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Art Glass Classes 2017 CONTENTS
Art Glass Classes 2017 CONTENTS About Kiln-Glass 2 Kilncasting 15 Bullseye Resource Centers 3 Open Studio 17 Introductory Classes 4 Instructors 18 Kilnforming Techniques 7 Registration and Policies 23 Drawing, Painting and Printmaking 13 Locations 23 ABOUT KILN GLASS Richard Parrish. See his class on page 11. Kiln-glass provides an enormous range of levels—from glass fusing beginners to advanced kilnformers—in a techniques and results that are easily accessible. supportive and inspirational environment. Working with this remarkable material requires two things that most artists already possess: an And as you learn to do amazing things with kiln-glass, you’ll also benefit from Bullseye’s decades of research into materials, processes, understanding of design, composition, and color products, and equipment. theory; and the ability to conceive of layers of process and material application. Note: This catalog provides an overview of the kinds of courses we offer, but our Research & Education team continues to design While kiln-glass does require technical knowledge, this can be new courses. The complete schedule of offerings is available at obtained in short order through courses in this catalog, developed bullseyeglass.com/classes. You can also sign up for email updates at by Bullseye through years of collaboration with artists from bullseyeglass.com/email (we never share or sell your address). many mediums. We offer classes year round for students at all 2 BULLSEYE RESOURCE CENTERS Bullseye’s Resource Centers are world-class teaching centers, offering short courses year round for students at all levels, as well as free artist talks and demonstrations. -
The Investigation Into the Development of Glass As an Expressive Medium in China Through Direct Contact with Western Methods of Making, Decoration and Forming
The investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming. By XUE LU (Shelly) MA. BA (Hons) A thesis submitted in partial fulfilment of the requirement of the University of Wolverhampton for the Degree of Doctor of Philosophy 2009 This work or any part thereof has not previously been presented in any form to the University or to any other body whether for the purpose of assessment, publications or for any other purpose (unless previously indicated). Save for any express acknowledgements, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own effects and of no other person. The right of XUE LU to be identified as author of this work is asserted in accordance with ss.77 and 78 of the copyright, Design and Patents Act 1988. At this date copyright is owned by the author. Signature: …………………. Date: ………………………. Abstract 2 Abstract This thesis is an investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming glass. The investigation proceeds through an analysis of the parallels between glass objects produced from Kangxi (1662-1722) to Qianlong period (1736-96), and contemporary practitioners’ (2000-2009), which is complemented by my own practice. The investigation mainly looks at three aspects and their inter-relationship within these strands. They are: 1) the history of glassmaking from 1696 to 1795 in the Qing dynasty with Western influences; 2) the analysis of Contemporary Chinese studio/academic glass within the imported UK model; 3) the development of my personal glass practice within this matrix. -
MOSAIC ART NOW2010 Edition
MOSAIC ART NOW2010 Edition Morning by Ann Gardner. Glass, composite material, concrete, steel. 18 h x 12 w x 12 d feet Photography: Lisa Jacoby 26 Mosaic Art Now No. 3 2010 Creative Capital: Laurel True aurel True is a mosaicist with a mission: to create economic opportunity through mosaic art. In a paper presented to the LInternational Conference on the Arts in Society in Venice in 2009, Dr. Randy Sanders of Southern Louisiana University wrote: “True has coordinated many public art projects that emphasize viable economic options for trades people as well as children in impoverished and blighted regions. Her projects place her in the role of a recruiter of artistic inspiration as she shares her talent while nurturing the participants’ creativity.” True has lead community projects in Oakland, CA; New Orleans, LA; and Ghana, West Africa. Says True, “Not all places and people have financial capital, but everyone has creative capital.” Last year, True arranged an artist’s residency at Kitengela Glass, a glass foundry and art studio outside of Nairobi, Kenya, founded by artist Nani Croze. The residency took place in part at the local Rudolph Steiner School that Croze had helped to found. Kitengela Glass hosted True and her assistant, Erin Rogers, and supplied recycled glass materials for a mosaic that True facilitated with the children of the Steiner School. Teachers at the school were taught mosaic methods, and tools were left behind so that the institution could continue to pursue mosaics. Here, True shares with us a scrapbook of the Nairobi project. Photos by Laurel True and Erin Rogers (www.lemontreemosaic.com) (Left) Me crossing a gorge on a cable bridge that was the first leg of our “commute” to the Steiner School every day. -
Installation of Glass Mosaic Tile POOL and SPA APPLCIATIONS
Installation of Glass Mosaic Tile POOL AND SPA APPLCIATIONS INSTALLATION OF PAPER-FACE MOUNTED, BACK-MOUNTED, CLEAR FILM- FACE MOUNTED GLASS MOSAICS GLASS MOSAICS (per ANSI A108.16): GENERAL INFORMATION Glass tiles are impervious to water and stains, highly resistant to chemical attack, resistant to fading and discoloration. Variations in color, shade and size are inherent in all fired glass products. The glass tiles should not be exposed to high abrasion, or extremely heavy impact. Bubbles, wrinkles and folds are consistent with cast glass. Please open and inspect each box of glass tile upon delivery. Buyer is responsible for inspection and acceptance of the materials prior to installation. The following recommendations comply with ANSI standards. Although ANSI standards allow for the installation of back-mounted mosaics with latex thin-set mortars, however we recommend LATAPOXY® 300 Adhesive be used to install mesh-mounted mosaic tile. SUBSTRATE REQUIREMENTS Pool tanks must be structurally sound to support a glass tile installation. Tanks must be constructed of reinforced concrete. There should be no defects in the tank wall or surface. Make sure the substrate is clean and free of any dirt, oil, grease, paint, sealers, form release agents, or curing compounds. Clean the surface by pressure washing before installation of the glass mosaic tile. Pool tank must be made watertight through the use of cementitious waterproofing. INSTALLATION MATERIALS Due to the translucent nature of glass tile, the color of the thin-set will affect the appearance of the tile; we recommend the use of white thin-set. Use LATAPOXY 300 Adhesive or LATAPOXY SP-100 (for applications where a colored epoxy adhesive is desired) as the setting mortar. -
Download New Glass Review 21
NewG lass The Corning Museum of Glass NewGlass Review 21 The Corning Museum of Glass Corning, New York 2000 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dass sie in- the 1999 calendar year. nerhalb des Kalenderjahres 1999 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Review konnen angefordert werden bei: The Corning Museum of Glass Buying Office One Corning Glass Center Corning, New York 14830-2253 Telephone: (607) 974-6479 Fax: (607) 974-7365 E-mail: [email protected] All rights reserved, 2000 Alle Rechte vorbehalten, 2000 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-147-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/In halt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 16 1999 in Review/Ruckblick auf 1999 36 Bibliography/Bibliografie 44 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 73 Jury Statements Here is 2000, and where is art? Hier ist das Jahr 2000, und wo ist die Kunst? Although more people believe they make art than ever before, it is a Obwohl mehr Menschen als je zuvor glauben, sie machen Kunst, "definitionless" word about which a lot of people disagree. -
Spectrum Glass Company ®
Spectrum Glass Company ® Art Glass For Any Application Product Categories Welcome to Spectrum Spectrum Sheet Glass – For Stained ® Glass, Mosaics, and Architectural Spectrum Glass Company is a leading manufacturer of specialty sheet glass applications. for art and architecture. Using a unique combination of traditional hand • Waterglass® crafted methods and modern glass making technology, Spectrum produces • Baroque™ a contemporary art glass that sets new standards for quality, consistency • Artique® and creativity. • Crystal Opals • OpalArt™ • Spirit™ Our product lines include many extraordinary glasses for artistic endeavors, • Pearl Opals including stained glass, mosaic arts, kiln forming and glass blowing. In • SilverCoats™ the Architectural arena, Spectrum Glass stands apart from conventional • Opalescent Colors glassmakers with truly aesthetic, always original, sheet glass products. Our • Transparent Colors glasses are also chosen the world over by makers of fine lighting, giftware, • Classic Mixes glass tile and decorative accessories. • Iridescent • Clear Textures Spectrum Glass products are sold internationally, through a network of System 96® – Compatible glass for Wholesale Distributors and Glass Retailers. To find a supplier, please visit the hot glass arts: blowing, casting, www.spectrumglass.com. fusing, and torch work. • Sheet Glass • Frit • Rods The Grand Scope of Things . • Confetti With every change of colorful season, our product line grows and evolves. • Noodle/Stringer Here, we offer you the grand scope of things: a survey of the types of • Casting Plates & Billets • Studio Nuggets products we make, a few examples of each and various peeks into how • Glass Cullet imaginative minds put them to use. The deeper story can be found on the • HotStart PRO Fusing Kiln Spectrum web site, including detailed imagery of all 450+ glass products, complete specifications and even a video tour of our one-of-a-kind Spectrum Home Collection glassmaking facility. -
Mosaic in Paper
Rochester Institute of Technology RIT Scholar Works Theses 5-1-1987 Mosaic in paper Caroline M. Howell Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Howell, Caroline M., "Mosaic in paper" (1987). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rochester Institute of Technology A Thesis Submitted to the Faculty of The College of Fine and Applied Arts in Candidacy for the Degree of MASTER OF FINE ARTS MOSAIC IN PAPER By Caroline M. Howell May 1987 Approvals Adviser: David Dickinson Date: C} c-t. 7... (' c/S'1- Associate Adviser: S~~la Wells Date: erc-r..?~ 17~ Asso~ia::::vise r: Jp~c;,~Sh ikowitz Date. fLflt 29j L'101 Special Assistant to the ~an tor Gradu~ Affairs: Philip Born/h Date: /2/t//f'1 I, carolin?HO:E:1I hereby grant permission to the Wallace memorial Library of R.I.T. to reproduce my thesis in whole or in part. Any repro- duction will not be for commercial use or profit. Caroline Howell Date: //;1/,(':/ I Permariemt Address: 104 Robert Quigley Dr. Scottsvilie IN.Y. 14546 Dean: College of Fine & Applied Arts Dr. Rober\: J,q~nston Date : ...c'?:t=~::...-\\--\"*.o~_-\U--'q.- _ \ Table of Contents List of Plates i" Introduction 1 Text: My point of view 2 History 6 Systems of Seeing 14 Construction 16 Conclusion 21 Plates 23 Bibliography 27 Footnotes 28 List of Plates 1 . -
Glass News 19
Glass of the Roman Empire and Elsewhere Glass A celebration of the contribution of Jennifer Price to the study of archaeological glass th th News Tuesday and Wednesday 14 and 15 March 2006 10.00-16.30 at The Wallace Collection, Manchester Square, Number 19 January 2006 London W1 Published by THE ASSOCIATION FOR THE HISTORY OF GLASS LIMITED This meeting on archaeological glass will include Reg’d Charity: 275236 ISSN 1362-5195 major contributions from David Whitehouse, Yael www.historyofglass.org.uk Israeli, Marie-Dominique Nenna, Marianne Stern, Hilary Cool and Ian Freestone as well as many other speakers. Offers of papers to fill the few remaining IN THIS ISSUE spaces in the programme should be sent as soon as possible to Ian Freestone: School of History and Page 1. AIHV Congress 2006, Meeting: Glass of the Archaeology, Cardiff University, Humanities Roman Empire and Elsewhere Building, Colum Drive, Cardiff CF10 3EU Page 2. The International Festival of Glass and Email: [email protected] British Glass Bienale 2006, 8th ESG Conference on Glass Science and Meeting fee: £40 for AHG members, £45 for non- Technology, CRAFTS 2007 International members, £20 for students, to include tea/coffee each Conference, AHG Bursaries day and a wine reception on the Tuesday evening. Page 3. Glass Collaboration Workshops, Roman Glass Furnace Project 2006, Stained Glass Further details will be available later in January from Weekend, Exhibitions at The Corning the AHG Meetings Secretary, Martine Newby: Page 4. Cylinder Glass for restoring the pinery at Garden Flat, 68 Goldhurst Terrace, Tatton Park, Study Day at the Fitzwilliam London NW6 3HT Museum: Review and abstracts Email: [email protected] Page 7. -
CASE 11 American Studio Glass Shelf 1 #1
CASE 11 American Studio Glass Shelf 1 #1. 1984.115 Stephen Matt Orange Lattice Off-hand worked Funds provided Dee Physalia, 1984 glass, cane work, by Susan and Edwards, sandblasted, acid- Raymond J. American, etched, glass powders Hage Memorial b. 1954 Endowment Fund for Acquisitions #2. 1980.135 Michael Beano 1, 1980 Green blown glass, Funds provided Glancy, sandblast carving, by Collector's American, polish and texture with Corner, HMA’s b. 1950 hydrofluoric acid, museum store electroformed copper, patina #3. 1976.49 Joel Philip Vessel, 1976 Black and white Gift of Joel Myers, From the New blown glass cased in Philip Myers American, American Glass: colorless glass b. 1934 Focus West Seneca Virginia, Artist in Glass Co. the Factory Project, 1976 #4. 1976.47 Joel Philip Untitled Off-hand blown glass Gift of Joel Myers, Phillip Myers American, b. 1934 #5. 1991.75 Minnie Black Bear Vase, Cameo glass, mold- Gift of The Adkins, 1991 blown, cased glass in Pilgrim Glass American, cranberry/white Corp. b. 1934 opal/black/crystal/slate The Pilgrim green Glass Corp. #6. 1986.24 Richard Faun, 1985 Colorless off-hand Museum Jolley, blown glass, direct purchase American, drawing, etched b. 1952 CASE 11 - Page 1 Shelf 2 #7. 1995.12 David The Glass Blowing Enamel painting on Gift of The Hopper, Process, 1995 blown, cased glass Pilgrim Glass American, Corp. b. 1946 The Pilgrim Glass Corp. #8. 1986.88.1 Michael Twin Silos, 1985 Cast glass Gift of Ms. Rogers, Takako Sano American, b. 1955 #9. 1981.57 Roberto Seated Figure, ca. Off-hand blown and Gift of Mr. -
Voices of Contemporary Glass: the Heineman Collection Illustrated Checklist of Objects in the Exhibition
Voices of Contemporary Glass: The Heineman Collection Illustrated Checklist of Objects in the Exhibition 1. Peter S. Aldridge (British, b. 1947) Astrolabe Peter S. Aldridge (British, b. 1947) United States, Corning, New York, 1993 Mold-melted optical lead glass, ground, polished, bonded; precision-machined aluminum H. 152.3 cm, W. 74.5 cm, D. 78.5 cm 2007.4.132, gift of the Ben W. Heineman Sr. Family 2. Tina Aufiero (American, b. 1959) Untitled Tina Aufiero (American, b. 1959) United States, New York, New York, 1984–1985 Kiln-formed glass, colored glass powders H. 25.1 cm, W. 18 cm, D. 9.5 cm 2007.4.133, gift of the Ben W. Heineman Sr. Family Modern Man Tina Aufiero (American, b. 1959) United States, New York, New York, 1988 Kiln-formed glass H. 25.5 cm, W. 21 cm, D. 9 cm 2006.4.76, gift of the Ben W. Heineman Sr. Family 3. Howard Ben Tré (American, b. 1949) Cast Form Type VI Howard Ben Tré (American, b. 1949) United States, Providence, Rhode Island, 1979 Cast glass, added colored glass H. 8.8 cm, W. 11.7 cm, D. 7.5 cm 2006.4.17, gift of the Ben W. Heineman Sr. Family From Joe H. 2 Howard Ben Tré (American, b. 1949) United States, Providence, Rhode Island, 1980 Sand-cast glass, copper H. 19 cm, W. 53 cm, D. 23 cm 2006.4.19, gift of the Ben W. Heineman Sr. Family Dedicant 7 Howard Ben Tré (American, b. 1949) United States, Brooklyn, New York, and Providence, Rhode Island, 1987 Sand-cast glass, brass, lead, gold leaf, pigmented waxes H. -
Shree Ji Glass & Handicrafts
+91-8048371818 Shree Ji Glass & Handicrafts https://www.indiamart.com/shreeji-glass-handicrafts/ Shree Ji Glass & Handicrafts was established in the year 2009. We are reckoned as a distinguished Manufacturer, Wholesaler, Supplier, Service Provider and Exporter of various glass products. Our wide gamut of Glass Frame, Handi Glass Panel, ... About Us Shree Ji Glass & Handicrafts was established in the year 2009. We are reckoned as a distinguished Manufacturer, Wholesaler, Supplier, Service Provider and Exporter of various glass products. Our wide gamut of Glass Frame, Handi Glass Panel, Handi Glass Box, Thickri Glass Work Tray, Glass Tray, etc. The quality of glass we create is reflected in their skill and mastery over glass craftsmanship. Our products cater to the different requirements of our clients. In a very short span of time, our manufactured products have gained excellence not only in the domestic market but in international market as well. For the same, we first identify the requirement of the customers and serve them accordingly. We have the most professional craftsmen having relevant industry experience to design and develop exquisite range of products with attention to meticulous aspects of the product. Our products are a step ahead of those offered by our competitors in terms of quality and value. In order to manufacture our range of products, we possess a world class manufacturing unit, which is well fitted with all the ultramodern machines and tools. Customized range of products encompasses various innovatively designed products that stand apart in terms of design and finish in consonance to all customer segments globally. We are backed by a team of proficient personnel, who assists us in the swift and timely completion of various manufacturing processes that ensure complete customer satisfaction. -
A NEW TECHNIQUE in GLASS ART JOANNE MITCHELL a Thesis Su
PRECISION AIR ENTRAPMENT THROUGH APPLIED DIGITAL AND KILN TECHNOLOGIES: A NEW TECHNIQUE IN GLASS ART JOANNE MITCHELL A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy August 2015 Precision Air Entrapment through Applied Digital and Kiln Technologies: A New Technique in Glass Art Joanne Mitchell PhD 2015 1 Precision Air Entrapment through Applied Digital and Kiln Technologies: A New Technique in Glass Art Joanne Mitchell 2015 Abstract The motivation for the research was to expand on the creative possibilities of air bubbles in glass, through the application of digital and kiln technologies to formulate and control complex air entrapment, for new configurations in glass art. In comparison to glassblowing, air entrapment in kiln forming glass practice is under-developed and undocumented. This investigation has devised new, replicable techniques to position and manipulate air in kiln-formed glass, termed collectively as Kiln-controlled Precision Air Entrapment. As a result of the inquiry, complex assemblages of text and figurative imagery have been produced that allow the articulation of expressive ideas using air voids, which were not previously possible. The research establishes several new innovations for air-entrapment in glass, as well as forming a technical hypotheses and a practice-based methodology. The research focuses primarily on float glass and the application of CNC abrasive waterjet cutting technology; incorporating computer aided design and fabrication alongside more conventional glass-forming methods. The 3-axis CNC abrasive waterjet cutting process offers accuracy of cut and complexity of form and scale, across a flat plane of sheet glass.