almanza Rita and William Jackson and assembled rock Philip Goodwin and Amy Wehr Nancy and Benjamin Janyszeski crystal with enameled gold mounts. Milan, Andrea Gosselin and Scott Doney Kai and Judy Jarosch workshop of Gasparo Clement Granoff Deborah and Timothy Jennings Miseroni (Milanese, Ellen and Judy Graper Mark and Stacia Johannsson about 1518–1573), James and Faith Gray Carl Johengen and Brad Benson about 1560. H. 11.8 cm, Travis and Rebecca Greene Brian Johnson and Trudy Chapman Diam. 11.7 cm. From Dianne Gregg Marybeth and Christopher Johnson the collection of Baron Lucas Greiner Mr./Mrs. Hank Jonas James de Rothschild (French, b. Germany, Joanne Greising and Hank Greenblatt Janet and Walter Jones 1792–1868), Paris Ginny Grieb and Eric Miller Pushkar Joshi and Vasundhara Misal (2018.7.1). Purchased Robert L. Griffith and Phillip E. Mathewson Tom Julius in part with funds from Erin and Richard Grinstead Ed and Linda Kabelac the estate of Richard Emma Groethe and Richard Lyon Harini Kadambi Andrasi and from Dana Grohol and Lee Lauer Abby and Arthur Kalotkin Dwight and Lorri Tim and Jessica Gross Ernestine and Franklin Kamp Lanmon. Qun Gu and Li Zheng Kimberly and Christopher Karam Ceani Guevara and Winston Fan Stephanie and Sydney Kasok Margo Gustina and Eli Guinnee Carl Kass and Dr. Della Lee Sue Mary and Dennis Guy-Sell Linda and Joanne Kaufman Mark and Karen Hagan Mary and Stephen Kaysa Colleen and Raymond Hall James M. and Mary Katherine Kearns Marla Hallacy and Sean Taverna Jenka Keizer and Horacio Guevara Montalvo Janet J. Hallahan Gregory and Linda Kelahas Bill and Mary Hallinan Maureen Kelly and Luca Maurer

60 Sean Kennedy and Angela-Marie French Brian Machado and Mary Gallagher-Machado Zoya and Svetlana Khaletskaya Martha and Tom Macinski J. Andrew and Tina Kirby John and Karen Madison Leon Kirkbeck and Michelle Walshe Lauren and Russell Magaziner Katie Kiss and Kerry Murphy Suzanne Maggiore and Robert Cooper Michelle and Jason Kistner Robert and Dorothy Manchester Mr./ Mrs. Richard Klein David and Michelle Mandery Daniel F. Klessig and Judith Hope-Klessig Laura L. and Douglas A. Mann Bramble Klipple and Charles Rendleman Becky and Joe Marinelli Itoko Kobayashi and Sorge Schmakov Thomas Mark and Amyjane Rettew Laurie and Mark Kohlbrenner Andy and Jon Marquis Glenn Kohnke and Jill VanDewoestine Luke A. Masten and Kathryn Johns-Masten David and Rosemary Kopczynski Mariquita Masterson Kevin and Heather Kosieracki Isaac I. and Persis R. Matta Alfred Kowsky James I. and Bonnie Matteson Roger and Patty Kuehl Jenny Maurer and Patricia Dowis Andrew and Wendy Kurtz Stanley E. and Janis McCormack Ernestine W. and Roy A. Kyles Mary Lou and Tom McCullough Bryan and Melissa Ladner Brian McDonald and Benno Haenel Charles and Ellen LaFollette Melissa and Carson McDonald Mark and Margaret LaLomia Megan McElfresh Mark and Beth Landin Elizabeth and Jim McNally Lynne Landmesser and Connie Sharer Annie McQuilken and Gregory North Mary and William Lane Jennifer and Mrugendra Mehta Amy Langham and Charlotte Empet Carol A. Meriwether and Paul H. Griggs Margaret M. Lapp Vickie A. Mike and Stuart Trock Mary Jo and Elizabeth Larcom David and Mary Milano Karin and Chris Larrabee Karen Miller and Alan Altmark Jim Lasher and Li Chan Steve and Sabina Miller Swan’s head perfume Linda and Franc Laux Joel and Amy Millett flask, blown glass, Nancy H. and Richard Lazarus Jean and Justin Miner cased, acid-etched, Elsie and Vincent Lee Joan Mintz and Robinson Markel cameo-carved, assem­ Robert Lee and Dong Mi Jung George and Kathryn Misnick bled. U.K., England, Geoffrey and Susan Lefferts Bruce and Normajeanne Mitchell Thomas Webb & Sons, about 1900. H. 4.8 cm, Richard Lehman Raul Molina and Rebecca Farmer W. 23.3 cm, D. 3.5 cm Denise and Richard Leszczenski Laura Mooney (2018.2.4). Gift of Carol Lewis and Virginia Hanning David Mooneyhan and Renee Smith James and Becky Alan and Kay Liddell Dr. Franke T. Moore Summar. Linda and Rudolf Lienhard Brian Lilly Edward and Carol Lincoln William and Kathryn Littleton Ningyu Liu and Shiyuan Qu Gregory and Suzi Loewen Dale and Heather Lombardo Jennifer Long Blanche Love Emily C. Lowery and Victor A. Russo Richard and Ellen Luce Denise and James Ludemann Mr./Mrs. Edward J. Lukomski Agatha Lutoborski and Matthew Huchzermeier Mr./Mrs. Merrill L. Lynn Michael and Patricia MacDonald

61 Stephanie and Kevin Morgan Margaret M. Ostermann Joe and Gail Morrison Robert and Arlene Oyler Rhonda Morton and J. McKnight Lisa and Dave Padilla Richard Mueller Kathleen and Peter Palmer Anitra and Jim Murphy Ron Palmer Ondra and Robert Murray Norman and Tawna Parko Carrie Myers and Paige Myers-Ackerman Sheila and Zeb Parks Gary C. Myers and Cheri Atkinson Hitesh and Mita Patel Mark and Deborah Naglee Robert and Louise Paul Chuck and Carol Narrow R. L. Pedrick Kirk Nelson Susan C. Penny and Radomir D. Richard and Cynthia Nelson Stevanovic, M.D. Christine Nemacheck Robert and Janet Peper Hung and Ha Nghi Karin Pereira Hoang Nguyen and Han Nghi Sally and Richard Petro Fei Ni and Ya Xing Wang Mary Ann Phibbs and Marilyn MacBride Charles G. and Mary L. Nitsche Daniel and Christina Pickles Rod and Melissa Noel David and Janet Pierce Doug and Kathy Nortman Robin and Charles Pinches The Muses Vase, blown Mark Norton and Brigid Cassidy Patricia Pinkston and Martin Gutierrez glass, cased, acid-etched, Jeffrey and Cynthia Nucciarone Michael Pirozzolo and Jean Hicks cameo-carved. U.K., Yin Nyo and Marcus Kyi Glenna and James Pitarresi England, William Jerry Nystrom and Ruth Davis Brian and Lori Platt Northwood (British, Megan O’Brien and Jeremy Bittel Randy Ploog and Kristi Wormhoudt 1857–1937), about Leo and Elizabeth O’Connor Michael Plummer and Linda Voss-Plummer 1889. H. 10.4 cm, Robert O’Connor Richard and Felicia Poes W. 9.1 cm, D. 8.3 cm (2018.2.3). Gift of Rosalie O’Connor and P. J. Pennewell Roy and Barbara Pollock James and Becky Linda J. Oliver and Holly O. Smith Joseph Ponnoly and Teresa Joseph Summar. Dr./Mrs. John F. Olmstead Dr. David Porter and Rhonda Baker Varun Prakash and Rajamani Kaliannan Sraddha Prativadi and Mallika Seshadri Richard G. and Karen Pudliner James and Janice Purk Colleen and Kathy Quigley Christopher and Elizabeth Quinlan Evelyn Quinn Donald and Barbara Radigan Terri and Warren Radke Linda and Joe Rak James and Rita Reed John and Jennifer Rees Jon M. Rees and Catherine Hellstow Catherine Gail Reichl and Jackie Glover Richard Reichman and Lisa Demeter- Reichman Priscilla Reyer and Elizabeth VanEvery Brad Reynolds Georgia A. Reynolds Paul and Patricia Reynolds Rita Rhodes and Felix Kapron Jeff Rich and Paula Breen Mr./Mrs. Edward Richie Kathryn and Mark Riedener Glenn and Shirley Roat Michael and Bette Rogers

62 Kristina and Sandra Roper Paula M. and Neil C. Tarallo James B. and Sharon S. Rose Michael and Faith Tarby Eric Rosenberg Dr. Wayne C. Templer and Linda Templer- Susan Rosenstock Alexander Monica and Maria Rudzinski Patrick Tepesch and Kate Paterson Linda Sadev and Steve Carollo Edward M. Thal and Joseph Murphy Karim and Crystal Sadik Kevin Thatcher and Kim Taft Morton K. Sadinsky Debra and Shawn Thomas Muhammed and Mustafa Sadiq Leo C. and Judith A. Thomas Diane Sadowski and Melody Buca Le Thu and J T Le Asha and Viren Sanghvi Jim and Jane Timonere Greg Savich and Naomi Ruetz August and Marie Titi Gregory L. and Cindy Schaefer Gretta Tomb, D.D.S. Suzanne and John Scheib William and Cynthia Towler Janice and Kevin Scherer Gary and Rebecca Townley Deborah and Timothy F. Schmidle Susan Tracy and Dan Janal John and Joan Schoonover Carol and Mack Travis Patricia L. Schucker Robin Tuttle and Deborah Rifkin Barbara and Edward Schusler John G. and Bobbie Ullman Michele Seager Miri and Alexander Upton Richard and Mary K. Seager Frank and Barbara Vassallo Asha Shah and Jinesh Jani Ramana and Nagaveena Vemula Mihir and Kalyani Shah Wallace and Norma Venable Rami Shaly Cynthia Vileno and Jonathan Meigs Carol and Sam Shama Nancy and Carl Wahlstrom Sonjia M. Shay and Eugene F. Sensel Jr. Yongyi Wang and Hongyu Zou Amy Shebar and Lee Koch Liane and Larry Ware Elizabeth Shepard and Chris Mount John and Karen Warus Nadine Shields and Gary Bigsby Fritz and Linda Wasser Anne-Caroline Sieffert and Claire Menard Vic and Randi Weinstein Jeffrey and Ann Sigel William and Dina Weisberger Genevieve and E. S. Simermeyer George Weiss Jr. and Mary E. Wilcox Stephan and Lisa Sloan Ann Welles and Ava Welles Hameister Carol Slotkin Barbara and Jerry Wells Dana Smith Norman E. Wengert Dr. J. D. Smith Michelle and Brent Wente Linda and Joseph Smith Murray† and Annie Werner Kim and Nathanel Smithson Kathryne Wheat and Fred Schulte Gail and Louis Snitkoff Jennifer and Ryan Williams Mr./Mrs. David Sonnefeld Mark and Tracey Witmyer Alvar and Jennifer Soosaar Ardie Wolcott Dr. Kenneth and Eva Steadman Victor and Hsiuling Wong Aafke and Tammo Steenhuis Bob and Barb Wood Janet and Richard Stegen David Wood and Marylinda Stawasz Chris and Jennifer Stenzel Mr./Mrs. Kogo M. Yamaguchi Robert Stewart and Cindy Fuentes Siavash Yazdanfar and Izabela Teixeira Mark and Patricia Stoughton Albert Yee and Katie Donnelly Maurene and John Streeter Randall and Sheila Young Connie and Russell Striff Jiong Yu and Bunyu Nu Sarah Struble and Abbey Agresta Liang Yu and Xiaoming Xio Gary and Jacqueline Stutzman Connie Zehr Elaine P. Swiler Zhong Zhong and Xin Fan Sreenivasa Tadepalli and Mala Rajendra Vincent Tancredi † Deceased Jennifer and Michael Tansey

63 Financial Operating Results The year 2018 was marked by both celebration and new achievements for the Museum. We had Report a strong overall financial year, as we once again achieved a full-year operating surplus. We cele- brated the 150th anniversary of glassmaking in Corning, New York, with dynamic programming. The cornerstones of our programming included the reinstallation and reinterpretation of the Crystal City Gallery and the retracing of the 1868 waterway tour that moved the Brooklyn Flint Glass Company to Corning by creating a unique floating Hot Glass Show venue christened GlassBarge. The GlassBarge tour was made possible with the support of dozens of sponsors, including the program’s primary sponsors, Corning Incorporated and several agencies of New York State, with which we partnered to celebrate the Erie Canal Bicentennial. We also celebrated a decade at sea with the conclusion of our 10-year partnership with Celebrity Cruises.

Visitation Although our on-site attendance from our daily guests was down in 2018, overall attendance was up seven percent to 478,000 with the success of our GlassBarge programming. From May through September, GlassBarge made nearly 30 stops along the Hudson River and the Erie Canal, where our talented glassmakers presented more than 500 demonstrations for over 50,000 guests. Through our on-site programming and the record-setting levels of media exposure from Glass- Barge, we were able to maintain our individual and family attendance at our 2015 expansion- opening level. Our group visitation continues to be moderately challenged by the difficulties of international tourists obtaining travel visas and the strength of the U.S. dollar, which makes travel to other countries a more affordable option.

Revenue The small decline in on-site attendance slightly affected our earned revenues, which came in two percent below 2017 at just under $19 million. Earned revenue highlights included our Make Your Own Glass Workshop program, which provided a record number of glassmaking experi- ences for our individual and family visitors. The Steuben business grew to its highest level since the Museum took over the stewardship of the brand in 2013, by adding new products, reintro- ducing iconic designs from the past, and continuing to build awareness that Steuben is available to help celebrate life’s most important moments. In addition to our earned revenues, Corning Incorporated continued its amazing support of our mission to “inspire people to see glass in a new light.” The company contributed $44.6 million in services and cash to help fund our operations, programs, and acquisitions. With the challenges in various markets, the Museum’s investments were down almost $1 million after a solid performance in 2017, when we generated almost $5 million in investment earnings. Finally, we continued to expand our Advancement efforts to cultivate existing and develop new supporters of the Museum’s projects and programs.

Expenditures The Museum’s operating expenditures increased seven percent over 2017 to $63 million, which included the incremental spending for our 150th-anniversary celebration of glass coming to Corning and higher facility costs. We continued to fund our annual slate of on-site programs and initiatives. This included the exhibition “Glass of the Architects: Vienna, 1900–1937,” dozens of daily glassmaking demonstrations, and the many opportunities at The Studio, ranging from classes for serious artists to our daily visitors making their own works of art. The Museum also invested in digital initiatives, such as launching a new e-commerce Web site and continuing to de- velop the next generation of our Web site. In the area of Advancement, we fully staffed the depart- ment and developed the necessary infrastructure and programming to ensure its ongoing success by expanding our base of supporters. The Museum’s entire management team deserves credit for their careful control of costs while securing excellence in our programs and community outreach. The Museum also invested $2.5 million in acquiring glass art and library materials to expand our collections. This level of investment was made possible by the generosity of current and past donors.

64 Consolidated Net Assets and Activities (Dollars in Thousands) In 2018, the Museum’s consolidated net assets decreased by three percent to $59 million. The Museum Operating Reserve Fund, which makes up a significant portion of the net assets without donor restrictions, ended the year with a balance of $35.8 million, down three percent because of investment losses. The net assets with donor restrictions declined during 2018 as funds were utilized for acquisitions that were $1 million more than in 2017. The Museum’s net assets at December 31 are categorized as follows: 2018 2017 Without donor restrictions $54,384 $55,545 With donor restrictions 4,654 5,038 Total net assets $59,038 $60,583

The following summary consolidates the activities of the Museum (2018 unaudited).

2018 2017 Revenue, gains, and other support $63,941 $68,805

Operating expenses 62,974 59,265 Acquisition purchases 2,450 1,452 Other changes in net assets (post-retirement benefits) 62 (563)

Change in net assets (1,545) 8,651

Net assets at beginning of year 60,583 51,932

Net assets at end of year $59,038 $60,583

Looking Forward The Museum’s 2019 budget is $64.4 million. Our 2019 special exhibition, “New Glass Now,” will document the innovation and creativity of artists, designers, and architects around the world who work with the challenging material of glass, and will include works of art by 100 artists of 31 nationalities. This will be the first major exhibition staged in the Contemporary Art + Design Wing since it opened in 2015. Our slate of annual programming, which will be shaped to complement the exhibition, will provide our visitors with an immersive experience. We will also look to continue our hot-glass outreach with our Mobile Hot Shop, which takes the live glassmaking experience on the road, offering artistry and educational opportunities beyond the walls of the Museum to the public, the design community, and museums worldwide. With a fully staffed Advancement Department, we will look to build our donor base and develop relationships with individuals and organizations that are excited to support our mission, programs, and strategic initiatives to help keep the Museum vibrant and growing. Finally, none of this would be possible without the ongoing support of our primary benefactor, Corning Incorporated, which is projected to provide approximately 70 percent of the operating budget.

Audited Financial Statements The complete financial records of the Museum are audited on an annual basis. Upon completion of the audit, the 2018 audited financial statements and accompanying notes to the financial state- ments will be available upon request from the Chief Financial Officer at (607) 937-5371 or online at www.cmog.org/publication/annual-report-2018.

David R. Togni Jr. Chief Financial Officer

65 Vision Statement To be the international leader in transforming the world’s understanding of the art, history, and science of glass.

Mission Statement We inspire people to see glass in a new light.

Our Values Excellence We strive for excellence in everything we do. Our collections, visitor experiences, educational programs, staff, and facilities are world-class. We are proud to represent the Museum. Stewardship We preserve and enhance our collections, facilities, intellectual property, and financial resources. We are privileged to be responsible for and share a significant part of the world’s heritage of glass. Integrity We uphold the highest professional standards. We are accountable for our words and actions, and we act responsibly and ethically in everything we do. Respect We actively work together to create a respectful, diverse, and inclusive environment, making the Museum accessible and welcoming to everyone. We respect that each person is unique and appreciate that diversity strengthens us. Service We enrich and engage our local and global communities by sharing our knowledge, collections, programs, facilities, and resources. The Individual We value our staff and enable them to participate, develop, and grow. We recognize that each individual contributes to the success of the Museum.

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