FINE EUROPEAN CERAMICS Wednesday 14 June 2017

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SPECIALIST AND AUCTION ENQUIRIES

EUROPEAN CERAMICS

Sebastian Kuhn Nette Megens Sophie von der Goltz FINE EUROPEAN CERAMICS Wednesday 14 June 2017 at 2pm New Bond Street, London

VIEWING ENQUIRIES CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 11 June Nette Megens Monday to Friday 8.30am LOTS IN THIS AUCTION 11am - 3pm Head of Department to 6pm PLEASE NOTE THAT ANY Monday 12 June +44 (0) 20 7468 8348 +44 (0) 20 7447 7447 REFERENCE IN THIS 9am - 4.30pm [email protected] CATALOGUE TO THE PHYSICAL Tuesday 13 June Please see page 2 for bidder CONDITION OF ANY LOT IS FOR 9am - 4.30pm Sebastian Kuhn information including after-sale GENERAL GUIDANCE ONLY. +44 (0) 20 7468 8384 collection and shipment INTENDING BIDDERS MUST SALE NUMBER [email protected] SATISFY THEMSELVES AS TO 24223 THE CONDITION OF ANY LOT Sophie von der Goltz AS SPECIFIED IN CLAUSE 14 OF CATALOGUE +44 (0) 20 7468 8349 THE NOTICE TO BIDDERS [email protected] CONTAINED AT THE END OF £25.00 THIS CATALOGUE. International Director BIDS As a courtesy to intending +44 (0) 20 7447 7447 European Ceramics & Glass bidders, Bonhams will provide a +44 (0) 20 7447 7401 fax John Sandon written indication of the physical To bid via the internet please +44 (0) 20 7468 8244 condition of lots in this sale if a visit bonhams.com [email protected] request is received up to 24 hours before the auction starts. This Please note that bids should be written Indication is issued submitted no later than 4pm on subject to Clause 3 of the Notice the day prior to the sale. New to Bidders. bidders must also provide proof of identity when submitting bids. Failure to do this may result in IMPORTANT INFORMATION your bid not being processed. The United States Government has banned the import of ivory Telephone bidding can only into the USA. Lots containing be accepted on lots with a ivory are indicated by the low-estimate in excess of £1,000. symbol Ф printed beside the lot number in this catalogue. Live online bidding is available for this sale Please email [email protected] with ‘live bidding’ in the subject line 48 hours before the auction to register for this service

Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Paul Davidson, Jean Ghika, Veronique Scorer, James Stratton, Ralph Taylor, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Charles Graham-Campbell, Matthew Haley, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, Richard Harvey, Robin Hereford, David Johnson, Michael Wynell-Mayow, Suzannah Yip. Caroline Oliphant, Shahin Virani, Charles Lanning, Miranda Leslie, Edward Wilkinson, Leslie Wright. SALE INFORMATION

BIDS SHIPPING The following symbol is used IMPORTANT NOTICE +44 (0) 20 7447 7447 For information and estimates to denote that VAT is due on A surcharge of 2% is applicable +44 (0) 20 7447 7401 fax on domestic and international the hammer price and buyer’s when using MasterCard & Visa credit To bid via the internet please visit shipping as well as export premium cards and overseas debit cards www.bonhams.com licenses please contact Alban Shipping on +44 (0) 1582 493 099 † VAT 20% on hammer price Payment in Advance PAYMENTS [email protected] and buyer’s premium (Telephone to ascertain amount due) Buyers by: cash, cheque with banker’s card, +44 (0) 20 7447 7447 Collection and Storage VAT on imported items at a credit, or debit card. +44 (0) 20 7447 7401 fax after sale *preferential rate of 5% on hammer All sold lots will remain in price and the prevailing rate on Payment at time of collection by: Sellers Bonhams New Bond Street buyer’s premium cash, cheque with banker’s card, Payment of sale proceeds Collections department free credit, or debit card. +44 (0) 20 7447 7447 of charge until 5.30pm Y These lots are subject to CITES +44 (0) 20 7447 7401 fax Wednesday 28 June 2017. regulations, please read the Lots not collected by then will information in the back of VALUATIONS, TAXATION be returned to the department. the catalogue. & HERITAGE storage charges may apply. +44 (0) 20 7468 8340 +44 (0) 20 7468 5860 fax [email protected]

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1 A VENICE MAIOLICA ISTORIATO DISH, WORKSHOP OF MAESTRO DOMENEGO, CIRCA 1560 Painted with a depiction of Joseph’s dreams (Genesis 37:1-44:9), the reverse with yellow bands and inscribed iosefo.vide.che.dormenda/sognia. la.luna.el.sol.agru.farli/riverencia.con.undici.stelle/ in.conpagnia, [Joseph saw in his dream when he slept the moon and the sun and eleven stars making reverence to him in the countryside] 25cm diam. (restored)

£2,000 - 3,000 1 €2,400 - 3,600 US$2,600 - 3,900

2 AN URBINO MAIOLICA ISTORIATO DISH, MID 16TH CENTURY Painted with a scene after Livy depicting Coriolanus greeting his mother Veturia, his wife and children before the walls of Rome, the reverse with yellow bands and inscribed in blue ‘la pi[?]ita di coroliano verso /la matre veturia’, 25.5cm diam. (restored)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

See D. Thornton/T. Wilson, Italian Renaissance Ceramics (2009), I, no. 184, for a dish in the British Museum painted by Francesco Durantino with a different depiction of the same subject.

For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 3 A PESARO MAIOLICA ISTORIATO MOULDED TAZZA, 16TH CENTURY Depicting Marcus Curtius riding his horse into a chasm, 28.6cm diam. (large glaze losses to front, section of foot missing)

£3,000 - 5,000 3 €3,600 - 6,000 US$3,900 - 6,500

4 A MAIOLICA DISH, POSSIBLY DUCHY OF URBINO, 17TH CENTURY The centre decorated with a scene depicting ladies playing instruments in a landscape, the rim with a border of flowers in vases, scattered insects and two putti holding flower garlands, 23.5cm diam.

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 7 5 A MONTELUPO MAIOLICA CHARGER, EARLY 17TH CENTURY Decorated in ochre, brown, green, blue and yellow with radiating geometric bands, the rim edged in ochre, 33.2cm diam. (rim chip, hair crack to rim)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

5 A dish with a similar geometric border is in the British Museum, London; illustrated in D. Thornton/T. Wilson, Italian Renaissance Ceramics, A catalogue of the British Museum collection, Vol. I (2009), p.204, no.129. Another is in the Victoria and Albert Museum, London; see Bernard Rackham, Catalogue of Italian Maiolica (1940/1977), pl.56, no.354.

6 A MONTELUPO MAIOLICA TAZZA, 17TH CENTURY Decorated with an exotic bird within a yellow- ground circular panel surrounded by a wide border of moulded radiating panels with alternating blue and orange or green grounds reserved with foliate motifs, the rim blue, the underside with blue and yellow lines, 24.3cm diam. (small chip to rim, typical minor glaze losses)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 7 A LARGE NOVE, ANTONIBON, FAIENCE DISH, CIRCA 1750 Decorated in blue, green and ochre with a Chinoiserie scene of a man smoking a long pipe seated in a landscape surrounded by flowering plants, the shaped rim with a scrolling border of rocailles and shells, 40.4cm diam. (typical minor glaze losses to rim)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

A tureen and cover from the same service is illustrated in S. Levy, Maioliche Settecentesche - Lombarde e Venete (1962), frontispiece.

8 10 A PAIR OF MARSEILLE FAIENCE PLATES, POSSIBLY ROBERT’S TWO FAENZA, FERNIANI, FAIENCE OVAL DISHES WITH FACTORY, CIRCA 1765-75 PIERCED BORDERS, CIRCA 1770-80 Each painted with a flower spray and further scattered flowers and Decorated with a stylised chinoiserie pattern of flowers issuing from insects, wavy, ochre-edged rims, 24.7cm diam. (2) a blue rocky ground, the pierced basketwork rims painted with polychrome flower buds and edged in green, 26.4cm long (two fine haircracks to the rim on one) (2) £1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900 £800 - 1,200 €950 - 1,400 US$1,000 - 1,600 9 A GROUP OF TWO FAENZA, FERNIANI, OVAL DISHES AND A FAENZA, FERNIANI, TAZZA, CIRCA 1770-80 11 Each decorated with a Chinoiserie pattern of stylised Oriental flowers A FAENZA, FERNIANI, FAIENCE ARMORIAL PLATE, CIRCA issuing from a blue rocky ground surrounded by an iron-red trellis- 1770-80 pattern band, the rims with flower sprigs within a blue line border, the Decorated with an armorial in the centre surrounded by stylised tazza: 32.8cm diam., the dishes: 28cm long (tazza: foot damaged and Oriental flowers issuing from a blue rocky ground, the rim with four crack to rim) (3) flower sprigs within a blue line border around the brown-edged rim, 23.5cm diam. (typical minor glaze losses to rim) £700 - 1,000 €830 - 1,200 £800 - 1,200 US$910 - 1,300 €950 - 1,400 US$1,000 - 1,600

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 9

FINE EUROPEAN CERAMICS | 11 12

12 A NOVE, ANTONIBON, FAIENCE DOUBLE- HANDLED TUREEN, COVER AND STAND, LATE 18TH CENTURY Of lobed shape, decorated ‘a tacchiolo’ with flowers and foliage, the cover with a pear and leaf finial, together with an additional cover, the stand: 40.3cm long (minor glaze losses) (4)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance: With A.G.G. Subert, Milan (paper labels)

13 A MILAN, PASQUALE RUBATI, FAIENCE OVAL SUGAR BOWL, COVER AND STAND, LATE 18TH CENTURY Each moulded in relief and decorated with chrysanthenums, foliage and others flowers, brown- edged shaped rims, the stand: 18.5cm across (some restoration) (3)

£600 - 800 €710 - 950 US$780 - 1,000

14 A sugar bowl and cover of similar shape and decoration is illustrated in S. Levy, Maioliche Settecentesche - Lombarde e Venete (1962), plate 95.

For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 14 A NOVE, ANTONIBON, COFFEE POT AND COVER, LATE 18TH CENTURY The gadrooned body and cover decorated with polychrome flowers and foliage, the animal spout and scrollwork handle heightened in green, 31.8cm high (haircrack to body, chips to spout) (2)

£600 - 900 €710 - 1,100 US$780 - 1,200

A coffee pot and cover of similar type is illustrated in illustrated in S. Levy, Maioliche Settecentesche - Lombarde e Venete (1962), plate 314.

15 A SET OF TWELVE GERMAN FAIENCE CUTLERY HANDLES, PROBABLY KÜNERSBERG, MID 18TH CENTURY Each finely painted with a continuous landscape scene depicting elegant figures, including Italian Comedy and huntsmen, the base with a border of gilt panels enclosing scrollwork, mounted with six three-pronged forks and six knife blades, the blades with crowned * maker’s mark, the handles: 6.2cm to 7.4cm (some fine hairline cracks) (12)

£6,000 - 8,000 €7,100 - 9,500 US$7,800 - 10,000

Provenance: 15 Otto and Magdalena Blohm Collection, Hamburg; Thence by descent, sold Christie’s London, 6 December 2004, lot 345

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 13 16 A DOCCIA SNUFF BOX, CIRCA 1765 Each side moulded with floral bands surrounded by a zig-zag pattern edged with iron-red and gilt lines, painted with scattered flower sprigs and tiny insects, the inside cover painted with a profile portrait of a classical lady, 7.4cm by 4.2cm (rubbing to gilding)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance: With Silvio Ferrara (remains of a paper label inside the box)

17 A DOCCIA FIGURE OF PANTALONE, CIRCA 1760 Based on the engravings by Jaques Callot, standing in contrapposto, wearing a red jacket and breeches, black cape and cloak, his right hand on his cape, standing on a green marbled base, 11cm high (restored) 16 £1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance: Anon. sale, Christie’s King Street, 28 November 1977, lot 26.

The figure is based on the engravings of the Commedia dell’Arte by Jacques Callot, published in Florence in 1618-19. A similar figure is in the Museo Gianetti and is illustrated on the cover of their catalogue, Porcellane italiane, europee e orientali. Ceramiche della Collezione Gianetti (2000).

Other Doccia Italian Comedy figures on square and marbled bases, including another version of Pantalone, are in the Gardiner Museum, Toronto; see Chilton 2001, nos. 136-138. Two other figures, of Capitano and Colombina, are published by Alessandro Biancalana, I pittori della Manifattura di Doccia dal 1740 al 1784, in Quaderno degli Amici di Doccia I (2007), p. 48.

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 18 A RARE PAIR OF DOCCIA BOTTLE COOLERS FROM THE From the large armorial service delivered in stages from October 1750 MARANA ISOLA SERVICE, MID 18TH CENTURY to the Marchesa Laura Marana Isola of Genoa and decorated with Moulded with scrollwork, shells shaded in iron-red, and an armorial the arms of the Marchesa and her husband, Francesco Marana. This shield on each side, embellished in gilding and enamels, with the arms was the second of two services delivered to the Marchesi. The first of Isola and Marana, painted in iron-red and gilding with panels of service (delivered in 1749) is decorated ‘a stampa’, and the pieces Oriental flowers, and in blue, iron-red and gilding with flowers issuing are of much simpler form. Then, in a letter dated 3 October 1750, the from stylised foliage, the rims embellished in iron-red and gilding, 17cm Marchesa orders another service ‘(...) non contento d’avermi favorito high (restored section to one rim, restored chip to footrim) (2) l’anno scorso di un servito abbondantissimo bianco, e Turchino, à voluo anche adesso aumentarlo (...)[not content with an abundantly white and turquoise (sic) service you kindly delivered to me last year, I £15,000 - 20,000 would like to add to it now]. €18,000 - 24,000 US$19,000 - 26,000 The service is referred to many times in correspondence between the Marchesa and Carlo Ginori; see A. d’Agliano (ed.), Porcellane Provenance: Italiane dalla Collezione Lokar (2013), no. 86, J. Kräftner (ed.), Baroque Marchesi Francesco and Laura Marana, Genoa Luxury Porcelain (2006), nos. 116 and 177, and A. Biancalana, Porcellane e Maioliche a Doccia (2009), p.181ff. for excerpts from the correspondence. See Biancalana (op.cit. 181) for a covered cylindrical container from the first service.

Another bottle cooler from the service was sold together with a similar model without the arms and mounted on matching gilt-metal bases by Christie’s London, 6 December 2007, lot 13.

19 A RARE DOCCIA ECUELLE AND COVER, CIRCA 1770-75 Decorated with elaborate floral garlands and scattered insects between ornamental gilt scrollwork bands, both cover and ecuelle with finely decorated rococo cartouches enclosing a crowned anchor, the cover with a floral finial, 12cm high (tiny chips to finial, small chip to inside rim of ecuelle and flange of cover) (2)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

20 TWO DOCCIA CUTLERY HANDLES, CIRCA 1750 Decorated in polychrome colours with Baroque scroll- and strapwork ornament after Du Paquier models, mounted with a fork and knife, the handles: 7.2cm long (some rubbing) (2)

£500 - 700 €600 - 830 US$650 - 910

Provenance: Christie’s London, 11 April 1988, lot 133 (the fork); The Collection of Eveline Newgas

Cutlery handles are mentioned in the archives of the Doccia factory as early as 1743, and by 1750, there were three main styles of decoration: “Indian flowers”, “Chinese figures” and “Grotesques”; see Andreina d’Agliano, The Early Years of the Doccia Porcelain Manufactory and Viennese Decorative, Graphic and Chromatic Influence, in J. 20 Kräftner/C. Lehner-Jobst/A. d’Agliano (eds.), Baroque Luxury Porcelain (2005), pp. 77ff. and cat. no. 149.

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 21

21 A PAIR OF SMALL CAPODIMONTE VASES, CIRCA 1747-52 Of trumpet shape, decorated with chinoiserie elements of hedges and stylised rockwork and sprouting branches of pinetrees and chrysanthemum, 15cm high, (each with small restored chip to rim) (2)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

For a discussion of this type of decoration on Capodimonte porcelain see Angela Caròla Perrotti, Le Porcellande de Borbone di Napoli (1986) p. 130ff. The shape of these vases can only be compared to a spectacular vase of much larger size in the Victoria and Albert Museum (also published by A. Mottola Molfino, l’Arte della Porcellana in Italia (1977) plate XXV). The shape of these vases is based on Asian examples. A cup and two saucers with a similar oro e bianco decoration depicting chinoiserie figures are in this sale, lot 41.

22 A CAPODIMONTE WHITE FIGURE OF LEDA AND THE SWAN, CIRCA 1750-55 The nude Leda embracing a swan seated on clouds with her left arm, the base modelled as clouds, 15.7cm high (nose tip restored)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

22A A NAPLES, REAL FABBRICA FERDINANDEA, FIGURE OF A FISH SELLER, CIRCA 1785-90 Wearing a puce bodice over a white blouse, a green skirt and white apron and holding a basket with fish under her left arm, 13.5cm high

£600 - 800 €710 - 950 US$780 - 1,000

23 A CAPODIMONTE GROUP OF A BOY AND A GIRL, CIRCA 1750-55 The girl with her arm around the boy’s shoulders wearing a yellow hat, pink bodice and pink- and yellow-edged dress, a bird perched on her left hand, the boy also in elegant clothes offering her a rose, on a rockwork base painted with black and green leafy branches, 10.5cm high (her head restuck)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

24 A NOVE PORCELAIN POT-POURRI VASE, CIRCA 1790-1800 Painted with flower bouquets tied with ribbon and flower sprays, puce bands to the rim and foot edge, the foot on a square plinth painted as marble, the handles modelled as putti with fish tails, 17.2cm high, fleur-de-lys in blue enamel (cover missing)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600 24 Another example of the model with different decoration is in the Lokar Collection, illustrated by Andreina d’Agliano, Porcellane Italiane dalla Collezione Lokar (2013), no.65.

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 25

25* 26 A PAIR OF NAPLES, GIUSTINIANI, SHAPED CREAMWARE A NAPLES ECUELLE AND COVER, CIRCA 1800 PLATES, 19TH CENTURY Designed by Domenico Venuti, painted with Centaurs and Maenads, Decorated in Classical Greek black-figure style, one with stylised the black loop handles emerging from sideways moulded masks, the figures on a white ground surrounded by a classical acanthus border, cover with a band of black leaves and a black dog and snake finial, the other with a central Gorgon head mask surrounded by a border gilt-edged rims, 14.5cm high (small restuck chip to edge of rim, minute of stylised seated figures and swans, the rim with a border of stylised flat chip to rim) (2) swans, 21.8cm diam., impressed ‘Giustiniani’ and ‘L.V.N.’ marks (minor wear) (2) £1,500 - 2,000 €1,800 - 2,400 £1,000 - 1,500 US$1,900 - 2,600 €1,200 - 1,800 US$1,300 - 1,900 The mythological figures are based on prints in the Antichita’ di Ercolano Esposte (1757-92) after frescoes in the Villa di Cicerone in Pompei. The ecuelle is related to the Servizio Ercolanese, which is arguably the best-known service produced by the Real Fabbrica Ferdinandea. For a discussion of the service, see A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986), nos. 327-329.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 19 27 28 A NAPLES PLAQUE DEPICTING THE RETURN TO A NAPLES PLAQUE DEPICTING THE TARANTELLA, MONTEVERGINE, DATED 1857 DATED 1857 Painted by Carlo de Simone, to the left the smoking Mount Vesuvius, En suite with the previous lot, painted by Carlo de Simone with a a group of dancing couples in the foreground, the cart pulled by an ox scene of peasants dancing the Tarantella, in a giltwood frame, 21cm and a donkey, in a giltwood frame, 21cm diam, C. de Simone 1857 in wide, Carlo de simone 1857 in yelllow and red to the bottom-left of the yellow and red to the bottom-right, the reverse with ‘Retour de la Fête plaque, ‘Tarantella Napolitaines - Naples’ in black script to the reverse de Montevergine-Naples’ in script to the reverse (small rim chip)

£2,500 - 3,500 £2,000 - 3,000 €3,000 - 4,200 €2,400 - 3,600 US$3,200 - 4,500 US$2,600 - 3,900

The depictions on this plaque and the following lot are based on See footnote to preceding lot. popular drawings and prints circulating in Naples from the late 18th century. The use of popular subjects on Neapolitan porcelain has a long tradition going back to the famous service ordered for King Ferdinand VI in 1783, the Servizio delle Vestiture del Regno (see A. Caròla-Perrotti, Le Porcellane Napoletane dell’Ottocento (1990) p.118ff.). The decoration on the service is largely based on gouaches by two artists, Saverio Della Gatta and Alessandro D’Anna, and later Stefano Santucci, who were hired by the director of the factory, Domenico Venuti, to travel and make a record of all the regional costumes of the Kingdom. Their gouaches were also later used widely at the factory. Caròla-Perrotti (op.cit., pp.139-142) discussed the rise of the ‘petit bourgeoisie’ as main buyer of the production of popular subjects on porcelain. These pieces were no longer made for the court, but for the tourists flocking to Naples. Most famous and most widely used were the four compositions by Della Gatta, ‘Il ritorno da Montevergine’, ‘Il Tavernaro’, ‘Il Mellonaro’ and ‘La Tarantella’. For other examples of this particular scene see Caròla-Perrotti (op.cit.) cat. nos. 207, 210 and 211, all dateable slightly earlier. A plate of the same date and with a similar popular subject signed by Carlo de Simone is in the Museo di San Martino (Caròla-Perrotti, op.cit, cat.no. 253).

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 27

28 FINE EUROPEAN CERAMICS | 21 29

29 30 A PAIR OF NAPLES, DEL VECCHIO, CREAMWARE PLATES, THREE NAPLES, POULARD PRAD, CUPS AND SAUCERS, CIRCA 1830 CIRCA 1815 Decorated in Classical Greek black-figure style, each with stylised Each cup painted with a gilt-edged medallion enclosing a male portrait, figures on a white background, surrounded by classical acanthus gilt foliate scrollwork and formal borders along the gilt cups and saucer and foliate borders on a terracotta or white ground, 24.3cm diam., rims, two portraits signed ‘Landolfi’ l.r., the cups titled in black to impressed ‘del Vecchio/N’ marks (two fine haircracks to one) (2) undersides (some rubbing to gilding, faint starcrack to one saucer) (6)

£1,500 - 2,000 £1,000 - 1,500 €1,800 - 2,400 €1,200 - 1,800 US$1,900 - 2,600 US$1,300 - 1,900

The portraits depict as follows (left to right):

a) Luigi Tansillo b) Giuseppe Galanti c) Pietro Giannone

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. CERAMICS FROM AN

ITALIAN PRIVATE COLLECTION 31 32 A VERY RARE CAPODIMONTE TEAPOT AND COVER, A CAPODIMONTE CUP AND A CAPODIMONTE SAUCER, CIRCA 1750 CIRCA 1750 Decorated ‘a fiori coreani’, or with Oriental-style flowers, in polychrome Both decorated with fiori coreani or Oriental-style flowers below an colours below a rich band of gilt strapwork, the moulded spout and elaborate gilt scrollwork rim (2) handle decorated in gold, the cover with similar gilt border and single flowers, 14.5cm high, fleur-de-lys mark in blue enamel (2) £1,000 - 1,500 €1,200 - 1,800 £15,000 - 20,000 US$1,300 - 1,900 €18,000 - 24,000 US$19,000 - 26,000 Provenance: With Silvio Ferrara (paper label to the base of the saucer); Provenance: With Lukacs-Donath (paper label to the base of the saucer) Dr. Paul von Ostermann Collection, Darmstadt/Munich, sold by P. Cassirer and H. Helbing, Berlin, 30 October-2 November 1928, lot The cup belongs to the same service as the teapot offered in this sale 343; (lot 31) while the saucer is related to a service now in the Museo Duca Ernesto Blohm Collection, Hamburg, sold by Sotheby’s London, 4-5 di Martino, Villa Floridiana in Naples. For a discussion of these two July 1960, lot 198 different services, see A. d’Agliano, Porcellane Italiane dalla Collezione Lokar (2013), pp.220-222. Literature: R. Schmidt, Early European Porcelain as collected by Otto Blohm (1953), plate 39, no. 141 (as Vezzi); A. Mottola Molfino, L’Arte della Porcellana in Italia (1977) cat.no. XIX; A. Caròla-Perrotti, Le porcellane dei Borbone di Napoli (1986) plate IV [I,1]; A. d’Agliano, Porcellane Italiane dalla collezione Lokar (2013) p.220-221

Exhibited: Le Porcellane dei Borbone di Napoli, Museo Archeologico Nazionale, Naples, 19 December 1986-30 April 1987

The coffee pot, two saucers and sugar bowl for this service with the same decoration are in the collection of Giovanni Lokar (published by A. d’Agliano, Porcellane Italiane dalla collezione Lokar (2013), no. 110). In her discussion of the piece, Caròla-Perrotti (op.cit., p.70) notes that the decoration is based on Asian decorative elements fused with iconography taken from European botanical prints.

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 31

(reverse)

FINE EUROPEAN CERAMICS | 25 33

33 A CAPODIMONTE CUP AND SAUCER TOGETHER WITH TWO SIMILAR CUPS, CIRCA 1750 Decorated with fiori coreani or large sprigs of Oriental-style flowers in polychrome colours below a gilt scrollwork border, the cups similarly decorated, fleur-de-lys marks in blue enamel (the two cups without their handles) (4)

£3,500 - 4,500 €4,200 - 5,400 US$4,500 - 5,800

Provenance: With Silvio Ferrara (paper label to the base); With Lukacs-Donath (paper label to the base)

34 A RARE CAPODIMONTE TOBACCO JAR AND COVER, CIRCA 1750 Decorated a figuri grandi with a continuous scene of figures in a naturalistic partially wooded landscape, one man holding up a treat for his dog, the dog charging towards another dog restrained by another seated man, 13.5cm high overall, traces of a fleur-de-lys mark in blue enamel (restored, handle to the rear missing) (2)

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500

Provenance: With Aldo Pironti, Benevento (paper label to the base)

The origins of the denomination a figure grandi is discussed by A. Caròla-Perrotti (1986) I.4. The decoration is similar to that on a bowl in the Museo Duca di Martina, Villa Floridiana in Naples (see: Caròla- 34 Perrotti op.cit. 50a). The decoration on this bowl is linked to prints after the work by Nicholaes Berchem, it is likely that the source for this pot can be found in a print after a Dutch Old Master, especially in view of the 17th century headgear of a beret with plume.

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 35

35 A RARE CAPODIMONTE SUGAR BOWL AND COVER, CIRCA 1750 Decorated a natura morta by Giovanni Caselli with scenes of native Neapolitan fruit including typical lemon-like ‘cedri’, grapes and cherries on a naturalistic grassy base surrounded by clouds, the cover with elaborate gilt strapwork borders picked out with floral elements in Kakiemon style, the moulded fruit finial picked out in gold, 9cm high, fleur-de-lys mark in blue enamel, paper sale label (2)

£6,000 - 8,000 €7,100 - 9,500 US$7,800 - 10,000

Provenance: Anon. sale, Christie’s King Street, 4 December 1978, lot 34

For a cup and saucer most likely from the same service, see the following lot. Another related cup and saucer with the same elaborately-decorated gilt strapwork is illustrated by A. Caròla-Perrotti, Le porcellane dei Borbone di Napoli (1986), p.111, no. 54, where the author attributes the painting to Caselli, but leaves the possibility open that it was painted by Salvatore Rosa due to the broken branch in the background, which is traditionally associated with Rosa.

36 A CAPODIMONTE CUP AND SAUCER, CIRCA 1750 En suite with the previous lot, decorated a natura morta by Giovanni Caselli with scenes of native Neapolitan fruit on a naturalistic grassy base surrounded by clouds, the edge of the saucer and inside of the cup with elaborate gilt strapwork borders picked out with floral elements in Kakiemon style, the moulded fruit finial picked out in gold, fleur-de-lys mark in blue enamel to both (2)

£6,000 - 8,000 €7,100 - 9,500 36 US$7,800 - 10,000

Two cups and saucers from this rare service were sold at Christie’s London, 24 May 2011, lot 72.

37 THREE CAPODIMONTE BEAKERS, CIRCA 1750 Two decorated with figures in landscape vignettes, one with baroque fruit, gilt scrollwork borders, all with fleur-de-lys mark in blue enamel (handle of cup with fruit restored, haircrack through the handle of the cup with the lady) (3)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Literature: A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986), no. 43 (the two beakers with figures)

Exhibited: Naples, Museo Archeologico Nazionale, Le Porcellane dei Borbone, 19 December 1986-20 April 1987 (the two beakers with figures)

38 A CAPODIMONTE CUP AND SAUCER, CIRCA 1755 Decorated with fiori Tedeschi, gilt scrollwork borders to rims, traces of a fleur-de-lys mark in blue enamel to the cup, fleur-de-lys mark to the saucer (haircrack and three small chips to cup, small chip to saucer) (2)

£1,200 - 1,500 €1,400 - 1,800 38 US$1,600 - 1,900

Another cup and saucer (from a larger cased service) with a similar decoration is illustrated by A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986), no. VIII [I,2].

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 39 A VERY RARE CAPODIMONTE HOT WATER JUG AND COVER, CIRCA 1750 Decorated by Giacomo Nani, both sides with a still life of local produce, one side showing game, the other fish, the cover with fruit and sea urchins, the elaborate scrollwork handle and rims with gilding, the spout with an intricate scrollwork pattern in gold, 18cm high, (approx. 4cm crack to rear next to handle) (2)

£6,000 - 8,000 €7,100 - 9,500 US$7,800 - 10,000

Provenance: Private Collection, Rome (by 1977)

Literature: A. Mottola Molfino, L’Arte della Porcellana in Italia (1977), pls. XXXI and XXXII

Giacomo Nani (Porto Ercole, 1698 – Napoli, 1755) is best-known for his still-life depictions of local game and fish, as well as floral still-lifes on canvas. He also worked at the Capodimonte porcelain factory as a decorator. A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986) illustrates another depiction of local sea urchin and scallops on a teacup and saucer (plate XX), which she attributes firmly to Nani. The depiction of sea urchins (ricci) and capesante or scallops is a occurs frequently in Neapolitan painting of the early 18th century but, as Caròla-Perrotti notes, the combination with meat and fruit does not; she therefore argues that these pieces must represent the work of Nani at Capodimonte (p.113). (reverse)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 29 30 | BONHAMS 40 A VERY RARE CAPODIMONTE COFFEE POT WITH COVER WITH COMMEDIA DELL’ARTE SUBJECTS, CIRCA 1750 Decorated by Giovanni Caselli with a landscape vignette depicting Il Dottore and Arlechina, elaborate gilt scrollwork border to the rim and to the sides of the spout, 21.5cm high, traces of a fleur-de-lys mark in blue enamel (finial restored, small flat chip to inside lip of the cover) (2)

£12,000 - 18,000 €14,000 - 21,000 US$16,000 - 23,000

Provenance: Collection Renato Bacchi; Guido Rossi, Milan (paper collector’s label to the base)

Literature: G. Morazzoni, Le Porcellane Italiane, Vol II (1960) pl. 283; G. Stazzi, l’arte della Ceramica, Capodimonte (1972); A. Mottola Molfino, l’Arte della Porcellana in Italia (1977), pl. XIII; A. Caròla-Perrotti, Le porcellane italiane dei Borbone di Napoli (1986), pp.95ff., no. 42a-c

Exhibited: Naples, Museo Archeologico Nazionale, Le Porcellane dei Borbone, 19 December 1986-20 April 1987

Commedia dell’Arte scenes are very rare on Capodimonte wares and no other examples of this shape are recorded. A small ecuelle and cover with similar Commedia dell’Arte figures is illustrated by A. Caròla-Perrotti, Le porcellane italiane dei Borbone di Napoli (1986), pl. XIII. A jar or cachepot with three Pulcinella figures is in the collection of the Metropolitan Museum of Art (50.211.266). Another very rare pot of slightly more usual shape was sold at Christie’s Milan, 3-4 December 2001, lot 470.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 31 41 A CAPODIMONTE CUP AND A SAUCER TOGETHER WITH A cup and a saucer with the same border decoration is illustrated by ANOTHER SAUCER, CIRCA 1745-50 A. d’Agliano, Porcellane Italiane della collezione Lokar (2013) no. 106 Decorated in bianco oro with gilt vignettes of chinoiserie figures in (previously in the Rossi collection, as illustrated by A. Mottola Molfino, Meissen style and scrollwork borders to the rims, fleur-de-lys mark in l’Arte della Porcellana in Italia, (1986) no. 163), where the author blue enamel to all pieces (one saucer with some scratching, the other also notes the influence of the Seuter workshop in Augsburg. For a with a shallow chip to the rim) (3) discussion of this style of decoration see also A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986) chapter I.7. There is a pair of vases and covers with similar decoration in the British Museum £1,500 - 2,000 (Dawson 1985 40; Franks 1896 502). €1,800 - 2,400

US$1,900 - 2,600 A pair of small vases with gilt decoration in the same manner is included in this sale, lot 21. Provenance: With Andreina Torre, Zurich (Ars Domi paper label to the base); With Aldo Pironi, Benevento (paper label to the base)

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 42

42 43 A MEISSEN HAUSMALER TWO-HANDLED BEAKER, A MEISSEN HAUSMALER TEAPOT AND COVER, CIRCA 1725-30 CIRCA 1720-30 Decorated in Augsburg in the Seuter workshop in gilding with Decorated in Augsburg in gilding, probably in the Seuter workshop, continuous hunting scenes, the moulded handle and spout with gilding, with chinoiserie scenes on scrollwork brackets, gilt handles (one the cover attached by a silver-gilt chain and with a similar decoration handle restored) and c-scroll border, 12cm high, CS in lustre (restoration to rim of cover, re-gilding to rim of pot) (2) £500 - 700 €600 - 830 £2,000 - 3,000 US$650 - 910 €2,400 - 3,600 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 33 44 A EUROPEAN-DECORATED CHINESE PORCELAIN TEAPOT AND COVER, CIRCA 1700, THE DECORATION 1720-30 The small pot with flowering prunus branches in relief, the polychrome decoration applied in Holland in ‘fine line’ style, depicting a naturalistic grassy base with two hounds chasing a stag, centrally placed under the straight spout, the prunus branches decorated to resemble elaborate flowering trees 12cm high (spout restored) (2)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

For a discussion of decoration in ‘fine-line’ style see H. Espir, European Decoration on Oriental Porcelain (2005), pp.115-127. The author links the dating of this small group of finely painted pieces to two chocolate cups and saucers that were in the collection of Augustus the Strong before 1721 (op.cit. fig.1). The European style of flower and animal decoration, in this case a stag hunt, follows examples found on 17th century prints.

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 45

45 46 A DUTCH DELFT TEAPOT AND COVER CIRCA 1700-20 A MILAN, PASQUALE RUBATI, FAIENCE TUREEN AND COVER, Decorated in Imari style with stylised fields in blue and iron-red, picked CIRCA 1760 out in gold with flowers and floral elements, 11cm high (spout restored, Decorated in relief with moulded Oriental flowers painted in green, blue base of the handle restored) (2) and red, 11cm high (restored) (2)

£800 - 1,200 £700 - 1,000 €950 - 1,400 €830 - 1,200 US$1,000 - 1,600 US$910 - 1,300

A smaller teapot of a very similar decoration signed for the ‘Greek A’ factory is in the collection of the Victoria and Albert Museum (C.2340&A-1910).

47 48 THREE EARLY DOCCIA COFFEE CUPS AND SAUCERS, TWO DOCCIA CUPS AND SAUCERS, CIRCA 1760-70 CIRCA 1750 Decorated a Stampa with trailing oriental flowers in underglaze-blue (4) Each with moulded relief scenes or basso relievo istoriato and fine intertwining sprig handles (minor chips to encrusted leaves) (6) £1,000 - 1,500 €1,200 - 1,800 £3,000 - 5,000 US$1,300 - 1,900 €3,600 - 6,000 US$3,900 - 6,500

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 49 (part lot)

49 50 A DOCCIA PART-SERVICE, THIRD QUARTER 18TH CENTURY FOUR DOCCIA CUPS, CIRCA 1760 AND LATER One decorated with a large floral spray, the other three decorated a Decorated with the cockerel or galletto pattern in iron-red and gilding, Tulipano, or with the tulip pattern (4) comprising: a teapot and cover, two sugar bowls and covers and fourteen coffee cups and saucers, the teapot and cover: 17cm high £600 - 800 (finial of teapot restored, some chips) (34) €710 - 950 US$780 - 1,000 £2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

51 52 TWO NAPLES, POULARD PRAD, PORTRAIT CUPS AND TWO PARIS, SCHOELCHER, CUPS AND SAUCERS, CIRCA 1840 SAUCERS, CIRCA 1815 One with gothic architectural elements enclosing three large statues Both with gilt-edged medallions showing Salvatore Rosa and Enrico en grisaille alternating with niches with coats of arms, the other with Celebre, respectively, titled ‘Salvatore Rosa, Cel. Pittore e Poeta Nato almond-shaped medallions enclosing formal floral elements below in Napoli nel 1691’ and ‘Scipione Henrico Celebre Poeta Nacque in grisaille profile busts after the Antique, ‘Schoelcher à Paris’ in red to all Messina nel 1592’ in black to the base of each cup, the sides of the pieces (4) cups and saucers with stylised floral elements (minor rubbing to the saucers) (4) £500 - 700 €600 - 830 £800 - 1,200 US$650 - 910 €950 - 1,400 US$1,000 - 1,600

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 53 A LARGE NAPLES, POULARD PRAD, CUP AND SAUCER WITH A PORTRAIT OF KING FERDINANDO IV, CIRCA 1815 The King shown in profile to sinister wearing his full regalia, including the Order of the Golden Fleece, the oval miniature in a gilt frame, the inside of the cup gilt, both cup and saucer decorated with an elaborate gilt scrollwork pattern which is repeated on the gilt interior base of the cup (some rubbing to saucer) (2)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Literature: A. Caròla-Perrotti, Le Porcellane Napoletane dell’Ottocento 1807- 1860, no.41

When Ferdinand IV was reinstalled as King of Naples and the two Sicilies in 1815, the depiction of his portrait on porcelain was immediately resumed. A famous vase in the Capodimonte Museum is signed Gennaro Cioffi; another plaque with the same profile portrait is signed Francesco de Caro (see Literature, nos. 40 and 41).

54 TEN DOCCIA COFFEE CANS AND TEN SAUCERS, LATE 18TH CENTURY All decorated alla Sassonia, in Meissen style, with European figures in landscapes, some with chinoiserie figures in various pursuits, all within scrollwork cartouches (the cups and saucers matched, some minor chips and rubbing) (20)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

55 A LARGE DOCCIA BEAKER, CIRCA 1760 Decorated alla Sassonia’, in Meissen style, with figures in a landscape within a gilt scrollwork cartouche, 8cm high, red crown mark to the base (two tight haircracks)

£300 - 400 €360 - 480 US$390 - 520

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 56

56 A DOCCIA CIRCULAR TWO-HANDLED TUREEN, COVER AND STAND, CIRCA 1770 With spirally-moulded basketwork borders, decorated alla Sassonia, in Meissen style, with figures in European landscapes within gilt scrollwork cartouches, the finial with a moulded applied rose, the inside of the ecuelle decorated with puce flower sprays and the inside edge of the rim with a scrollwork border in puce, the tureen: 18cm diam.; the stand: 14cm diam., (typical minimal chips to cover) (3)

£1,200 - 1,800 €1,400 - 2,100 US$1,600 - 2,300

57 TWO COZZI CUPS AND SAUCERS, CIRCA 1780 Decorated in green, black and white, one cup and saucer with a faux- tortoise base and landscape cartouches, the other with vertical stripes, red anchor mark to the striped cup and saucer (striped saucer broken and restored) (4) 57 £600 - 800 €710 - 950 US$780 - 1,000

58 A MEISSEN HEXAGONAL TEA CANISTER AND A COVER, CIRCA 1735 Each of the six moulded and gilt-edged panels painted with chinoiserie scenes, the cover decorated with gilt floral motifs, 10cm high, 17 in gold to the base (the cover associated) (2)

£600 - 800 €710 - 950 US$780 - 1,000

59 A MEISSEN FIGURE OF A SEATED GIRL, CIRCA 1755 Modelled holding a bunch of flowers in one hand, her hat resting on her knee, the scroll-edged base heightened in gilding, 12cm high, crossed swords mark in blue to the base (some restoration)

£600 - 800 €710 - 950 US$780 - 1,000 59

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 60 63 61 62

60 62 A MEISSEN CUP AND SAUCER, CIRCA 1745 A SMALL MEISSEN MILK JUG, CIRCA 1760 Decorated with figures in landscape scenes within elaborate Decorated with a scroll-edged blue-scale border with pendant cartouches of gilt trellis and shell motifs, crossed swords mark in flower swags and flower sprays, 10cm high, crossed swords mark in underglaze-blue, impressed 36 and 39 in gilding to the saucer, 69 in underglaze-blue (handle with a small chip and crack at the base) red to the cup (2) £400 - 500 £500 - 700 €480 - 600 €600 - 830 US$520 - 650 US$650 - 910 63 61 A MEISSEN CUP AND SAUCER, CIRCA 1740 AND LATER A MEISSEN MILK JUG AND COVER, CIRCA 1745 Decorated with cartouches enlosing chinoiserie scenes, later-decorated Of moulded quatrefoil shape with wishbone handle, painted with with a solid gilt ground, crossed swords marks in underglaze-blue (2) landscape vignettes depicting courting couples and, on the reverse, two musicians in a garden setting, one playing a viola a gamba, the £300 - 500 spout and rim with a gilt strapwork border, the cover with flower finial €360 - 600 and linked to the pot by a metal chain, 14cm high, crossed swords US$390 - 650 mark in underglaze-blue (the edge of the spout with some restoration, haircrack to the base of the handle) (2)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

64 66 A MEISSEN MODEL OF A GOAT, CIRCA 1750 A BERLIN SUGAR BOWL AND COVER AND A BERLIN MILK Modelled by J.J. Kaendler, naturalistically modelled and painted, JUG, CIRCA 1767 standing on a grassy base with applied flowers, Spirally moulded, painted with sprays of flowers in copper green 12cm high, crossed swords mark in underglaze-blue to the reverse below a yellow-ground border to the rim embellished with gilt foliage, (horns restored) the cover of the sugar box with a flower finial, the sugar bowl: 11cm high; the milk jug: 12.5cm high, sceptre mark in underglaze-blue to both (3) £500 - 700 €600 - 830 US$650 - 910 £800 - 1,200 €950 - 1,400 US$1,000 - 1,600 Provenance: With Giuseppe Rossi, Milan (paper label to the base) A teacup and saucer from the same service is illustrated by E. The model is mentioned in Kaendler’s work records for September Köllmann, Berliner Porzellan (1966), II, pl. 81a. 1742; see R. Rückert, Meissener Porzellan 1710-1810 (1966), no. 1168, for a similar example. 67 A VIENNA COFFEE POT AND COVER, CIRCA 1788 65 Decorated with sprays of roses held within bands of underglaze-blue A MEISSEN ALLEGORICAL GROUP EMBLEMATIC OF ‘SMELL’, and gilt strap-work, the finial shaped as a fruit, 18cm high, shieldmark SECOND HALF 19TH CENTURY in underglaze-blue and impressed date mark 88 (very small restoration Modelled as four seated putti holding flowers, on a scrollwork base, on the inside of the lip of the cover) (2) 15cm high, crossed swords in underglaze-blue, incised 2456, impressed 91, 57 in red to the base (restored) £400 - 600 €480 - 710 £400 - 500 US$520 - 780 €480 - 600 Illustrated online US$520 - 650

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OTHER PROPERTIES

FINE EUROPEAN CERAMICS | 45 68

68 AN EARLY MEISSEN TEAPOT AND COVER, CIRCA 1715-20 Of squat globular form with a faceted spout with eagle’s head terminal and scroll handle, the domed cover with a turned finial, 10.5cm high (flat chip to finial) (2)

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500

Provenance: Private Collection, UK

Teapots with similar handles and spouts were made in Böttger stoneware by 1713, and the 1719 inventories of the Meissen manufactory and warehouses and wares offered at the Leipzig list numerous variations of the form (Claus Boltz, Steinzeug und Porzellan der Böttgerperiode, in Keramos 167/168 (2000), p. 127). A later variation of the form of around 1725 is illustrated by Claus Boltz, Die wöchentlichen Berichte über die Tätigkeit der Meissner Dreher und Former vom 6. Juni 1722 bis 31. Dezember 1728, in Keramos 178 (2002), p. 114, ill. 116. Another example of this very rare form, painted by a Hausmaler, possibly in Breslau, was in the Jahn Collection, sold by Lempertz Cologne, 12 June 1989, lot 35, and a similar undecorated teapot was sold in these Rooms, 12 December 2012, lot 58.

69 A DUTCH-DECORATED CHINESE PORCELAIN BOTTLE, KANGXI, THE DECORATION EARLY 18TH CENTURY The bulbous body moulded with fluting and with a knopped neck, painted in Kakiemon style with a banded hedges and flowers alternating with pairs of birds around the body, the neck with bamboo and flowers issuing from stylised rockwork, 20.5cm high (small rim chip)

£1,000 - 1,500 €1,200 - 1,800 69 US$1,300 - 1,900

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 70 A MEISSEN BÖTTGER STONEWARE CUP AND SAUCER, CIRCA 1710-13 After the model by J.J. Irminger, unpolished, the bell-shaped cup applied with an angular handle, the cup: 7.7cm high; the saucer: 14.3cm diam. (2)

£12,000 - 15,000 €14,000 - 18,000 US$16,000 - 19,000

71 72 TWO DUTCH-DECORATED MEISSEN MILK JUGS AND A MEISSEN HAUSMALER TEABOWL AND SAUCER, COVERS, THE PORCELAIN CIRCA 1720, THE DECORATION CIRCA 1720-25 CIRCA 1730 Each applied with three moulded branches with flowers, heightened Decorated after a Chinese original with a dense ground of prunus in enamels and painted with insects, butterflies and a flower sprig, flowerheads and three shaped cartouches edged in blue enclosing saucer: 13.2cm diam. (some rubbing) (2) chinoiserie landscapes and a chinoiserie figure respectively, the covers with similar decoration and two cartouches, 13cm high, paper £2,000 - 3,000 collector’s labels to the base (rubbing to the gilding, minute flat chips €2,400 - 3,600 to spout) (2) US$2,600 - 3,900

£1,200 - 1,800 Provenance: €1,400 - 2,100 The Gertrude J. and Robert T. Anderson Collection, Orlando, sold US$1,600 - 2,300 Christie’s London, 1 June 1992, lot 5; Eveline Newgas Collection, London (acquired in the above sale) This lot is sold for the benefit of the Giles Waterfield Memorial Scholarship at the Attingham Trust. Exhibited: Orlando Museum of Art, Eighteenth Century Porcelain from the Similar Dutch-decorated milk jugs are in the Stout Collection (C.H. Collection of Gertude J. and Robert T. Anderson, 27 March 1988-12 Nelson/L. Roberts, A History of Eighteenth-Century German Porcelain February 1989, no. 5 (2013), no. 16) and in the Wark Collection (U. Pietsch, Early Meissen Porcelain: The Wark Collection (2011), no. 647, where the decoration is attributed to Gerrit van der Kade, who decorated Meissen and East Asian porcelain in Chinese style in Amsterdam). The Wark Collection includes a teapot and cover decorated in the same style (Pietsch, no. 646).

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 73

73 74 A MEISSEN K.P.M. HAUSMALER TEAPOT AND COVER, A MEISSEN DUTCH-DECORATED TEABOWL AND SAUCER, CIRCA 1725 THE PORCELAIN CIRCA 1720, THE DECORATION SLIGHTLY The pot with a grotesque mask finial to the curved spout, each LATER side with a large chinoiserie scene, one of a lady holding a child Each moulded with a border of acanthus leaves around the footrim, by the hand and carrying an umbrella, the other with two seated embellished in green and iron-red, painted in kakiemon style with a figures embracing, each scene flanked by finely detailed polychrome long-tailed bird perched on flowering branches issuing from stylised indianische Blumen picked out in gold, the edge of the pot and top rockwork, the teabowl with four similar birds around the side and of the handle with a gilt scrollwork and trellis pattern, the cover with flower sprigs to the inside, brown-edged rims (minor rubbing) (2) similar landscapes, attached to spout and handle by a silver-gilt chain, 13cm high, K.P.M. in underglaze-blue to the base of the pot (cover £1,000 - 1,500 restored) (2) €1,200 - 1,800 US$1,300 - 1,900 £5,500 - 6,500 €6,500 - 7,700 US$7,100 - 8,400

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 49 75 THREE DU PAQUIER SAUCERS, CIRCA 1725-1730 Provenance: One painted in Schwarzlot with two horsemen in combat, the second Phillips London, 16 February 1977, lot 274 (the second saucer); painted in grey monochrome with a landscape scene of figures in front Anon. sale, Phillips London, 12 March 1997, lot 116 (the third saucer); of building and a bridge, the third painted in polychrome colours with a Eveline Newgas Collection, London (acquired in the above sales) chinoiserie terrace and hedge and a large cockerel, 12-13.8cm diam. (small chip to rim on third) (3) This style of monochrome decoration on the first saucer can also be found on Meissen teabowls and saucers made in the 1730s, suggesting that Du Paquier painters decorated porcelain for their £1,200 - 1,800 own benefit as Hausmaler; see M. Chilton/C. Lehner-Jobst, Fired by €1,400 - 2,100 Passion (2009), I, ill. 6:9. US$1,600 - 2,300 The naive style of monochrome landscape decoration on the second saucer is usually considered to date from the early years of the Du Paquier manufactory, but this combination of black monochrome landscape vignette with an iron-red or purple characteristic Du Paquier border to the rim can also be found on Meissen porcelain of the 1730s with impressed Dreher’s marks that are presumed to be the work of Viennese Hausmaler, perhaps Du Paquier painters working for themselves (M. Chilton/C. Lehner-Jobst (eds.), Fired by Passion (2009), I, pp. 508-509.

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 76

76 77 A RARE DU PAQUIER BEAKER AND SAUCER, CIRCA 1730-35 A VERY RARE DU PAQUIER BEAKER AND SAUCER, Painted with ducks in flight and on landscape vignettes with flowers, CIRCA 1725-30 the rims with pink-ground zig-zag borders reserved with flower-heads Decorated in imitation of lacquer with a black ground with gilt flower and foliage, incised z to saucer (2) sprigs alternating with gilt-edged reserves painted with Oriental flowers in enamels and gilding, the saucer with a large, similar flower spray, the beaker with an iron-red chrysanthemum to the inside, the gilt-edged £3,000 - 5,000 rims enclosing iron-red floral borders, incised z to both (some wear) (2) €3,600 - 6,000 US$3,900 - 6,500 £2,500 - 3,500 €3,000 - 4,200 The design on this rare example - only one other of the type is US$3,200 - 4,500 recorded - is probably based on a Chinese ‘famille verte’ pattern, although the palette is closer to Chinese ‘famille rose’. A Meissen teapot and tea canister in the Dr. Ernst Schneider Collection, The only other recorded example of Du Paquier porcelain of this type is decorated with a related design of ducks, along with the Chinese dish a similar beaker and saucer in the British Museum from the collection on which the pattern is based, is illustrated by J. Weber, Meißener of Sir A.W. Franks (by 1896); see M. Chilton/C. Lehner-Jobst, Fired Porzellane mit Dekoren nach ostasiatischen Vorbildern (2013), II, cat. by Passion (2009), III, no. 64, where it is noted that the Viennese no. 380. The similarly decorated Du Paquier teabowl and saucer in aristocracy had a special fondness for East Asian lacquerwork, the Melinda and Paul Sullivan Collection is illustrated by M. Chilton/C. and that small lacquer tables and trays were often combined with Lehner-Jobst, Fired by Passion (2009), III, cat. no. 52. porcelain, such as mentioned in the prize lists of the shooting competitions held at the Imperial summer palace of Favorita.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 51 78 A VERY RARE MEISSEN TEABOWL AND SAUCER, CIRCA 1735-40 Painted after a Chinese original in iron-red and gilding, the saucer with flowers within concentric circles radiating further flowers and grass and a trellis band around the rim, the teabowl similarly decorated, crossed swords marks in underglaze- 78 blue, incised / and impressed 2 and indistinct Dreher’s mark inside footrim of saucer, impressed Dreher’s mark for Gottfried Seydel to teabowl (2)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance: Private Collection, UK

A similar teabowl and saucer decorated with this rare pattern is in the Arnhold Collection, New York (see M. Cassidy-Geiger, The Arnhold Collection of Meissen Porcelain 1710-50 (2008), no. 85).

79 A VERY RARE DU PAQUIER PIERCED CIRCULAR BASKET, CIRCA 1735 Painted with Oriental flowers in the centre within a gilt- and iron-red border, the finely pierced side embellished with iron-red circles below a zig-zag line border on the inside, and an iron-red floral trellis pattern on the exterior, gilt-edged rim, 12.5cm diam.; 5cm high

£1,500 - 2,500 €1,800 - 3,000 US$1,900 - 3,200

Provenance: Ernst Blumka (1886-1969), Vienna (to 1938) and London; Thence by descent to the Eveline Newgas Collection, London 79 Only two other pierced bowls of this type, which would have contained fruit or other sweet confectionery, are recorded in the literature: one in the Museum für Angewandte Kunst, Vienna (inv. Ke 6098); and another formerly in the Karl Mayer collection (see M. Chilton/C. Lehner-Jobst (eds.), Fired by Passion (2009), cat. no. 351.

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 80 A DU PAQUIER BEAKER AND TREMBLEUSE SAUCER, CIRCA 1730 The beaker painted with a continuous polychrome chinoiserie scene in Meissen style above iron-red and purple lines, the saucer with a small vignette with a single figure within the pierced gallery and three single 80 Oriental flowers, the rims with formal borders of trellis panels and scrollwork, the reverse of the saucer with three iron-red flowers, cup: 7cm high, incised / to saucer (restuck section to saucer) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance: Anon. sale, Sotheby’s London, 25 November 1997, lot 169; Eveline Newgas Collection, London (acquired in the above sale)

81 A WHITE PORCELAIN LIBATION CUP, POSSIBLY DU PAQUIER, CIRCA 1730 After a Chinese blanc-de-chine original, moulded with fighting dragons, a deer and a heron among rocks, clouds and pine, 16.2cm long (two small chips to footrim and one to rim)

£600 - 800 €710 - 950 US$780 - 1,000

Provenance: The Property of a Gentleman, Sotheby’s London, 20th March 1971, lot 135; Herbert Wolfe Collection, acquired in the above sale; Anonymous sale, Sotheby’s London, 21 November 2000, lot 60; 81 Dr. Roy Byrnes Collection, sold Christie’s London, 12 May 2010, lot 12

This distinctive model is larger than most Chinese prototypes. Continental porcelain cups of this type have traditionally been attributed to du Paquier, but the origin remains uncertain. Another example was sold by Christie’s, 12 June 1995, lot 304.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 53 82 A MEISSEN TEABOWL AND SAUCER, CIRCA 1725 Each painted with a chinoiserie scene with figures engaged in various pursuits within a gilt quatrelobe scrollwork cartouche filled with Böttger lustre and edged with purple and brown scrollwork, gilt foliate scrollwork borders to the rims, gilt 39. to both (2) 82 £1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance: Brigitte Britzke Collection, Bad Pyrmont

Literature: Meissener Porzellan des 18. Jahrhunderts aus Bad Pyrmonter Privatbesitz, exhibition catalogue (2002), p. 28; La Porcelana de Meissen en la Colección Britzke/ Das Meissner Porzellan der Britzke-Sammlung, exhibition catalogue (2009), p. 58

Exhibited: Museum im Schloss, Bad Pyrmont, Meissener Porzellan des 18. Jahrhunderts aus Bad Pyrmonter Privatbesitz, 28 November 2002 to 26 January 2003; Fundación Caja Segovia, La Porcelana de Meissen en la Colección Britzke 1709-1765, 16 July to 18 November 2009

83 A MEISSEN HAUSMALER PIPE IN A FITTED CASE, CIRCA 1730 Decorated in Augsburg in gilding with Chinoiserie figures below an arched border with dots, the lobed lower section with dots alternating with wavy lines, the shaft with a foliate motif and dotted border to the rim, mounted on an ebonised stem with gilt-metal mounts and ivory mouthpiece, in a contemporary leather fitted case, the pipe bow: 5.8cm high overall; the case: 28cm long (2)

83 £2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 84 A MEISSEN COFFEE POT AND COVER, CIRCA 1723-24 Each side painted with a Chinoiserie scene in the manner of J.G. Höroldt depicting two figures seated at a table flanked by flowering plants, within a gilt quatrelobe scrollwork cartouche embellished with Böttger lustre and iron-red scrollwork, a landscape vignette with Böttger lustre of flowers issuing from stylised rockwork below the spout and handle, the spout and handle with indianische Blumen, gilt scrollwork below the rim, the cover similarly decorated, 22cm high, gilt numeral 67. to both (chip to tip of finial) (2)

£8,000 - 12,000 €9,500 - 14,000 US$10,000 - 16,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 55 85 A MEISSEN GROUP OF A JAPANESE WOMAN AND CHILD, MID 18TH CENTURY Modelled by J.J. Kaendler and P. Reinicke, the 85 woman wearing a purple and green headdress and short white robes edged with iron-red scrollwork over a yellow skirt, holding a tray with a teapot and teabowl in her right hand and holding the hand of a small child with her left, the child wearing purple and red robes, a bird perched on his left hand, 13.8cm high, impressed 28. (her nose and right wrist restored)

£8,000 - 12,000 €9,500 - 14,000 US$10,000 - 16,000

Another example is illustrated in Karl Berling, Meissen China (1910), fig.123, no. 2473.

86 A MEISSEN GROUP OF A JAPANESE WOMAN WITH TWO CHILDREN, MID 18TH CENTURY Modelled by J.J. Kaendler and P. Reinicke, she wearing pucerobes over a yellow skirt and holding a baby in her arms, another small child behind her wearing blue robes and pulling on her robes, 12cm high, very faint traces of crossed swords mark in blue, impressed 32 (small child restuck, some restoration)

£3,000 - 4,000 €3,600 - 4,800 US$3,900 - 5,200

Another example is illustrated in Karl Berling, Meissen China (1910), fig.123, no. 2642. 86

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 87 A MEISSEN SILVER-GILT-MOUNTED CYLINDRICAL TANKARD, CIRCA 1730 Painted with a chinoiserie scene depicting a group of figures around a table with a hare in the foreground and ships in a harbour in the distance, within a gilt scrollwork cartouche filled with Böttger lustre and edged with purple and iron-red foliate scrollwork and tiny chinoiserie figures at the sides, flanked by large flowering branches of indianische Blumen, with similar flowers to the handle, a gilt scrollwork border to the rim, the silver-gilt cover with a shell thumbpiece, by Peter Mouritts, Amsterdam, 1749, 19.5cm high (haircrack to handle)

£8,000 - 12,000 €9,500 - 14,000 US$10,000 - 16,000

Provenance: Anon. sale, Sotheby’s London, 12 May 1959, lot 112; Private Collection, UK (acquired in the above sale)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 57 88 A MEISSEN CUP AND SAUCER, CIRCA 1730 Of barbed quatrefoil form, painted in Kakiemon style with an iron-red and gilt phoenix and a coloured sprig of indianische Blumen, crossed swords marks in blue enamel, incised Japanese Palace inventory numbers N=365-/ W (2)

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500

Provenance: The Royal collections of Saxony, Japanese Palace. Dresden

The 1770 inventory of the Japanese Palace lists sixty-four cups and sixty-three saucers of this type (‘geschweiffte Theé Tassen, mit einem Henckel, mit Rothen Vögeln und Blümgen gemahlt [...] detto Unterschaalen’) under no. 365 (quoted by Claus Boltz, Japanaisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769. Keramos 153 (1996), p. 58. A similar example was sold in these Rooms, 12 December 2012, lot 29.

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 89 A MEISSEN CIRCULAR DISH FROM THE ‘GELBER LÖWE’ The 1770 inventory of the Japanese Palace records: ‘..Nur 60. Stück.. SERVICE, CIRCA 1729-31 runde tiefe Schaalen, von differenter Größe, mit braunen Rändern, Painted in Kakiemon style with a tiger curling around bamboo facing Löwen, blauen Rohr und andren Blumen nach alt Indianischer Art flowering branches issuing from a tree-stump, brown-edged rim, gemahlet, No. 8’ [..only 60..round deep dishes, of different sizes, with 23.5cm incised / inside footrim, (erased mark) (small haircrack to rim) brown rims, lions, blue tubes and other flowers painted in old Indian style] (quoted by C. Boltz, Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (July 1996), p. 72). £4,000 - 6,000

€4,800 - 7,100 Although the porcelain confiscated from Lemaire arrived at the US$5,200 - 7,800 Japanese Palace in 1731, it was only in November 1733 that Augustus III ordered that Meissen copies of Asian porcelain would henceforth For a comprehensive discussion of the history of the ‘Gelber Löwe’ be reserved exclusively for the Court. By January 1734, the Meissen service in the 18th century, see Julia Weber, Meißener Porzellane mit manufactory began working on a table service of this pattern for the Dekoren nach ostasiatischen Vorbildern, vol. II (2013), pp. 265-274. Japanese Palace, though it is not certain whether it was intended for The ‘Gelber Löwe’ pattern was first produced at Meissen after a use or to decorate the walls. In the following years, gifts of porcelain Japanese porcelain original as part of the large order placed by the drawn from the service were also made to the Cracow Bishop, Jan Paris merchant, Rodolphe Lemaire, for copies of Asian porcelain. A Alexander Lipski, and the English envoy in Vienna, Lord Robinson. In large quantity of plates and dishes painted in this style were among 1739, a substantial group of ‘Gelber Löwe’ porcelain was removed the porcelain confiscated in April 1731 in the house of Lemaire’s from the Japanese Palace to the Hofconditorei, probably for use in accomplice at the Dresden court, Count von Hoym, and subsequently Warsaw on the dessert table. A table service was ordered around sent to the Japanese Palace and entered in the inventory under no. 1739, and further deliveries continued in the 1740s. An inventory made 8. A similar dish with blue enamel crossed swords mark and incised at the end of 1764, after the loss of the Polish throne and the return of inventory number N=8/ W (erased on the present lot) was sold in these the service to Dresden, lists more than 2500 pieces with the ‘Gelber Rooms, 18 June 2014, lot 59. Löwe’ pattern.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 59 90 A MEISSEN CIRCULAR TUREEN AND COVER ‘GELBER LÖWE’ The Gift to “Herrn Lord von Robinson” SERVICE FOR THE DRESDEN COURT, CIRCA 1734, TOGETHER The gift of a service of Meissen porcelain by Augustus III to Thomas WITH A CIRCULAR DISH, CIRCA 1744 Robinson - only the second verifiable gift of Meissen porcelain to a Painted in Kakiemon style with a tiger curling around blue bamboo British diplomat - was ordered by Count Sulkowsky on 14 January facing flowering prunus branches issuing from a tree-stump, brown- 1737, just four days before Robinson departed Dresden. The urgency edged rims, the cover with a artichoke finial, the tureen: 21cm high, (and importance) of the gift is reflected by the fact that it was drawn 23cm diam.; the stand: 33.7cm diam., crossed swords marks in from the Saxon royal collection in the Japanese Palace. Claus Boltz underglaze-blue, the tureen and cover with incised Japanese Palace has published details of the gift (C. Boltz, Ein Porzellangeschenck inventory number N-159-/W, the dish with puce K[önigliche].H[of].K[on für Lord Robinson, in Keramos 146 (1994), pp. 9-12), including the ditorei]. in purple (3) inventory numbers of the chosen pieces. Although the number on the present lot (N=159-/W) is missing from the surviving 1770 inventory, Boltz has correlated the delivery list of 1734 from the Dresden £6,000 - 8,000 warehouse to the Japanese Palace with the surviving 1770 inventory €7,100 - 9,500 and the 1737 list of pieces for Robinson. This proves that only two US$7,800 - 10,000 tureens of this size were delivered in 1734 and that both (listed in the inventory under 159) were removed from the Japanese Palace in 1737 Provenance: to form part of the gift to Robinson. The gift also included 15 dishes of The tureen and cover: various sizes, five dozen plates, three dozen knife handles, three large Delivered to the Japanese Palace, Dresden, between August and lobed bowls, four octagonal bowls, two ice pots and a tureen with December 1734; dragon handle. Given in January 1737 (as part of a service) by Augustus III to Thomas Robinson, later 1st Baron Grantham (ca. 1695-1770), British An official account of Robinson’s visit quoted by Boltz (pp. 11-12) ambassador to the Imperial Court in Vienna notes that the ambassador arrived in Dresden on the 8th January, had an audience with Augustus III on the 10th, as well as subsequent The circular stand: audiences with the Queen and Crown Prince and other members of Saxon Royal Court Pantry, Dresden/Warsaw the Saxon Royal family. He had his farewell audience with Augustus III on the morning of the 17th January, and - along with the Papal Nuntio, See footnote to preceding lot for the origins of the ‘Gelber Löwe’ the Dutch envoy and other high-ranking guests - dined with the king service and its use at the courts in Dresden and Warsaw. to celebrate his coronation day. The following day, he departed for Hannover and England, assuring his hosts of his satisfaction with his The inventories of the Dresden and Warsaw court pantries visit and that he was delighted with his gift of porcelain of a type that (Hofkonditorei) record that 25 dishes of this size (14 zoll) were delivered was otherwise reserved for the king’s use (p. 12). See also M. Chilton, from the Dresden warehouse in 1744 to Dresden, and 24 (marked Dogs and Diplomats, in M. Cassidy-Geiger (ed.), Fragile Diplomacy ‘K.H.C.’) were delivered to Warsaw in March 1746 and another 11 (2008), pp. 277-78). in December (see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbilden (2013), I, pp. 157ff.).

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 61 91 92

91 92 A MEISSEN SAUCER DISH, CIRCA 1730, WITH LATER A MEISSEN SMALL TEAPOT AND COVER AND A QUATREFOIL ARMORIAL SAUCER, CIRCA 1730 Of deep lobed form, painted with three flower sprigs in Kakiemon Each painted in Kakiemon style with scattered flowers, the bullet- style, the centre later decorated (after 1770) with the crowned arms of shaped teapot with a curved, faceted spout and wishbone handle, the Saxony, 14.7cm across, crossed swords mark in blue enamel, incised teapot and cover: 8.5cm high; the saucer: 11.6cm across, crossed Japanese Palace inventory number N=336./ W swords marks in underglaze-blue (saucer) and blue enamel (teapot), incised Japanese Palace inventory numbers N=294/ W (teapot and cover) and N=366/ W (minor damage and restoration) (3) £5,000 - 7,000 €6,000 - 8,300 US$6,500 - 9,100 £2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900 Provenance: Royal Collections of Saxony, Japanese Palace, Dresden Provenance: Part of the large order of porcelain mostly copying Japanese originals The Saxon Royal Collections, Japanese Palace, Dresden, from 1731 that was placed by the Paris merchant, Rudolph Lemaire, and which was subsequently seized and incorporated into Augustus the Strong’s Part of the large order of porcelain that the Paris merchant, Rodolphe collections in the Japanese Palace. The 1770 inventory lists 85 such Lemaire, ordered at Meissen and which was subsequently confiscated saucers (for chocolate beakers) without mention of the arms. A similar and incorporated into the collections of Augustus the Strong in dish, along with another with the arms of Poland, is in the Arnhold the Japanese Palace in Dresden. The decoration was based on a Collection, New York (M. Cassidy-Geiger, The Arnhold Collection of Japanese tureen or soup bowl decorated in Kakiemon style that was Meissen Porcelain 1710-50 (2008), nos. 103a and b). sent from the Japanese Palace to the Meissen manufactory in late November 1729. It is interesting to note that the crossed swords mark was occasionally painted in underglaze-blue on wares intended for Lemaire (see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern (2013), II, cat. nos. 120-123).

The 1770 inventory of the Japanese Palace lists: “Drey Stück detto [runde Theé pots], mit kleinen Blümgen, 3 1/2. Zoll hoch, 3 1/4. Zoll in Diam: No. 294” [three similar (round tea pots), with small flowers...]; and “Ein und Zwanzig Stück detto [gemuschelte] Schälgen, differenter Mahlerey, 1. Zoll tief, 4 1/4. Zoll breit, No. 366” [twenty-one similar (lobed) saucers, various painting...]; quoted by C. Boltz, Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (1996), pp. 54 and 58.

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 93 A MEISSEN CHARGER, CIRCA 1735 Painted in Kakiemon style with flowering branches issuing from stylised rockwork and insects within concentric iron-red circles, three pairs of flowering branches around the rim, brown-edged rim, 37.6cm diam, crossed swords mark in underglaze-blue

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 63 94 A RARE MEISSEN SEA-GREEN-GROUND WATER JUG MADE According to a delivery list of 1735 published by Claus Boltz FOR THE JAPANESE PALACE, CIRCA 1730-35 (Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in The pear-shaped body with three gilt-edged oval reserves painted with Keramos 153 (1996), p. 95), eight such water jugs with a green ground indianische Blumen, all below a broad, gilt-edged reserve around the (including the present lot), along with 30 similarly coloured bottles, neck painted with scattered flowers, the handle pierced for mounting, ten other jugs in two different sizes, eleven bowls, and ten tobacco the later cover with a matching gilt-edged sea-green ground (by the jars and covers in two sizes were delivered to the Japanese Palace 1920s), 21.3cm high (including cover); 17.5cm high excluding cover, in 1735, ‘auf Sr.: Königl. Mayt. In Pohlen and Chur Fürstl. Durchl: zu crossed swords mark in underglaze-blue, incised Japanese Palace Sachßen all gnädst. Hohen Mündlichen Befehl richtig in das Königl: inventory number N=334/ w (2) Jap: Palais geliefert’ [delivered correctly at the gracious high oral behest of His Royal Highness of Poland and Serene Elector of Saxony £8,000 - 12,000 to the Royal Japanese Palais]. €9,500 - 14,000 US$10,000 - 16,000 By 1769, many of these sea-green-ground pieces had been moved to the Turmzimmer in the Dresden Residenzschloss, when an inventory listed under no. 334: ‘Acht Stück dergl. [Wasser-Krüge mit Deckeln, Provenance: Celadon-Couleur, worauf weiße Felde mit bunten Blümgen nach The Royal Collections of Saxony, Japanese Palace, Dresden alt Indianischer Art gemahlt] kleinere mit Deckeln, Henckeln und (delivered in 1735); Schnauzgen, 1 Stck. different, 8 Zoll hoch 5 Zoll in Diam: die andern Turmzimmer, Residenzschloss, Dresden (by 1769); 7 Stck. aber 7 1/2 Zoll hoch, 4 1/2 Zoll in Diam:’ [Eight similar (water Moved from the Turmzimmer back to the Japanisches Palais in 1783; jugs with covers, celadon colour, on which are painted white panels Thence by descent in the Royal Collections of Saxony; with coloured flowers in old Indian style) smaller with covers, handles Property of the Free State of Saxony, 1918; and spouts, 1 different, 8 Zoll high (1 Zoll = 2,35 cm), 5 Zoll diam.: the Property of the former Royal family of Saxony (Haus Wettin, other seven 7 1/2 Zoll high, 4 1/2 Zoll diam.] (Boltz, p. 35). A similarly Albertinische Linie e.v.) from 1924; decorated, slightly smaller jug with a spout in the Dr. Ernst Schneider Probably moved to Schloss Moritzburg, Saxony, circa 1925 Collection, Schloss Lustheim, has the same inventory number 334; this (bearing the Schloss Moritzburg inventory red-lacquered nos. I.A.55a suggests that the presnt lot is the “different” jug, 8 Zoll high, mentioned and (I.A.)5(5)b; in the inventory. The Turmzimmer-Inventory of 1783, records that ‘1 Confiscated in 1945 and incorporated into the Staatliche differentes Stück Nr. 334 Wasserkrüge kleinere’ was removed from the Kunstsammlungen Dresden, Porzellansammlung im Zwinger, Turmzimmer and taken to the Japanese Palais (again) and listed in vol. Inv. no. P.E. 1789; II, fol. 85b of its inventory (Boltz, p. 17). Restituted to the former Royal family of Saxony (Haus Wettin, Albertinische Linie) in 1994 See also J. Weber, Meißener Porzellane mit Dekoren nach

ostasiatischen Vorbildern (2013), II, nos. 422 and 423, for related sea- Literature: green-ground water jugs with Japanese Palace inventory numbers 333 Staatliche Kunstsammlungen Dresden. Porzellansammlung im and 334 now in the Dr. Ernst Schneider Collection, Schloss Lustheim. Zwinger. Führer durch die ständige Ausstellung (1998), p. 169

Exhibited: Staatliche Kunstsammlungen Dresden, Porzellansammlung im Zwinger, to 1994

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. (reverse)

FINE EUROPEAN CERAMICS | 65 95

95 SIX MEISSEN PLATES, CIRCA 1735-40 Painted in famille verte-style, five with a bird perched on a branch, the sixth with two birds, flanked by flowering plants issuing from stylised rockwork, scattered flower sprigs to the rims, 22.1cm diam., crossed swords marks in underglaze-blue (some wear and chips) (6)

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500

For a short discussion of the patterns and several similar plates in the Schneider Collection, Schloss Lustheim, Munich, see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern (2013), vol. II, pp. 356-364.

96 A MEISSEN CIRCULAR BUTTER TUB AND COVER, MID 18TH CENTURY Painted in underglaze-blue with the ‘Onion’ pattern between line borders, 11.3cm diam., crossed swords and dot mark and numeral in underglaze-blue to interior, impressed numeral to underside (small chip to rim on each) (2) 96 £1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 97 A RARE PAIR OF MEISSEN CIRCULAR TUREENS AND COVERS, CIRCA 1742 Modelled by J.F. Eberlein, painted with the ‘Schmetterling’ pattern of butterflies perched on flowering branches and further scattered flower-sprigs, applied with boar’s head handles and a pomegranate finial, brown-edged rims, 30cm across handles; 17.5cm high, crossed swords marks in underglaze-blue, impressed numerals (restored) (4)

£4,000 - 6,000 €4,800 - 7,100 US$5,200 - 7,800

The ‘Schmetterling’ or butterfly pattern, a mixture of Chinese Famille verte and Japanese porcelain motifs, appears to date from the early 1730s onwards, though this tureen form was only modelled by J.F. Eberlein in June 1742. Some pieces of the service are marked ‘K.H.C.’ (for ‘Königliche Hof-Conditorey’, the Saxon/Polish Royal Court Pantry), though it is not certain whether the pattern was produced exclusively for the use of the Saxon court. The inventory of the Royal hunting palace at Hubertsburg includes an entire service ‘mit dem Papillon gemahlet’ [painted with a butterfly] (see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern (2013), II, p. 344). A similar tureen and cover is in the Victoria & Albert Museum, London (inv. no. C.596&A-1925), another in a private collection is illustrated in A. d’Agliano/L. Melegati (eds.), I Fragili Lussi (2001), no. 54.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 67 98 A LARGE MEISSEN OVAL TUREEN AND COVER FROM THE ‘BRÜHLSCHE ALLERLEI’ SERVICE, CIRCA 1745-46 Of lobed oval form on four gilt-edged scroll feet, the handles modelled as root vegetables entwined with peas, the finial in the form of cauliflower on gilt-edged scrollwork over asparagus, peas and a langoustine, the rims moulded with shells against trellis and basketwork and with trailing flower sprays coloured in enamels, finely painted with fruit, flowers, vegetables and nuts, gilt-edged rims, 34cm across handles; 28.5cm high, crossed swords mark in underglaze-blue (very minor wear and damage) (2)

£10,000 - 15,000 €12,000 - 18,000 US$13,000 - 19,000

Provenance: From the service commissioned by Heinrich Graf von Brühl in 1742 and listed at his death in 1763 in his Dresden palace in the Augustusstrasse

The ‘Brühlsche Allerlei’ service was one of the most magnificent table services made at the Meissen manufactory and is comparable in scale and ambition to the better-known Swan Service. The service has been thoroughly discussed by Johanna Lessmann, Das “Brühlsche Allerlei” Ein Service für Heinrich Graf von Brühl, in U. Pietsch (ed.), Schwwanenservice (2000), pp. 106-123. The service originally comprised over 2000 pieces, including dinner, dessert and coffee services, and at Brühl’s death in 1763, still included 24 oval and 23 Bacciarelli, Marcello (1731-1818) circular tureens of various sizes. Most of the modelling work on the Heinrich, Graf von Brühl (1700-1763) Oil on canvas, formerly Schloss Pförten service appears to have been done by J.F. Eberlein and J.G. Ehder, SLUB/Deutsche Fotothek/Walter Möbius, 1939a whose work records include numerous references to the service. Kaendler’s work records include, in November 1746, a large tureen for the service. Two large groups from the service were sold by Sotheby’s London, 8 July 1997, lot 57; and by Sotheby’s New York, 21 November 2014, lot 1304.

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 69 99 A MEISSEN WHITE MODEL OF A SEATED MONKEY, MID 18TH CENTURY Probably modelled by J.J. Kaendler, seated to one side of a tree- stump, 19.2cm high (right thumb chipped)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Numerous porcelain monkeys are listed in the records of the marchand-mercier Lazare Duvaux, including one sold on 16 December 1751 to Mme. la Princesse de Rohan: “Un singe de porcelaine de Daxe avec arbre et terrasse, 30l”.

A coloured example of the model sold in these rooms as part of the Ritter Kempski von Rakoszyn Collection, 17 June 2015, lot 125.

100 A MEISSEN TEA CANISTER AND COVER, CIRCA 1755 Decorated with sprays of flowers in Holzschnittblumen-style including roses, tulips and carnations, 12cm, crossed swords mark in blue to the base (cover restored) (2)

£1,200 - 1,500 €1,400 - 1,800 US$1,600 - 1,900

101 99 A LARGE MEISSEN OVAL STAND FROM THE ‘BRÜHLSCHE ALLERLEI’ SERVICE, CIRCA 1745-46 The wavy rim moulded with basketwork and trellis panels and shells, and four gilt-edged shell motifs and trailing flowers embellished in polychrome enamels, the well finely painted with nuts and flowers, 45.5cm across, crossed swords mark in underglaze-blue, impressed 27

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500

See footnote to lot 98.

102 A LARGE MEISSEN CIRCULAR DISH FROM THE ‘BRÜHLSCHE ALLERLEI’ DESSERT SERVICE, CIRCA 1745-46 The wavy gilt-edged rim moulded with scrollwork-edged panels of basketwork and trellis with shells and flower sprigs embellished in polychrome enamels, the well painted with peas and scattered flowers, 43.5cm diam., crossed swords mark in underglaze-blue, C. in purple, impressed 22, incised 5 inside footrim (restored to chip to rim)

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

See footnote to lot 98. According to Johanna Lessmann, the plates and dishes from the dessert service, otherwise identical to those of the dinner service, were painted with a purple ‘C.’ indicating that they were intended for the ‘Conditorey’ or pantry (Das “Brühlsche 100 Allerlei” Ein Service für Heinrich Graf von Brühl, in U.Pietsch (ed.), Schwanenservice (2000), p. 107).

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 102

101

FINE EUROPEAN CERAMICS | 71 103

104

103 104 A MEISSEN OVAL BASKET, CIRCA 1745-50 A MEISSEN FIGURAL SPICE DISH IN THE SHAPE OF A BOAT, Moulded with a basketwork exterior and applied with two handles with CIRCA 1740 male and female mask terminals emblematic of the seasons, the inside Modelled with a boatman seated on the back of a boat and holding painted with scattered European flowers, brown-edged rim, 18cm the rudder, the boat painted with black dots and scattered insects and across handles, crossed swords mark in underglaze-blue, impressed modelled with a lion head, 16.3cm long, faint crossed swords mark in 33 (both handles restuck) blue (restoration to his right arm)

£1,000 - 1,500 £1,500 - 2,000 €1,200 - 1,800 €1,800 - 2,400 US$1,300 - 1,900 US$1,900 - 2,600

Another example is illustrated in R. Rückert, Meissener Porzellan 1710-1810 (1966), no.967.

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 105 A VERY RARE MEISSEN ARMORIAL CLOCHE, CIRCA 1740 Of high, domed form, painted with a coat of arms in puce monochrome and two large bushes of flowers with a bird perched on each in Kakiemon style and scattered flowers and insects, brown-edged wavy rim, mounted with a gilt-metal handle on a foliate base, 32cm diam.

£10,000 - 15,000 €12,000 - 18,000 US$13,000 - 19,000

Several pieces of a table service with the same arms and Kakiemon-style decoration are recorded, including an oval sugar bowl and cover in the Victoria & Albert Museum (inv. no. C.92&A-1929), a tureen in the Kunstgewerbemuseum, Dresden, and a plate in the Hoffmeister Collection (D. Hoffmeister, Meissen Porzellan des 18. Jahrhunderts: Sammlung Hoffmeister (1999), vol. II, no. 358, where the author lists published pieces - see also J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbilden (2013), II, cat. no. 465; the author notes that only one cloche is recorded). A tankard with the same arms was sold in these Rooms, 11 December 2013, lot 164, and another was in the Jacques Mühsam Collection, Berlin (sold by Glückselig Vienna, 27-30 April 1935, lot 56).

106 107 A MEISSEN ‘CRIS DE PARIS’ FIGURE OF PEEP-SHOW MAN, A MEISSEN FIGURE OF A BAKER, CIRCA 1755 CIRCA 1755 Modelled by Peter Reinicke, holding a wooden paddle and wearing Modelled by P. Reinicke, holding a hurdy-gurdy box and wearing a a green and puce cap, a lilac jacket, floral waistcoat, pink trousers black hat, pink jacket over a yellow waistcoat and turquoise trousers, and a puce striped sash, the base moulded with gilt-edged rocailles his peep-show strapped to his back, the base moulded with gilt-edged and applied with leaves and flowers, 17.8cm high, very faint traces rocailles and applied with leaves and flowers, 14.8cm high, crossed of crossed swords mark in blue, impressed 10 (some restoration to swords mark in underglaze-blue to the rear of the base, impressed fingers and jacket hem) numeral 27 (restoration to his right arm) £1,000 - 1,500 £4,000 - 6,000 €1,200 - 1,800 €4,800 - 7,100 US$1,300 - 1,900 US$5,200 - 7,800

The model is after a drawing by Christophe Huet from 1753 and is illustrated in M. Eberle, Cris de Paris-Meissener Porzellanfiguren des 18.Jahrhunderts (2001), no.48. Another example, from the collection of the Museum für Kunst und Gewerbe, Hamburg, is illustrated in R. Rückert, Meissener Porzellan 1710-1810 (1966), no.949.

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 108 109

108 109 A MEISSEN ‘CRIS DE PARIS’ FIGURE OF A FEMALE PASTRY A MEISSEN ‘CRYES OF LONDON’ FIGURE OF A COURTESAN, SELLER, CIRCA 1770-80 CIRCA 1755 Modelled by Peter Reinicke, wearing a white headscarf, yellow tunic Modelled by J.J. Kaendler and P. Reinicke, holding a fan in one hand with white apron and a blue-patterned dress, holding pastries in her and a mask in the other, wearing a black hood, puce floral shawl, left hand and a basket of pastries in her right hand, the base modelled a white underskirt with a border of indianische Blumen and a green with gilt-edged scrollwork, 13.5cm high, crossed swords mark in overskirt at the back, the base moulded with gilt-edged rocailles and underglaze-blue to rear of base, two dashes in blue and gilt P. to applied with leaves and flowers, 14cm high, crossed swords mark in underside of base (minor chips) underglaze-blue to the rear of the base, (some restoration)

£1,000 - 1,500 £4,500 - 5,500 €1,200 - 1,800 €5,400 - 6,500 US$1,300 - 1,900 US$5,800 - 7,100

Modelled by Reinicke in 1753-54; see M. Eberle, Cris de Paris (2001), The model is after an engraving by Pierce Tempest after Marcellus no. 40, ofr an illustration of the drawing by Christophe Huet on which Laroon the Elder, from the series ‘The Cryes of the City of London’, the figure is based. which was first published in 1711. Another example together with the source print is illustrated by Y. Adams, Meissen Portrait Figures (1987), pp. 132-133, and a further one in M. Eberle, Cris de Paris-Meissener Porzellanfiguren des 18.Jahrhunderts (2001), no.11.

110 A SET OF FOUR MEISSEN FIGURES OF PUTTI EMBLEMATIC OF THE FOUR SEASONS, MID 18TH CENTURY Each seated on a tapering plinth heightened in gilding, Spring holding bunches of flowers, Summer holding a wheat sheaf and a sickle, Autumn with small horns, holding grapes and drinking from a goblet, Winter dressed in a fur-lined cloak and holding pan with glowing coals, 14cm high, crossed swords marks in underglaze-blue to the rear of the bases (some restoration) (4)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

111 A MEISSEN TEABOWL AND SAUCER, CIRCA 1740-45 Painted with figural landscape and Kauffahrtei scenes within elaborate gilt scrollwork cartouches, surrounded by scattered flower sprigs, gilt scroll- and strapwork borders to the rims, crossed swords marks in underglaze-blue, four gilt dots and impressed numerals to both (very minor wear to gilding) (2) 111

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 112

112 A RARE PAIR OF MEISSEN RED-GROUND TEACUPS AND SAUCERS, CIRCA 1740 Painted with European river scenes within iron-red concentric circles on the saucers and inside the cups, the cup exteriors with similar scenes reserved against the red ground within gilt scrollwork borders, the handles embellished in gilding, crossed swords marks in underglaze-blue, impressed numerals (very minor wear) (4)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance: Brigitte Britzke Collection, Bad Pyrmont

Literature: La Porcelana de Meissen en la Colección Britzke/Das Meissner Porzellan der Britzke-Sammlung, exhibition catalogue (2009), p. 90f

Exhibited: Fundación Caja Segovia, La Porcelana de Meissen en la Colección Britzke 1709-1765, 16 July to 18 November 2009

The tea canister and three teacups and saucers from the same service are in the Wark Collection, Cummer Museum of Art & Gardens, Jacksonville (U. Pietsch, Early Meissen Porcelain: The Wark Collection (2011), nos. 393-396.

113 A MEISSEN MUSTARD POT AND COVER, CIRCA 1745 Each side painted with a military scene within elaborate gilt quatrelobe cartouches, surrounded by scattered sprays of ‘Holzschnittblumen’, the spout moulded with a bearded mask, the handle heightened in gilding, the cover similarly decorated, the rims gilt, 16.4cm high, crossed swords mark in underglaze-blue, gilt B. to both (small restored chip to spout, chip to handle) (2) 113

£2,000 - 2,500 €2,400 - 3,000 US$2,600 - 3,200

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 77 114 A MEISSEN AUGUSTUS REX VASE AND A COVER, CIRCA 1745 Each side painted with a landscape vignette with birds perched on leafy branches, and scattered insects, gilt borders, the cover with similar insects and applied with a finial in the form of a flower spray, 41cm high, AR mark in underglaze-blue (restored) (2)

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500

The Kingfisher depicted perched on a branch is after plate 54 of Eleazar Albin’s “A Natural History of Birds”, 2nd edition, published in London in 1738; see T.H. Clarke, Das Northumberland-Service aus Meissener Porzellan, in Keramos 70 (October 1975), ill. 163. A similar depiction of a Kingfisher on an AR-marked Meissen vase, then in the collection of Robert von Hirsch, Basel, is illustrated by Clarke (ill. 164).

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 115 A RARE MEISSEN UNDERGLAZE-BLUE- GROUND TEABOWL AND SAUCER, CIRCA 1735 The teabowl painted with a scene of huntsmen with their hounds in a landscape with a distant castle, within an elaborate quatrelobe gilt trellis and scrollwork cartouche edged with purple and iron-red scrollwork, the teabowl reserved with two scenes within similar gilt cartouches, fine gilt scrollwork border to the rims, the teabowl with a small circular landscape vignette within a similar gilt border to the inside, the reverse of the saucer with gilt scrollwork and line borders on the underglaze-blue ground, crossed swords marks in underglaze-blue, impressed (unidentified) Dreher’s marks of a star and + (small flat restored chip to edge of teabowl) (2)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance: Brigitte Britzke Collection, Bad Pyrmont 115

Literature: Meissener Porzellan des 18. Jahrhunderts aus Bad Pyrmonter Privatbesitz, exhibition catalogue (2002), p. 48; La Porcelana de Meissen en la Colección Britzke/ Das Meissner Porzellan der Britzke-Sammlung, exhibition catalogue (2009), p. 96

Another teabowl and saucer from the same service is in the Wark Collection (U. Pietsch, Early Meissen Porcelain: The Wark Collection (2011), no. 410).

116 A MEISSEN SILVER-GILT MOUNTED TURQUOISE-GROUND JUG AND COVER, CIRCA 1740 Each side reserved with a gilt-edged quatrelobe panel painted with a harbour and landscape scene, the cover reserved with a similar panel, gilt-edged rims and spout, the handle with gilt scrollwork, with French silver mounts with Paris discharge marks for 1744-50, 18cm high, crossed swords mark in underglaze-blue, impressed 21 (small chips to edge of spout)

£1,500 - 2,000 €1,800 - 2,400 116 US$1,900 - 2,600

117 A MEISSEN FIGURE OF A LACEMAKER, MID 18TH CENTURY Provenance: Modelled by F.E. Eberlein, with a lace-pillow on her lap, wearing a Brigitte Britzke Collection, Bad Pyrmont turquoise skirt, a white apron, a black and white bodice and a puce patterned headband, 12cm high (restoration to extremities) Literature: Meissener Porzellan des 18. Jahrhunderts aus Bad Pyrmonter Privatbesitz, exhibition catalogue (2002), p. 174; £800 - 1,200 La Porcelana de Meissen en la Colección Britzke/Das Meissner €950 - 1,400 Porzellan der Britzke-Sammlung, exhibition catalogue (2009), p. 330 US$1,000 - 1,600

Exhibited: Another example is illustrated in Y. Adams, Meissen Portrait Figures Museum im Schloss, Bad Pyrmont, Meissener Porzellan des 18. (1987), colour plate XLVII. Jahrhunderts aus Bad Pyrmonter Privatbesitz, 28 November 2002 to 26 January 2003; 118 Fundación Caja Segovia, La Porcelana de Meissen en la Colección A MEISSEN FIGURE OF THE MERCHANT’S WIFE, CIRCA 1755 Britzke 1709-1765, 16 July to 18 November 2009 Modelled by J.J. Kaendler, seated at a table doing accounts, wearing a bonnet, a jacket with indianische Blumen and a purple fichu with The model is based on the etching ‘L’oeconome’ by Jacques-Philippe elaborate puce border and a pink skirt, an inkstand and ledger on Le Bas (1707-1783), after the painting of the same name by Jean the table, a second ledger on her lap and parcels and a basket with Siméon Chardin (1699-1779) from 1746/47, now in the National bottles at her feet, the base moulded with gilt-edged scrollwork and Museum, Stockholm. See Patricia Brattig, Meissen - Barockes applied with leaves and flowers, 16.5cm high, crossed swords mark in Porzellan (2010), fig. 53. underglaze-blue (restored)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 119 A MEISSEN YELLOW-GROUND PART TEA SERVICE, CIRCA 1735 Painted in purple camaieu with Kauffahrtei scenes of merchants and their wares by a quayside, as well as estuary and river scenes. on the saucers within iron-red concentric circles and on the remaining pieces in quatrelobe reserves, further decorated with purple indianische Blumen insects and birds reserved on the yellow ground, comprising: a teapot and cover, a lobed quadrangular tea canister and cover, two teabowls and saucers and a lobed teapot stand, the tea canister: 12cm high, crossed swords marks in blue and underglaze-blue, impressed Dreher’s marks for Johann Gottlieb Kühnel, Gottfried Bergmann and Johann Christoph Pietzsch and another unidentified (spout of teapot slightly reduced, one teabowl with a haircrack) (9)

£4,000 - 6,000 €4,800 - 7,100 US$5,200 - 7,800

Provenance: Brigitte Britzke Collection, Bad Pyrmont

Literature: 119 Meissener Porzellan des 18. Jahrhunderts aus Bad Pyrmonter Privatbesitz, exhibition catalogue (2002), p. 56; La Porcelana de Meissen en la Colección Britzke/ Das Meissner Porzellan der Britzke-Sammlung, exhibition catalogue (2009), p. 78

120 A MEISSEN FIGURE OF A DANCING GENTLEMAN, CIRCA 1745 Modelled by J.J. Kaendler, his arms outstretched, wearing a black tricorn, yellow coat with gilt details, gilt and floral waistcoat and puce breeches, the base applied with leaves and flowers, 18.7cm high, crossed swords mark in underglaze-blue to the rear of the base (restuck through middle)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

120

121 FIVE MEISSEN FIGURES OF HARVESTERS, MID 18TH CENTURY Engaged in various activities with gardening and harvesting instruments, the bases applied with leaves and flowers, 11.7cm high, some with crossed swords marks to the rear of the base (some restoration) (5)

£8,500 - 9,500 €10,000 - 11,000 US$11,000 - 12,000

122 A MEISSEN GREEN-GROUND BOWL AND COVER, CIRCA 1740 Each reserved with a quatrefoil panel painted with figures in landscape and harbour scenes within a border of gilt foliate scrollwork, the top of the cover with a sprig of indianische Blumen, gilt-edged rims, 10.5cm diam., crossed swords mark in underglaze-blue (two small rim chips to bowl, patches of discolouration to cover) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900 122

Provenance: Private Collection, UK

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 123 A RARE MEISSEN TRAY WITH SIX CUPS, CIRCA 1740 Of trefoil form raised on four scroll feet and applied with a handle at the base, finely painted with an extensive river landscape within a brown-edged gilt border with a scrollwork motif at the top, the rim with a band of gilt foliate scrollwork interspersed with leaves and flowerheads, the handle with an elaborate scrollwork motif in gilding and iron-red and a leaf on the reverse, the cups with continuous landscape scenes, similar scenes on the inside within iron-red concentric circles, gilt-edged scroll handles and similar gilt scrollwork borders to the rims, the tray: 29.1cm including handle, crossed swords marks in underglaze-blue, impressed 26 to tray (7)

£4,000 - 6,000 €4,800 - 7,100 US$5,200 - 7,800

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 83 124 A MEISSEN LAVENDER-GROUND DOUBLE-GOURD VASE, CIRCA 1740-50 Reserved with two quatrelobe cartouches on each of the bulbous parts of the vase, the cartouches with elaborate Kauffahrtei scenes of Turkish and European merchants near quay sides, the foot and neck with later gilt-metal mounts, 37.5cm high. crossed swords mark in underglaze-blue,impressed 21 and .. inside footrim (the neck reduced, some restoration to underside of base)

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 125 A MEISSEN MODEL OF A DANISH PUG DOG, CIRCA 1745 Provenance: Naturalistically modelled by J.J. Kaendler, and painted in black and Antique Porcelain Company, New York (paper label to the base) white, 22cm high, crossed swords mark in blue to the base (tail and back foot restuck) It is very likely the model is the one mentioned in Kaendler’s Taxa for 1741-44: ‘1. Hund in Lebens Größe nach dem Gemählde, vor Se. Hoch-Reichs Gräffl. Excell. den H. Geheimbden Cabinets-Ministre £12,000 - 15,000 Graffen von Brühl. 4. Thlr.’ [1 life-sized dog after the painting, for his €14,000 - 18,000 Excellency ..., the Privy Cabinet Minister Count von Brühl. 4 Taler.]; US$16,000 - 19,000 published by J. Rafael, Zur ‘Taxa Kaendler’, in Keramos 203/204 (2009), p. 49.

A female Danish pug dog with two pups which is probably the counterpart of the present lot is illustrated by Carl Albiker, Die Meissner Porzellantiere im 18. Jahrhundert (1959), no. 182.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 85 126 A SET OF SIX MEISSEN TEABOWLS AND SAUCERS, CIRCA 1740 Each teabowl finely painted with a continuous landscape scene, the inside and the saucers with similar scenes within iron-red concentric circles, gilt-edged rims, crossed swords marks in underglaze-blue, gilt mark S., impressed Former’s mark oo to teabowls and D to saucers (one teabowl with tiny chip to rim) (12)

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 128

127

127 128 A MEISSEN YELLOW-GROUND SLOP BOWL, CIRCA 1740 A MEISSEN TEAPOT AND COVER, CIRCA 1740-45 Each side reserved with a brown-edged, shaped quatrelobe panel Painted in puce camaieu with large Watteau-style figures in landscapes, painted with a Kauffahrtei scene depicting merchants and their wares the handle and animal spout heightened in gilding, the cover with a gilt by a quayside and an estuary, the inside with a similar scene in purple pinecone finial, 11.2cm high, crossed swords mark in underglaze-blue, monochrome within concentric circles, gilt-edged rim, 16.4cm diam.; gilt H. to both (2) 7.6cm high, crossed swords mark in underglaze-blue, impressed Dreher’s mark oo for J. G. Kühnel and 3 inside footrim £1,500 - 2,000 €1,800 - 2,400 £1,500 - 2,000 US$1,900 - 2,600 €1,800 - 2,400 US$1,900 - 2,600

Provenance: Private Collection, UK

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 87 129 A RARE MEISSEN PURPLE-GROUND SPIRIT BARREL AND FIGURAL STOPPER, CIRCA 1740-45 Moulded with gilt-edged hoops, each end painted with an elaborate chinoiserie harbour scene and green-edged rim, one with a small apeture for a tap, the purple-ground reserved with quatrelobe panels with similar scenes, two polychrome scenes each side of the apeture edged with gilt scrollwork, four panels with iron-red and two with black monochrome scenes, the stopper with a bacchic youth draped in fruiting vines, together with a gilt-metal stand, 15.5cm long, crossed swords mark in underglaze-blue to one edge (beneath gilding), (restoration to stopper) (2)

£3,000 - 4,000 €3,600 - 4,800 US$3,900 - 5,200

Provenance: Private Collection, UK

The model for this spirit barrel was created by J.J. Kaendler after August 1738, and the figural stopper in April 1739, when it is mentioned in Kaendler’s work notes. A similar model with yellow ground together with its stand painted with the arms of Count Brühl is illustrated in U. Pietsch/C. Banz, Triumph der blauen Schwerter (2010), no. 172. The inventory of Count Brühl’s pantry lists ‘3 Grosse Fässer mit 1 Bacchus’ and ‘2 kleinere dergl.’ [3 large barrels with 1 Bacchus and 2 smaller similar].

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 130 A MEISSEN PART COFFEE SERVICE, MID 18TH CENTURY Decorated with scenes of elegant figures and palaces in landscapes within gilt scrollwork and trellis cartouches, surrounded by scattered insects and flower sprays, comprising: a coffee pot and cover, a hot water jug and cover, a sugar bowl and cover and six cups and saucers, the coffee pot and cover: 22cm high, crossed swords marks in underglaze-blue, impressed numerals, gilt X. (hot water jug with crack to body, one cup restuck) (18)

£6,000 - 9,000 €7,100 - 11,000 US$7,800 - 12,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 89 131 TWO MEISSEN PUG DOGS, CIRCA 1745-50 Modelled by J.J. Kaendler, facing one another, each seated on a pillow with indianische Blumen in colour and puce flowers only, each wearing a blue and pink collar and ribbon, each 12cm high, (one tail restored) (2)

£10,000 - 12,000 €12,000 - 14,000 US$13,000 - 16,000

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 132

133

132 133 A MEISSEN GROUP OF A KENNEL WITH TWO PUG GODS AND A MEISSEN GROUP OF A KENNEL WITH A DOG AND HER ANOTHER DOG, MID 18TH CENTURY PUPS, MID 18TH CENTURY Modelled with a chained dog emerging from the kennel, two pug dogs Modelled with a black and white chained dog lying on the roof of a wrestling on the red tiled roof, 13.2cm high, crossed swords mark in kennel, her three pups peeping out of the doorway, 10.5cm high, underglaze-blue (minor restoration) crossed swords mark in blue, (very minor restoration)

£10,000 - 12,000 £10,000 - 12,000 €12,000 - 14,000 €12,000 - 14,000 US$13,000 - 16,000 US$13,000 - 16,000

134 A MEISSEN SET, CIRCA 1760 Painted with military scenes and flower sprays, puce dash borders to the rims, comprising: a tray, two pots and covers, a long shaped oval box and cover and a large shaped oval box and cover, the tray: 21cm long, crossed swords marks in blue and underglaze-blue to some, incised numeral 6. to pots (finial on cover of large box restored) (9)

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

135 A MEISSEN FIGURE OF KING MIDAS, CIRCA 1755 Modelled with donkey ears, wearing a gold crown, elaborate armour and a purple cloak embellished with a gilt foliate motifs, holding a golden apple in one hand and a golden pear in the other, the base moulded with gilt-edged scrollwork and applied with leaves and flowers, 16.9cm high, faint crossed swords mark in underglaze-blue to the rear of the base (very minor restoration)

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

Provenance: Brigitte Britzke Collection, Bad Pyrmont

135

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 136

Literature: Meissener Porzellan des 18. Jahrhunderts aus Bad Pyrmonter Privatbesitz, exhibition catalogue (2002), p. 185; La Porcelana de Meissen en la Colección Britzke/Das Meissner Porzellan der Britzke-Sammlung, exhibition catalogue (2009), p. 372

136 A MEISSEN PART TEA SERVICE, CIRCA 1760 Painted with landscape vignettes with elegant figures, within blue scale-ground borders edged with coloured scrollwork and flowers, gilt-edged rims, comprising: a teapot and cover mounted with a chain, a sugar bowl and cover, a waste bowl, a milk jug, a lobed teapot stand, a lobed small deep dish, three teacups and saucers and a coffee cup and saucer, the teapot and cover: 10cm high, crossed swords mark in underglaze-blue, impressed numerals and marks (16)

£4,000 - 6,000 €4,800 - 7,100 US$5,200 - 7,800

137 A MEISSEN FIGURE OF A FEMALE GREEK MUSICIAN PLAYING A TRIANGLE, CIRCA 1745-50 Wearing a white headscarf and yellow-lined puce tunic, playing a 137 triangle, on a square base, 20cm high, crossed swords mark in underglaze-blue to rear of base (some restoration)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 93 138 138 A PAIR OF MEISSEN ORMOLU-MOUNTED FIGURES OF A SHEPHERD AND SHEPHERDESS, CIRCA 1755 He playing bagpipes wearing a turquoise jacket and floral waistcoat, a dog and sheep by his feet, she wearing a puce coat and green skirt with gilt foliate decoration, a recumbent sheep at her feet, the moulded scrollwork bases applied with leaves and flowers and mounted on ormolu scrollwork bases, 31cm and 29.2cm high, crossed swords marks in underglaze-blue to the rear of the bases (restored) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

An unpainted example of the shepherd is in the Munich Residence, illustrated by R. Rückert, Meissener Porzellan 1710-1810 (1966), no. 1011.

139 A MEISSEN CIRCULAR BUTTER TUB AND COVER, MID 18TH CENTURY Painted in underglaze-blue in Chinese style, the tub with a continuous landscape between moulded bands, the cover wqith two figures flanking a fence, trellis border to rim, 10.5cm diam., traces of crossed swords mark in blue (restored crack) (2) 139

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 140

140 A MEISSEN OVAL TUREEN AND COVER, CIRCA 1750 Modelled by J.G. Ehder with ‘Gotzkowsky Relief’, on four gilt-edged scroll feet and applied with cauliflower branch handles, painted with flower sprigs and scattered flowers, the cover with a purple-edged gilt foliate monogram ‘GW’ on each side of the rim, the finial modelled as a patridge on a gilt-edged scroll over various vegetables and a lemon, 33cm high; 40cm across handles, crossed swords mark in underglaze-blue (restored) (2)

£3,000 - 4,000 €3,600 - 4,800 US$3,900 - 5,200

A variation of the model created for the ‘St. Andrew Service’ in the mid 1740s as a gift for the Russian Empress Elizabeth; see U. Pietsch (ed.), Meissen for the Czars (2004), cat. no. 66.

141 A MEISSEN CLASSICAL FIGURE OF A GODDESS, CIRCA 1775 Wearing draped white robes decorated with a gilt foliate pattern and a turquoise shawl, on a gilt-edged square base, 27cm high (right arm restuck)

£1,500 - 2,000 141 €1,800 - 2,400 US$1,900 - 2,600

142 A MEISSEN HAUSMALER SAUCER, CIRCA 1742-44, AND TWO MEISSEN HAUSMALER TEABOWLS AND SAUCERS, CIRCA 1750-60 The saucer painted in Bayreuth in the workshop of J.F. Metzsch by J.C. Glaser with a chinoiserie scene, the teabowls and saucers painted in underglaze-blue and embellished in gilding and enamels in the workshop of F.J. Ferner with flowers and figures, 12.9cm diam., crossed swords marks in underglaze-blue, impressed numerals, painters’ marks in underglaze-blue (one saucer and one teabowl with chip to footrim) (5)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

Provenance: The Property of a Lady, sold Christie’s London, 30 June 1975, lot 119 (the teabowls and saucers); 142 With Hoff Antiques, London, acquired in 1987 (the single saucer); Eveline Newgas Collection, London

Johann Christoph Glaser was a painter at the Metzsch workshop in Bayreuth between 1742-44, before moving to Fürstenberg. See S. Ducret, Fürstenberger Porzellan (1965), II, p. 221, pls. 264 and 265. The same scene appears on a Fürstenberg saucer painted by Glaser, sold by Christie’s Geneva, 25 April 1977, lot 58 (part).

143 A DOCUMENTARY MEISSEN HAUSMALER SAUCER, CIRCA 1740 Painted in the workshop of Johann Friedrich Metzsch in Bayreuth, a flower spray in the centre and a border of stylised flower heads and scrolls with floral swags around the gilt-edged rim, the reverse inscribed in blue enamel ‘M/ Bayr.’, 13.2cm diam., crossed swords mark in underglaze-blue, impressed numeral

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

Provenance: Luise Hofmann Collection, sold in these Rooms, 16 May 2007, lot 60

A similar saucer with the same marks was sold by Christie’s London, 11 December 2000, lot 296. 143 For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 144

144 A MEISSEN TWO-HANDLED ECUELLE, COVER AND STAND, CIRCA 1760 Decorated with vignettes of Commedia dell’Arte characters and gallant figures in landscapes within gilt floral scrollwork cartouches, reserved on a yellow mosaic border, the rim of the stand with pierced panels of flower baskets and scrollwork, alternating with painted scenes of figures in landscapes, rosebud finial, 12cm high, the stand: 21cm diam, crossed swords mark in underglaze-blue to both ecuelle and stand, impressed 22 to the stand (minute chip to finial) (3)

£2,500 - 3,000 €3,000 - 3,600 US$3,200 - 3,900

145 A MEISSEN MINIATURE FIGURE OF A HUNTSMAN, MID 18TH CENTURY Wearing a black tricorn, a green coat and waistcoat and black boots, holding a dog by a lead, 7.6cm high, crossed swords mark in underglaze-blue to the rear of the base

£1,000 - 1,500 €1,200 - 1,800 145 US$1,300 - 1,900

146 A MEISSEN TEACUP AND SAUCER, CIRCA 1745-50 Moulded with the ‘Gotzkowsky-Relief’ pattern and painted with Holzschnittblumen, gilt crosshatch borders to the rims, crossed swords marks in underglaze-blue, impressed numeral 24 to both (minor rubbing to gilding) (2)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

The specification of the gift of Meissen porcelain from Augustus III to the Marquis d’Argenson, the description of which corresponds to the present lot, included twenty-four cups and saucers; see S. Schwarz/J. Munger, Gifts of Meissen Porcelain to the French Court, 1728-50, in M. Cassidy- Geiger (ed.), Fragile Diplomacy (2008), p. 153 (and fig. 7-19 for a similarly decorated tureen, cover and stand), and p. 346.

147 A MEISSEN DOUBLE-HANDLED POT-POURRI VASE AND COVER, CIRCA 1760 Each side painted with a scene depicting birds in a landscape, moulded with shell- and scrollwork, the foliate handles surrounded by applied fruiting and floral branches, a winged putto below the left handle and another to the right side of the foot, the pierced cover similarly decorated and applied with a large flower and fruit finial, 38cm high, crossed swords mark in underglaze-blue (some restoration) (2)

£3,500 - 4,500 €4,200 - 5,400 US$4,500 - 5,800

The model of this vase and cover may well have been part of a garniture made for Frederick the Great. A garniture of three vases painted with flowers in the Neues Palais, Potsdam, includes a vase similar to the present lot, illustrated in Samuel Wittwer, Friedrich der Große und das Meißener Porzellan, in Keramos 208 (2010), p.42. 147

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 148

148 A MEISSEN SAUCEBOAT, CIRCA 1745-50 Moulded with ‘Gotzkowsky Relief’ of flower panels and shells below the rim and handle, finely painted with flower sprigs, insects and beetles, a butterfly to the interior, the scroll handle embellished in purple and gilding and with a shell thumbpiece, gilt-edged rims, 15.5cm high, crossed swords mark in underglaze-blue

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Several services decorated in this style were made during the second half of the 1740s, including in 1747 a dessert service for Louis XV and an extensive dinner and dessert service for the Marquis d’Argenson; the description of the latter corresponds to the decoration on the present lot - see S. Schwartz/J. Munger, Gifts of Meissen Porcelain to the French Court, 1728-50, in M. Cassidy-Geiger (ed.), Fragile Diplomacy (2008), p. 153.

149 A MEISSEN VASE, CIRCA 1760 Painted with a large flower spray on each side and various smaller sprays, gilt lines to the rim and foot, 30.8cm high, crossed swords mark in underglaze-blue

£1,200 - 1,800 €1,400 - 2,100 US$1,600 - 2,300

A three-piece garniture of similar decoration is in the Neues Palais, Potsdam, and were bought by Frederick the Great during his occupation of Dresden, illustrated in Samuel Wittwer, Friedrich der Große und das Meißener Porzellan, in Keramos 208 (2010), p.32, fig. 10. He originally ordered sixteen large vases, but was supplied with thirty-two smaller vases of unknown decoration. A full discussion of the Prussian King’s 149 Meissen orders, see Samuel Wittwer (2010), pp. 17-80.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 99 150 A MEISSEN DESK SET, CIRCA 1763 150 Each piece painted with military trophies, including the Saxon/Polish, French and Prussian flags and the banner of the the crowned FA banner of the Elector, within coloured scrollwork borders and scattered flowers, gilt dentil borders to the rims, comprising: a rectangular tray, an inkwell and cover, a caster and a bell, the tray: 27cm across, crossed swords marks and crossed swords mark with dot in underglaze-blue, impressed R to tray (5)

£3,000 - 4,000 €3,600 - 4,800 US$3,900 - 5,200

151 A MEISSEN GROUP OF MERCURY, CIRCA 1762 Probably modelled by J.J. Kaendler, in two separate parts, the top half with Mercury seated on clouds wearing a cloak decorated with indianische Blumen, the caduceus in his left hand and his right arm raised, the bottom half a cloud base with a nude nymph peering out from behind, 16.5cm and 16.7cm high, crossed swords marks in underglaze-blue and blue (little finger restored, minor chips) (2)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

This two-part group seems to have been part of a larger centrepiece group, based on the painting “Mercury confiding the Infant Bacchus to the Nymphs” by François Boucher of circa 1732-34, which is in the Wallace Collection, London. It has been attributed to Kaendler, because of its similarity to other known Kaendler models, such as the centrepiece for the dessert service ordered by Frederick the Great of Prussia at the end of 1761, depicting Apollo on Parnassus; see Katharina Christiane Herzog, Mythologische Kleinplastik in Meißener Porzellan 1710-1775 (2012), cat. no. 155. Unfortunately, it is not known what or who the model was originally meant for, but it seems likely that Frederick the Great ordered it, as the factory was under Prussian control at this time. See K. Herzog (2012), no.13, cat. no. 153, for a full discussion and a drawing of the model from the factory archives. 151 Another section of the group, depicting a nymph holding the baby Bacchus, is in the collection of the National Museum in Stockholm.

For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 153

152 A PAIR OF MEISSEN FIGURES OF PILGRIMS, CIRCA 1755 The man dressed in a yellow jacket and green breeches, an elaborate black collar and hat adorned with pilgrim’s shells, holding a money- box in one hand and his pilgrim’s staff and attached flask in the other, she with a turquoise skirt and puce jacket with similar large collar adorned with scallop shells, the shells continuing on the edge of her jacket, holding a money box and a wooden cross with attached flask, both on a gilt rocaille base with applied leaves and flowers, 16cm high (restored) (2) 152 £1,200 - 1,800 €1,400 - 2,100 US$1,600 - 2,300 153 A MARCOLINI MEISSEN WHITE FISH BOX AND COVER, Provenance: CIRCA 1775 Brigitte Britzke Collection, Bad Pyrmont Naturalistically moulded with scales, 32cm long, crossed swords mark and asterisk in blue and three dots in blue (2) Literature: La Porcelana de Meissen en la Colección Britzke/Das Meissner £1,200 - 1,500 Porzellan der Britzke-Sammlung, exhibition catalogue (2009), p. 419 €1,400 - 1,800

US$1,600 - 1,900 Exhibited: Fundación Caja Segovia, La Porcelana de Meissen en la Colección Britzke 1709-1765, 16 July to 18 November 2009 Porcelain shaped boxes are a continuation of the fashion for shaped faience boxes which were produced around Europe at the beginning of These pilgrims wear scallop shells, which have long been the symbol the 18th century, and were made to be placed on the table. of the Camino de Santiago, perhaps the most famous pilgrim destination in Europe. The scallop shell acts as a metaphor in several There are two well-known Meissen services comprising these kinds ways. The grooves in the shell, which meet at a single point, represent of shaped boxes, one made for Count Johann Moritz von Brühl, the the various routes pilgrims travelled, eventually arriving at a single brother of Heinrich von Brühl, who was the Saxon ambassador to the destination: the tomb of James in Santiago de Compostela. The shell court of the Elector Clemens August of Cologne. A box from this service can also be seen as a symbol of God’s omnipresence for the pilgrim: was sold in these rooms, 25 May 2011, lot 216. Another famous service As the waves of the ocean wash scallop shells up onto the shores of given in 1747-49 by Augustus III to the British envoy in Dresden, Sir Galicia, God’s hand guides the pilgrims to Santiago. Charles Hanbury Williams, also comprised shaped trompe l’oeil boxes.

154 A MEISSEN OVAL TRAY, CIRCA 1780 Painted with a landscape vignette depicting two ladies in classically draped gowns hanging flower garlands on an obelisk with a medallion that is inscribed ‘Erigé par la plus vive Reconnaissance’, the rim with two interlocking wreaths of roses and two flower sprays between gilt formal borders, 36.5cm across, crossed swords mark and asterisk in underglaze-blue, x and .. in underglaze-blue, impressed numerals and gilt S. to inside of footrim (minor wear to gilding)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

155 A MEISSEN ROCOCO FIGURAL CLOCK CASE AND STAND, CIRCA 1770 The shell-moulded case edged in puce and gilding and modelled with gilt-edged scrollwork, surmounted by applied, trailing flowers, the panel below the opening for the dial painted with a landscape scene with Watteauesque figures, on four scroll feet, the stand with similar gilt-edged scrollwork and applied with the classical figure of a lady wearing a crown and two putti holding a flower, the clock case on stand: 31.2cm high, crossed swords marks and dot in underglaze-blue (some restoration) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

155 For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. PROPERTY FROM A BRITISH PRIVATE COLLECTION

Assembled in the 1950s and 1960s 156 TWO SMALL MEISSEN TABLE VASES FROM THE “GELBER LÖWE” SERVICE FOR THE WARSAW COURT, CIRCA 1740 Painted in Kakiemon style with, on one side, flowering peony bushes, and a tier curling around bamboo on the reverse, 6.2cm high, one with crossed swords mark in underglaze-blue (flat rim chip to both) (2)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Five hundred and eight such vases were delivered to the Warsaw court confectionary (Hofkonditorei) in 1738; see J. Weber, Meissener Porzellane mit Dekoren nach ostasiatischen Vorbildern (2013), II, p. 262. A similar pair of small bottles is in the 156 Rijksmuseum, Amsterdam (A.L. den Blaauwen, Meissen Porcelain in the Rijksmuseum (2000), no. 146.

157 A MEISSEN TWO-HANDLED CHOCOLATE BEAKER FROM THE “GELBER LÖWE” SERVICE FOR THE SAXON/POLISH COURT, CIRCA 1755-60 Painted in Kakiemon style with a tiger curling around bamboo and flowering prunus on the reverse, eagle- head handles, brown-edged rim, 6.7cm high (very minor flat chips)

£600 - 800 €710 - 950 US$780 - 1,000

The earliest archival mention of such chocolate cups is in August 1756, when 48 were delivered to the Warsaw Hofconditorei; another eight were delivered in September 1760 (J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern (2013), II, no. 264; the author notes that by 1765 only 30 remained, and that some had been moved to the Kurprinzliche Konditorei (Crown Prince’s Confectionary). 157

For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 158 A MEISSEN CIRCULAR DISH, CIRCA 1730 Painted in Kakiemon style with the “Gelber Löwe” pattern of a tiger curling around bamboo opposite flowering prunus, brown-edged rim, 23.5cm diam, crossed swords mark in blue, incised Japanese Palace inventory number N=8-/ W (haircracks, small rim chip)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance: Part of the order of Meissen porcelain for the Paris 158 merchant, Rudolph Lemaire, and subsequently - in 1731- incorporated into the Royal Saxon collections in the Japanese Palace in Dresden

See footnote to lot 89.

The 1770 inventory of the Japanese Palace lists 60 such dishes of various sizes with the ‘Gelber Löwe’ pattern; another, of the same size and with the same Japanese Palace inventory number, was sold in these Rooms, 18 June 2014, lot 59.

159 A MEISSEN CIRCULAR DISH, CIRCA 1735-40 Painted in Kakiemon style with the ‘Gelber Löwe’ pattern. brown-edged rim, 25.6cm diam., crossed swords mark in underglaze-blue (small rim chip, minor wear to enamels)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

159

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 105 160 160 A PAIR OF OCTAGONAL PORCELAIN PLATES, PROBABLY DUTCH-DECORATED JAPANESE PORCELAIN, FIRST HALF 18TH CENTURY Painted in Kakiemon style with the ‘Shiba Onko’ or ‘Hob in the Well’ pattern, the brown-edged rim with a border of flowers and foliage, 23.6cm and 24cm across (some wear) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

161 A VERY RARE MEISSEN SUGAR CASTER FOR THE SAXON/ POLISH COURT, CIRCA 1740-45 Painted with the ‘Ch’i-lin’ or ‘fliegender Hund’ pattern of a winged creature, a phoenix-like bird in flight and a beetle at the base of flowering indianische Blumen, the basket-moulded rim with an insect and flower sprigs, the gilt-edged pierced cover embellished in purple, 17cm high, crossed swords mark in underglaze-blue, K.H.C. in puce (chip to rim, cover fixed, minor restoration)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

The only other example of this pattern marked with the ‘K.H.C.’ mark is an oil or vinegar jug sold by Christie’s London, 4-5 July 1974. Together with the present lot it may have formed part of a cruet set, though it is uncertain whether an entire service of this pattern was in use at the Saxon/Polish court (see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbilden (2013), II, pp. 370ff.).

Provenance: Ernst Czermak Collection, Munich, sold Galerie Helbing, Munich, 15-16 June 1917, lot 49

The only other example of this pattern marked with the ‘K.H.C.’ mark is an oil or vinegar jug sold by Christie’s London, 4-5 July 1974. Together with the present lot it may have formed part of a cruet set, 161 though it is uncertain whether an entire service of this pattern was in use at the Saxon/Polish court (see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbilden (2013), II, pp. 370ff.).

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 162 A PAIR OF MEISSEN QUADRANGULAR BOTTLES, CIRCA 1730-35 Painted in Kakiemon style with flowers issuing from banded hedges and stylised rockwork, 21cm high, traces of crossed swords marks in blue, impressed MB and M (one restuck through neck) (2)

£6,000 - 8,000 €7,100 - 9,500 US$7,800 - 10,000

A similar pair of bottles with Former’s mark M is in the Rijksmuseum, Amsterdam (A.L den Blaauwen, Meissen Porcelain in the Rijksmuseum (2000), no. 144, and another single bottle with Former’s mark MB. was sold by Christie’s London, 6 February 1978, lot 199, and again by Sotheby’s London, 24 November 1998, lot 24.

163 A MEISSEN CIRCULAR DISH FOR THE SAXON/POLISH COURT, CIRCA 1745, TOGETHER WITH A MEISSEN SHALLOW CIRCULAR DISH, CIRCA 1735 The first painted with the “Gelber Löwe” pattern, wavy brown- edged rim; the second painted with the “Fliegender Hund” pattern and alternating flower sprigs and insects around the wavy-edged basketwork rim, 29.5cm and 23.5cm diam., crossed swords marks in underglaze-blue, the first with incised // inside footrim and impressed 20, small erased area to underside of base; the second with impressed Dreher’s mark for Johann Gottfried Eckoldt (rubbed) (2)

£1,200 - 1,800 €1,400 - 2,100 US$1,600 - 2,300

164 A MEISSEN PLATE, CIRCA 1740 Painted with the ‘Gelber Löwe’ pattern of a tiger curling around a bamboo shoot and scattered flowers, the gilt-edged rim moulded with basketwork and floral trellis panels and painted with vignettes 164 with flowers and birds, 24.2cm diam., crossed swords mark in underglaze-blue, impressed numeral (small repaired rim chip)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 165 A MEISSEN BOWL AND COVER FROM THE “GELBER LÖWE” SERVICE FOR THE SAXON/POLISH COURT, CIRCA 1734 Painted in Kakiemon style with two vignettes each depicting a tiger curling around bamboo, and flowering prunus branches, the cover with an artichoke finial and brown-edged rim, 18.5cm across, crossed swords mark in underglaze-blue, K. in black (chip to tip of finial, enamels somewhat misfired on cover) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

A delivery list to the Japanese Palace of 1734 includes additions to the “Gelber Löwe” service, including 6 circular tureens without handles (quoted by J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern (2013), I, p. 156).

166 A MEISSEN CREAM POT, COVER AND STAND, CIRCA 1730 Painted in Imari style in underglaze-blue, enamels and gilding, with sprays of indianische Blumen and lambrequin borders. the reverse of the stand with flowering branches in underglaze-blue and iron- red, the stand: 15.5cm diam., caduceus mark and crossed swords mark with a dot in underglaze-blue (minor chips, the stand with repaired rim section, rim chip and haircrack) (3)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

Similar cream pots, covers and stands - the earliest examples of this Imari-style decoration on Meissen porcelain - are in the Hans Syz Collection (Syz/ Miller/Rückert, Catalogue of the Hans Syz Collection 166 (1979), no. 124, and in the Grassi Museum, Leipzig (D. Gielke, Meissener Porzellan des 18. und 19. Jahrhunderts (2003). no. 68).

For details of the charges payable in addition to the final Hammer Price of each Lot 110 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 167 A RARE MEISSEN PART SERVICE, CIRCA 1735 Each painted with a gilt-edged underglaze-blue band interspersed with gilt-edged circles and triangles, and flowering indianische Blumen, the rims with borders of flower-heads and underglaze- blue lines, comprising: a teapot and cover, an oval sugar bowl and cover, a tea canister and cover, a milk jug with an associated cover, and five teabowls and saucers, the sugar bowl: 12cm across, crossed swords marks (and on the teabowls and saucers a painter’s mark) in underglaze-blue, incised x for Johann Christoph Pietzsch to milk jug, incised 3 inside footrim of teabowls and saucers (tip of teapot spout restored) (18)

£10,000 - 15,000 €12,000 - 18,000 US$13,000 - 19,000

168 TWO MEISSEN FIGURES OF VEGETABLE SELLERS, CIRCA 1745-50 She wearing a wide-brimmed hat, green bodice and yellow skirt, holding a root vegetable in her right hand and a selection of vegetables in her apron, he wearing a floral jacket and puce breeches and holding a basket with vegetables, the bases applied with leaves and flowers, 18cm and 18.5cm high crossed swords marks in underglaze-blue to the rear of the base (some damage and restoration) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Another example of the female seller is illustrated in Y. Adams, Meissen Portrait Figures (1987), colour plate XXVIII.

169 A MEISSEN HAUSMALER BEAKER AND SAUCER, CIRCA 1730-50, TOGETHER WITH A MEISSEN BEAKER, CIRCA 1740 Painted, probably in Bayreuth, with chinoiserie scenes and gilt scrollwork borders; the beaker, painted in underglaze-blue and purple with the ‘Tischchen’ pattern, purple floral border to rim, the beaker with crossed swords and painter’s mark in underglaze- blue, impressed numeral (Hausmaler beaker and saucer worn and with crack to beaker) (3)

168 £600 - 900 €710 - 1,100 US$780 - 1,200

For details of the charges payable in addition to the final Hammer Price of each Lot 112 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 170

170 A PAIR OF MEISSEN TWO-HANDLED BEAKERS AND SAUCERS, CIRCA 1730-35 Painted in the manner of C.F. Herold with Kauffahrtei scenes depicting merchants and their wares by a quayside in black monochrome within gilt quatrelobe cartouches embellished with purple scrollwork, gilt scrollwork borders to the rims, crossed swords mark in blue and underglaze-blue, gilt numeral 1. to all (one saucer restuck with restuck rim chip, one handle restored, some minor losses and chips) (4)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

171 A MEISSEN FIGURE OF A VEGETABLE SELLER, CIRCA 1745 Wearing a green and puce hat, a yellow jacket, white shirt and iron-red breeches, balancing a basket of vegetables on a tree stump, the base applied with leaves and flowers, 18.7cm high (some damage and old repairs)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

171 For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 113 172

172 A PAIR OF MEISSEN FIGURES OF BEGGARS PLAYING THE HURDY-GURDY, CIRCA 1740 Modelled by J.J. Kaendler, both wearing colourful ragged clothes, seated on rockwork and playing a hurdy-gurdy, she wearing a straw hat, 12.2cm high, crossed swords mark in blue to him, faint traces of crossed swords mark in blue and incised numeral to her (extensively restored) (2)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

For similar examples, see Erika Pauls-Eisenbeiss, German Porcelain of the 18th Century, vol. I (1972), pp. 84-85.

173 A MEISSEN CHINOISERIE GROUP OF A BEARDED MAN AND CHILD, CIRCA 1745-50 Modelled by Peter Reinicke, the man seated, wearing a hat, puce- lined, white robes with indianische Blumen and purple trousers, a child standing next to him wearing yellow robes, on a rockwork base moulded with gilt-edged rocaille and applied with leaves and flowers, 17cm high, crossed swords mark in underglaze-blue (man’s head restuck)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

The model is after an engraving by J.J. Balechou after Boucher’s “Les Délices de l’Enfance”. Other examples are illustrated in Dr. Erika Pauls- Eisenbeiss, German Porcelain of the 18th Century Vol. I (1972), p.115, and L. and Y. Adams, Meissen Portrait Figures (1987), p.175. A further example was sold in these rooms as part of the Hasse Collection of German porcelain, 8 October 2014, lot 107. 173

For details of the charges payable in addition to the final Hammer Price of each Lot 114 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 174 A MEISSEN GILT-METAL-MOUNTED PURPLE- GROUND RECTANGULAR SNUFF BOX, CIRCA 1740 Each side reserved with a gilt-edged shaped quatrelobe panel painted in the manner of A.F. von Löwenfinck with chinoiserie scenes depicting children engaged in various amusing pursuits, the inside cover with a scene depicting children blowing bubbles and an adult holding a child, with a pagoda in the distance, gilt interior, the mount with a border of scrollwork a scrollwork and floral thembpiece, 5cm by 6.8cm (some wear to edge of base, two small cracks to top edge of cover)

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500

175 A PAIR OF MEISSEN BLACKAMOOR FIGURES WITH COVERED BOWLS, CIRCA 1740-50 One wearing a colourful feather headdress and skirt, the other wearing a headband and beige skirt, the bowls and covers moulded with basketwork and applied with leafy branches and flowering branch handles, the bases applied with leaves, 17cm high traces of crossed swords mark in blue to one, incised numeral to the other (some damage and restoration) (4)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

176 A RARE LIMBACH FIGURE OF A WINE HARVESTER ALLEGORICAL OF “AUTUMN”, CIRCA 1775 Holding grapes in both hands and standing by fruiting vines on a tree- stump, wearing a black hat, green jacket, and ochre-striped yellow waistcoat and breeches, 18.2cm high (right arm restuck at shoulder, both hands restored)

£600 - 800 €710 - 950 US$780 - 1,000

Only two other examples of this figure are recorded; see C. Fritzsche, Thüringer Porzellanfiguren des 18. Jahrhunderts, in Mitteilungsblatt der Keramik-Freunde der Schweiz, 116/117 (2003), p. 24f.

176

For details of the charges payable in addition to the final Hammer Price of each Lot 116 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 177

177 A PAIR OF MEISSEN FIGURES OF A FISHERMAN AND HIS WIFE, CIRCA 1745-50 Modelled by J.J. Kaendler, he wearing a cap, white shirt and pink breeches, holding a fish and a long-handled net containing further fish, she wearing a black bonnet, green bodice and striped skirt with white apron and holding a large fish, a basket of fish beside her, the bases applied with leaves and flowers, 19cm and 18.8cm high, (restoration to extremities) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

The models are illustrated in L. and Y. Adams, Meissen Portrait Figures (1987), p. 163.

178 A FRANKENTHAL FIGURE OF A COAL SELLER, CIRCA 1768 Modelled by Carl Gottlieb Lück, wearing a black hat, white coat with gilt buttons and yellow breeches, carrying a large sack of coal on his back and supporting a deep basket with coal with his left hand, the grassy base moulded with gilt-edged rocailles and applied with foliage, 25.5cm high crowned CT monogram and VIII in underglaze-blue (one handle of basket lacking)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

The figure is after the print ‘Charbon Charbon’ by S.F. Ravenet (1706- 1774) from the ‘Cris de Paris’ series after F. Boucher. An unpainted example, together with the source print, is illustrated in B. Beaucamp- Markowsky, Frankenthaler Porzellan - Die Plastik (2008), no.45, pp.508-509. 178

179 TWO LUDWIGSBURG FIGURES OF A WOOD CUTTER AND A YOUTH, TOGETHER WITH A GERMAN PORCELAIN GROUP OF A WOMAN SEATED ON A BULL, LATE 18TH CENTURY The wood cutter carrying an axe over his shoulder and a club in his left hand, a pile of logs at the rear, the base moulded with gilt-edged scrolls; the youth holding a flower in his right hand and leaning on a mossy tree-stump; the lady seated on a bull carrying two baskets, on an oval base, 12cm, 12.2cm and 11cm high, the first with crowned CC monogram in underglaze-blue, incised i C/ 3, the second with interlaced CC monogram in underglaze-blue (the second figure with right arm restuck, some minor restoration) (3)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

180 A FÜRSTENBERG FIGURE OF A GARDENER, FIRST HALF 19TH CENTURY After the Meissen model, holding a basket of vegetables, wearing a yellow hat, puce-lined green jacket and yellow breeches, the base applied with leaves and flowers, 18.5cm high, F mark in blue (fingers on right hand restored, tiny chips)

£500 - 700 €600 - 830 US$650 - 910

180

For details of the charges payable in addition to the final Hammer Price of each Lot 118 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 181

181 TWO HÖCHST TWO-HANDLED ECUELLES AND COVERS, THIRD QUARTER 18TH CENTURY, TOGETHER WITH A VIENNA SMALL TUREEN AND COVER, CIRCA 1770 The first, circa 1760, painted with purple trellis-ground panels edged with gilt scrollwork and shells with pendent flowers, the scroll handles and finial embellished in gilding; the second, circa 1765, painted with purple monochrome landscape vignettes and classical urns, fruit finial; the Vienna tureen and cover, circa 1770, moulded with gilt- edged basketwork rims and painted with flower sprigs, rose finial, the tureen: 24cm across; the ecuelles: 10.5cm and 13cm diam., the first with wheel mark in purple and incised HI; the second with crowned wheel mark in underglaze-blue and incised IN; the third with shield mark in underglaze-blue and impressed L (one handle of second Höchst ecuelle broken off (available), handles of Vienna tureen broken off, some minor chips) (6)

£700 - 1,000 €830 - 1,200 US$910 - 1,300

182 A LIMBACH GROUP OF BIRD’S NESTERS, CIRCA 1775 The young man standing on a tree with a nest handing a bird to a woman with two more birds gathered in her apron, his hat on the leafy base, 19.4cm high (minor damage)

£700 - 900 €830 - 1,100 US$910 - 1,200

A similar model - based on a larger Volkstedt group - is illustrated by C. Fritzsche, Thüringer Porzellanfiguren des 18. Jahrhunderts, in Mitteilungsblatt der Keramik-Freunde der Schweiz, 116/117 (2003), 182 p. 113f.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 119 183 TWO LUDWIGSBURG FIGURES OF A LADY AND GENTLEMAN, CIRCA 1775 Probably both modelled by J.J. Louis, he holding an apple and leaning on a large basket of apples, wearing a black hat, white jacket and yellow breeches, she holding a wheat sheaf and wearing a wide- brimmed hat, pink bodice and patterned skirt, 14.5cm high, CC monogram in underglaze-blue and impressed marks to him, painter’s marks to noth (both hats restored) (2)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

Other examples are illustrated in D. Flach, Ludwigsburger Porzellan (1997), nos.234 and 409.

184 TWO VOLKSTEDT FIGURES OF MUSICIANS, CIRCA 1775 Playing the bassoon and the flute, wearing puce jackets and waistcoats and black breeches, the bases shaded in brown, 16.5cm high (some restoration) (2)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

A similar figure of a flute player is illustrated by C. Fritzsche, Thüringer Porzellanfiguren des 18. Jahrhunderts, in Mitteilungsblatt der Keramik- Freunde der Schweiz, 116/117 (2003), p. 87f.

185 183 TWO THURINGIAN FIGURES OF A VIOLINIST AND A SHEPHERD WITH A DOG, CIRCA 1775 The violinist, Limbach or Wallendorf, wearing an iron-red jacket and breeches and flower-decorated waistcoat, the base with puce-edged scrollwork; the shepherd, probably Volkstedt, wearing a long red cloak, purple jacket and yellow beeches, with a crook in his right arm and a dog at his feet, 13cm and 13.5cm high (the violinist lacking bow, base of shepherd restuck, some losses) (2)

£500 - 800 €600 - 950 US$650 - 1,000

Similar figures of violinists are illustrated by C. Fritzsche, Thüringer Porzellanfiguren des 18. Jahrhunderts, in Mitteilungsblatt der Keramik- Freunde der Schweiz, 116/117 (2003), p. 69f.

For details of the charges payable in addition to the final Hammer Price of each Lot 120 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 184

185

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 121 186 A GERMAN PORCELAIN BLUE-GROUND VASE AND COVER, 19TH CENTURY Decorated in Meissen style with two large quatrelobe reserves painted with polychrome chinoiserie scenes within gilt trellis and scrollwork borders, the sides with smaller panels in purple monochrome, the neck with a band of gilt foliate scrollwork, the cover similarly decorated with a gilt finial, 25.5cm high, crossed swords mark in underglaze-blue (2)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance: Rudolf Weigang Collection, Dresden-Loschwitz, Nr. 105 (according to a label on the underside)

The collection of art and decorative arts formed by Rudolf Weigang (1877-1960) has recently been the subject of an exhibiton by the Albertinum and Daphne Project in Dresden (http://www.skd. museum/en/special-exhibitions/archive/the-rudolf- weigang-collection/index.html). Originally from Bautzen, Rudolf Weigang and his wife Dorothea 186 lived from the 1930s in a villa in the Loschwitz district of Dresden, in which their extensive collection was housed. The couple fled Dresden in 1945 and the villa was subsequently occupied by Soviet forces. In 1948, some of the remaining art and furnishings were transferred to the Staatliche Kunstsammlungen Dresden.

187 A MEISSEN GROUP OF A SHEPHERD AND SHEPHERDESS, CIRCA 1952 Seated on a rocky base with leaves, flowers and grapes, and a sheep between them, the lady holding a basket of grapes on her right arm, 18.5cm high, crossed swords mark in underglaze-blue to rear of base, incised movel number C41a, impressed 106 and year code V

£500 - 700 €600 - 830 US$650 - 910

187

For details of the charges payable in addition to the final Hammer Price of each Lot 122 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OTHER PROPERTIES

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 123 188 A RARE FRANKENTHAL ARBOUR GROUP, CIRCA 1756-59 This early model is after the engraving ‘L’Amour précepteur’, circa Modelled by J.W. Lanz, with a cupid in disguise as a pastor seated on 1730, by François-Bernard Lépicié after a pastel by Charles Coypel. a chair holding a book inscribed ‘Maitre de l’amour’, a bow and quiver It was published with the inscription ‘L’Air grave que je fais paroitre/ beneath the chair, a lady kneeling in front and another standing beside Belles ne doit point allarmer, Il caracterise le maitre/ Et ne fait pas him, both in elegant costume, a pierced arbour at the back, the base moins aimer.’ [The solemn air I display/ should not alarm the beauties, and edge of arbour with gilt-edged and blue scrollwork, 20.4cm high, it characterises the teacher/ and does not make him less loved.]. rampant lion mark in underglaze-blue, impressed PH and 2 (some damage) Another example of the model is in the Pauls-Eisenbeiss Collection, Basel; see E. Pauls-Eisenbeiss, German Porcelain of the 18th Century £4,000 - 6,000 (1972), vol. II, pp. 104-105. A version without the arbour is in the €4,800 - 7,100 collection of the Rijksmuseum, Amsterdam, and in the collection of the US$5,200 - 7,800 Stadtmuseum, Ludwigshafen. The seated Cupid in disguise holding the book also exists as a single figure; see B. Beaucamp-Markowsky, Frankenthaler Porzellan - Die Plastik (2008), no.45, pp.143-144. Provenance: Ernst Blumka (1886-1969), Vienna (to 1938) and London; Thence by descent to the Eveline Newgas Collection, London

For details of the charges payable in addition to the final Hammer Price of each Lot 124 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 189 A FRANKENTHAL CUP AND SAUCER, CIRCA 1772 Each painted with a musical Chinoiserie scene depicting a large-scale figure playing bells in a landscape, surrounded by colourful insects, the rims with gilt and puce lambrequin borders, crowned CT marks in underglaze-blue, 72 in underglaze-blue inside footrims and incised marks (2)

£4,500 - 5,500 €5,400 - 6,500 US$5,800 - 7,100

It is very likely the scenes are taken from engravings after works by Jean-Baptiste Pillement (1728-1808).

A tea canister with similar decoration which seems to be after the same print source is illustrated in B. Beaucamp-Markowsky, Frankenthaler Porzellan, vol. III (Das Geschirr), p. 219, no. 115. A pair of cups and saucers from the same service as the present lot were in the Ingrid Loosen-Grill Collection, sold Van Ham Kunstauktionen, Cologne, 14 May 2016, lot 1052.

190 A FRANKENTHAL GROUP OF FOUR CHILDREN AND A LARGE DOG, DATED 1783 Modelled by Johann Peter Melchior, with a boy trying to ride on a large dog’s back, another boy pulling its tail and a girl tying a blanket around its neck, a fourth child seated at the back of the rockwork base, 18cm high, crowned CT mark and 83 in underglaze blue

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

191 191 TWO FRANKENTHAL MODELS OF PUTTI RIDING DOLPHINS, CIRCA 1765 Each putto wearing draperies and seated on a dolphin heightened in iron-red, 9.5cm high, incised No 1 (minor restoration to dolphin teeth) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot 126 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 192 A LARGE LUDWIGSBURG GROUP OF THE FINDING OF MOSES, CIRCA 1775 Modelled by J.H. Schmidt, with four semi-nude ladies clothed in classical draperies, one kneeling and holding a baby, another lying on the ground and leaning on a pot spilling water emblematic of the Nile, the other two flanking a tree on rockwork at the back, one standing and the other seated, on a grassy and rockwork base, 33.2cm high, incised W(?)5 / AF 1 AM (minor chips)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance: Ernst Blumka (1886-1969), Vienna (to 1938) and London; Thence by descent to the Eveline Newgas Collection, London

Another example is illustrated in D. Flach, Ludwigsburger Porzellan (1997), no. 28 (without the tree), and another in L. Balet, Ludwigsburger Porzellan (Figurenplastik), Vol.I (1911), no. 398.

193 A VERY RARE ANSBACH ORNITHOLOGICAL JUG SENT TO THE REVEREND DE MOL AT LOOSDRECHT, CIRCA 1773 The porcelain Ansbach, the painting of the mark attributed to L.V. Gerverot in Schrezheim, the large cockerel portrayed in a naturalistic setting, scattered flowers surrounding the central scenes, the double entwined handle picked out in gilding, 10cm 192 rampant lion in overglaze-blue to the base of both cup and saucer, faint Ansbach mark in underglaze- blue under the rampant lion mark (losses to gilding, faint discoloured scratch)

£600 - 800 €710 - 950 US$780 - 1,000

A plate with a similar lion mark in blue enamel over an Ansbach mark in underglaze-blue is illustrated by A.L. den Blaauwen, Loosdrechts Porselein 1774-1784 (1988), no.275. A teapot of Ansbach shape but apparently unmarked (no. 274) shows the same mark. Another tea-kettle with ormolu mounts and wooden handle is in the collection of Kasteel- Museum Sypesteyn, Loosdrecht.

For a discussion of this rare piece see the footnote to a cup and saucer from the same service sold in these rooms, 14 December 2016 lot 141.

193

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 127 194 A RARE LUDWIGSBURG HUNTING GROUP, CIRCA 1770 Probably modelled by J.C. Haselmeyer, an embracing couple seated on rockwork beside two hunting dogs sitting on the ground, a rifle leaning on a tree stump to the right of the man, a dead stag hanging from a tree next to the woman, a sheathed sword on the forest ground in front of them, the base applied with foliage and mushrooms, 26.5cm high, CC monogram in underglaze-blue (minor losses)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance: Ernst Blumka (1886-1969), Vienna (to 1938) and London; Thence by descent to the Eveline Newgas Collection, London 194 Another example is illustrated in D. Flach, Ludwigsburger Porzellan (1997), no. 67, and another in R. Jansen, Glanz des Rokoko - Ludwigsburger Porzellan aus der Sammlung Jansen (2008), no. 28.

195 A PAIR OF LUDWIGSBURG FIGURES WITH FUR MUFFS, CIRCA 1767 The man modelled by J. Nees, wearing a fur hat, a puce fur-lined coat and a white waistcoat with gilt borders, the lady modelled by Nees and P.F. Lejeune, wearing a black fur-lined cape, a white bonnet and a puce dress with a green floral pattern, both holding fur muffs, 15cm and 14.7cm high, CC monograms in underglaze-blue, impressed A.27 (he) and A.28 (she), impressed 3.P.M painter’s mark S in brown to both (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Examples of the models are illustrated in D. Flach, Ludwigsburger Porzellan (1997), nos. 176 and 372.

195

For details of the charges payable in addition to the final Hammer Price of each Lot 128 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 196 A LARGE HÖCHST-DAMM GROUP OF ‘DER SCHLUMMER DER SCHÄFERIN’, CIRCA 1825 After the 18th century Höchst porcelain model by J.P. Melchior, depicting a sleeping shepherdess attended by a shepherd seated next to her and a small boy with a dog, on a grassy and rockwork base, 23.6cm high, incised 35 (minor restoration and losses)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

Provenance: Ernst Blumka (1886-1969), Vienna (to 1938) and London; Thence by descent to the Eveline Newgas Collection, London

196 The original model is after the engraving ‘Les Amours Pastorales’ by Claude Augustin Duflos, after the painting by Boucher in the Wallace Collection, London. See Patricia Stahl, Höchster Porzellan 1746-1796 (1994), nos.6.3.3. and 6.3.4. for an example and discussion of the porcelain model and the source print.

197 A NYMPHENBURG FIGURE OF A PUTTO EMBLEMATIC OF JUNO, CIRCA 1770-80 Modelled by F.A. Bustelli, seated on clouds wearing blue draperies, a peacock at her side, 10.2cm high, impressed P (old restoration)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

Bustelli first modelled the figure in 1755-57. Other coloured examples are in the Museum für Kunst und Gewerbe, Hamburg, the Residenzmuseum, Munich, and the Sammlung Bäuml, Munich (illustrated in A. Ziffer, Nymphenburger Porzellan, Sammlung Bäuml (1997), no. 19). For a full list and a white example missing the peacock, see Katharina Hantschmann/ Alfred Ziffer, Franz Anton Bustelli - Nymphenburger Porzellanfiguren des Rokoko (2004), no. 32.

197

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 129 198 A VERY RARE GERMAN PORCELAIN COMMEMORATIVE Provenance: WATCH STAND, PROBABLY NYMPHENBURG, DATED 1785 Louise Catherine Antoinette, Baroness van Zuylen van Nyevelt, In the form of a an obelisk with pierced oval cartouche and recess, Hyde Park, Doorn, The Netherlands; surmounted by a putto on drapery supporting an oval shield with Thence by descent to the present owner a silhouette portrait of a lady facing dexter, on four ball feet on a rectangular plinth applied with grasses and moulded with gilt-edged The gilt inscription in the open book on the base reads “May your swags and a laurel wreath enclosing the gilt initials ‘B.M./ P.’, on a future fate be as today, the day of our marriage, happiness. [...] 8th rockwork base with figures of Chronos and a reclining nymph, the August 1785”; unfortunately, the place-name preceding the date is latter leaning on an open book inscribed in gilding ‘Dein künftig/ worn and illegible. A marked Nymphenburg group, titled ‘Die erhebte Schiksal sey/ wie heute am/ Tage unsrer Hoch:/ zeit Freude./ [...]/ den Wahrheit’ with similarly modelled figures of a winged, bearded man 8.Aug:/ Ano 1785.’, gilt coins scattered at the feet of Chronos, 30cm holding aloft a nymph, is illustrated by F.H. Hofmann, Geschichte der high (putto and shield restuck, minor wear) Bayerischen Porzellan-Manufaktur Nymphenburg (1921-23), I, ill. 170.

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot 130 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 199

199 TWO VIENNA GROUPS OF CHILDREN, CIRCA 1760 The first modelled as blacksmiths with a child sharpening an arrow and another operating the grindstone set on rockwork, the second group emblematic of Sculpture, one child working on a female bust with chisel and hammer, another boy working on a small figure in his hands, 20.6cm and 22.5cm high, shield marks in blue and underglaze-blue, incised mark and impressed star marks (some restoration)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance: Anon. sale, Phillips London, 29 January 1975, lot 113 (the first); Ernst Blumka (1886-1969), Vienna (to 1938) and London, thence by descent (the second); Eveline Newgas Collection, London

The second group is part of a series of allegories of the Arts, depicting children at various pursuits. It also included groups emblematic of Astronomy, Music and Painting. For another example of this model, see E. Sturm-Bednarczyk/E. Sladek, Zeremonien - Feste - Kostüme (2010), no. 262, p. 186.

200 A GOTHA DOUBLE-HANDLED CUP, COVER AND SAUCER, 200 CIRCA 1790 Painted with gilt-edged medallions enclosing peasant scenes in brown monochrome, under classical gilt foliate garlands, gilt borders to the rims, the cover with a flower bud finial, the cup and cover: 13cm high, ‘R’ mark in underglaze-blue (one handle restuck, some rubbing) (3)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

201 A VIENNA MODEL OF A RECUMBENT HOUND, CIRCA 1770 Decorated with a gilt collar, the edge of the base with a gilt scrollwork border, 20.8cm long, shield mark in blue

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance: Ernst Blumka (1886-1969), Vienna (to 1938) and London (acquired before 1930); Thence by descent to the Eveline Newgas Collection, London

202 A similar example was in the Karl Mayer Collection, sold Glückselig, Vienna, 19 - 21 November 1928, lot 369, plate 111. Another one is illustrated by C. Perlès, Céramiques Anciennes (catalogue 8) no. 86.

202 A NYMPHENBURG HAUSMALER ARMORIAL CUP AND SAUCER, CIRCA 1785 Painted by Johann Klein with an armorial and flower garlands borders to the rims, the reverse of the cup with a monogram, impressed shield marks to both, impressed o and 85. in iron- red to saucer, J./I.K. in iron-red to cup (2)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Johann Klein worked at the Nymphenburg factory between 1765 and 1771, after which time he continued as an independent decorator. He often purchased pieces of second grade/quality, adding his initials carefully over the top of the scratched marks on the undersides, see A. Ziffer, Nymphenburger Porzellan, Sammlung Bäuml (1997), p.232.

203 204

For details of the charges payable in addition to the final Hammer Price of each Lot 132 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 206 205

203 205 A RARE LIMBACH ITALIAN COMEDY FIGURE, CIRCA 1780 A COPENHAGEN DESK SET, CIRCA 1790 Holding a mask in his right hand, wearing a black hat, purple jacket, The stepped sides decorated with gilt stripes and a formal pale green shirt and flower-decorated breeches, 12.5cm high orange-ground band reserved and moulded with panels enclosing painted leaves, the top painted with scattered floral sprays, the ink £1,200 - 1,500 pots and covers moulded and painted with leaves, comprising: a stand €1,400 - 1,800 with attached candlestick and bowl and cover, an ink pot and cover US$1,600 - 1,900 and a caster and cover, 22.5cm long, wave marks in underglaze-blue, incised marks (6)

A similar figure (only three others are recorded) in the Ehmann £1,000 - 1,500 Collection, Basel, is published by C. Fritzsche, Thüringer €1,200 - 1,800 Porzellanfiguren des 18. Jahrhunderts, Mitteilungsblatt der Keramik- US$1,300 - 1,900 Freunde der Schweiz, 116/117 (2003), p. 96.

206 204 AN OVAL GERMAN GILT-METAL-MOUNTED PORCELAIN SNUFF A VIENNA FIGURE OF A BAGPIPE PLAYER WITH PUPPETS, BOX, PROBABLY FRANKENTHAL, CIRCA 1775 CIRCA 1760 The sides moulded with classical columns and painted with hanging Modelled wearing a fur gilet, striped scarf and puce coat and flower garlands, gilt-edged moulded formal borders to the edges, breeches, playing the bagpipes, a board with puppets at his feet, the top and underside painted with loose flower bouquets and flower 20.5cm high, shield mark in underglaze-blue, impressed P (minor sprays, the inside cover decorated with a classical scene of Venus and restoration to extremities) Cupid, 8.2cm long (star-crack to base)

£700 - 900 £1,000 - 1,500 €830 - 1,100 €1,200 - 1,800 US$910 - 1,200 US$1,300 - 1,900

Provenance: Karl Mayer Collection, Vienna, sold by Glückselig, Vienna, 19-21 November 1928, lot 387

A similar figure is illustrated in E. Sturm-Bednarczyk/E. Sladek, Ceremonies, feasts, costumes (2007), cat.no. 301 (or E. Sturm- Bednarczyk/E. Sladek, Zeremonien - Feste - Kostüme (2010), no. 227).

206 (detail)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 133 207 A VIENNA SORGENTHAL PERIOD PLATE, CIRCA 1796 Painted with a hunting scene depicting a gentleman with a rifle and a hound in a landscape, the rim with a turquoise- ground band reserved with a scrolling foliate border between brown line and gilt borders, 24.5cm diam., shield mark in underglaze-blue, impressed 96 and impressed 5

£4,000 - 5,000 €4,800 - 6,000 US$5,200 - 6,500

208 A VIENNA SORGENTHAL PERIOD TOPOGRAPHICAL SOUP PLATE, CIRCA 1798 The rim with three landscapes panels with figures, titled below in black ‘Vue latérale du Temple de Mataponte dans le grand Greece’, ‘Pont rustique construit sur la petite Riviere de Sybaris’ and ‘Paysage du Crati, principal fleuve de Calabre citerieure’, divided by gilt diamond-shaped panels tooled with foliage, enclosed by gilt foliate borders on a pale-yellow ground with demi-florets on a brown-ground in the corners, 207 tooled gilt borders to the rims, a gilt floral border around the edge of the rim, 24.8cm, shield mark in underglaze- blue, impressed date code 98 and 5 (tiny spots of flaking to enamels)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance: Luise Hofmann Collection, sold in these Rooms, 16 May 2007, lot 127

Based on engravings by Desprez and Chastelet illustrating ‘Voyage Pittoresque ou déscription des Royaumes de Naples et de Sicilie’ by St Non, published in Paris between 1781-85. This monumental work consisted of five volumes with 542 engraving and was much used as a source for the Vienna factory. Two other plates from the service in the Museen der Mobiliendepots in Vienna are illustrated by E. Sturm-Bednarczyk / C. Jobst, Viennese Porcelain of the Neo-classical Period (2000), nos. 128 and 129 (dated 1803- 1807); similar plates were made with views of Switzerland and Vienna. Another example is illustrated by A. Fay-Halle and B. Mundt, 19th Century European Porcelain (1983), p. 61, fig. 79.

208

For details of the charges payable in addition to the final Hammer Price of each Lot 134 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FRENCH CERAMICS

FINE EUROPEAN CERAMICS | 135 209 A VINCENNES SILVER-GILT-MOUNTED BLEU-LAPIS-GROUND JUG, COVER AND BASIN, CIRCA 1754 Pot ‘à l’eau tourné’ et jatte ovale, of the first size, each reserved with two panels painted by François le Vavasseur with large flower sprays, enclosed by gilt reeds and flowers, the cover similarly decorated, the basin with gilt flower swags to the sides and a small sprays in the centre, the spout with gilt shell and scrollwork motif against a seeded ground, the handle with trailing gilt floral motif, gilt dentil borders to the rims, the (unmarked) silver-gilt mount with foliate thumbpiece, the jug and cover: 19cm high (excluding mount), 20.5cm high (including mount); the basin: 30.5cm across; 7cm high, interlaced LL monograms enclosing date letter A and painter’s mark W in blue (small haircrack to rim, tip of cover restuck, tiny chips to tip of spout and tip of cover (2)

£15,000 - 25,000 €18,000 - 30,000 US$19,000 - 32,000

Provenance: Sotheby’s London, 9 February 1960 (£270); Acquired by Newman & Newman, London, in the above sale on behalf of an English private collector; Thence by descent to the present owner

Literature: Ilustrated and discussed by Frank Davis in Country Life, vol. CXXVII, 24 March 1960, p. 617; R. Savill, The Wallace Collection. Catalogue of Sèvres Porcelain, II (1988), p. 713, n. 30e

François le Vavasseur is recorded at Sèvres as a flower painter between 1753-70 and 1772-76.

Lazare Duvaux sold a silver-gilt-mounted pot à l’eau and basin to the Duchesse de Luxembourg in January 1755 for 288 livres. His journal states: ‘Du 1er - Mme la Duchesse de Luxembourg: Un pot à l’eau garni de vermeil & sa jatte de lapis, à fleurs, 288l.’ [a water jug mounted in gilt silver and its basin in lapis, of flowers]. The present lot matches that description perfectly, although he does not mention the size. It is also not clear from the Vincennes/ Sèvres sale records, when Duvaux purchased the water jug and basin from the factory. Due to the absence of any other water jugs (and basins) of the first size with a lapis ground and flowers in the sale records and Duvaux’s journal in 1754 or the first half of 1755, it does indeed seem possible that the present lot is the one purchased by Madeleine- Angelique de Neufville-Villeroy (1707-1787), Duchesse de Luxembourg.

For details of the charges payable in addition to the final Hammer Price of each Lot 136 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 137 210 A LARGE VINCENNES BLEU LAPIS-GROUND DOUBLE-HANDLED CUP AND COVER, CIRCA 1756 Gobelet à lait ‘Chopine’ or gobelet à lait of the first size, reserved with panels depicting landscape scenes within gilt foliate and floral scrollwork and trellis cartouches, gilt dentil borders to the rims, the cover with flower finial embellished in gilding, interlaced LL monogram enclosing date letter C in blue, unidentified painter’s mark Y (possibly Yvernel) and incised marks (minuscule chips to finial) (2)

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

211 A SÈVRES BLEU-CÉLÈSTE-GROUND ICE CUP 210 FROM THE PRINCE DE ROHAN SERVICE, CIRCA 1771 Tasse à glace, the blue ground reserved with a panel depicting a bird in a landscape within a gilt oak leaf and acorn cartouche, the rims gilt, 6.5cm high, interlaced LL monogram enclosing date letter S in black and painter’s mark .F. for J.-A. Fallot (replaced metal handle)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

The present lot is from the dessert service made for Cardinal Louis-René-Edouard Prince de Rohan- Guémenée, the Ambassador-Extraordinary to Austria from 1772 to 1774, when he fell out of favour with the Austrian Empress Maria Theresa. He later became Grand Almoner of France, the Cardinal of Sainte Eglise Romaine in 1778 and afterwards Bishop of Strasbourg and the Saint Empire in 1779. The service consisted of 368 pieces costing 20,772 livres and was delivered on 7 September 1772. A trial plate and three further plates are in the Royal Collection and illustrated by Geoffrey de Bellaigue, 211 French Porcelain in the Collection of Her Majesty the Queen, vol. II (2009), nos. 157-158.

For details of the charges payable in addition to the final Hammer Price of each Lot 138 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 212 A SÈVRES DOUBLE-HANDLED ÉCUELLE, COVER AND STAND, CIRCA 1757 Écuelle ‘ronde tournée’ et plateau ‘rond’ of the second size, decorated with scrolling green-ground ribbons embellished and edged with gilt scrollwork, surrounded by large flower garlands, garlands with fruit and chestnuts to the écuelle, gilt dentil borders to the rims, the cover with laurel branch handle, interlaced LL monograms enclosing date letter D in blue, unidentified painter’s mark H, incised marks (3)

£6,000 - 8,000 €7,100 - 9,500 US$7,800 - 10,000

213 * A SÈVRES BLEU-CÉLÈSTE-GROUND TOBACCO JAR AND COVER, CIRCA 1768 Pot à tabac, reserved with elongated gilt-edged oval medallions surrounded by formal and foliate gilding, painted alternatingly with long pendants of flowers and leaves and pendants of puce bell flowers, the cover similarly decorated, 15.2cm high, interlaced LL monogram in blue enclosing date letter P, painter’s mark ... for J.-B. Tandart (l’aîné), incised marks (small restuck section to rim) (2)

£4,000 - 6,000 €4,800 - 7,100 US$5,200 - 7,800

Other examples of the rare pot à tabac are in the collections of the Victoria and Albert Museum, London, and the Los Angeles County Museum of Art. Another is illustrated in M. Brunet/T. Préaud, Sèvres - des origines à nos jours (1978), p. 88, colour plate XXXVI.

A cup and trembleuse saucer of the same date and painted by Tandart with similar decoration, but a green ground, was sold at Christie’s London, 28 November 1977, lot 16.

For details of the charges payable in addition to the final Hammer Price of each Lot 140 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 214 A SÈVRES BLEU-CÉLÈSTE-GROUND CUP AND SAUCER, CIRCA 1760 Gobelet ‘feuille de choux’ et soucoupe, the blue ground reserved and moulded with three panels depicting vignettes of birds in landscapes edged with gilt dash borders, the saucer with a similar panel in the centre surrounded by gilt floral and foliate scrollwork, the cup: 7.8cm high, interlaced LL monogram enclosing date letter G in blue and painter’s mark for Etienne Evans to saucer, incised marks to both (2)

£8,000 - 12,000 €9,500 - 14,000 US$10,000 - 16,000

A green-ground cup and saucer of the same shape and with similar decoration by Evans was sold as part of the John Shearer Collection of Important Meissen, Vincennes and Sèvres, Christie’s London, 25 November 2014, lot 12. Another with similar decoration by Evans and a pink ground is in the collection of the Victoria and Albert Museum, London. Other examples of the shape with different decoration are in the Wallace Collection, London, the Cleveland Museum of Art, the Metropolitan Museum of Art, New York, and the Musée des Arts Décoratifs, Paris.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 141 215 A SÈVRES GREEN-GROUND PART DEJEUNER, CIRCA 1768 Reserved with medallions of roses edged with gilt dentil borders, the covers applied with flower finials, comprising: a teapot and cover (théière ‘Calabre’), a milk jug (pot à lait ‘à trois pieds’ of the first size) and a sugar bowl and cover (pot à sucre ‘Calabre’ of the first size), the teapot: 14.4cm high, interlaced LL monograms enclosing date letter P, painter’s mark for Pierre Freta, incised marks (tiny chips to finials) (5)

£3,500 - 4,500 €4,200 - 5,400 US$4,500 - 5,800

216 No lot

For details of the charges payable in addition to the final Hammer Price of each Lot 142 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 143 217 A PAIR OF SÈVRES HARD-PASTE VASES, CIRCA 1778 The vase form in all its variations, and these particular vases, have Vases bouc du Barry, painted by Jean-Jacques Dieu with polychrome been discussed in detail by Rosalind Savill (1986) and Adrian Sassoon chinoiserie sea battles and flying insects, outlined in gilding, applied with (see above Literature): it was produced in four versions and in both gilt goat’s head handles, draped and tied goatskins below the scene soft- and hard-paste. The only other examples of this most elaborate and gilt flower garlands suspended from the necks, gilt collars around version of the model is the pair of vases decorated with flower baskets the necks and gilt borders to the moulded rims, 30cm high, crowned and vases and birds purchased by J. Paul Getty in 1938 and now interlaced LL marks in red enclosing date letter AA (one smudged), in the Getty Museum (Sassoon, cat. no. 23 - in addition the present painter’s mark for Dieu and gilder’s mark for Jean Chauvaux (le jeune) lot and the Getty vases, seven other examples are recorded in the (one with a goat’s head horn replaced and two chips to foot) (2) literature).

According to Savill’s study of the overtime records, it is probable that £70,000 - 90,000 Dieu was paid 60 livres each for decorating these vases (Savill, p. 138), €83,000 - 110,000 and the kiln records indicate that they were fired in December 1778. US$91,000 - 120,000 A pair of vases à tête de bouc presented by Louis XVI to the Holy Roman Emperor, Joseph II, in 1777 cost 360 livres each, so it is likely Provenance: that these vases cost the same amount in 1778. Savill (p. 140) has William Stephen Poyntz (1770-1840), thence to his daughter; identified thirteen unspecified vases at this price in the salesecords r Georgiana Elizabeth, Countess Spencer (née Poyntz); between August 1778 and December 1779. Madame Elisabeth and The Earls Spencer, Althorp, Northamptonshire; the duchesse de Mazarin each purchased a pair of vases in 1778, London art market, from 1986 (according to Sassoon, see below and nine vases - presumably including the present lot - were delivered Literature) to Versailles in 1779: of these, Louis XVI purchased a pair and a set of three; his aunt, Madame Victoire, purchased a pair of vases, and Literature: an unnamed member of the court bought another pair in December. R.J. Charleston, Sèvres and Other French Porcelain in Earl Spencer’s Sasson notes (p. 116) that a pair of vases was listed in 1794-95 Collection at Althorp, in The Connoisseur 173 (February, 1970), pp. among the possessions of Louis XVI’s sister-in-law, the comtesse 77-86, fig. 11; d’Artois (two egg-shaped vases with garlands, drapery, and goat’s R. Savill, A Pair of Sèvres Vases: From the Collection of Sir Richard heads as handles...gilded on a white ground of Sèvres porcelain); the Wallace to the J. Paul Getty Museum, in The J. Paul Getty Museum vases may have been the pair purchased by a member of the court, or Journal. vol. 14 (1986), p. 138; those purchased by the king and subsequently given to the comtesse S. Eriksen & G. de Bellaigue, Sèvres Porcelain - Vincennes and Sèvres d’Artois. 1740-1800 (1987), p. 331f, no. 142; R. Savill, The Wallace Collection Catalogue of Sèvres Porcelain (1988), A tray and part tea service painted by Lécot in 1779 in the Wallace II, p. 625; Collection is similarly decorated with naval battle scenes, described A. Sassoon, Vincennes and Sèvres Porcelain: Catalogue of the as ‘marine chinois’ with European figures on the tray and chinoiserie Collections, The J. Paul Getty Museum (1992), no. 23, n. 19 figures on the other pieces (Savill 1988, II, pp. 621ff., C407-13, the author notes (p. 625) that the sources for these types of chinoiserie scene are unidentified, and may possibly be based on 17th-century Dutch engravings). It is interesting to note that one ship on each vase bears a shield with the French royal arms.

For details of the charges payable in addition to the final Hammer Price of each Lot 144 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 145 146 | BONHAMS (reverse)

FINE EUROPEAN CERAMICS | 147 218

218 TWO RARE STRASBOURG PORCELAIN CIRCULAR TUREENS AND COVERS, LATE 18TH CENTURY On four high gilt-edged column feet, applied with bull’s head handles embellished in gilding or purple and with gilt and ochre rings, respectively, painted with scattered flower sprays, the urn-shaped finial and moulded rims edged in gilding, and gilding and purple, 27cm diam., 31cm high, one with indistinct underglaze-blue mark and incised V419, painter’s numeral 50 (minor wear and chips) (4)

£6,000 - 8,000 €7,100 - 9,500 US$7,800 - 10,000

A similar tureen and cover with its stand is in the Musée des Beaux-Arts, Strasbourg, see E. Tilmans, Porcelaines de France (1953), p. 122.

219 A PAIR OF MENNECY MINIATURE FIGURES OF GARDENERS, CIRCA 1760 Both holding flowers, she wearing a white and puce bodice, a puce apron and yellow striped skirt, he wearing a blue-edged jacket, pink waistcoat and puce breeches, 9.6cm and 9.8cm high (she restuck 219 through waist) (2)

£600 - 800 €710 - 950 US$780 - 1,000

For details of the charges payable in addition to the final Hammer Price of each Lot 148 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH AND 20TH CENTURY PORCELAIN

FINE EUROPEAN CERAMICS | 149 220 A LARGE MEISSEN MODEL OF A TURKEY HEN, LATE 19TH/EARLY 20TH CENTURY After the model by J.F. Eberlein, in the white, on a rocky base with tree-stump support applied with leaves, 45.5cm high, crossed swords mark with two incised cancellation marks, incised model number K.106 and indistinct impressed numeral

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

A variation of the model by Eberlein of 1735 for the Japanese Palace; see c. Albiker, Die Meißner Porzellantiere im 18. Jahrhundert (1959), no. 65, for the early version with enamel decoration in the Dresden Porzellansammlung.

221 A VERY LARGE MEISSEN MODEL OF A PARROT, LATE 19TH CENTURY Naturalistically coloured and modelled perched on a tree stump, the base applied with leaves, 42.3cm high, crossed swords mark in blue, incised model number A43 G?, impressed numeral (minor restoration to leaves)

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,500 220

222 TWO MEISSEN MODELS OF PARROTS, LATE 19TH CENTURY Each naturalistically modelled perched on a tree stump, one nibbling on some food held in its left claw, 31.3cm and 29.3cm high, crossed swords marks in underglaze blue, incised model numbers 20 and 20x, impressed numerals (restoration to wing and tail feather tips on one) (2)

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

222 221 For details of the charges payable in addition to the final Hammer Price of each Lot 150 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 223

223 A PAIR OF MEISSEN MODELS OF HOOPOE BIRDS, MID 19TH CENTURY After the 18th century models by J.J. Kaendler, naturalistically coloured, each sitting on a tree stump, applied with leaves, 31cm high, crossed swords marks in blue, incised model numbers 278 and 282, impressed numerals (minor restoration to one beak tip) (2)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

224 A LARGE MEISSEN FIGURAL POT-POURRI VASE AND COVER, LATE 19TH CENTURY After the 18th century model by J.F. Eberlein, the pierced baluster body painted with a Watteau style landscape scene and heightened in gilding, each side applied with leafy fruiting branches and a monkey to the front side, the base with a seated woman and putto flanking a flower basket, the base moulded with gilt-edged scrollwork and raised on four scrolling feet, 33.cm high, crossed swords mark in underglaze-blue, incised model number 1002, impressed numeral (some restoration) (2)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Another example is illustrated in S. & T. Bergmann, Meissen Figures - Model Numbers 1 - 3000 (2017), no. 2578.

224 For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 151 225

225 TWO MEISSEN MODELS OF PARROTS, LATE 19TH CENTURY Each naturalistically modelled perched on a tree stump, the base applied with leaves and foliage, 26.5cm high, crossed swords marks in underglaze- blue, incised model number Z49, impressed numerals and painter’s numerals (some restoration to tips of wing and tail feathers) (2)

£1,500 - 2,500 €1,800 - 3,000 US$1,900 - 3,200

226 A LARGE MEISSEN EWER EMBLEMATIC OF WATER, 2ND HALF 19TH CENTURY After the 18th century model by J.J. Kaendler, with a scene in low relief depicting a naval battle, flanked by figures of Neptune, a mermaid and galloping hippocampi, the base with spouting dolphins among bulrushes, 62cm high, crossed swords mark in underglaze-blue above one incised cancellation line, incised model number 320, impressed numerals (some restoration)

£2,000 - 3,000 €2,400 - 3,600 226 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot 152 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 227 A MEISSEN LARGE FIGURE OF “COUNT BRÜHL’S TAILOR”, SECOND HALF 19TH CENTURY After the 18th century model by J.J. Kaendler, wearing a tricorn, a yellow jacket with colourful flowers, gilt brocade borders and frogging, a waistcoat with a striped and floral pattern, iron-red breeches and black riding boots, a bag slung over his shoulder containing tailor’s tools, and further items attached to the shaggy goat, 43.5cm high, crossed swords mark in underglaze-blue (some typical losses and repairs)

£7,000 - 8,000 €8,300 - 9,500 US$9,100 - 10,000

228 229 230 A SET OF FOUR MEISSEN FEMALE A MEISSEN ‘SCHNEEBALLEN’ PART A MEISSEN DOUBLE-HANDLED TUREEN FIGURES EMBLEMATIC OF THE SENSES, SERVICE, EARLY 20TH CENTURY AND COVER, CIRCA 1968 SECOND HALF 19TH CENTURY Applied with a dense ground of mayflowers After an 18th century model, painted with the After the 18th century models by J.F. Eberlein, and green and gilt trailing leafy branches with Royal arms of Saxony and Poland, the pierced each with the respective attributes of Taste, flowers and perching birds, the top of the body decorated with gilding, gilt scrollwork and Smell, Touch and and Hearing, putti and saucers painted with scattered flower sprays, panels depicting Kauffahrtei and landscape animals accompanying them, the bases comprising: four covered cups and saucers and scenes, applied with seated putti holding on four feet and moulded with gilt-edged a milk jug, the milk jug: 11.5cm high, crossed swags, the handles modelled as female busts scrollwork, 29cm high, crossed swords swords marks in underglaze-blue, impressed wearing feathered headdresses, the cover marks in underglaze-blue, incised model numerals to saucers and iron-red numerals to surmounted by a crown finial, the interior numbers 1042, 1051, 1062 and 1136, various cups (handles on covers restored) (13) gilt, 26.5cm long, crossed swords mark in impressed numerals and painters’ numbers underglaze-blue, incised model number B136, (minor damage to Hearing) (4) impressed numeral and impressed mark for £2,000 - 3,000 1968 (top of crown restuck) (2) €2,400 - 3,600 £1,500 - 2,000 US$2,600 - 3,900 €1,800 - 2,400 £4,000 - 6,000 US$1,900 - 2,600 €4,800 - 7,100 US$5,200 - 7,800 Eberlein originally modelled the set in 1748; see S. and T. Bergmann, Meissen Figures - Model A similar tureen is illustrated in L. Mitchell in Numbers 1 - 3000 (2017), nos. 1801-1804. Meissen, Collector’s Catalogue (2004), p. 139, no. B136.

For details of the charges payable in addition to the final Hammer Price of each Lot 154 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 229

230

FINE EUROPEAN CERAMICS | 155 231 A BERLIN PORCELAIN PLAQUE OF ‘PSYCHE’, LATE 19TH CENTURY After the painting by Wilhelm Kray, depicting a nude and winged Psyche with diaphanous draperies across her lap, seated on rockwork at the edge of a lake, a butterfly perched on her hand, 23.7cm by 16.2cm, impressed sceptre and K.P.M marks, impressed J 4 and 158 237

£1,200 - 1,500 €1,400 - 1,800 US$1,600 - 1,900

232 231 A BERLIN EGG FLASK WITH A GILT METAL STOPPER, LATE 19TH/EARLY 20TH CENTURY Painted with a gilt-edged medallion depicting a landscape scene with a townscape in the background, a blue scale border along the top, gilt scrollwork and foliage surrounding both, 10cm high (2)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,600

232

For details of the charges payable in addition to the final Hammer Price of each Lot 156 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 233 * A VERY LARGE FRAMED BERLIN PLAQUE OF ‘THE WISE AND FOOLISH VIRGINS’, DATED 1884 Painted by Leonhard Sturm after a painting by Karl von Piloty (1826– 1886), signed lower right ‘L. Sturm./ Dresden/ 1884’, depicting the Parable of the ten Virgins, mounted in a giltwood frame with fruiting foliage, the plaque: 52cm by 67cm; the frame: 65.3cm by 80cm, impressed sceptre and K.P.M mark over F, incised 26 - 20 1/2

£20,000 - 30,000 €24,000 - 36,000 US$26,000 - 39,000

Leonhard Sturm, a Dresden painter of plaques, participated in the Art and Art-Industry Exhibition in Munich in 1876, see W. Neuwirth, Porzellanmaler-Lexicon 1840-1914 (1977), vol. II, p. 288. Three versions of Karl von Piloty’s painting are recorded between 1881 and 1884. The latter version is in the Sheldon Museum of Art, University of Nebraska.

234 235 A MEISSEN JUGENDSTIL VASE, EARLY 20TH CENTURY A MEISSEN FIGURE OF A GIRL WITH A PRAM, CIRCA 1910 Of organic shape ending in four scrolling finials, decorated with a pale Modelled by Konrad Hentschel, with a girl in a white dress reaching for pink ground, each side reserved with an organic shell-like ornament a doll in a pram, a blanket with indianische Blumen draped over the and decorated with a fine black craquelure pattern, 19.4cm high, edge, 13.3cm high, crossed swords mark in blue, painter’s numeral crossed swords mark in blue, impressed 133 and impressed L 13 41. in blue, incised model number W.124 and impressed numeral 50 (two scroll finials restored) £800 - 1,200 £2,000 - 3,000 €950 - 1,400 €2,400 - 3,600 US$1,000 - 1,600 US$2,600 - 3,900 Modelled by Hentschel in 1905, see S. & T. Bergmann, The Art of Meissen Figures (2010), no. 472.

For details of the charges payable in addition to the final Hammer Price of each Lot 158 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 236 * A RARE MEISSEN BUST OF THE MADONNA, CIRCA 1925 The sculptor Richard Langer was introduced to the Meissen Modelled by Professor Richard Langer as a half-length bust of a young manufactory by Paul Scheurich as early as 1913, though the first woman with he right hand raised, her head slightly tilted, wrapped models were only purchased from him in 1919. The manufactory in a large robe, 66cm high, crossed swords mark and dot in blue to director, Max Adolf Pfeiffer, wrote to the sculptor in December 1924, base, the back with impressed crossed swords mark and dot and thanking him for photographs of a new model for which he expressed ‘weiß’,incised model number A.1125, impressed 23 and 38 his great enthusiasm. That model - the Madonna - was produced in porcelain the following year, and Pfeiffer even had one in his office, writing to Langer that this “completely wonderful piece gives me £6,000 - 8,000 pleasure every day.” See C.Marusch-Krohn, Meissener Porzellan 1918- €7,100 - 9,500 1933 Die Pfeifferzeit, pp.121ff., and ill.104, for another example of the US$7,800 - 10,000 model in the Grassi-Museum, Leipzig. Two other examples of this rare model were sold at Sotheby’s, Fine British and European Ceramics & Glass, London, 2nd June 2005, lot 77 and 5 June 2007, lot 97.

237 A SET OF FIFTEEN ROYAL COPENHAGEN ANIMAL PLATES, A TUREEN AND COVER AND A LARGE OVAL DISH, SECOND HALF 20TH CENTURY Of Flora Danica shape, each finely painted with an animal in a landscape, the moulded rims embellished in gilding, titled in black on reverse, the tureen cover with a branch and flower handle, the dish: 46.5cm long, wave marks in underglaze-blue and blue, factory marks stencilled in green, various numerals and letters in green (18)

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

238 (part lot)

For details of the charges payable in addition to the final Hammer Price of each Lot 162 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 239 (part lot)

238 239 A SET OF TWELVE ROYAL COPENHAGEN FRUIT PLATES AND A SET OF TWENTY-FOUR ROYAL COPENHAGEN FISH PLATES, A CIRCULAR BASKET, SECOND HALF 20TH CENTURY A SAUCEBOAT AND A LARGE OVAL DISH, SECOND HALF 20TH Of Flora Danica shape, each painted with a fruit specimen, the moulded CENTURY rims embellished in gilding, the basket applied with flowers and branch Of Flora Danica shape, each finely painted with a fish specimen, the handles, titled in black on reverse, the plates: 22.2cm diam., the basket: moulded rims embellished in gilding, titled in black on reverse, the dish: 21.6cm diam., wave marks in underglaze-blue, factory marks stencilled 46.5cm long, wave marks in underglaze-blue, factory marks stencilled in green, various numerals and letters in green (13) in green, various numerals and letters in green (minor chips) (26)

£2,000 - 3,000 £4,000 - 6,000 €2,400 - 3,600 €4,800 - 7,100 US$2,600 - 3,900 US$5,200 - 7,800

240 A SET OF FIFTEEN ROYAL COPENHAGEN BIRD PLATES AND A SAUCEBOAT, SECOND HALF 20TH CENTURY Of Flora Danica shape, each finely painted with a bird in a landscape, the moulded rims embellished in gilding, titled in black on reverse, the plates: 25.6cm diam., wave marks in underglaze-blue, factory marks stencilled in green, various numerals and letters in green (16)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot 164 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. (part lot)

241 A LARGE ROYAL COPENHAGEN FLORA DANICA DINNER 1 oval leaf-shaped dish with branch handle (22.5cm long), SERVICE, SECOND HALF 20TH CENTURY 1 oval deep dish (24.5cm long), Each finely painted with botanical specimen, the moulded rims with gilt 1 oval pierced basket (25cm long), beaded borders, titled in black on reverse, comprising: 1 shaped oval dish with pierced rim (26.8cm long), 36 dinner plates (25.5cm diam.), 2 circular bottle coolers (16cm high), 12 soup plates (22cm diam.), 1 oval bottle cooler (17cm high), 12 dessert plates (22cm diam.), 1 triangular shaped dish (25.8cm long), 6 tiny circular dishes (7.7cm diam.), 1 small oval bowl and cover (15.5cm long), 12 double-handled ecuelles and stands (stands: 17cm diam.), 2 small circular double-handled boxes and covers (11.5 cm across handles), 12 custard cups, covers and stands (stands: 10.3cm long), 1 large oval deep dish and cover (39cm long), 5 candlesticks (17cm high), 1 large oval dish (47cm long), 2 leaf-shaped dishes (17.8cm long), 1 circular dish (36cm diam.), 2 leaf-shaped dishes (21cm long), wave marks in underglaze-blue, factory marks stencilled in green, 1 shaped rectangular dish (29.8cm long), various numerals and letters in green (166) 1 large circular bowl (23.5cm diam.), 1 circular tureen, cover and stand (stand: 33.5cm diam., tureen: 24cm high), £35,000 - 55,000 2 circular shallow bowls (23cm diam.), €42,000 - 65,000 3 shaped square deep dishes (22.5cm long), US$45,000 - 71,000 1 glass cooler (34cm long), 1 pierced cloche and stand (28cm high), END OF SALE

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 165 ENQUIRIES OPENING TIMES BONHAMS RESTAURANT +44 (0) 20 7468 5868 Monday to Friday 9am - 5pm New Bond Street, London bonhamsrestaurant.com Lunch: 12noon - 2.30pm Dinner: Wednesday, Thursday If you’re visiting Bonhams to view the Fine European & Friday, from 7pm Ceramics sale, why not take advantage of lunch in our Michelin starred restaurant.

FINE EUROPEAN CERAMICS lot 15

RESTAURANT

bonhamsrestaurant.com A SALE OF ENGLISH AND CONTINENTAL ENQUIRIES EUROPEAN FURNITURE, WORKS OF ART, SCULPTURE, Charlie Thomas COLLECTIONS OLD MASTER PAINTINGS, ITALIAN +44 (02)07 468 8358 Wednesday 7 June 2017 MAIOLICA AND ART DECO SCULPTURE [email protected] SOURCED FROM PRIVATE COLLECTIONS Knightsbridge, London ACROSS EUROPE

bonhams.com/privatecollections NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who doing so. Such items which are unsuitable for connection of any statement or representation made by Bonhams or on may be interested in a Lot, including Bidders and potential are sold as items of interest for display purposes only. If you Bonhams’ behalf which is in any way descriptive of any Lot Bidders (including any eventual Buyer of the Lot). For ease of yourself do not have expertise regarding a Lot, you should or as to the anticipated or likely selling price of any Lot. No reference we refer to such persons as “Bidders” or “you”. Our consult someone who does to advise you. We can assist in statement or representation by Bonhams or on its behalf in any List of Definitions and Glossary is incorporated into this Notice arranging facilities for you to carry out or have carried out more way descriptive of any Lot or any Estimate is incorporated into to Bidders. It is at Appendix 3 at the back of the Catalogue. detailed inspections and tests. Please ask our staff for details. our Buyer’s Agreement. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics. Any person who damages a Lot will be held liable for the Alterations loss caused. Descriptions and Estimates may be amended at Bonhams’ IMPORTANT: Additional information applicable to the Sale discretion from time to time by notice given orally or in may be set out in the Catalogue for the Sale, in an insert in 3. DESCRIPTIONS OF LOTS AND ESTIMATES writing before or during a Sale. the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting Contractual Description of a Lot THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST the Sale may also be given out orally before and during the The Catalogue contains an Entry about each Lot. Each Lot FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Sale without prior written notice. You should be alert to the is sold by its respective Seller to the Buyer of the Lot as STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is printed EXAMINED ON YOUR BEHALF BEFORE THE SALE. have been any. in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the 4. CONDUCT OF THE SALE 1. OUR ROLE Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of Our Sales are public auctions which persons may attend and In its role as Auctioneer of Lots, Bonhams acts solely for the Seller) about the Lot only and is not part of the Contractual you should take the opportunity to do so. We do reserve the and in the interests of the Seller. Bonhams’ job is to sell the Description in accordance with which the Lot is sold by the right at our sole discretion to refuse admission to our premises Lot at the highest price obtainable at the Sale to a Bidder. Seller. or to any Sale without stating a reason. We have complete Bonhams does not act for Buyers or Bidders in this role and discretion as to whether the Sale proceeds, whether any does not give advice to Buyers or Bidders. When it or its Estimates Lot is included in the Sale, the manner in which the Sale is staff make statements about a Lot or, if Bonhams provides In most cases, an Estimate is printed beside the Entry. conducted and we may offer Lots for Sale in any order we a Condition Report on a Lot it is doing that on behalf of the Estimates are only an expression of Bonhams’ opinion made choose notwithstanding the numbers given to Lots in the Seller of the Lot. Bidders and Buyers who are themselves on behalf of the Seller of the range where Bonhams thinks the Catalogue. You should therefore check the date and starting not expert in the Lots are strongly advised to seek and obtain Hammer Price for the Lot is likely to fall; it is not an Estimate time of the Sale, whether there have been any withdrawals independent advice on the Lots and their value before bidding of value. It does not take into account any VAT or Buyer’s or late entries. Remember that withdrawals and late entries for them. The Seller has authorised Bonhams to sell the Lot Premium payable or any other fees payable by the Buyer, may affect the time at which a Lot you are interested in is put as its agent on its behalf and, save where we expressly make which are detailed in paragraph 7 of the Notice to Bidders, up for Sale. We have complete discretion to refuse any bid, it clear to the contrary, Bonhams acts only as agent for the below. 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However these do vary from Sale to Catalogue or an announcement to that effect will be made by In respect of most Lots, you may ask for a Condition Report Sale and from Auctioneer to Auctioneer. Please check with the Auctioneer, or it will be stated in a notice at the Sale or an on its physical condition from Bonhams. If you do so, this will the department organising the Sale for advice on this. Where insert in the Catalogue. be provided by Bonhams on behalf of the Seller free of charge. a Reserve has been applied to a Lot, the Auctioneer may, Bonhams is not entering into a contract with you in respect in his absolute discretion, place bids (up to an amount not Bonhams does not owe or undertake or agree to any duty of the Condition Report and accordingly does not assume equalling or exceeding such Reserve) on behalf of the Seller. or responsibility to you in contract or tort (whether direct, responsibility to you in respect of it. 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The Buyer will be the Bidder who makes the relationship with the Buyer. Contractual Description of the Lot under which it is sold to highest bid acceptable to the Auctioneer for any Lot (subject any Buyer. to any applicable Reserve) to whom the Lot is knocked down 2. LOTS by the Auctioneer at the fall of the Auctioneer’s hammer. Any The Seller’s responsibility to you dispute as to the highest acceptable bid will be settled by the Subject to the Contractual Description printed in bold letters The Seller does not make or agree to make any representation Auctioneer in his absolute discretion. All bids tendered will in the Entry about the Lot in the Catalogue (see paragraph 3 of fact or contractual promise, Guarantee or warranty and relate to the actual Lot number announced by the Auctioneer. below), Lots are sold to the Buyer on an “as is” basis, with undertakes no obligation or duty, whether in contract or in An electronic currency converter may be used at the Sale. 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NTB/MAIN/V2/2.17 NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who doing so. Such items which are unsuitable for connection of any statement or representation made by Bonhams or on to any person even if that person has completed a Bidding Buyer’s Premium and associated charges. If we approve the 8. VAT may be interested in a Lot, including Bidders and potential are sold as items of interest for display purposes only. If you Bonhams’ behalf which is in any way descriptive of any Lot Form. identity of your client in advance, we will be in a position to Bidders (including any eventual Buyer of the Lot). For ease of yourself do not have expertise regarding a Lot, you should or as to the anticipated or likely selling price of any Lot. No address the invoice to your principal rather than you. We will The prevailing rate of VAT at the time of going to press is 20%, reference we refer to such persons as “Bidders” or “you”. Our consult someone who does to advise you. 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The bidding number system is Services Department for further details. The following symbols, shown beside the Lot number, are the List of Definitions, they are printed in italics. Any person who damages a Lot will be held liable for the Alterations sometimes referred to as “paddle bidding”. You will be issued used to denote that VAT is due on the Hammer Price and loss caused. Descriptions and Estimates may be amended at Bonhams’ with a large card (a “paddle”) with a printed number on it. This 6. CONTRACTS BETWEEN THE BUYER AND Buyer’s Premium: IMPORTANT: Additional information applicable to the Sale discretion from time to time by notice given orally or in will be attributed to you for the purposes of the Sale. Should SELLER AND THE BUYER AND BONHAMS † VAT at the prevailing rate on Hammer Price and Buyer’s may be set out in the Catalogue for the Sale, in an insert in 3. 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Unless agreed by us in or responsibility to you in contract or tort (whether direct, responsibility to you in respect of it. Nor does the Seller owe or We are not responsible to you in respect of the presence or Bidding Form carefully before returning it to us, fully completed Storage and handling charges may also be payable by the advance payments made by anyone other than the registered collateral, express, implied or otherwise). If you successfully bid agree to owe you as a Bidder any obligation or duty in respect absence of any Reserve in respect of any Lot. If there is a and signed by you. It is your responsibility to check with our Buyer as detailed on the specific Sale Information page at the Buyer will not be accepted. Payment will have to be by one of for a Lot and buy it, at that stage Bonhams does enter into an of this free report about a Lot, which is available for your own Reserve it will normally be no higher than the lower figure for Bids Office that your bid has been received. This additional front of the catalogue. the following methods (all cheques should be made payable to agreement with the Buyer. The terms of that contract are set inspection or for inspection by an expert instructed by you. any Estimate in the Catalogue, assuming that the currency of service is complimentary and is confidential. Such bids are Bonhams 1793 Limited). Bonhams reserves the right to vary out in our Buyer’s Agreement, which you will find at Appendix However, any written Description of the physical condition of the Reserve has not fluctuated adversely against the currency made at your own risk and we cannot accept liability for our Payment by credit card, company debit cards and debit cards the terms of payment at any time. 2 at the back of the Catalogue. This will govern Bonhams’ the Lot contained in a Condition Report will form part of the of the Estimate. The Buyer will be the Bidder who makes the failure to receive and/or place any such bids. All bids made issued by a non-UK bank will be subject to a 2% surcharge on relationship with the Buyer. Contractual Description of the Lot under which it is sold to highest bid acceptable to the Auctioneer for any Lot (subject on your behalf will be made at the lowest level possible the total value of the invoice. Sterling personal cheque drawn on a UK branch of a bank or any Buyer. to any applicable Reserve) to whom the Lot is knocked down subject to Reserves and other bids made for the Lot. Where building society: all cheques must be cleared before you can 2. LOTS by the Auctioneer at the fall of the Auctioneer’s hammer. Any appropriate your bids will be rounded down to the nearest The Buyer’s Premium and all other charges payable to us by collect your purchases; The Seller’s responsibility to you dispute as to the highest acceptable bid will be settled by the amount consistent with the Auctioneer’s bidding increments. the Buyer are subject to VAT at the prevailing rate, currently Subject to the Contractual Description printed in bold letters The Seller does not make or agree to make any representation Auctioneer in his absolute discretion. All bids tendered will New Bidders must also provide proof of identity and address 20%. Cash: you may pay for Lots purchased by you at this Sale in the Entry about the Lot in the Catalogue (see paragraph 3 of fact or contractual promise, Guarantee or warranty and relate to the actual Lot number announced by the Auctioneer. when submitting bids. Failure to do this will result in your bid with notes, coins or travellers cheques in the currency in which below), Lots are sold to the Buyer on an “as is” basis, with undertakes no obligation or duty, whether in contract or in An electronic currency converter may be used at the Sale. This not being placed. VAT may also be payable on the Hammer Price of the Lot, the Sale is conducted (but not any other currency) provided all faults and imperfections. Illustrations and photographs tort (other than to the eventual Buyer as set out above), in equipment is provided as a general guide as to the equivalent where indicated by a symbol beside the Lot number. See that the total amount payable by you in respect of all Lots contained in the Catalogue (other than photographs forming respect of the accuracy or completeness of any statement amount in certain currencies of a given bid. We do not accept Bidding via the internet paragraph 8 below for details. purchased by you at the Sale does not exceed £3,000, or part of the Contractual Description) or elsewhere of any Lots or representation made by him or on his behalf, which is in any responsibility for any errors which may occur in the use of Please visit our Website at http://www.bonhams.com for the equivalent in the currency in which the Sale is conducted, are for identification purposes only. They may not reveal the any way descriptive of any Lot or as to the anticipated or the currency converter. We may use video cameras to record details of how to bid via the internet. On certain Lots, which will be marked “AR” in the Catalogue at the time when payment is made. If the amount payable true condition of the Lot. A photograph or illustration may not likely selling price of any Lot. Other than as set out above, no the Sale and may record telephone calls for reasons of security and which are sold for a Hammer Price of €1,000 or greater by you for Lots exceeds that sum, the balance must be paid reflect an accurate reproduction of the colour(s) of the Lot. statement or representation in any way descriptive of a Lot and to assist in solving any disputes which may arise in relation Bidding through an agent (converted into the currency of the Sale using the European otherwise than in coins, notes or travellers cheques; Lots are available for inspection prior to the Sale and it is for or any Estimate is incorporated into any Contract for Sale to bids made at the Sale. At some Sales, for example, jewellery Bids will be accepted as placed on behalf of the person named Central Bank Reference rate prevailing on the date of the Sale), you to satisfy yourself as to each and every aspect of a Lot, between a Seller and a Buyer. Sales, we may use screens on which images of the Lots will be as the principal on the Bidding Form although we may refuse the Additional Premium will be payable to us by the Buyer to Bank transfer: you may electronically transfer funds to our including its authorship, attribution, condition, provenance, projected. This service is provided to assist viewing at the Sale. to accept bids from an agent on behalf of a principal and cover our Expenses relating to the payment of royalties under Trust Account. If you do so, please quote your paddle number history, background, authenticity, style, period, age, suitability, Bonhams’ responsibility to you The image on the screen should be treated as an indication will require written confirmation from the principal confirming the Artists Resale Right Regulations 2006. The Additional and invoice number as the reference. Our Trust Account details quality, roadworthiness (if relevant), origin, value and You have the opportunity of examining the Lot if you want to only of the current Lot. It should be noted that all bids tendered the agent’s authority to bid. Nevertheless, as the Bidding Premium will be a percentage of the amount of the Hammer are as follows: estimated selling price (including the Hammer Price). It is your and the Contract for Sale for a Lot is with the Seller and not will relate to the actual Lot number announced by Form explains, any person placing a bid as agent on behalf Price calculated in accordance with the table below, and shall Bank: National Westminster Bank Plc responsibility to examine any Lot in which you are interested. It with Bonhams; Bonhams acts as the Seller’s agent only (unless the Auctioneer. We do not accept any responsibility for any of another (whether or not he has disclosed that fact or the not exceed €12,500 (converted into the currency of the Sale Address: PO Box 4RY should be remembered that the actual condition of a Lot may Bonhams sells the Lot as principal). errors which may occur in the use of the screen. identity of his principal) will be jointly and severally liable with using the European Central Bank Reference rate prevailing on 250 Regent Street not be as good as that indicated by its outward appearance. the principal to the Seller and to Bonhams under any contract the date of the Sale). London W1A 4RY In particular, parts may have been replaced or renewed and Bonhams undertakes no obligation to you to examine, resulting from the acceptance of a bid. Subject to the above, 5. BIDDING Account Name: Bonhams 1793 Limited Trust Account Lots may not be authentic or of satisfactory quality; the inside investigate or carry out any tests, either in sufficient depth or at please let us know if you are acting on behalf of another Hammer Price Percentage amount Account Number: 25563009 of a Lot may not be visible and may not be original or may be all, on each Lot to establish the accuracy or otherwise of any We do not accept bids from any person who has not person when bidding for Lots at the Sale. From €0 to €50,000 4% Sort Code: 56-00-27 damaged, as for example where it is covered by upholstery Descriptions or opinions given by Bonhams, or by any person completed and delivered to us one of our Bidding Forms, From €50,000.01 to €200,000 3% IBAN Number: GB 33 NWBK 560027 25563009 or material. Given the age of many Lots they may have been on Bonhams’ behalf, whether in the Catalogue or elsewhere. either our Bidder Registration Form, Absentee Bidding Form or Equally, please let us know if you intend to nominate another From €200,000.01 to €350,000 1% damaged and/or repaired and you should not assume that Telephone Bidding Form. You will be asked for proof of identity, person to bid on your behalf at the Sale unless this is to be From €350,000.01 to €500,000 0.5% If paying by bank transfer, the amount received after the a Lot is in good condition. Electronic or mechanical parts You should not suppose that such examinations, investigations residence and references, which, when asked for, you must carried out by us pursuant to a Telephone or Absentee Bidding Exceeding €500,000 0.25% deduction of any bank fees and/or conversion of the currency may not operate or may not comply with current statutory or tests have occurred. supply if your bids are to be accepted by us. Please bring Form that you have completed. If we do not approve the of payment to pounds sterling must not be less than the requirements. You should not assume that electrical items your passport, driving licence (or similar photographic proof of agency arrangements in writing before the Sale, we are entitled sterling amount payable, as set out on the invoice. designed to operate on mains electricity will be suitable for Bonhams does not make or agree to make any representation identity) and proof of address. We may request a deposit from to assume that the person bidding at the Sale is bidding on connection to the mains electricity supply and you should of fact, and undertakes no obligation or duty (whether in you before allowing you to bid. We may refuse entry to a Sale his own behalf. Accordingly, the person bidding at the Sale will obtain a report from a qualified electrician on their status before contract or tort) in respect of the accuracy or completeness be the Buyer and will be liable to pay the Hammer Price and

NTB/MAIN/V2/2.17 NTB/MAIN/V2/2.17 Debit cards: there is no additional charge for purchases made case of the nature, volume or source of the loss or damage exceptional condition and to those defects that might with personal debit cards, issued by a UK bank. Debit cards alleged to be suffered, and irrespective of whether the said affect the immediate safety of a firearm in normal use. An issued by an overseas bank, deferred and company debit loss or damage is caused by or claimed in respect of any intending Bidder unable to make technical examinations cards and all credit cards will be subject to a 2% surcharge; negligence, other tort, breach of contract (if any) or statutory and assessments is recommended to seek advice from a duty, restitutionary claim or otherwise. In any circumstances gunmaker or from a modern firearms specialist. All prospective Credit cards: Visa and Mastercard only. Please note there is where we and/or the Seller are liable in relation to any Lot or Bidders are advised to consult the ˚ of bore and wall-thickness a 2% surcharge on the total invoice value when payments are any Description or Estimate made of any Lot, or the conduct measurements posted in the saleroom and available from the made using credit cards. It may be advisable to notify your of any Sale in relation to any Lot, whether in damages, for department. Bidders should note that guns are stripped only card provider of your intended purchase in advance to reduce an indemnity or contribution, or for a restitutionary remedy or where there delays caused by us having to seek authority when you come otherwise, our and/or the Seller’s liability (combined, if both is a strong indication of a mechanical malfunction. Stripping to pay. If you have any questions with regard to payment, we and the Seller are liable) will be limited to payment of a sum is not, otherwise, undertaken. Guns intended for use should please contact our Customer Services Department. which will not exceed by way of maximum the amount of the be stripped and cleaned beforehand. Hammer guns should Purchase Price of the Lot irrespective in any case of the nature, have their rebound mechanisms checked before use. The China UnionPay (CUP) debit cards: No surcharge for using volume or source of any loss or damage alleged to be suffered safety mechanisms of all guns must be tested before use. CUP debit cards will apply on the first £100,000 invoiced or sum claimed as due, and irrespective of whether the liability All measurements are approximate. to a Buyer in any Sale; a 2% surcharge will be made on the arises from any negligence, other tort, breach of contract (if balance over £100,000. any) or statutory duty or otherwise. Nothing set out above will Original Gun Specifications Derived from be construed as excluding or restricting (whether directly or Gunmakers 10. COLLECTION AND STORAGE indirectly) our liability or excluding or restricting any person’s The Sporting Gun Department endeavours to confirm a gun’s rights or remedies in respect of (i) fraud, or (ii) death or original specification and date of manufacture with makers who The Buyer of a Lot will not be allowed to collect it until payment personal injury caused by our negligence (or by the negligence hold their original records. in full and in cleared funds has been made (unless we have of any person under our control or for whom we are legally made a special arrangement with the Buyer). For collection and responsible), or (iii) acts or omissions for which we are liable Licensing Requirements removal of purchased Lots, please refer to Sale Information at under the Occupiers Liability Act 1957, or (iv) any other liability Firearms Act 1968 as amended the front of the Catalogue. Our offices are open 9.00am – 5pm to the extent the same may not be excluded or restricted as Bonhams is constantly reviewing its procedures and would Monday to Friday. Details relating to the collection of a Lot, the a matter of law or (v) our undertakings under paragraphs 9 (in remind you that, in the case of firearms or shotguns subject to storage of a Lot and our Storage Contractor after the Sale are relation to specialist Stamp or Book Sales only) and 10 of the certification, to conform with current legislation, Bonhams is set out in the Catalogue. Buyer’s Agreement. The same applies in respect of the Seller, required to see, as appropriate, your original registered firearms as if references to us in this paragraph were substituted with dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING references to the Seller. museum firearms licence / Section 5 authority or import licence For information and estimates on domestic and international (or details of any exemption from which you may benefit, for shipping as well as export licenses please contact 15. BOOKS instance Crown servant status) for the firearm(s) you have Alban Shipping on +44 (0) 1582 493 099 purchased prior to taking full payment of the amount shown [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to unframed maps and bound manuscripts are not liable to VAT obtain any relevant export and/or import licence(s). Export on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable licences are issued by Arts Council England and application to produce the correct paperwork, the Lot(s) will be reoffered forms can be obtained from its Export Licensing Unit. The 16. CLOCKS AND WATCHES by Bonhams in the next appropriate Sale, on standard terms detailed provisions of the export licencing arrangements can for Sellers, and you will be responsible for any loss incurred by be found on the ACE website http://www.artscouncil.org.uk/ All Lots are sold “as is”, and the absence of any reference to Bonhams on the original Sale to you. what-we-do/supporting-museums/cultural-property/export- the condition of a clock or watch does not imply that the Lot is controls/export-licensing/ or by phoning ACE on +44 (0)20 in good condition and without defects, repairs or restorations. In the case of RFD certificates and Section 5 authorities, we 7973 5188. The need for import licences varies from country Most clocks and watches have been repaired in the course of wish to keep an up-to-date copy on file. Please supply us with to country and you should acquaint yourself with all relevant their normal lifetime and may now incorporate parts not original a Fax or photocopy. It would be helpful if you could send us an local requirements and provisions. The refusal of any import or to them. Furthermore, Bonhams makes no representation or updated copy whenever your certificate or authority is renewed export licence(s) or warranty that any clock or watch is in working order. As clocks or changed. any delay in obtaining such licence(s) shall not permit the and watches often contain fine and complex mechanisms, rescission of any Sale nor allow any delay in making full Bidders should be aware that a general service, change of Lots marked ‘S1´ and bearing red labels are Section 1 firearms payment for the Lot. Generally, please contact our shipping battery or further repair work, for which the Buyer is solely and require a valid British Firearms certificate, RFD Licence or department before the Sale if you require assistance in responsible, may be necessary. Bidders should be aware import licence. relation to export regulations. that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These Lots marked ‘S2’ and bearing blue labels are Section 2 13. CITES REGULATIONS watches may not be shipped to the USA and can only be firearms and require a valid British Shotgun certificate, RFD imported personally. licence or import licence. Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are outside the EU. These regulations may be found at CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or Authority or import licence. may be requested from: Proof of Firearms The term “proof exemption” indicates that a firearm has been Lots marked with a ‘S58´ and bearing yellow labels are for Animal Health and Veterinary Laboratories Agency (AHVLA) examined at a Proof House, but not proved, as either (a) it was obsolete calibres and no licence is required unless ammunition Wildlife Licencing deemed of interest and not intended for use, or (b) ammunition is held. Floor 1, Zone 17, Temple Quay House was not available. In either case, the firearm must be regarded 2 The Square, Temple Quay as unsafe to fire unless subsequently proved. Firearms Unmarked Lots require no licence. BRISTOL BS1 6EB proved for Black Powder should not be used with smokeless Tel: +44 (0) 117 372 8774 ammunition. Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries. 14. THE SELLERS AND/OR BONHAMS’ LIABILITY The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both Other than any liability of the Seller to the Buyer of a Lot Taxidermy and Related Items unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply under the Contract for Sale, neither we nor the Seller are such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to liable (whether in negligence or otherwise) for any error or inform themselves of all such regulations and should expect misdescription or omission in any Description of a Lot or any the exportation of items to take some time to arrange. Estimate in respect of it, whether contained in the Catalogue or Guns Sold as Parts Barrels of guns sold as parts will only be made available for otherwise, whether given orally or in writing and whether given sleeving and measurements once rendered unserviceable before or during the Sale. Neither we nor the Seller will be 18. FURNITURE according to the Gun Barrel Proof Act of 1968 to 1978 and the liable for any loss of Business, profits, revenue or income, or Rules of Proof. for loss of reputation, or for disruption to Business or wasted Upholstered Furniture Whilst we take every care in cataloguing furniture which has time on the part of management or staff, or for indirect losses been upholstered we offer no Guarantee as to the originality or consequential damages of any kind, irrespective in any Condition of Firearms Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery.

NTB/MAIN/V2/2.17 Debit cards: there is no additional charge for purchases made case of the nature, volume or source of the loss or damage exceptional condition and to those defects that might 19. JEWELLERY 21. PICTURES 0It is not our policy to inspect every unopened case. In the with personal debit cards, issued by a UK bank. Debit cards alleged to be suffered, and irrespective of whether the said affect the immediate safety of a firearm in normal use. An case of wines older than 20 years the boxes will usually issued by an overseas bank, deferred and company debit loss or damage is caused by or claimed in respect of any intending Bidder unable to make technical examinations Explanation of Catalogue Terms have been opened and levels and appearance noted in Gemstones The following terms used in the Catalogue have the following cards and all credit cards will be subject to a 2% surcharge; negligence, other tort, breach of contract (if any) or statutory and assessments is recommended to seek advice from a Historically many gemstones have been subjected to a variety the Catalogue where necessary. You should make proper meanings but are subject to the general provisions relating to duty, restitutionary claim or otherwise. In any circumstances gunmaker or from a modern firearms specialist. All prospective of treatments to enhance their appearance. Sapphires and allowance for variations in ullage levels and conditions of corks, Descriptions contained in the Contract for Sale: Credit cards: Visa and Mastercard only. Please note there is where we and/or the Seller are liable in relation to any Lot or Bidders are advised to consult the ˚ of bore and wall-thickness rubies are routinely heat treated to improve their colour and capsules and labels. • “Jacopo Bassano”: in our opinion a work by the artist. a 2% surcharge on the total invoice value when payments are any Description or Estimate made of any Lot, or the conduct measurements posted in the saleroom and available from the clarity, similarly emeralds are frequently treated with oils When the artist’s forename(s) is not known, a series of made using credit cards. It may be advisable to notify your of any Sale in relation to any Lot, whether in damages, for department. Bidders should note that guns are stripped only or resin for the same purpose. Other treatments such as Corks and Ullages asterisks, followed by the surname of the artist, whether card provider of your intended purchase in advance to reduce an indemnity or contribution, or for a restitutionary remedy or where there staining, irradiation or coating may have been used on other Ullage refers to the space between the base of the cork preceded by an initial or not, indicates that in our opinion delays caused by us having to seek authority when you come otherwise, our and/or the Seller’s liability (combined, if both is a strong indication of a mechanical malfunction. Stripping gemstones. These treatments may be permanent, whilst and the wine. Ullage levels for Bordeaux shaped bottles are the work is by the artist named; to pay. If you have any questions with regard to payment, we and the Seller are liable) will be limited to payment of a sum is not, otherwise, undertaken. Guns intended for use should others may need special care or re-treatment over the years only normally noted when below the neck and for Burgundy, • “Attributed to Jacopo Bassano”: in our opinion probably please contact our Customer Services Department. which will not exceed by way of maximum the amount of the be stripped and cleaned beforehand. Hammer guns should to retain their appearance. Bidders should be aware that Alsace, German and Cognac shaped bottles when greater a work by the artist but less certainty as to authorship is Purchase Price of the Lot irrespective in any case of the nature, have their rebound mechanisms checked before use. The Estimates assume that gemstones may have been subjected than 4 centimetres (cm). Acceptable ullage levels increase with expressed than in the preceding category; China UnionPay (CUP) debit cards: No surcharge for using volume or source of any loss or damage alleged to be suffered safety mechanisms of all guns must be tested before use. to such treatments. A number of laboratories issue certificates age; generally acceptable levels are as follows: • “Studio/Workshop of Jacopo Bassano”: in our opinion a CUP debit cards will apply on the first £100,000 invoiced or sum claimed as due, and irrespective of whether the liability All measurements are approximate. that give more detailed Descriptions of gemstones. However work by an unknown hand in a studio of the artist which Under 15 years old – into neck or less than 4cm to a Buyer in any Sale; a 2% surcharge will be made on the arises from any negligence, other tort, breach of contract (if there may not be consensus between different laboratories on may or may not have been executed under the artist’s 15 to 30 years old – top shoulder (ts) or up to 5cm balance over £100,000. any) or statutory duty or otherwise. Nothing set out above will Original Gun Specifications Derived from the degrees, or types of treatment for any particular gemstone. direction; Over 30 years old – high shoulder (hs) or up to 6cm be construed as excluding or restricting (whether directly or Gunmakers In the event that Bonhams has been given or has obtained • “Circle of Jacopo Bassano”: in our opinion a work by 10. COLLECTION AND STORAGE indirectly) our liability or excluding or restricting any person’s The Sporting Gun Department endeavours to confirm a gun’s certificates for any Lot in the Sale these certificates will be a hand closely associated with a named artist but not It should be noted that ullages may change between rights or remedies in respect of (i) fraud, or (ii) death or original specification and date of manufacture with makers who disclosed in the Catalogue. Although, as a matter of policy, necessarily his pupil; publication of the Catalogue and the Sale and that corks may The Buyer of a Lot will not be allowed to collect it until payment personal injury caused by our negligence (or by the negligence hold their original records. Bonhams endeavours to provide certificates from recognised • “Follower of Jacopo Bassano”: in our opinion a work by a fail as a result of transporting the wine. We will only accept in full and in cleared funds has been made (unless we have of any person under our control or for whom we are legally laboratories for certain gemstones, it is not feasible to obtain painter working in the artist’s style, contemporary or nearly responsibility for Descriptions of condition at the time of made a special arrangement with the Buyer). For collection and responsible), or (iii) acts or omissions for which we are liable Licensing Requirements certificates for each Lot. In the event that no certificate is contemporary, but not necessarily his pupil; publication of the Catalogue and cannot accept responsibility removal of purchased Lots, please refer to Sale Information at under the Occupiers Liability Act 1957, or (iv) any other liability Firearms Act 1968 as amended published in the Catalogue, Bidders should assume that the • “Manner of Jacopo Bassano”: in our opinion a work in the for any loss resulting from failure of corks either before or after the front of the Catalogue. Our offices are open 9.00am – 5pm to the extent the same may not be excluded or restricted as Bonhams is constantly reviewing its procedures and would gemstones may have been treated. Neither Bonhams nor style of the artist and of a later date; this point. Monday to Friday. Details relating to the collection of a Lot, the a matter of law or (v) our undertakings under paragraphs 9 (in remind you that, in the case of firearms or shotguns subject to the Seller accepts any liability for contradictions or differing • “After Jacopo Bassano”: in our opinion, a copy of a known storage of a Lot and our Storage Contractor after the Sale are relation to specialist Stamp or Book Sales only) and 10 of the certification, to conform with current legislation, Bonhams is certificates obtained by Buyers on any Lots subsequent to work of the artist; Options to buy parcels set out in the Catalogue. Buyer’s Agreement. The same applies in respect of the Seller, required to see, as appropriate, your original registered firearms the Sale. • “Signed and/or dated and/or inscribed”: in our opinion the A parcel is a number of Lots of identical size of the same wine, as if references to us in this paragraph were substituted with dealer’s certificate / shot gun certificate / firearm certificate / signature and/or date and/or inscription are from the hand bottle size and Description. The Buyer of any of these Lots has 11. SHIPPING references to the Seller. museum firearms licence / Section 5 authority or import licence Estimated Weights of the artist; the option to accept some or all of the remaining Lots in the For information and estimates on domestic and international (or details of any exemption from which you may benefit, for If a stone(s) weight appears within the body of the Description • “Bears a signature and/or date and/or inscription”: in our parcel at the same price, although such options will be at the shipping as well as export licenses please contact 15. BOOKS instance Crown servant status) for the firearm(s) you have in capital letters, the stone(s) has been unmounted and opinion the signature and/or date and/or inscription have Auctioneer’s sole discretion. Absentee Bidders are, therefore, Alban Shipping on +44 (0) 1582 493 099 purchased prior to taking full payment of the amount shown weighed by Bonhams. If the weight of the stone(s) is stated been added by another hand. advised to bid on the first Lot in a parcel. [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to be approximate and does not appear in capital letters, the to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially stone(s) has been assessed by us within its/their settings, Wines in Bond set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of and the stated weight is a statement of our opinion only. This 22. PORCELAIN AND GLASS 12. EXPORT/TRADE RESTRICTIONS Wines lying in Bond are marked Δ. All Lots sold under Bond, in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence information is given as a guide and Bidders should satisfy and which the Buyer wishes to remain under Bond, will be It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. themselves with regard to this information as to its accuracy. Damage and Restoration For your guidance, in our Catalogues we detail, as far as invoiced without VAT or Duty on the Hammer Price. If the import regulations relating to your purchases and also to unframed maps and bound manuscripts are not liable to VAT practicable, recorded all significant defects, cracks and Buyer wishes to take the Lot as Duty paid, UK Excise Duty and obtain any relevant export and/or import licence(s). Export on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable Signatures restoration. Such practicable Descriptions of damage cannot VAT will be added to the Hammer Price on the invoice. licences are issued by Arts Council England and application to produce the correct paperwork, the Lot(s) will be reoffered 1. A diamond brooch, by Kutchinsky be definitive, and in providing Condition Reports, we cannot forms can be obtained from its Export Licensing Unit. The 16. CLOCKS AND WATCHES by Bonhams in the next appropriate Sale, on standard terms When the maker’s name appears in the title, in Bonhams’ Guarantee that there are no other defects present which have Buyers must notify Bonhams at the time of the sale whether detailed provisions of the export licencing arrangements can for Sellers, and you will be responsible for any loss incurred by opinion the piece is by that maker. not been mentioned. Bidders should satisfy themselves by they wish to take their wines under Bond or Duty paid. If a be found on the ACE website http://www.artscouncil.org.uk/ All Lots are sold “as is”, and the absence of any reference to Bonhams on the original Sale to you. inspection, as to the condition of each Lot. Please see the Lot is taken under Bond, the Buyer will be responsible for all what-we-do/supporting-museums/cultural-property/export- the condition of a clock or watch does not imply that the Lot is 2. A diamond brooch, signed Kutchinsky Contract for Sale printed in this Catalogue. Because of the VAT, Duty, clearance and other charges that may be payable controls/export-licensing/ or by phoning ACE on +44 (0)20 in good condition and without defects, repairs or restorations. In the case of RFD certificates and Section 5 authorities, we Has a signature that, in Bonhams’ opinion, is authentic but difficulty in determining whether an item of glass has been thereon. 7973 5188. The need for import licences varies from country Most clocks and watches have been repaired in the course of wish to keep an up-to-date copy on file. Please supply us with may contain gemstones that are not original, or the piece may repolished, in our Catalogues reference is only made to visible to country and you should acquaint yourself with all relevant their normal lifetime and may now incorporate parts not original a Fax or photocopy. It would be helpful if you could send us an have been altered. chips and cracks. No mention is made of repolishing, severe Buyers outside the UK must be aware that any forwarding local requirements and provisions. The refusal of any import or to them. Furthermore, Bonhams makes no representation or updated copy whenever your certificate or authority is renewed or otherwise. agent appointed to export their purchases must have a export licence(s) or warranty that any clock or watch is in working order. As clocks or changed. 3. A diamond brooch, mounted by Kutchinsky movement certificate for Lots to be released under Bond. any delay in obtaining such licence(s) shall not permit the and watches often contain fine and complex mechanisms, Has been created by the jeweller, in Bonhams’ opinion, but rescission of any Sale nor allow any delay in making full Bidders should be aware that a general service, change of Lots marked ‘S1´ and bearing red labels are Section 1 firearms using stones or designs supplied by the client. 23. VEHICLES payment for the Lot. Generally, please contact our shipping battery or further repair work, for which the Buyer is solely and require a valid British Firearms certificate, RFD Licence or Bottling Details and Case Terms The following terms used in the Catalogue have the following department before the Sale if you require assistance in responsible, may be necessary. Bidders should be aware import licence. The Veteran Car Club of Great Britain 20. PHOTOGRAPHS meanings: relation to export regulations. that the importation of watches such as Rolex, Frank Muller CB – Château bottled and Corum into the United States is highly restricted. These Lots marked ‘S2’ and bearing blue labels are Section 2 Explanation of Catalogue Terms Dating Plates and Certificates • “Bill Brandt”: in our opinion a work by the artist. When mention is made of a Veteran Car Club Dating Plate or DB – Domaine bottled 13. CITES REGULATIONS watches may not be shipped to the USA and can only be firearms and require a valid British Shotgun certificate, RFD • “Attributed to Bill Brandt”: in our opinion probably a work by Dating Certificate in this Catalogue, it should be borne in mind EstB – Estate bottled imported personally. licence or import licence. the artist, but less certainty to authorship is expressed than that the Veteran Car Club of Great Britain using the services of BB – Bordeaux bottled Please be aware that all Lots marked with the symbol Y are in the preceding category. Veteran Car Company Ltd, does from time to time, review cars BE – Belgian bottled subject to CITES regulations when exporting these items 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are • “Signed and/or titled and/or dated and/or inscribed”: in already dated and, in some instances, where fresh evidence FB – French bottled outside the EU. These regulations may be found at CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 our opinion the signature and/or title and/or date and/or becomes available, the review can result in an alteration of GB – German bottled http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or Authority or import licence. inscription are in the artist’s hand. date. Whilst the Club and Veteran Car Company Ltd make OB – Oporto bottled may be requested from: Proof of Firearms • “Signed and/or titled and/or dated and/or inscribed in every effort to ensure accuracy, the date shown on the Dating UK – United Kingdom bottled The term “proof exemption” indicates that a firearm has been Lots marked with a ‘S58´ and bearing yellow labels are for Animal Health and Veterinary Laboratories Agency (AHVLA) another hand”: in our opinion the signature and/or title and/ Plate or Dating Certificate cannot be guaranteed as correct and owc – original wooden case examined at a Proof House, but not proved, as either (a) it was obsolete calibres and no licence is required unless ammunition Wildlife Licencing or date and/or inscription have been added by intending purchasers should make their own enquiries as to the iwc – individual wooden case deemed of interest and not intended for use, or (b) ammunition is held. Floor 1, Zone 17, Temple Quay House another hand. date of the car. oc – original carton was not available. In either case, the firearm must be regarded 2 The Square, Temple Quay • The date given is that of the image (negative). Where no as unsafe to fire unless subsequently proved. Firearms Unmarked Lots require no licence. BRISTOL BS1 6EB further date is given, this indicates that the photographic proved for Black Powder should not be used with smokeless 24. WINE Tel: +44 (0) 117 372 8774 print is vintage (the term “vintage” may also be included in ammunition. Please do not hesitate to contact the Modern Sporting Gun the Lot Description). A vintage photograph is one which Lots which are lying under Bond and those liable to VAT may Department should you have any queries. was made within approximately 5-10 years of the negative. not be available for immediate collection. 14. THE SELLERS AND/OR BONHAMS’ LIABILITY The term “Certificate of Unprovability” indicates that a firearm Where a second, later date appears, this refers to the date has been examined at a Proof House and is deemed both Taxidermy and Related Items Other than any liability of the Seller to the Buyer of a Lot of printing. Where the exact printing date is not known, but unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply Examining the wines under the Contract for Sale, neither we nor the Seller are understood to be later, “printed later” will appear in the Lot It is occasionally possible to provide a pre-Sale tasting for such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to liable (whether in negligence or otherwise) for any error or Description. larger parcels (as defined below). This is generally limited to inform themselves of all such regulations and should expect misdescription or omission in any Description of a Lot or any • Unless otherwise specified, dimensions given are those of more recent and everyday drinking wines. Please contact the Guns Sold as Parts the exportation of items to take some time to arrange. Estimate in respect of it, whether contained in the Catalogue or the piece of paper on which the image is printed, including department for details. Barrels of guns sold as parts will only be made available for otherwise, whether given orally or in writing and whether given any margins. Some photographs may appear in the sleeving and measurements once rendered unserviceable 18. FURNITURE before or during the Sale. Neither we nor the Seller will be Catalogue without margins illustrated. according to the Gun Barrel Proof Act of 1968 to 1978 and the liable for any loss of Business, profits, revenue or income, or • All photographs are sold unframed unless stated in the Lot Rules of Proof. Upholstered Furniture for loss of reputation, or for disruption to Business or wasted Description. Whilst we take every care in cataloguing furniture which has time on the part of management or staff, or for indirect losses been upholstered we offer no Guarantee as to the originality or consequential damages of any kind, irrespective in any Condition of Firearms Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery.

NTB/MAIN/V2/2.17 NTB/MAIN/V2/2.17 SYMBOLS 1.4 The contract is made on the fall of the Auctioneer’s 4.2 The Seller will not be liable for any breach of any hammer in respect of the Lot when it is knocked undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO down to you. Act 1979 or otherwise, as to the satisfactory quality DENOTE of the Lot or its fitness for any purpose. 2 SELLER’S UNDERTAKINGS Y Subject to CITES regulations when exporting these items 5 RISK, PROPERTY AND TITLE outside the EU, see clause 13. 2.1 The Seller undertakes to you that: TP Objects displayed with a TP will be located at the 5.1 Risk in the Lot passes to you when it is knocked Cadogan Tate warehouse and will only be available for 2.1.1 the Seller is the owner of the Lot or is duly authorised down to you on the fall of the Auctioneer’s collection from this location. to sell the Lot by the owner; hammer in respect of the Lot. The Seller will W Objects displayed with a w will be located in the not be responsible thereafter for the Lot prior to Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the you collecting it from Bonhams or the Storage collection from this location. Catalogue, the Seller sells the Lot with full title Contractor, with whom you have separate contract(s) Δ Wines lying in Bond. guarantee or, where the Seller is an executor, trustee, as Buyer. You will indemnify the Seller and keep the AR An Additional Premium will be payable to us by the Buyer liquidator, receiver or administrator, with whatever Seller fully indemnified from and against all claims, to cover our Expenses relating to payment of royalties right, title or interest he may have in the Lot; proceedings, costs, expenses and losses arising in under the Artists Resale Right Regulations 2006. See respect of any injury, loss and damage caused to the clause 7 for details. 2.1.3 except where the Sale is by an executor, trustee, Lot after the fall of the Auctioneer’s hammer until you ○ The Seller has been guaranteed a minimum price for the liquidator, receiver or administrator the Seller is both obtain full title to it. Lot, either by Bonhams or a third party. This may take the legally entitled to sell the Lot, and legally capable form of an irrevocable bid by a third party, who may make of conferring on you quiet possession of the Lot 5.2 Title to the Lot remains in and is retained by the a financial gain on a successful Sale or a financial loss if and that the Sale conforms in every respect with Seller until the Purchase Price and all other sums unsuccessful. the terms implied by the Sale of Goods Act 1979, payable by you to Bonhams in relation to the Lot ▲ Bonhams owns the Lot either wholly or partially or may Sections 12(1) and 12(2) (see the Definitions and have been paid in full to, and received in cleared otherwise have an economic interest. Glossary); funds by, Bonhams. Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into 2.1.4 the Seller has complied with all requirements, legal or 6 PAYMENT the USA. otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or 6.1 Your obligation to pay the Purchase Price arises Ω a •, †, *, G, , see clause 8, VAT, for details. import of the Lot have (unless stated to the contrary when the Lot is knocked down to you on the fall of in the Catalogue or announced by the Auctioneer) the Auctioneer’s hammer in respect of the Lot. DATA PROTECTION – USE OF YOUR INFORMATION been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.2 Time will be of the essence in relation to payment of Where we obtain any personal information about you, we the past; the Purchase Price and all other sums payable by shall only use it in accordance with the terms of our Privacy you to Bonhams. Unless agreed in writing with you Policy (subject to any additional specific consent(s) you may 2.1.5 subject to any alterations expressly identified as such by Bonhams on the Seller’s behalf (in which case have given at the time your information was disclosed). A made by announcement or notice at the Sale venue you must comply with the terms of that agreement), copy of our Privacy Policy can be found on our Website www. or by the Notice to Bidders or by an insert in the all such sums must be paid to Bonhams by you bonhams.com or requested by post from Customer Services Catalogue, the Lot corresponds with the Contractual in the currency in which the Sale was conducted Department, 101 New Bond Street, London, W1S 1SR or by Description of the Lot, being that part of the Entry by not later than 4.30pm on the second working email from [email protected] about the Lot in the Catalogue which is in bold day following the Sale and you must ensure that letters and (except for colour) with any photograph of the funds are cleared by the seventh working day APPENDIX 1 the Lot in the Catalogue and the contents of after the Sale. Payment must be made to Bonhams any Condition Report which has been provided to by one of the methods stated in the Notice to CONTRACT FOR SALE the Buyer. Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in IMPORTANT: These terms may be changed in advance of 3 DESCRIPTIONS OF THE LOT accordance with this paragraph, the Seller will have the Sale of the Lot to you, by the setting out of different terms the rights set out in paragraph 8 below. in the Catalogue for the Sale and/or by placing an insert in the 3.1 Paragraph 2.1.5 sets out what is the Contractual Catalogue and/or by notices at the Sale venue and/or by oral Description of the Lot. In particular, the Lot is not 7 COLLECTION OF THE LOT announcements before and during the Sale at the Sale venue. sold as corresponding with that part of the Entry in You should be alert to this possibility of changes and ask in the Catalogue which is not printed in bold letters, 7.1 Unless otherwise agreed in writing with you by advance of bidding if there have been any. which merely sets out (on the Seller’s behalf) Bonhams, the Lot will be released to you or to your Bonhams’ opinion about the Lot and which is not order only when Bonhams has received cleared Under this contract the Seller’s liability in respect of the quality part of the Contractual Description upon which the funds to the amount of the full Purchase Price and of the Lot, it’s fitness for any purpose and its conformity with Lot is sold. Any statement or representation other all other sums owed by you to the Seller and to any Description is limited. You are strongly advised to examine than that part of the Entry referred to in paragraph Bonhams. the Lot for yourself and/or obtain an independent examination 2.1.5 (together with any express alteration to it of it before you buy it. as referred to in paragraph 2.1.5), including any 7.2 The Seller is entitled to withhold possession from you Description or Estimate, whether made orally or in of any other Lot he has sold to you at the same or 1 THE CONTRACT writing, including in the Catalogue or on Bonhams’ at any other Sale and whether currently in Bonhams’ Website, or by conduct, or otherwise, and whether possession or not until payment in full and in cleared 1.1 These terms govern the Contract for Sale of the Lot by or on behalf of the Seller or Bonhams and funds of the Purchase Price and all other sums due by the Seller to the Buyer. whether made prior to or during the Sale, is not part to the Seller and/or Bonhams in respect of the Lot. of the Contractual Description upon which the Lot is 1.2 The Definitions and Glossary contained in Appendix sold. 7.3 You will collect and remove the Lot at your own 3 in the Catalogue are incorporated into this Contract expense from Bonhams’ custody and/ or control or for Sale and a separate copy can also be provided 3.2 Except as provided in paragraph 2.1.5, the Seller from the Storage Contractor’s custody in accordance by Bonhams on request. Where words and phrases does not make or give and does not agree to with Bonhams’ instructions or requirements. are used which are in the List of Definitions, they are make or give any contractual promise, undertaking, printed in italics. obligation, guarantee, warranty, or representation 7.4 You will be wholly responsible for packing, handling of fact, or undertake any duty of care, in relation to and transport of the Lot on collection and for 1.3 The Seller sells the Lot as the principal to the any Description of the Lot or any Estimate in relation complying with all import or export regulations in Contract for Sale, such contract being made to it, nor of the accuracy or completeness of any connection with the Lot. between the Seller and you through Bonhams which Description or Estimate which may have been made acts in the sole capacity as the Seller’s agent and not by or on behalf of the Seller including by Bonhams. 7.5 You will be wholly responsible for any removal, as an additional principal. However, if the Catalogue No such Description or Estimate is incorporated into storage or other charges or Expenses incurred states that Bonhams sells the Lot as principal, or this Contract for Sale. by the Seller if you do not remove the Lot in such a statement is made by an announcement accordance with this paragraph 7 and will by the Auctioneer, or by a notice at the Sale, or an 4 FITNESS FOR PURPOSE AND indemnify the Seller against all charges, costs, insert in the Catalogue, then Bonhams is the Seller SATISFACTORY QUALITY including any legal costs and fees, Expenses and for the purposes of this agreement. losses suffered by the Seller by reason of your 4.1 The Seller does not make and does not agree failure to remove the Lot including any charges to make any contractual promise, undertaking, due under any Storage Contract. All such sums obligation, guarantee, warranty, or representation of due to the Seller will be payable on demand. fact in relation to the satisfactory quality of the Lot or its fitness for any purpose. NTB/MAIN/V2/2.17 SYMBOLS 1.4 The contract is made on the fall of the Auctioneer’s 4.2 The Seller will not be liable for any breach of any 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented hammer in respect of the Lot when it is knocked undertaking, whether implied by the Sale of Goods from performing that party’s respective obligations THE FOLLOWING SYMBOLS ARE USED TO down to you. Act 1979 or otherwise, as to the satisfactory quality 8.1 If the Purchase Price for a Lot is not paid to 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances DENOTE of the Lot or its fitness for any purpose. Bonhams in full in accordance with the Contract for damage caused by the Lot after the fall of the beyond its reasonable control or if performance of its 2 SELLER’S UNDERTAKINGS Sale the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances Y Subject to CITES regulations when exporting these items 5 RISK, PROPERTY AND TITLE agreement of Bonhams but without further notice to give rise to a significantly increased financial outside the EU, see clause 13. 2.1 The Seller undertakes to you that: you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach of cost to it, that party will not, for so long as such TP Objects displayed with a TP will be located at the 5.1 Risk in the Lot passes to you when it is knocked (whether through Bonhams or otherwise): the express undertaking provided in paragraph 2.1.5, circumstances prevail, be required to perform such Cadogan Tate warehouse and will only be available for 2.1.1 the Seller is the owner of the Lot or is duly authorised down to you on the fall of the Auctioneer’s the Seller will not be liable for any breach of any term obligations. This paragraph does not apply to the collection from this location. to sell the Lot by the owner; hammer in respect of the Lot. The Seller will 8.1.1 to terminate immediately the Contract for Sale of the that the Lot will correspond with any Description obligations imposed on you by paragraph 6. W Objects displayed with a w will be located in the not be responsible thereafter for the Lot prior to Lot for your breach of contract; applied to it by or on behalf of the Seller, whether Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the you collecting it from Bonhams or the Storage implied by the Sale of Goods Act 1979 or otherwise. 10.4 Any notice or other communication to be given collection from this location. Catalogue, the Seller sells the Lot with full title Contractor, with whom you have separate contract(s) 8.1.2 to resell the Lot by auction, private treaty or any under the Contract for Sale must be in writing and Δ Wines lying in Bond. guarantee or, where the Seller is an executor, trustee, as Buyer. You will indemnify the Seller and keep the other means on giving seven days’ written notice to 9.3 Unless the Seller sells the Lot in the course of a may be delivered by hand or sent by first class AR An Additional Premium will be payable to us by the Buyer liquidator, receiver or administrator, with whatever Seller fully indemnified from and against all claims, you of the intention to resell; Business and the Buyer buys it as a Consumer, post or air mail or fax transmission, if to the Seller, to cover our Expenses relating to payment of royalties right, title or interest he may have in the Lot; proceedings, costs, expenses and losses arising in addressed c/o Bonhams at its address or fax under the Artists Resale Right Regulations 2006. See respect of any injury, loss and damage caused to the 8.1.3 to retain possession of the Lot; 9.3.1 the Seller will not be liable (whether in negligence, number in the Catalogue (marked for the attention of clause 7 for details. 2.1.3 except where the Sale is by an executor, trustee, Lot after the fall of the Auctioneer’s hammer until you other tort, breach of contract or statutory duty or in the Company Secretary), and if to you to the address ○ The Seller has been guaranteed a minimum price for the liquidator, receiver or administrator the Seller is both obtain full title to it. 8.1.4 to remove and store the Lot at your expense; restitution or under the Misrepresentation Act 1967, or fax number of the Buyer given in the Bidding Form Lot, either by Bonhams or a third party. This may take the legally entitled to sell the Lot, and legally capable or in any other way) for any lack of conformity with, (unless notice of any change of address is given in form of an irrevocable bid by a third party, who may make of conferring on you quiet possession of the Lot 5.2 Title to the Lot remains in and is retained by the 8.1.5 to take legal proceedings against you for any sum or inaccuracy, error, misdescription or omission in writing). It is the responsibility of the sender of the a financial gain on a successful Sale or a financial loss if and that the Sale conforms in every respect with Seller until the Purchase Price and all other sums due under the Contract for Sale and/or damages for any Description of the Lot or any Entry or Estimate in notice or communication to ensure that it is received unsuccessful. the terms implied by the Sale of Goods Act 1979, payable by you to Bonhams in relation to the Lot breach of contract; relation to the Lot made by or on behalf of the Seller in a legible form within any applicable time period. ▲ Bonhams owns the Lot either wholly or partially or may Sections 12(1) and 12(2) (see the Definitions and have been paid in full to, and received in cleared (whether made in writing, including in the Catalogue, otherwise have an economic interest. Glossary); funds by, Bonhams. 8.1.6 to be paid interest on any monies due (after as well or on the Website, or orally, or by conduct or 10.5 If any term or any part of any term of the Contract This lot contains or is made of ivory. The United States Ф as before judgement or order) at the annual rate otherwise) and whether made before or after this for Sale is held to be unenforceable or invalid, Government has banned the import of ivory into 2.1.4 the Seller has complied with all requirements, legal or 6 PAYMENT of 5% per annum above the base rate of National agreement or prior to or during the Sale; such unenforceability or invalidity will not affect the the USA. otherwise, relating to any export or import of the Lot, Westminster Bank Plc from time to time to be enforceability and validity of the remaining terms or and all duties and taxes in respect of the export or 6.1 Your obligation to pay the Purchase Price arises calculated on a daily basis from the date upon which 9.3.2 the Seller will not be liable for any loss of Business, the remainder of the relevant term. Ω a •, †, *, G, , see clause 8, VAT, for details. import of the Lot have (unless stated to the contrary when the Lot is knocked down to you on the fall of such monies become payable until the date of actual Business profits or revenue or income or for loss of in the Catalogue or announced by the Auctioneer) the Auctioneer’s hammer in respect of the Lot. payment; reputation or for disruption to Business or wasted 10.6 References in the Contract for Sale to Bonhams will, DATA PROTECTION – USE OF YOUR INFORMATION been paid and, so far as the Seller is aware, all third time on the part of the Buyer or of the Buyer’s where appropriate, include reference to Bonhams’ parties have complied with such requirements in 6.2 Time will be of the essence in relation to payment of 8.1.7 to repossess the Lot (or any part thereof) which has management or staff or, for any indirect losses or officers, employees and agents. Where we obtain any personal information about you, we the past; the Purchase Price and all other sums payable by not become your property, and for this purpose consequential damages of any kind, irrespective in shall only use it in accordance with the terms of our Privacy you to Bonhams. Unless agreed in writing with you (unless the Buyer buys the Lot as a Consumer from any case of the nature, volume or source of the loss 10.7 The headings used in the Contract for Sale are for Policy (subject to any additional specific consent(s) you may 2.1.5 subject to any alterations expressly identified as such by Bonhams on the Seller’s behalf (in which case the Seller selling in the course of a Business) you or damage alleged to be suffered, and irrespective convenience only and will not affect its interpretation. have given at the time your information was disclosed). A made by announcement or notice at the Sale venue you must comply with the terms of that agreement), hereby grant an irrevocable licence to the Seller by of whether the said loss or damage is caused by copy of our Privacy Policy can be found on our Website www. or by the Notice to Bidders or by an insert in the all such sums must be paid to Bonhams by you himself and to his servants or agents to enter upon or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means “including, bonhams.com or requested by post from Customer Services Catalogue, the Lot corresponds with the Contractual in the currency in which the Sale was conducted all or any of your premises (with or without vehicles) breach of contract, statutory duty, restitutionary claim without limitation”. Department, 101 New Bond Street, London, W1S 1SR or by Description of the Lot, being that part of the Entry by not later than 4.30pm on the second working during normal Business hours to take possession of or otherwise; email from [email protected] about the Lot in the Catalogue which is in bold day following the Sale and you must ensure that the Lot or part thereof; 10.9 References to the singular will include reference to letters and (except for colour) with any photograph of the funds are cleared by the seventh working day 9.3.3 in any circumstances where the Seller is liable to the plural (and vice versa) and reference to any one APPENDIX 1 the Lot in the Catalogue and the contents of after the Sale. Payment must be made to Bonhams 8.1.8 to retain possession of any other property sold to you in respect of the Lot, or any act, omission, gender will include reference to the other genders. any Condition Report which has been provided to by one of the methods stated in the Notice to you by the Seller at the Sale or any other auction statement, or representation in respect of it, or CONTRACT FOR SALE the Buyer. Bidders unless otherwise agreed with you in writing or by private treaty until all sums due under the this agreement or its performance, and whether in 10.10 Reference to a numbered paragraph is to a by Bonhams. If you do not pay any sums due in Contract for Sale shall have been paid in full in damages, for an indemnity or contribution or for paragraph of the Contract for Sale. IMPORTANT: These terms may be changed in advance of 3 DESCRIPTIONS OF THE LOT accordance with this paragraph, the Seller will have cleared funds; a restitutionary remedy or in any way whatsoever, the Sale of the Lot to you, by the setting out of different terms the rights set out in paragraph 8 below. the Seller’s liability will be limited to payment of a 10.11 Save as expressly provided in paragraph 10.12 in the Catalogue for the Sale and/or by placing an insert in the 3.1 Paragraph 2.1.5 sets out what is the Contractual 8.1.9 to retain possession of, and on seven days written sum which will not exceed by way of maximum the nothing in the Contract for Sale confers (or purports Catalogue and/or by notices at the Sale venue and/or by oral Description of the Lot. In particular, the Lot is not 7 COLLECTION OF THE LOT notice to sell, Without Reserve, any of your other amount of the Purchase Price of the Lot irrespective to confer) on any person who is not a party to the announcements before and during the Sale at the Sale venue. sold as corresponding with that part of the Entry in property in the possession of the Seller and/or of in any case of the nature, volume or source of Contract for Sale any benefit conferred by, or the You should be alert to this possibility of changes and ask in the Catalogue which is not printed in bold letters, 7.1 Unless otherwise agreed in writing with you by Bonhams (as bailee for the Seller) for any purpose any loss or damage alleged to be suffered or sum right to enforce any term of, the Contract for Sale. advance of bidding if there have been any. which merely sets out (on the Seller’s behalf) Bonhams, the Lot will be released to you or to your (including, without limitation, other goods sold to claimed as due, and irrespective of whether the Bonhams’ opinion about the Lot and which is not order only when Bonhams has received cleared you) and to apply any monies due to you as a result liability arises from any negligence, other tort, breach 10.12 Where the Contract for Sale confers an immunity Under this contract the Seller’s liability in respect of the quality part of the Contractual Description upon which the funds to the amount of the full Purchase Price and of such Sale in satisfaction or part satisfaction of any of contract, statutory duty, bailee’s duty, restitutionary from, and/or an exclusion or restriction of, the of the Lot, it’s fitness for any purpose and its conformity with Lot is sold. Any statement or representation other all other sums owed by you to the Seller and to amounts owed to the Seller or to Bonhams; and claim or otherwise. responsibility and/or liability of the Seller, it will also any Description is limited. You are strongly advised to examine than that part of the Entry referred to in paragraph Bonhams. operate in favour and for the benefit ofBonhams, the Lot for yourself and/or obtain an independent examination 2.1.5 (together with any express alteration to it 8.1.10 so long as such goods remain in the possession 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will Bonhams’ holding company and the subsidiaries of it before you buy it. as referred to in paragraph 2.1.5), including any 7.2 The Seller is entitled to withhold possession from you of the Seller or Bonhams as its bailee, to rescind be construed as excluding or restricting (whether of such holding company and the successors and Description or Estimate, whether made orally or in of any other Lot he has sold to you at the same or the contract for the Sale of any other goods sold to directly or indirectly) any person’s liability or excluding assigns of Bonhams and of such companies and of 1 THE CONTRACT writing, including in the Catalogue or on Bonhams’ at any other Sale and whether currently in Bonhams’ you by the Seller at the Sale or at any other auction or restricting any person’s rights or remedies in any officer, employee and agent of Bonhams and Website, or by conduct, or otherwise, and whether possession or not until payment in full and in cleared or by private treaty and apply any monies received respect of (i) fraud, or (ii) death or personal injury such companies, each of whom will be entitled to 1.1 These terms govern the Contract for Sale of the Lot by or on behalf of the Seller or Bonhams and funds of the Purchase Price and all other sums due from you in respect of such goods in part or full caused by the Seller’s negligence (or any person rely on the relevant immunity and/or exclusion and/or by the Seller to the Buyer. whether made prior to or during the Sale, is not part to the Seller and/or Bonhams in respect of the Lot. satisfaction of any amounts owed to the Seller or to under the Seller’s control or for whom the Seller is restriction within and for the purposes of Contracts of the Contractual Description upon which the Lot is Bonhams by you. legally responsible), or (iii) acts or omissions for which (Rights of Third Parties) Act 1999, which enables the 1.2 The Definitions and Glossary contained in Appendix sold. 7.3 You will collect and remove the Lot at your own the Seller is liable under the Occupiers Liability Act benefit of a contract to be extended to a person who 3 in the Catalogue are incorporated into this Contract expense from Bonhams’ custody and/ or control or 8.2 You agree to indemnify the Seller against all legal 1957, or (iv) any other liability to the extent the same is not a party to the contract, and generally at law. for Sale and a separate copy can also be provided 3.2 Except as provided in paragraph 2.1.5, the Seller from the Storage Contractor’s custody in accordance and other costs of enforcement, all losses and other may not be excluded or restricted as a matter of law. by Bonhams on request. Where words and phrases does not make or give and does not agree to with Bonhams’ instructions or requirements. Expenses and costs (including any monies payable 11 GOVERNING LAW are used which are in the List of Definitions, they are make or give any contractual promise, undertaking, to Bonhams in order to obtain the release of the printed in italics. 10 MISCELLANEOUS obligation, guarantee, warranty, or representation 7.4 You will be wholly responsible for packing, handling Lot) incurred by the Seller (whether or not court All transactions to which the Contract for Sale of fact, or undertake any duty of care, in relation to and transport of the Lot on collection and for proceedings will have been issued) as a result of 10.1 You may not assign either the benefit or burden of applies and all connected matters will be governed 1.3 The Seller sells the Lot as the principal to the any Description of the Lot or any Estimate in relation complying with all import or export regulations in Bonhams taking steps under this paragraph 8 on the Contract for Sale. by and construed in accordance with the laws of Contract for Sale, such contract being made to it, nor of the accuracy or completeness of any connection with the Lot. a full indemnity basis together with interest thereon that part of the United Kingdom where the Sale between the Seller and you through Bonhams which Description or Estimate which may have been made (after as well as before judgement or order) at the 10.2 The Seller’s failure or delay in enforcing or exercising takes place and the Seller and you each submit to acts in the sole capacity as the Seller’s agent and not by or on behalf of the Seller including by Bonhams. 7.5 You will be wholly responsible for any removal, rate specified in paragraph 8.1.6 from the date upon any power or right under the Contract for Sale will the exclusive jurisdiction of the courts of that part as an additional principal. However, if the Catalogue No such Description or Estimate is incorporated into storage or other charges or Expenses incurred which the Seller becomes liable to pay the same until not operate or be deemed to operate as a waiver of of the United Kingdom, save that the Seller may states that Bonhams sells the Lot as principal, or this Contract for Sale. by the Seller if you do not remove the Lot in payment by you. his rights under it except to the extent of any express bring proceedings against you in any other court of such a statement is made by an announcement accordance with this paragraph 7 and will waiver given to you in writing. Any such waiver will competent jurisdiction to the extent permitted by by the Auctioneer, or by a notice at the Sale, or an 4 FITNESS FOR PURPOSE AND indemnify the Seller against all charges, costs, 8.3 On any resale of the Lot under paragraph 8.1.2, the not affect the Seller’s ability subsequently to enforce the laws of the relevant jurisdiction. Bonhams has a insert in the Catalogue, then Bonhams is the Seller SATISFACTORY QUALITY including any legal costs and fees, Expenses and Seller will account to you in respect of any balance any right arising under the Contract for Sale. complaints procedure in place. for the purposes of this agreement. losses suffered by the Seller by reason of your remaining from any monies received by him or on 4.1 The Seller does not make and does not agree failure to remove the Lot including any charges his behalf in respect of the Lot, after the payment of to make any contractual promise, undertaking, due under any Storage Contract. All such sums all sums due to the Seller and to Bonhams, within obligation, guarantee, warranty, or representation of due to the Seller will be payable on demand. 28 days of receipt of such monies by him or on his fact in relation to the satisfactory quality of the Lot or behalf. its fitness for any purpose. NTB/MAIN/V2/2.17 NTB/MAIN/V2/2.17 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as acting as your agent and on your behalf, to enter otherwise set out in the Notice to Bidders, you must into a contract (the “Storage Contract”) with the IMPORTANT: These terms may be changed in advance of pay to us by not later than 4.30pm on the second Storage Contractor for the storage of the Lot on the the Sale of the Lot to you, by the setting out of different terms working day following the Sale: then current standard terms and conditions agreed in the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders on each lot, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the charges (and all costs of moving the Lot into storage) Reference is made in this agreement to information methods of payment set out in the Notice to due under any Storage Contract. You acknowledge printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the and agree that you will not be able to collect the Lot Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an from the Storage Contractor’s premises until you is referred to it is incorporated into this agreement. agent for a named principal and we have approved have paid the Purchase Price, any Expenses and all that arrangement, in which case we will address the charges due under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by 3.6 Time will be of the essence in relation to any your behalf. this agreement and we agree, subject to the terms payment payable to us. If you do not pay the below, to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the Notice rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your to Bidders or otherwise notified to you, store the Lot removal of the Lot or until the time and date set out in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down in the Notice to Bidders, on the Sale Information to you, any monies we receive from you will be Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to applied firstly pro-rata to pay the Purchase Price of is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you each Lot and secondly pro-rata to pay all amounts Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid due to Bonhams. responsible as bailee to you for damage to or the to us, in cleared funds, everything due to us and the loss or destruction of the Lot (notwithstanding that it Seller; 4 COLLECTION OF THE LOT is not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us times specified in the Notice to Bidders. Thereafter, Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells the Lot may be removed elsewhere for storage and when it was knocked down to you. the Lot as principal) made as agent on behalf of the you must enquire from us as to when and where you Seller. can collect it, although this information will usually be 6.2 You are advised to obtain insurance in respect of the set out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/V2/2.17 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: specified in the Notice to Bidders, you authorise us, AND PART PAYMENTS payment shall be applied firstly to the Purchase Price BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as acting as your agent and on your behalf, to enter of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the otherwise set out in the Notice to Bidders, you must into a contract (the “Storage Contract”) with the 7.1 If all sums payable to us are not so paid in full at one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general IMPORTANT: These terms may be changed in advance of pay to us by not later than 4.30pm on the second Storage Contractor for the storage of the Lot on the the time they are due and/or the Lot is not removed Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated the Sale of the Lot to you, by the setting out of different terms working day following the Sale: then current standard terms and conditions agreed in accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected in the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot more of the following rights (without prejudice to any other sums due to us. to be a leading expert in the relevant field; or announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current rights we may exercise on behalf of the Seller): You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only advance of bidding if there have been any. out in the Notice to Bidders on each lot, and Lot per day) will be payable from the expiry of the 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for period referred to in paragraph 4.2. These storage breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. this paragraph 7 after the payment of all sums due to published or by means of a process which it was which is calculated and payable in accordance with 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any all such sums paid to us. employed. personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 7.1.3 to remove, and/or store the Lot at your expense; a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 8 CLAIMS BY OTHER PERSONS IN RESPECT 9.4 You authorise us to carry out such processes and Contractor as agent on behalf of the Seller and 7.1.4 to take legal proceedings against you for payment OF THE LOT tests on the Lot as we in our absolute discretion 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot is is or is not a Forgery. into this agreement and a separate copy can also contract; the subject of a claim by someone other than you be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any and other than the Seller (or that such a claim can 9.5 If we are satisfied that a Lot is a Forgery we will (as phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the 7.1.5 to be paid interest on any monies due to us (after reasonably be expected to be made), we may, at our principal) purchase the Lot from you and you will are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the charges (and all costs of moving the Lot into storage) as well as before judgement or order) at the annual absolute discretion, deal with the Lot in any manner transfer the title to the Lot in question to us, with Reference is made in this agreement to information methods of payment set out in the Notice to due under any Storage Contract. You acknowledge rate of 5% per annum above the base lending rate which appears to us to recognise the legitimate full title guarantee, free from any liens, charges, printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the and agree that you will not be able to collect the Lot of National Westminster Bank Plc from time to time interests of ourselves and the other parties involved encumbrances and adverse claims, in accordance Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an from the Storage Contractor’s premises until you to be calculated on a daily basis from the date upon and lawfully to protect our position and our legitimate with the provisions of Sections 12(1) and 12(2) of is referred to it is incorporated into this agreement. agent for a named principal and we have approved have paid the Purchase Price, any Expenses and all which such monies become payable until the date of interests. Without prejudice to the generality of the the Sale of Goods Act 1979 and we will pay to you that arrangement, in which case we will address the charges due under the Storage Contract. actual payment; discretion and by way of example, we may: an amount equal to the sum of the Purchase Price, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Buyer’s Premium, VAT and Expenses paid by you in Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling 7.1.6 to repossess the Lot (or any part thereof) which has 8.1.1 retain the Lot to investigate any question raised or respect of the Lot. and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for not become your property, and for this purpose reasonably expected by us to be raised in relation to hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in (unless you buy the Lot as a Consumer) you hereby the Lot; and/or 9.6 The benefit of paragraph 9 is personal to, and down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. grant an irrevocable licence to us, by ourselves, our incapable of assignment by, you. also made between you and Bonhams on the terms all such sums. servants or agents, to enter upon all or any of your 8.1.2 deliver the Lot to a person other than you; and/or in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, premises (with or without vehicles) during normal 9.7 If you sell or otherwise dispose of your interest in the 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed business hours to take possession of any Lot or part 8.1.3 commence interpleader proceedings or seek any Lot, all rights and benefits under this paragraph will 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our thereof; other order of any court, mediator, arbitrator or cease. answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including government body; and/or breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of 7.1.7 to sell the Lot Without Reserve by auction, private 9.8 Paragraph 9 does not apply to a Lot made up of or unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any treaty or any other means on giving you three 8.1.4 require an indemnity and/or security from you in including a Chinese painting or Chinese paintings, a event before any collection of the Lot by you or on months’ written notice of our intention to do so; return for pursuing a course of action agreed to by motor vehicle or motor vehicles, a Stamp or Stamps 1.5 Our personal obligations to you are governed by 3.6 Time will be of the essence in relation to any your behalf. you. or a Book or Books. this agreement and we agree, subject to the terms payment payable to us. If you do not pay the 7.1.8 to retain possession of any of your other property in below, to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT our possession for any purpose (including, without 8.2 The discretion referred to in paragraph 8.1: 10 OUR LIABILITY accordance with this paragraph 3, we will have the limitation, other goods sold to you or with us for Sale) 1.5.1 we will, until the date and time specified in the Notice rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your until all sums due to us have been paid in full; 8.2.1 may be exercised at any time during which we have 10.1 We will not be liable whether in negligence, other to Bidders or otherwise notified to you, store the Lot removal of the Lot or until the time and date set out actual or constructive possession of the Lot, or at tort, breach of contract or statutory duty or in in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down in the Notice to Bidders, on the Sale Information 7.1.9 to apply any monies received from you for any any time after such possession, where the cessation restitution or under the Misrepresentation Act 1967 to you, any monies we receive from you will be Page or at the back of the catalogue (or if no date purpose whether at the time of your default or at any of such possession has occurred by reason of any or in any other way for lack of conformity with or 1.5.2 subject to any power of the Seller or us to refuse to applied firstly pro-rata to pay the Purchase Price of is specified, by 4.30pm on the seventh day after the time thereafter in payment or part payment of any decision, order or ruling of any court, mediator, any inaccuracy, error, misdescription or omission in release the Lot to you, we will release the Lot to you each Lot and secondly pro-rata to pay all amounts Sale) and, subject to paragraphs 6 and 10, to be sums due to us by you under this agreement; arbitrator or government body; and any Description of the Lot or any Entry or Estimate in accordance with paragraph 4 once you have paid due to Bonhams. responsible as bailee to you for damage to or the in respect of it, made by us or on our behalf or by to us, in cleared funds, everything due to us and the loss or destruction of the Lot (notwithstanding that it 7.1.10 on three months’ written notice to sell, Without 8.2.2 will not be exercised unless we believe that there or on behalf of the Seller (whether made in writing, Seller; 4 COLLECTION OF THE LOT is not your property before payment of the Purchase Reserve, any of your other property in our exists a serious prospect of a good arguable case in including in the Catalogue, or on the Bonhams’ Price). If you do not collect the Lot before the time possession or under our control for any purpose favour of the claim. Website, or orally, or by conduct or otherwise) and 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no (including other goods sold to you or with us for whether made before or after this agreement or prior paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day Sale) and to apply any monies due to you as a result 9 FORGERIES to or during the Sale. in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another of such Sale in payment or part payment of any 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out amounts owed to us; 9.1 We undertake a personal responsibility for any 10.2 Our duty to you while the Lot is at your risk and/or or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have Forgery in accordance with the terms of this your property and in our custody and/or control is to obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, 7.1.11 refuse to allow you to register for a future Sale or to paragraph 9. exercise reasonable care in relation to it, but we will fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, reject a bid from you at any future Sale or to require not be responsible for damage to the Lot or to other Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to you to pay a deposit before any bid is accepted by 9.2 Paragraph 9 applies only if: persons or things caused by: completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the us at any future Sale in which case we will be entitled may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with to apply such deposit in payment or part payment, 9.2.1 your name appears as the named person to whom 10.2.1 handling the Lot if it was affected at the time of Sale or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. as the case may be, of the Purchase Price of any Lot the original invoice was made out by us in respect of to you by woodworm and any damage is caused as writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. of which you are the Buyer. the Lot and that invoice has been paid; and a result of it being affected by woodworm; or Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot 7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably 10.2.2 changes in atmospheric pressure; nor will we be during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us costs, all losses and all other Expenses (whether or practicable after you have become aware that the liable for: incorporated into this agreement between you and Notice to Bidders for collection on the days and will title in the Lot pass to you. However under the not court proceedings will have been issued) incurred Lot is or may be a Forgery, and in any event within us. Any such Description or Estimate, if made by us times specified in the Notice to Bidders. Thereafter, Contract for Sale, the risk in the Lot passed to you by us as a result of our taking steps under this one year after the Sale, that the Lot is a Forgery; and 10.2.3 damage to tension stringed musical instruments; or or on our behalf, was (unless Bonhams itself sells the Lot may be removed elsewhere for storage and when it was knocked down to you. paragraph 7 on a full indemnity basis together with the Lot as principal) made as agent on behalf of the you must enquire from us as to when and where you interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been 10.2.4 damage to gilded picture frames, plaster picture Seller. can collect it, although this information will usually be 6.2 You are advised to obtain insurance in respect of the order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition frames or picture frame glass; and if the Lot is or set out in the Notice to Bidders. Lot as soon as possible after the Sale. the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by becomes dangerous, we may dispose of it without 2 PERFORMANCE OF THE CONTRACT FOR same until payment by you. written evidence that the Lot is a Forgery and details notice to you in advance in any manner we think fit SALE of the Sale and Lot number sufficient to identify the and we will be under no liability to you for doing so. Lot. You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/V2/2.17 NTB/MAIN/V2/2.17 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are for Business profits, revenue or income or for loss of reflected the then accepted general opinion of convenience only and will not affect its interpretation. Business reputation or for disruption to Business or scholars and experts or fairly indicated that there wasted time on the part of the Buyer’s management was a conflict of such opinion; or 12.8 In this agreement “including” means “including, or staff or, if you are buying the Lot in the course of without limitation”. a Business, for any indirect losses or consequential it can be established that the Lot is a non- damages of any kind, irrespective in any case of conforming Lot only by means of a process not 12.9 References to the singular will include reference to the nature, volume or source of the loss or damage generally accepted for use until after the date on the plural (and vice versa) and reference to any one alleged to be suffered, and irrespective of whether which the Catalogue was published or by means gender will include reference to the other genders. the said loss or damage is caused by or claimed of a process which it was unreasonable in all the in respect of any negligence, other tort, breach of circumstances for us to have employed; or 12.10 Reference to a numbered paragraph is to a contract, statutory duty, bailee’s duty, a restitutionary paragraph of this agreement. claim or otherwise. the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or 12.11 Save as expressly provided in paragraph 12.12 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or nothing in this agreement confers (or purports to circumstances where we are liable to you in confer) on any person who is not a party to this respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under agreement any benefit conferred by, or the right to representation in respect of it, or this agreement “collections” or “collections and various” or the Lot enforce any term of, this agreement. or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain a an indemnity or contribution or for a restitutionary collection, issue or Books which are undescribed or 12.12 Where this agreement confers an immunity remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the from, and/or an exclusion or restriction of, the limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles responsibility and/or liability of Bonhams, it will also by way of maximum the amount of the Purchase or advertisements. operate in favour and for the benefit of Bonhams’ Price of the Lot plus Buyer’s Premium (less any holding company and the subsidiaries of such sum you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- holding company and the successors and assigns irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the of Bonhams and of such companies and of any source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot officer, employee and agent of Bonhams and such or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from companies, each of whom will be entitled to rely the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse on the relevant immunity and/or exclusion and/or breach of contract, statutory duty, bailee’s duty, a claims and we will pay to you an amount equal to restriction within and for the purposes of Contracts restitutionary claim or otherwise. the sum of the Purchase Price and Buyer’s Premium (Rights of Third Parties) Act 1999, which enables the paid by you in respect of the Lot. benefit of a contract to be extended to a person who You may wish to protect yourself against loss by is not a party to the contract, and generally at law. obtaining insurance. The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or 13 GOVERNING LAW 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all rights or restricting (whether directly or indirectly) any and benefits under this paragraph will cease. All transactions to which this agreement applies person’s liability or excluding or restricting any and all connected matters will be governed by and person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS construed in accordance with the laws of that part (ii) death or personal injury caused by our negligence of the United Kingdom where the Sale takes (or (or any person under our control or for whom we 12.1 You may not assign either the benefit or burden of is to take) place and we and you each submit to are legally responsible), or (iii) acts or omissions for this agreement. the exclusive jurisdiction of the courts of that part which we are liable under the Occupiers Liability Act of the United Kingdom, save that we may bring 1957, or (iv) any other liability to the extent the same 12.2 Our failure or delay in enforcing or exercising any proceedings against you in any other court of may not be excluded or restricted as a matter of law, power or right under this agreement will not operate competent jurisdiction to the extent permitted by or (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights the laws of the relevant jurisdiction. Bonhams has a conditions. under it except to the extent of any express waiver complaints procedure in place. given to you in writing. Any such waiver will not affect 11 BOOKS MISSING TEXT OR ILLUSTRATIONS our ability subsequently to enforce any right arising DATA PROTECTION – USE OF YOUR INFORMATION under this agreement. Where the Lot is made up wholly of a Book or Books Where we obtain any personal information about you, we and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from shall only use it in accordance with the terms of our Privacy either case referred to as a “non-conforming Lot”), performing that party’s respective obligations Policy (subject to any additional specific consent(s) you may we undertake a personal responsibility for such a under this agreement by circumstances beyond its have given at the time your information was disclosed). A non-conforming Lot in accordance with the terms of reasonable control or if performance of its obligations copy of our Privacy Policy can be found on our Website www. this paragraph, if: would by reason of such circumstances give rise bonhams.com or requested by post from Customer Services to a significantly increased financial cost to it, that Department, 101 New Bond Street, London W1S 1SR, United the original invoice was made out by us to you in party will not, for so long as such circumstances Kingdom or by email from [email protected]. respect of the Lot and that invoice has been paid; prevail, be required to perform such obligations. This and paragraph does not apply to the obligations imposed APPENDIX 3 on you by paragraph 3. you notify us in writing as soon as reasonably DEFINITIONS AND GLOSSARY practicable after you have become aware that the 12.4 Any notice or other communication to be given Lot is or may be a non-conforming Lot, and in any under this agreement must be in writing and may Where these Definitions and Glossary are incorporated, the event within 20 days after the Sale (or such longer be delivered by hand or sent by first class post or following words and phrases used have (unless the context period as we may agree in writing) that the Lot is a air mail or fax transmission (if to Bonhams marked otherwise requires) the meanings given to them below. The non-conforming Lot; and for the attention of the Company Secretary), to the Glossary is to assist you to understand words and phrases address or fax number of the relevant party given which have a specific legal meaning with which you may not within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change be familiar. such longer period as we may agree in writing) you of address is given in writing). It is the responsibility return the Lot to us in the same condition as it was of the sender of the notice or communication to LIST OF DEFINITIONS at the time of the Sale, accompanied by written ensure that it is received in a legible form within any evidence that the Lot is a non-conforming Lot and applicable time period. “Additional Premium” a premium, calculated in accordance details of the Sale and Lot number sufficient to with the Notice to Bidders, to cover Bonhams’ Expenses identify the Lot. 12.5 If any term or any part of any term of this agreement relating to the payment of royalties under the Artists Resale is held to be unenforceable or invalid, such Right Regulations 2006 which is payable by the Buyer to but not if: unenforceability or invalidity will not affect the Bonhams on any Lot marked [AR] which sells for a Hammer enforceability and validity of the remaining terms or Price which together with the Buyer’s Premium (but excluding the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. any VAT) equals or exceeds 1000 euros (converted into indicates that the rights given by this paragraph do the currency of the Sale using the European Central Bank not apply to it; or 12.6 References in this agreement to Bonhams will, where Reference rate prevailing on the date of the Sale). appropriate, include reference to Bonhams’ officers, “Auctioneer” the representative of Bonhams conducting employees and agents. the Sale.

NTB/MAIN/V2/2.17 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are for “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art Business profits, revenue or income or for loss of reflected the then accepted general opinion of convenience only and will not affect its interpretation. “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Business reputation or for disruption to Business or scholars and experts or fairly indicated that there Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the wasted time on the part of the Buyer’s management was a conflict of such opinion; or 12.8 In this agreement “including” means “including, “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. or staff or, if you are buying the Lot in the course of without limitation”. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. a Business, for any indirect losses or consequential it can be established that the Lot is a non- the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has the damages of any kind, irrespective in any case of conforming Lot only by means of a process not 12.9 References to the singular will include reference to words “we”, “us” and “our”. include, unless the context otherwise requires, reference to benefit of the indemnity in the same position in which he would the nature, volume or source of the loss or damage generally accepted for use until after the date on the plural (and vice versa) and reference to any one “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items have been, had the circumstances giving rise to the indemnity alleged to be suffered, and irrespective of whether which the Catalogue was published or by means gender will include reference to the other genders. Sale. offered for Sale as one Lot). not arisen and the expression “indemnify” is construed the said loss or damage is caused by or claimed of a process which it was unreasonable in all the “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to accordingly. in respect of any negligence, other tort, breach of circumstances for us to have employed; or 12.10 Reference to a numbered paragraph is to a “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to contract, statutory duty, bailee’s duty, a restitutionary paragraph of this agreement. Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. claim or otherwise. the Lot comprises atlases, maps, autographs, Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by manuscripts, extra illustrated books, music or 12.11 Save as expressly provided in paragraph 12.12 “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or nothing in this agreement confers (or purports to “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to circumstances where we are liable to you in confer) on any person who is not a party to this with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under agreement any benefit conferred by, or the right to “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, representation in respect of it, or this agreement “collections” or “collections and various” or the Lot enforce any term of, this agreement. at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain a “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. an indemnity or contribution or for a restitutionary collection, issue or Books which are undescribed or 12.12 Where this agreement confers an immunity including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the from, and/or an exclusion or restriction of, the our Website. calculated according to the formula set out in the Conditions doer has a duty of care. limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles responsibility and/or liability of Bonhams, it will also “Commission” the Commission payable by the Seller to of Business. by way of maximum the amount of the Purchase or advertisements. operate in favour and for the benefit of Bonhams’ Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 Price of the Lot plus Buyer’s Premium (less any holding company and the subsidiaries of such “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the sum you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- holding company and the successors and assigns provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the of Bonhams and of such companies and of any of the Seller. the Reserve applicable to the Lot. source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot officer, employee and agent of Bonhams and such “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from companies, each of whom will be entitled to rely Buyer’s Agreement and Definitions and Glossary. our Catalogues. the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse on the relevant immunity and/or exclusion and/or “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and (1) In a contract of sale, other than one to which subsection breach of contract, statutory duty, bailee’s duty, a claims and we will pay to you an amount equal to restriction within and for the purposes of Contracts calculated at rates set out in the Conditions of Business. VAT on the Hammer Price (where applicable), the Buyer’s (3) below applies, there is an implied term on the part of restitutionary claim or otherwise. the sum of the Purchase Price and Buyer’s Premium (Rights of Third Parties) Act 1999, which enables the “Consumer” a natural person who is acting for the relevant Premium and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell paid by you in respect of the Lot. benefit of a contract to be extended to a person who purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he You may wish to protect yourself against loss by is not a party to the contract, and generally at law. “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to obtaining insurance. The benefit of paragraph 10 is personal to, and applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered for Sale pass. incapable of assignment by, you and if you sell or 13 GOVERNING LAW to be offered for Sale by Bonhams. by Bonhams. 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all rights “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection or restricting (whether directly or indirectly) any and benefits under this paragraph will cease. All transactions to which this agreement applies Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, (3) below applies, there is also an implied term that- person’s liability or excluding or restricting any and all connected matters will be governed by and “Contractual Description” the only Description of the Lot any VAT chargeable thereon, Expenses and any other amount person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS construed in accordance with the laws of that part (being that part of the Entry about the Lot in the Catalogue due to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until (ii) death or personal injury caused by our negligence of the United Kingdom where the Sale takes (or which is in bold letters, any photograph (except for the colour) “Seller” the person who offers the Lot for Sale named on the time when the property is to pass, from any (or any person under our control or for whom we 12.1 You may not assign either the benefit or burden of is to take) place and we and you each submit to and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known are legally responsible), or (iii) acts or omissions for this agreement. the exclusive jurisdiction of the courts of that part undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and which we are liable under the Occupiers Liability Act of the United Kingdom, save that we may bring “Description” any statement or representation in any person named on the Contract Form acts as an agent for a 1957, or (iv) any other liability to the extent the same 12.2 Our failure or delay in enforcing or exercising any proceedings against you in any other court of way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or (b) the buyer will enjoy quiet possession of the may not be excluded or restricted as a matter of law, power or right under this agreement will not operate competent jurisdiction to the extent permitted by representation relating to its authorship, attribution, condition, not), “Seller” includes both the agent and the principal who goods except in so far as it may be disturbed by or (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights the laws of the relevant jurisdiction. Bonhams has a provenance, authenticity, style, period, age, suitability, quality, shall be jointly and severally liable as such. The Seller is also the owner or other person entitled to the benefit conditions. under it except to the extent of any express waiver complaints procedure in place. origin, value, estimated selling price (including the Hammer referred to in the Conditions of Business by the words “you” of any charge or encumbrance so disclosed or given to you in writing. Any such waiver will not affect Price). and “your”. known. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS our ability subsequently to enforce any right arising DATA PROTECTION – USE OF YOUR INFORMATION “Entry” a written statement in the Catalogue identifying the “Specialist Examination” a visual examination of a Lot by a under this agreement. Lot and its Lot number which may contain a Description and specialist on the Lot. (3) This subsection applies to a contract of sale in the Where the Lot is made up wholly of a Book or Books Where we obtain any personal information about you, we illustration(s) relating to the Lot. “Stamp” means a postage Stamp offered for Sale at a case of which there appears from the contract or is and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from shall only use it in accordance with the terms of our Privacy “Estimate” a statement of our opinion of the range within Specialist Stamp Sale. to be inferred from its circumstances an intention that either case referred to as a “non-conforming Lot”), performing that party’s respective obligations Policy (subject to any additional specific consent(s) you may which the hammer is likely to fall. “Standard Examination” a visual examination of a Lot by a the seller should transfer only such title as he or a third we undertake a personal responsibility for such a under this agreement by circumstances beyond its have given at the time your information was disclosed). A “Expenses” charges and Expenses paid or payable by non-specialist member of Bonhams’ staff. person may have. non-conforming Lot in accordance with the terms of reasonable control or if performance of its obligations copy of our Privacy Policy can be found on our Website www. Bonhams in respect of the Lot including legal Expenses, “Storage Contract” means the contract described in this paragraph, if: would by reason of such circumstances give rise bonhams.com or requested by post from Customer Services banking charges and Expenses incurred as a result of paragraph 8.3.3 of the Conditions of Business or paragraph (4) In a contract to which subsection (3) above applies there to a significantly increased financial cost to it, that Department, 101 New Bond Street, London W1S 1SR, United an electronic transfer of money, charges and Expenses 4.4 of the Buyer’s Agreement (as appropriate). is an implied term that all charges or encumbrances the original invoice was made out by us to you in party will not, for so long as such circumstances Kingdom or by email from [email protected]. for loss and damage cover, insurance, Catalogue and “Storage Contractor” means the company identified as such known to the seller and not known to the buyer have respect of the Lot and that invoice has been paid; prevail, be required to perform such obligations. This other reproductions and illustrations, any customs duties, in the Catalogue. been disclosed to the buyer before the contract is and paragraph does not apply to the obligations imposed APPENDIX 3 advertising, packing or shipping costs, reproductions rights’ “Terrorism” means any act or threatened act of terrorism, made. on you by paragraph 3. fees, taxes, levies, costs of testing, searches or enquiries, whether any person is acting alone or on behalf of or in you notify us in writing as soon as reasonably DEFINITIONS AND GLOSSARY preparation of the Lot for Sale, storage charges, removal connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies practicable after you have become aware that the 12.4 Any notice or other communication to be given charges, removal charges or costs of collection from the Seller committed for political, religious or ideological or similar there is also an implied term that none of the following Lot is or may be a non-conforming Lot, and in any under this agreement must be in writing and may Where these Definitions and Glossary are incorporated, the as the Seller’s agents or from a defaulting Buyer, plus VAT if purposes including, but not limited to, the intention to influence will disturb the buyer’s quiet possession of the goods, event within 20 days after the Sale (or such longer be delivered by hand or sent by first class post or following words and phrases used have (unless the context applicable. any government and/or put the public or any section of the namely: period as we may agree in writing) that the Lot is a air mail or fax transmission (if to Bonhams marked otherwise requires) the meanings given to them below. The “Forgery” an imitation intended by the maker or any other public into fear. non-conforming Lot; and for the attention of the Company Secretary), to the Glossary is to assist you to understand words and phrases person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; address or fax number of the relevant party given which have a specific legal meaning with which you may not authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change be familiar. source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend such longer period as we may agree in writing) you of address is given in writing). It is the responsibility value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a return the Lot to us in the same condition as it was of the sender of the notice or communication to LIST OF DEFINITIONS been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; at the time of the Sale, accompanied by written ensure that it is received in a legible form within any an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. evidence that the Lot is a non-conforming Lot and applicable time period. “Additional Premium” a premium, calculated in accordance Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or details of the Sale and Lot number sufficient to with the Notice to Bidders, to cover Bonhams’ Expenses or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge identify the Lot. 12.5 If any term or any part of any term of this agreement relating to the payment of royalties under the Artists Resale having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer is held to be unenforceable or invalid, such Right Regulations 2006 which is payable by the Buyer to restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at which before the contract is made. but not if: unenforceability or invalidity will not affect the Bonhams on any Lot marked [AR] which sells for a Hammer substantially affect the identity of the Lot as one conforming to a Lot may be sold (whether at auction or by private treaty). enforceability and validity of the remaining terms or Price which together with the Buyer’s Premium (but excluding the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. any VAT) equals or exceeds 1000 euros (converted into “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and indicates that the rights given by this paragraph do the currency of the Sale using the European Central Bank Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above not apply to it; or 12.6 References in this agreement to Bonhams will, where Reference rate prevailing on the date of the Sale). case of specialist Stamp Sales and/or specialist Book Sales, a The following expressions have specific legal meanings with are warranties.” appropriate, include reference to Bonhams’ officers, “Auctioneer” the representative of Bonhams conducting Lot made up of a Stamp or Stamps or a Book or Books as set which you may not be familiar. The following glossary is employees and agents. the Sale. out in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/V2/2.17 NTB/MAIN/V2/2.17 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British Ceramics Furniture Modern, Contemporary Russian Art UK UK UK & Latin American Art UK Charles O’ Brien John Sandon Thomas Moore U.S.A Daria Chernenko +44 20 7468 8360 +44 20 7468 8244 +44 20 8963 2816 Alexis Chompaisal +44 20 7468 8334 U.S.A U.S.A +1 323 436 5469 U.S.A Madalina Lazen California & Andrew Jones Yelena Harbick +1 212 644 9108 American Paintings +1 415 503 3413 Modern & Contemporary +1 212 644 9136 Scot Levitt Middle Eastern Art 20th Century British Art +1 323 436 5425 European Sculptures Nima Sagharchi Scientific Instruments Matthew Bradbury & Works of Art +44 20 7468 8342 Jon Baddeley +44 20 7468 8295 Carpets UK +44 20 7393 3872 UK Michael Lake Modern & Contemporary U.S.A. Aboriginal Art [email protected] +44 20 8963 6813 South Asian Art Jonathan Snellenburg Francesca Cavazzini U.S.A. Tahmina Ghaffar +1 212 461 6530 +61 2 8412 2222 Hadji Rahimipour Greek Art +44 207 468 8382 +1 415 503 3392 Olympia Pappa Scottish Pictures African, Oceanic +44 20 7468 8314 Modern Design Chris Brickley & Pre-Columbian Art Chinese & Asian Art Gareth Williams +44 131 240 2297 U.S.A UK Golf Sporting +44 20 7468 5879 Fredric Backlar Asaph Hyman Memorabilia Silver & Gold Boxes +1 323 436 5416 +44 20 7468 5888 Kevin Mcgimpsey Motor Cars UK U.S.A +44 131 240 2296 UK Ellis Finch American Paintings Dessa Goddard Tim Schofield +44 20 7393 3973 Kayla Carlsen +1 415 503 3333 Irish Art +44 20 7468 5804 U.S.A +1 917 206 1699 HONG KONG Penny Day U.S.A Aileen Ward +852 3607 0010 +44 20 7468 8366 Mark Osborne +1 323 436 5463 Antiquities AUSTRALIA +1 415 503 3353 Francesca Hickin Yvett Klein Impressionist & EUROPE South African Art +44 20 7468 8226 +61 2 8412 2222 Modern Art Philip Kantor Giles Peppiatt UK +32 476 879 471 +44 20 7468 8355 Antique Arms & Armour Clocks India Phillips UK UK +44 20 7468 8328 Automobilia Sporting Guns David Williams James Stratton U.S.A UK Patrick Hawes +44 20 7393 3807 +44 20 7468 8364 William O’Reilly Toby Wilson +44 20 7393 3815 U.S.A U.S.A +1 212 644 9135 +44 8700 273 619 Paul Carella Jonathan Snellenburg Adrian Pipiros Travel Pictures +1 415 503 3360 +1 212 461 6530 Indian, Himalayan & +44 8700 273621 Veronique Scorer Southeast Asian Art +44 20 7393 3962 Art Collections, Coins & Medals H.K. Motorcycles Estates & Valuations UK Edward Wilkinson Ben Walker Urban Art Harvey Cammell John Millensted +85 22 918 4321 +44 8700 273616 Gareth Williams +44 (0) 20 7468 8340 +44 20 7393 3914 U.S.A +44 20 7468 5879 U.S.A Mark Rasmussen Native American Art Art Nouveau & Decorative Paul Song +1 917 206 1688 Ingmars Lindbergs Watches & Art & Design +1 323 436 5455 +1 415 503 3393 Wristwatches UK Islamic & Indian Art UK Mark Oliver Contemporary Art Oliver White Natural History Jonathan Darracott +44 20 7393 3856 UK +44 20 7468 8303 U.S.A +44 20 7447 7412 U.S.A Ralph Taylor Claudia Florian U.S.A. Frank Maraschiello +44 20 7447 7403 Japanese Art +1 323 436 5437 Jonathan Snellenburg +1 212 644 9059 U.S.A UK +1 212 461 6530 Jeremy Goldsmith Suzannah Yip Old Master Pictures Australian Art +1 917 206 1656 +44 20 7468 8368 UK Whisky Merryn Schriever U.S.A Andrew Mckenzie UK +61 2 8412 2222 Entertainment Jeff Olson +44 20 7468 8261 Martin Green Alex Clark Memorabilia +1 212 461 6516 U.S.A +44 1292 520000 +61 3 8640 4088 UK Mark Fisher U.S.A Katherine Schofield Jewellery +1 323 436 5488 Erin McGrath Australian Colonial +44 20 7393 3871 UK +1 415 503 3363 Furniture and Australiana U.S.A Jean Ghika Orientalist Art HONG KONG +61 2 8412 2222 Catherine Williamson +44 20 7468 8282 Charles O’Brien Daniel Lam +1 323 436 5442 U.S.A +44 20 7468 8360 +852 3607 0004 Books, Maps & Susan Abeles Manuscripts European Ceramics +1 212 461 6525 Photography Wine UK UK HONG KONG U.S.A UK Matthew Haley Sebastian Kuhn Graeme Thompson Judith Eurich Richard Harvey +44 20 7393 3817 +44 20 7468 8384 +852 3607 0006 +1 415 503 3259 +44 (0) 20 7468 5811 U.S.A U.S.A U.S.A Catherine Williamson Peter Scott Marine Art Prints and Multiples Kate Wollman +1 323 436 5442 +1 415 503 3326 UK UK +1 415 503 3221 Veronique Scorer Lucia Tro Santafe Erin McGrath British & European Glass +44 20 7393 3962 +44 20 7468 8262 +1 415 503 3363 UK U.S.A U.S.A HONG KONG John Sandon Gregg Dietrich Judith Eurich Daniel Lam +44 20 7468 8244 +1 917 206 1697 +1 415 503 3259 +852 3607 0004 U.S.A. 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+1 415 503 3392 Olympia Pappa Scottish Pictures Surrey GU2 4BE England Germany - Cologne bonhams.com New Mexico African, Oceanic +44 20 7468 8314 Modern Design Chris Brickley +44 1483 504 030 Albertusstrasse 26 Michael Bartlett Singapore +1 (505) 820 0701 Bernadette Rankine & Pre-Columbian Art Chinese & Asian Art Gareth Williams +44 131 240 2297 +44 1483 450 205 fax Leeds 50667 Cologne 11th Floor, Wisma Atria 30 Park Square West +49 (0) 221 2779 9650 NORTH AMERICA [email protected] U.S.A UK Golf Sporting +44 20 7468 5879 Leeds LS1 2PF 435 Orchard Road Fredric Backlar Asaph Hyman Memorabilia Silver & Gold Boxes Isle of Wight [email protected] Singapore 238877 +44 1273 220 000 +44 113 234 5755 USA Oregon +1 323 436 5416 +44 20 7468 5888 Kevin Mcgimpsey Motor Cars UK +44 113 244 3910 fax Sheryl Acheson +65 (0) 6701 8038 Germany - Munich • +1(503) 312 6023 +65 (0) 6701 8001 fax U.S.A +44 131 240 2296 UK Ellis Finch Representative: Maximilianstrasse 52 San Francisco 220 San Bruno Avenue [email protected] bernadette.rankine@ American Paintings Dessa Goddard Tim Schofield +44 20 7393 3973 80538 Munich Brighton & Hove San Francisco bonhams.com Tim Squire-Sanders North West England +49 (0) 89 2420 5812 Kayla Carlsen +1 415 503 3333 Irish Art +44 20 7468 5804 U.S.A CA 94103 +44 1273 220 000 [email protected] Pennsylvania +1 917 206 1699 HONG KONG Penny Day U.S.A Aileen Ward +1 (415) 861 7500 Alan Fausel Taiwan Chester Summer Fang +852 3607 0010 +44 20 7468 8366 Mark Osborne +1 323 436 5463 2 St Johns Court, +1 (415) 861 8951 fax +1 (610) 644 1199 West Sussex Greece [email protected] 37th Floor, Taipei 101 Tower Antiquities AUSTRALIA +1 415 503 3353 +44 (0) 1273 220 000 Vicars Lane, 7 Neofytou Vamva Street Impressionist & South African Art Los Angeles • Nor 7 Xinyi Road, Section 5 Francesca Hickin Yvett Klein EUROPE Chester, Athens 10674 Taipei, 100 CH1 1QE 7601 W. 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G-NET8/5/17 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Fine European Ceramics Sale date: Wednesday 14 June 2017

Sale no. 24223 Sale venue: New Bond Street, London Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news your bids not being processed. For higher value lots you concerning Bonhams. Bonhams does not sell or trade email addresses. may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/06/14 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

Bonhams 101 New Bond Street London W1S 1SR

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