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Art Glass Classes 2017 CONTENTS
Art Glass Classes 2017 CONTENTS About Kiln-Glass 2 Kilncasting 15 Bullseye Resource Centers 3 Open Studio 17 Introductory Classes 4 Instructors 18 Kilnforming Techniques 7 Registration and Policies 23 Drawing, Painting and Printmaking 13 Locations 23 ABOUT KILN GLASS Richard Parrish. See his class on page 11. Kiln-glass provides an enormous range of levels—from glass fusing beginners to advanced kilnformers—in a techniques and results that are easily accessible. supportive and inspirational environment. Working with this remarkable material requires two things that most artists already possess: an And as you learn to do amazing things with kiln-glass, you’ll also benefit from Bullseye’s decades of research into materials, processes, understanding of design, composition, and color products, and equipment. theory; and the ability to conceive of layers of process and material application. Note: This catalog provides an overview of the kinds of courses we offer, but our Research & Education team continues to design While kiln-glass does require technical knowledge, this can be new courses. The complete schedule of offerings is available at obtained in short order through courses in this catalog, developed bullseyeglass.com/classes. You can also sign up for email updates at by Bullseye through years of collaboration with artists from bullseyeglass.com/email (we never share or sell your address). many mediums. We offer classes year round for students at all 2 BULLSEYE RESOURCE CENTERS Bullseye’s Resource Centers are world-class teaching centers, offering short courses year round for students at all levels, as well as free artist talks and demonstrations. -
FUSED GLASS PLAID PLATE Free Fused Glass Project
Come Join Us! FUSED GLASS PLAID PLATE Free Fused Glass Project #551 Materials List: Materials List for COE 90 or COE 96 COE 90 Item# 90905 (Qty 2) White Opal Base Sheet Glass 8 x 8 OR use Clear Glass and make sure of slumping mold size) Item# 90915 Qty 1 Clear Sheet Glass 8 x 8 Item# 90906 Qty 1 Deep Royal Purple Sheet Glass 8 x 8 Item# 90945 Qty 1 Green Sheet Glass 8 x 8 Item# 90902 Qty 1 Light Turquoise Sheet Glass 8 x 8 COE 96 Item# 96905 (Qty 2) White Opal Base Sheet Glass 8 x 8 OR use Clear Glass and make sure of slumping mold size) Item# 96915 Qty 1 Clear Sheet Glass 8 x 8 Item# 96906 Qty 1 Deep Royal Purple Sheet Glass 8 x 8 Item# 96945 Qty 1 Green Sheet Glass 8 x 8 Item# 96902 Qty 1 Light Turquoise Sheet Glass 8 x 8 FUSING SUPPLIES: Other Items: Item# 41513 Bullseye Shelf Paper 1 square foot or Item# 41514 Papyros Shelf Paper 1 square foot Item# 41232 Mold Curved Square (This project will work other square molds and look wonderful so do not limit yourself to just one mold.) Item# 41507 Fuser's Glue Other Materials: · Cold Polishing - (one of the following) · Grinder · Abrasive Stone · Diamond Nail File · 3M™ Diamond Coated Sanding Sponges Clean Up Supplies: · Rubbing Alcohol, Dish Washing Detergent · Cloth with very little lint (old T-shirt) Step 1 - Preparation · Grind to round each of the 4 corners of the larger square used as the base piece of glass. -
The Wilman Collection
The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Lot 1 Lot 4 1. A Meissen Ornithological part dessert service 4. A Derby botanical plate late 19th / early 20th century, comprising twenty plates c.1790, painted with a central flower specimen within with slightly lobed, ozier moulded rims and three a shaped border and a gilt line rim, painted blue marks square shallow serving dishes with serpentine rims and and inscribed Large Flowerd St. John's Wort, Derby rounded incuse corners, each decorated with a garden mark 141, 8½in. (22cm.) diameter. or exotic bird on a branch, the rims within.ects gilt £150-180 edges, together with a pair of large square bowls, the interiors decorated within.ects and the four sides with 5. Two late 18th century English tea bowls a study of a bird, with underglaze blue crossed swords probably Caughley, c.1780, together with a matching and Pressnumern, the plates 8¼in. (21cm.) diameter, slop bowl, with floral and foliate decoration in the dishes 6½in. (16.5cm.) square and the bowls 10in. underglaze blue, overglaze iron red and gilt, the rims (25cm.) square. (25) with lobed blue rings, gilt lines and iron red pendant £1,000-1,500 arrow decoration, the tea bowls 33/8in. diameter, the slop bowl 2¼in. high. (3) £30-40 Lot 2 2. A set of four English cabinet plates late 19th century, painted centrally with exotic birds in Lot 6 landscapes, within a richly gilded foliate border 6. -
The Investigation Into the Development of Glass As an Expressive Medium in China Through Direct Contact with Western Methods of Making, Decoration and Forming
The investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming. By XUE LU (Shelly) MA. BA (Hons) A thesis submitted in partial fulfilment of the requirement of the University of Wolverhampton for the Degree of Doctor of Philosophy 2009 This work or any part thereof has not previously been presented in any form to the University or to any other body whether for the purpose of assessment, publications or for any other purpose (unless previously indicated). Save for any express acknowledgements, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own effects and of no other person. The right of XUE LU to be identified as author of this work is asserted in accordance with ss.77 and 78 of the copyright, Design and Patents Act 1988. At this date copyright is owned by the author. Signature: …………………. Date: ………………………. Abstract 2 Abstract This thesis is an investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming glass. The investigation proceeds through an analysis of the parallels between glass objects produced from Kangxi (1662-1722) to Qianlong period (1736-96), and contemporary practitioners’ (2000-2009), which is complemented by my own practice. The investigation mainly looks at three aspects and their inter-relationship within these strands. They are: 1) the history of glassmaking from 1696 to 1795 in the Qing dynasty with Western influences; 2) the analysis of Contemporary Chinese studio/academic glass within the imported UK model; 3) the development of my personal glass practice within this matrix. -
Specialist Collectors' Sale , Tue, 13 July 2021 9:00
Specialist Collectors' Sale , Tue, 13 July 2021 9:00 1 9ct gold charm bracelet with various novelty gold 17 Victorian silver vase of tapered cylindrical form and yellow metal charms £180-220 with embossed and pierced decoration on 2 9ct yellow and white gold bracelet with five white circular foot (lacking glass liner), by James gold double rope twist panels and yellow gold Dixon & Sons, Sheffield 1896. 11.5cm high £60- fittings. 20cm long £150-200 100 3 9ct gold circular open work ‘Ruth’ pendant on 18 Silver cigarette case with engine turned 9ct gold curb link chain. £250-300 decoration. Birmingham 1956 £60-100 4 Yellow and white metal Star of David pendant on 19 Victorian silver cased pocket watch with white 9ct gold chain £200-300 enamel dial, Roman numeral markers and subsidiary seconds dial, on silver watch chain 5 9ct gold Jewish heart shaped pendant on 18ct £40-60 gold chain £120-180 20 9ct gold flat curb link chain, 45.5cm long £150- 6 18ct gold diamond set black onyx plaque ring, 200 size L and 18ct gold signet ring, size R £80-120 21 9ct gold ball and fancy link chain, 59.5cm long 7 14ct gold wedding ring (stamped 585). Size Q £120-180 £40-60 22 Pair 9ct gold cufflinks, each oval panel engraved 8 9ct gold opal and ruby cluster ring, size N and with B and G £60-100 9ct gold emerald and opal flower head ring, size L½ £40-60 23 9ct gold heart pendant on 9ct gold chain, one other 9ct gold chain and 9ct gold watch bracelet 9 Two ladies' 9ct gold vintage wristwatches - parts £200-300 Accurist and Centaur, both on 9ct gold bracelets -
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION Bid.Mbaauction.Com Items Begin to Close at 10AM on Thursday 6/24
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION bid.mbaauction.com Items begin to close at 10AM on Thursday 6/24 25% Buyers Premium Added to All Bids Serigraph Framed- 46x34" 3018 Modern Artist Proof Signed Embossed ALL ITEMS MUST BE PICKED UP Serigraph Framed- 46x34" WITHIN 7 DAYS OF AUCTION CLOSE! 3019 Designer Gold Leaf Buddha Gallery Framed Lithograph- 53x42" Bid.mbaauction.com 3020 John Richard Collection Persian Horse Painting on Cloth Framed- 47x67" Lot Description 3021 Large Egyptian Hieroglyph Painting on Papyrus Framed- 38x75" 3000 Italian Leather Bound Stacking Book End 3022 K. Berata Large Balinese Painting of Nude Table with Drawers- 21x21x15" Women Framed- 42x82" 3001 Scroll Arm Upholstered Chair- 33x25x28" 3023 Ambrogin Modern Collage 4 Panel Screen- 3002 Bianchi Barbara Inlaid Italian Chess Set 37x73" with Board- 20x20" 3024 Pascal Cucaro Enameled Still Life Plaque in 3003 Pair Vintage French Marble Table Lamps- Gilt Frame- 15x13" 29" 3025 Pascal Cucaro Enameled Modern Figures 3004 Designer Wrought Iron 'Fasces' Glass Top Plaque in Gilt Frame- 15x13" Coffee Table- 20x47x23" 3026 Hand Colored 'Piper Indicum Medium' 3005 Victorian Iron Marble Top Floral Side Pepper Plant Botanical Framed Etching- Stand- 33x20x12" 30x26" 3006 Old Italian Inlaid Mahogany 2 Drawer 3027 Antique Gilt Archtop Framed Mirror- Stand- 29x22x12" 45x29" 3007 Pair Designer Monkey Table Lamps- 26" 3028 Italian Gilt Decorated Hanging Barometer- 3008 Pair Chapman Brass Designer Table Lamps- 35x19" 36" 3029 Bombay -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
NEWSLETTER Holiday Open House & Bake Sale
2013 Fall PRESERVING HISTORY Volume 35 No. 2 NEWSLETTER Holiday Open House Crow Wing County Museum & Bake Sale & Research Library Restored Sheriff’s Residence At the Museum Open to the public Friday, December 13th MISSION STATEMENT 3 –7 pm The Crow Wing County Enjoy hot apple cider/coffee Historical Society is committed to Punch & cookies preserving the history New exhibits and telling the story of Crow Wing County. STAFF Brainerd book available in the museum gift shop Pam Nelson Director/Administrator Newsletter Editor Lynda Hall Assistant Administrator Darla Sathre Administrative Assistant Experience Works Staff Lyn Lybeck Bonnie Novick 2013 FALL NEWSLETTER President’s Report It's hard to believe we are well into November with Christmas just around the corner. We have had a busy yet eventful year. Our annual meeting was a success, although there is always room for more attendees. Our museum continues to receive rave reviews from our visitors that tour our building. The remodeling has added room for more displays, thank you and Bake Sale to the staff and volunteers who worked very hard to make these improvements a reality. A special thanks to board member Ron Crocker and his son Jeff for making it all possible. OPEN TO THE PUBLIC The open house in October highlighted the unveiling of a large portrait of Lyman White. We Friday, Dec. 13 3-7 pm were fortunate to have Mayor James Wallin do the honors before a very nice crowd. Lyman White is the gentleman who is recognized as the person who actually laid out the Cider, Coffee, Punch boundaries of the city of Brainerd. -
Graduate Entrepreneurs' Perspectives Of
Breathing Space or Hiding Place? Graduate Entrepreneurs’ Perspectives of Entrepreneurship Education in Ireland by Mary Fenton, MBS, MA, BSc (Hons) Mgmt Thesis submitted in fulfilment of the degree of Doctor of Philosophy Joint Faculty of Humanities, St. Patrick’s College, Dublin City University Research Supervisors: Dr Almar Barry and Dr Hugh Gash 2013 i Declaration of Originality I hereby certify that this material which I now submit for assessment on the programme of study leading to the award of Doctor of Philosophy is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: Mary Fenton, ID No.: 57274673 Date: 12 December 2012 ii Dedication This work is dedicated to my parents, Mary and Austin Fenton, and to Nessa, my favourite sister, for their constant love and encouragement. I am blessed and beyond grateful. iii Acknowledgements I am deeply grateful to my supervisors, Dr Almar Barry and Dr Hugh Gash, for their wonderful insight, guidance and commitment shown to me through every hill and every valley of my research. I could never have completed this work without their generosity, encouragement and belief in me. I am indebted to the graduate entrepreneurs who participated in this research. I salute their courage, optimism and chutzpah: they are the real heroes in the rejuvenation of the Irish economy. I wish to thank the enterprise enablers who participated in this research for their insights and candour. I acknowledge the great work they do in fostering and nurturing entrepreneurs. -
Descendants of Maunsell John Bacon
Descendants of Maunsell John Bacon Descendants of Maunsell John Bacon Maunsell John Bacon {277}, son of John Bacon {78} and Mary Baruh Lousada {69}, was born on 26 Oct 1839 in Woodland St Mary, Berkshire, England, 1 died on 29 Apr 1924 in West Ward, Westmorland, England2 aged 84, and was buried on 2 May 1924 in All Saints, Swallowfield, Berkshire, England. 3 General Notes: 1881 Census: Institution: "Felstead Grammar School" Census Place: Felstead, Essex, England Source: FHL Film 1341437 PRO Ref RG11 Piece 1812 Folio 129 Page 1 Marr Age Sex Birthplace Institution of Delaval Shafto INGRAM Charles Henry ROGERS U 28 M Newmarket, Cambridge, England Rel: Officer Occ: Clerk In Holy Orders Assistant Master Francis Hardwicke MANLEY U 29 M Jubbulpore, East Indies Rel: Officer Occ: Clerk In Holy Orders Assistant Master William Franklen EVANS U 27 M Wick, Glamorgan, Wales Rel: Officer Occ: B A Assistant Master Oakley Elford HIGGENS U 24 M Bengal, East Indies Rel: Officer Occ: M A Assistant Master John Henry FREESE U 29 M Wimbledon, Surrey, England Rel: Officer Occ: M A Assistant Master Charles Hugh PEARSON U 32 M Midhurst, Sussex, England Rel: Officer Occ: M A Assistant Master Edward NOAKS U 24 M Ascension Island Off Of, At Sea Rel: Officer Occ: B A Assistant Master Richard Middeton HILL U 23 M Beaumaris, Anglesey, Wales Rel: Officer Occ: B A Assistant Master Gerald Henry WILLIAMS U 28 M Skelton, Cumberland, England Rel: Officer Occ: M A Assistant Master William Sidney BURTON U 24 M Appleford, Berkshire, England Rel: Officer Occ: Assistant Master -
English Cameo Glass
ENGLISH CAMEO GLASS THE CORNING MUSEUM OF GLASS ENGLISH CAMEO GLASS IN THE CORNING MUSEUM OF GLASS DAVID WHITEHOUSE THE CORNING MUSEUM OF GLASS CORNING, NEW YORK Cover: Moorish Bathers. England, Amblecote, Thomas Webb & Sons, carved and engraved by George Woodall, 1898. D. 46.3 cm. The Corning Museum of Glass (92.2.10, bequest of Mrs. Leonard S. Rakow). Copyright © 1994 The Corning Museum of Glass Corning, New York 14830-2253 Editor: John H. Martin Photography: Nicholas L. Williams Design and Typography: Graphic Solutions, Corning, New York Printing: Upstate Litho, Rochester, New York Standard Book Number 0-87290-134-3 Library of Congress Catalog Card Number 94-071702 FRONTISPIECE. The Great Dish. CONTENTS Preface 7 Introduction 11 The Early Years 17 Stevens & Williams 31 Thomas Webb & Sons 33 A Woodall Miscellany 42 Epilogue 56 Further Reading 58 Notes on the Illustrations 59 Notes 63 FIG. 1. The Portland Vase. PREFACE THIS SHORT BOOK has two objectives: to cele- makers tried unsuccessfully to make a replica of brate the achievements of 19th-century English it, and in the 1820s and 1830s several silver ver- cameo glass makers and to focus attention on the sions were made by the London firm of Rundle, outstanding examples of their work in the collec- Bridge, and Rundell. tion of The Corning Museum of Glass. In the early 19th century—possibly as early Cameos are objects with two or more layers as 1804—glassmakers in Bohemia began to of different colors. The outer layer or layers are "case," or cover, colorless glass with a layer of partly removed to create relief decoration on a colored glass that was then cut through to reveal background of contrasting color. -
D.G.W. Auctioneers Inc. 760 Kifer Road, Sunnyvale, CA
D.G.W. Auctioneers Inc. 760 Kifer Road, Sunnyvale, CA. 94086. Phone: (408) 245-1863 Fax: (408) 245-1283 www.dgwauctioneers.com FREE CATALOG AVAILABLE ONLINE Saturday, June 14, 2014 at 10:00 AM An 18% Buyer’s Premium is charged on All Purchases (If the Payment Method is cash or check). Buyer’s premium is otherwise 22%. READ AUCTION RULES, ESPECIALLY WITH REGARDS TO OBTAINING A BIDDER NUMBER, PAYMENT & REMOVAL OF PURCHASED LOTS AUCTION CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE CALIFORNIA STATE PENAL AND CIVIL CODES Absentee bids: D.G.W. Auctioneers will execute bids for absentee bidders submitted in advance of the sale. D.G.W. Auctioneers assumes no responsibility for failure to execute any bid, and absentee bids are subject to the conditions of the sale. Absentee bidders should call the D.G.W. Auctioneers the day following the sale after 10:00 AM to ascertain if they are the successful bidder. No Warranty – All Items Are Sold “AS IS”: D.G.W. Auctioneers & the consignor do not warrant any lot to be merchantable or to be suited to any purpose, and they do not assume any risk, liability or responsibility to any person as to authenticity, genuiness, culture, source, origin, attribution, period, purpose or measurement of any lot. Removal: Please DO NOT REMOVE any item purchased until after the auction, at which time an attendant will assist you if required. Items not removed within the published collection times will incur a storage charge of $5.00 per day per lot.