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Graphic Recording by Terry Laban of the Global Health Matters Forum on March 25, 2020 Co-Hosted by Craftnow and the Foundation F
Graphic Recording by Terry LaBan of the Global Health Matters Forum on March 25, 2020 Co-Hosted by CraftNOW and the Foundation for Advancement of International Medical Education and Research With Gratitude to Our 2020 Contributors* $10,000 + Up to $500 Jane Davis Barbara Adams Drexel University Lenfest Center for Cultural Anonymous Partnerships Jeffrey Berger Patricia and Gordon Fowler Sally Bleznack Philadelphia Cultural Fund Barbara Boroff Poor Richard’s Charitable Trust William Burdick Lisa Roberts and David Seltzer Erik Calvo Fielding Rose Cheney and Howie Wiener $5,000 - $9,999 Rachel Davey Richard Goldberg Clara and Ben Hollander Barbara Harberger Nancy Hays $2,500 - $4,999 Thora Jacobson Brucie and Ed Baumstein Sarah Kaizar Joseph Robert Foundation Beth and Bill Landman Techné of the Philadelphia Museum of Art Tina and Albert Lecoff Ami Lonner $1,000 - $2,499 Brenton McCloskey Josephine Burri Frances Metzman The Center for Art in Wood Jennifer-Navva Milliken and Ron Gardi City of Philadelphia Office of Arts, Culture, and Angela Nadeau the Creative Economy, Greater Philadelphia Karen Peckham Cultural Alliance and Philadelphia Cultural Fund Pentimenti Gallery The Clay Studio Jane Pepper Christina and Craig Copeland Caroline Wishmann and David Rasner James Renwick Alliance Natalia Reyes Jacqueline Lewis Carol Saline and Paul Rathblatt Suzanne Perrault and David Rago Judith Schaechter Rago Auction Ruth and Rick Snyderman Nicholas Selch Carol Klein and Larry Spitz James Terrani Paul Stark Elissa Topol and Lee Osterman Jeffrey Sugerman -
Glass Mosaic Tb136
Glass Mosaic Installation Technical Bulletin Category: Tiling Keywords: Glass Mosaic, Tile, Thin Set, Grout Glass mosaics bring a beautiful look to any surface. Glass Mosaics come in different types, sizes, colors and patterns and are used in residential and commercial projects on backsplashes above sink, bathrooms, showers, and fireplaces. There are 3 different types of glass tile; cast glass tile, fused glass tile, and low- temperature-coated glass tile as per ANSI A137.2 standard. Typically glass mosaics are larger than ¾”x ¾” and smaller than 3”x3”. Many questions have come up on which setting materials to use for a long lasting glass mosaic installation. In this technical bulletin will help you to select the appropriate Merkrete products for setting glass mosaics. Considerations to take before installing glass mosaics: Substrates All substrates should be plumb and true, substrate deviation should not exceed 1/8” in 10’ or 1/16 in 3’. Substrate preparation should be completed following ANSI A108 AN-2 “General Requirements for Sub- surfaces. Substrate should be dry, clean and free from oil, grease, wax, paint, old adhesives, sealers and curing compounds. Any contaminates which inhibit proper bond must be removed. Recommendation for setting: Merkrete Integra - Is a non-abrasive all-in-one adhesive and grout for glass mosaics installations on walls and floors. Integra was developed especially for the installation of mosaics and glass tile of all shapes and sizes with no concerns about thin set color bleed through because the adhesive and the grout are the same color. Merkrete Integra is available in 8 different colors. -
Art Glass Classes 2017 CONTENTS
Art Glass Classes 2017 CONTENTS About Kiln-Glass 2 Kilncasting 15 Bullseye Resource Centers 3 Open Studio 17 Introductory Classes 4 Instructors 18 Kilnforming Techniques 7 Registration and Policies 23 Drawing, Painting and Printmaking 13 Locations 23 ABOUT KILN GLASS Richard Parrish. See his class on page 11. Kiln-glass provides an enormous range of levels—from glass fusing beginners to advanced kilnformers—in a techniques and results that are easily accessible. supportive and inspirational environment. Working with this remarkable material requires two things that most artists already possess: an And as you learn to do amazing things with kiln-glass, you’ll also benefit from Bullseye’s decades of research into materials, processes, understanding of design, composition, and color products, and equipment. theory; and the ability to conceive of layers of process and material application. Note: This catalog provides an overview of the kinds of courses we offer, but our Research & Education team continues to design While kiln-glass does require technical knowledge, this can be new courses. The complete schedule of offerings is available at obtained in short order through courses in this catalog, developed bullseyeglass.com/classes. You can also sign up for email updates at by Bullseye through years of collaboration with artists from bullseyeglass.com/email (we never share or sell your address). many mediums. We offer classes year round for students at all 2 BULLSEYE RESOURCE CENTERS Bullseye’s Resource Centers are world-class teaching centers, offering short courses year round for students at all levels, as well as free artist talks and demonstrations. -
Download New Glass Review 17
NewGlass The Corning Museum of Glass NewGlass Review 17 The Corning Museum of Glass Corning, New York 1996 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie inner- the 1995 calendar year. halb des Kalenderjahres 1995 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1996 Alle Rechte vorbehalten, 1996 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-i 1-137-8 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 12 Some of the Best in Recent Glass 32 Bibliography/Bibliographie 40 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 71 Jury Statements lthough Vermeer still outdraws Mondrian, it seems to me that many uch wenn Vermeer noch immer Mondrian aussticht, scheint mir, Amore people have come to enjoy both. In this particular age of AdaB es immer mehr Leute gibt, denen beide gefallen. -
Morris Gallery Curatorial Records
Morris Gallery Curatorial records Collection ID: RG.02.01.08 Finding Aid prepared by Hoang Tran The Pennsylvania Academy of the Fine Arts 118-128 North Broad Street Philadelphia, PA 19102 [email protected] 215-972-2066 Prepared May 2015 Morris Gallery Curatorial records (RG.02.01.08) Summary Information Repository The Pennsylvania Academy of the Fine Arts, Dorothy and Kenneth Woodcock Archives Creator Morris Gallery curators (various) Title Morris Gallery Curatorial records Date [bulk] Date [inclusive] 1978-2010 Extent 11 document boxes Location note Language English Language of Materials note English Abstract The collection comprises of curatorial files for managing and curating exhibitions in PAFA’s Morris Gallery from 1978-2010. Additional curatorial materials can be found in Julien Robson curatorial records (RG.02.01.15) and Alex Baker Curatorial records (RG.02.01.14) and photographs for exhibitions found in PC.01.12. Preferred Citation note [identification of item], Title of Collection, Collection ID#, The Pennsylvania Academy of the Fine Art, Dorothy and Kenneth Woodcock Archives, Philadelphia, PA. Page 1 Morris Gallery Curatorial records (RG.02.01.08) Historical note Scope and Contents note Arrangement note Arranged chronologically. Administrative Information Conditions Governing Access note Collection is open for research. The archives reserves the right to restrict access to materials of sensitive nature. Please contact the department for further information. Conditions Governing Use note The collection is the physical property of the Pennsylvania Academy of the Fine Arts, Archives. The Museum holds literary rights only for material created by Museum personnel or given to the Museum with such rights specifically assigned. -
The Investigation Into the Development of Glass As an Expressive Medium in China Through Direct Contact with Western Methods of Making, Decoration and Forming
The investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming. By XUE LU (Shelly) MA. BA (Hons) A thesis submitted in partial fulfilment of the requirement of the University of Wolverhampton for the Degree of Doctor of Philosophy 2009 This work or any part thereof has not previously been presented in any form to the University or to any other body whether for the purpose of assessment, publications or for any other purpose (unless previously indicated). Save for any express acknowledgements, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own effects and of no other person. The right of XUE LU to be identified as author of this work is asserted in accordance with ss.77 and 78 of the copyright, Design and Patents Act 1988. At this date copyright is owned by the author. Signature: …………………. Date: ………………………. Abstract 2 Abstract This thesis is an investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming glass. The investigation proceeds through an analysis of the parallels between glass objects produced from Kangxi (1662-1722) to Qianlong period (1736-96), and contemporary practitioners’ (2000-2009), which is complemented by my own practice. The investigation mainly looks at three aspects and their inter-relationship within these strands. They are: 1) the history of glassmaking from 1696 to 1795 in the Qing dynasty with Western influences; 2) the analysis of Contemporary Chinese studio/academic glass within the imported UK model; 3) the development of my personal glass practice within this matrix. -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
Stained Glass - Mosaic Gingerbread Cottage Light up the Night with This Sweet Little Gingerbread Cottage Night Light
Stained Glass - Mosaic Gingerbread Cottage Light up the night with this sweet little gingerbread cottage night light. From roof to doorway it is sure to add sparkle to the holiday season. Materials: #S3172 Medium Amber & White Opal #S3196 Dark Amber/ White Wispy #S3296 Dark Green & White Opal #591432 Medium Red Special Rod #XSM96 Mardi Gras Stringer Assortment #45133 Green Millefiori #X85811 Fun Time Millefiori #426307 3/4" Glass Tile Iridized Pastels Mix #B110182 Clear Transparent Frit - Medium #8919 E6000 Adhesive #65101 Weldbond Adhesive #5568 5/32" Copper Foil #5614 Copper Reinforcing Strip #7030PK Light Sensor Night Light With 4w Bulb/6-pack 60/40 Solder Painters Tape To make this project as shown use the products listed above or use glass and any embellishments you may already have. Instructions: 1. Following pattern guide, cut out all cottage pieces. 2. Clean well. Foil and solder. Tip: Add a small dot of E-6000 to top back of cottage door to add strength. 3. Make decorative dots of solder along roof line, corners of cottage and chimney. 4. Cut two lengths of copper reinforcement strip 1/4" longer than house opening in the back. Bend ends to fit inside house. (A) 5. Tack solder copper strips together. 6. Set night light inside house and mark for placement of this copper strip. Hold in place with painters tape and solder. 7. Solder night light clip securely to copper strip. (A) 8. With flux cleaner, clean off all residue. Polish with finishing compound. 9. Embellish with glass chips, millefiori, stringer and rod in any way you like! 10. -
{PDF} Mosaic Renaissance : Reviving Classic Tile Art with Millefiori Ebook
MOSAIC RENAISSANCE : REVIVING CLASSIC TILE ART WITH MILLEFIORI PDF, EPUB, EBOOK Laurel Skye | 128 pages | 27 Nov 2009 | F&W Publications Inc | 9781600611988 | English | Cincinnati, OH, United States Mosaic Renaissance : Reviving Classic Tile Art with Millefiori PDF Book Inside "Mosaic Renaissance" discover a treasure trove of rich, inspiring patterns and intriguing mosaic projects that incorporate handcrafted Italian glass known as millefiori. Mastering Composition. Add to Wish List. Revive your love of mosaics! The company that has a sole seat in Murano Venice , the island famous for artistic glass, produces and sells directly its products all over the world. When will my order be ready to collect? Not Specified. Trivia About Mosaic Renaissanc We sell a plethora of odds and ends with special interest in retro Video Games, tools, coins, media and obscure. Italian Ceramics Tiles Marca Corona. Mechanika, Revised and Updated. Drawing for the Absolute Beginner. Keys to Drawing. Show More Show Less. Most relevant reviews. The site uses cookies to offer you a better experience. New ideas on how to utilize every inch of polymer clay millefiore work. View: Gallery View. Kamperen Campingottermeer. Jared Blando. All Listings. Your cart is currently empty. Customer Reviews Based on 2 reviews Write a review. Watercolor Techniques. More filters. Iklan Atas Artikel. Lubna rated it it was amazing Sep 02, Designers developers and contractors rely upon us to deliver creative products which are affordable and on time. The colors in the standard MDM smalti palette allow mosaicists to create works of exceptional beauty and detail. Jenny rated it it was amazing Dec 04, Decorate and paint a faux tile design or random wall art motifs with our Renaissance Tile Stencils Set A. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
Urban Glass Quarterly
‘Ii~1.~iiI \J~1 ~~4l ~ Artists Discuss Complicity in a Changing Climate Jaime Guerrero Confronts Migrant Detention Sally Prasch Navigates Art SS and Science ;~ ~T1à-~ ~ ‘~ass Art Quarterly \ Ii’ The De la Torre Brothers Read the Riot Act I )JJ~r COVER Judith Schaechter: / — The Raw Made Radiant _c -~ I I (I 4l~ ~ / ‘a.. ‘4, 6~ ‘ \‘ 1• e.. F ~, ,~ :4,.. -6’ . - US $1~ I Canada $12 Ic- ~:~I ,,.~ 0~ Display until June 30,2020 / • ‘30 ~0 . No. 158. Spring~O2Q~~ ~Ih •‘• e /7 A /~: ~ Jaime Guererro, Children Detained (details), 2017. Blown glass, chain-link fence. H 72, W 144, D 96 in. PHOTO~ CESAR CORONA contents No. 158. Spring 2020 departments features 8 editor’s letter BY ANDREW PAGE 18 The Raw Made Radiant BY ANDREW PAGE 10 hourglass A Cuba trip co-organized by a museum in With a major museum retrospective and a ravishing new L.A. offers a front-row seat to the relighting ofHavana’s body ofwork, Judith Schaechter reaps the rewards of a neon landscape; Lino Tagliapietra debuts freestanding career rejecting hierarchies and bringing a wildly imaginative “Totem” works at Palm Beach art fair; Charlotte Potter personal vision to light. Kasic returns to Virginia to take on newly created position 28 Burn Rate BY ALEXANDER CASTRO at the Barry Art Museum; Haystack wins $4 million Working with an energy-intensive material, glass artists Windgate gift to endow its campus preservation are modifying their practices to both address climate change 54 reviews Liza Lou at the Whitney Museum, New York; and limit their complicity. the Museum of Glass permanent collection, Tacoma; 34 Boundaries Broken BY JOHN DRURY Joanne Greenbaum at Rachel Uffner Gallery; New York; A conversation with Einar and Jamex de La Torre, the Fred Wilson at Pace Gallery, New York fraternal collaborators who shuffle the visual icons offolklore, 59 urbanglass news Thank you to our incredible individual pop culture, religion, and current events as they incorporate donors and institutional supporters lenticular printing and outrage at the state ofpolitics into new work.